Seeing Things

Nancy Young cover

“True love is like ghosts,” wrote Francois de La Rochefoucauld, ” which everyone talks about and few have seen.”

Over the years, film, television and fiction have given us a bounty of stories in which star-crossed soul mates discover themselves up against the greatest divider of all – that pesky line separating the living and the dead. Whether it’s the hero who longs to be reunited with a beloved bride that was snatched from his arms too soon or a wistful heroine who has reconciled herself to the belief that all the best men are married, gay or a possible figment of their imaginations, author Nancy Young delivers a fresh twist in her latest novel, Seeing Things.  When you’re out to debunk the existence of ghosts – as well as deny your own ability to see them– what’s a girl to do when the sexy techie whose attention she has attracted is, quite literally, out of this world?

Interviewer: Christina Hamlett

**********

 Q: So tell us a little about your journey as a writer and who (or what) was the greatest influence on your quest to become a published author?

A:        I was hooked on writing from the time the teacher posted my lion story outside our first grade classroom. Even my research reports in school tended to morph into narratives. In the college where I worked, a group of us met weekly for critiquing sessions, which helped me grow out of that awkward beginners’ stage, rife with poems about butterflies and roadkill.  Drafting up to 17 stories a week when I was a reporter gave me confidence as a writer. Once I quit teaching, I had the time to publish poems, short stories, and plays. I started the novel because everyone in my writing group was working on one, and I didn’t want to feel left out!

Q: Were you a voracious reader when you were growing up? If so, what book titles might we have found on your nightstand?

A:        I grew up in the local library—literally. My mother was a librarian, and after school I’d hang out, sometimes helping alphabetize cards, but most often working my way through the collection, graduating from the children’s floor to the adult section by the time I was in middle school. (It was a very small library.)

As a girl, I read and reread The Wolves of Willoughby Chase, The Witch of Blackbird Pond, Mrs. Piggle-Wiggle, The Lion, The Witch, and the Wardrobe, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, as well as Mary Stewart novels, Victoria Holt novels, Poe’s and Vonnegut’s short stories, and an assortment of folklore anthologies. My guilty pleasure was those Gothic paperbacks—the ones with a nightgown-clad woman running in terror from a brooding castle. My favorite of that genre still sleeps in my bedside table: Moura by Virginia Coffman. From the list, you can see that I’m drawn to a mix of supernatural/ fantasy elements, strong characters, and dark humor.

Q: You’ve described your newest release, Seeing Things, as a romance with paranormal elements. What’s your attraction to this particular genre?

A:        The two genres are a perfect balance of light and dark. I love the tensions of romance—the friction, the rising stress, and the eventual capitulation. With paranormal elements, I can introduce unpredictability—a plane where intelligence and logic have no impact. Since I prefer strong characters, the complications they face have to be out of their immediate control.

Q: What was the inspiration behind Seeing Things?

A:        This book started out to be anti-genre. The central character is neither innocent nor naïve. She doesn’t want to be rescued.  Her love interest isn’t a taciturn alpha male, either. I took a sly delight in having Mary Catherine reject the typical hero.

Q: Have you ever had any ghostly encounters similar to those experienced by your intrepid heroine?

A:        When I was a T.A. in grad school, I shared an office with a folklore expert. He was often called upon to investigate odd phenomena and invited me along on investigations. At a plumbing supply business in Northeast Philly one bright winter afternoon, I heard bells chime in a wall where there were no bells, saw a clock run backwards when its power source had been cut off, and looked over a strange arrangement of paper plates and a dead bird on a breakroom floor. Since the business owner was anxious to keep the investigation secret lest it hurt business, a hoax seemed unlikely. This scenario found its way, in a different form, into a chapter of Seeing Things.

Another example occurred when I lived in a hundred-year-old farmhouse. In the attic (accessible through a trap door in my bedroom), hats, tools, and an old Royal typewriter had been left behind by the original owners. That typewriter would periodically have a new line of type on the tattered, yellowed sheet rolled into its platen. My kids were under five and couldn’t have accessed the attic without help—nor could they spell, for that matter.

Out of curiosity, I participated in an EVP study at Rhine Research Center, a parapsychology center that was originally part of Duke University.  Though most of what I heard in the controlled study was static, two voices sounded loud and clear. I have no idea if those were “control” sounds or actual examples of paranormal recordings.

Oddly enough, things like this fail to bother me. Put me in heavy traffic on the Beltline, though, and my palms will sweat.

Q: What governed the choice to pen this story in the first person? For instance, do you feel a special kinship with the narrator?

A:        I actually wrote the first few chapters of Seeing Things in third person before recasting it in first. The first-person POV won out with everyone who read both versions. So many of the great Gothic narratives are written in first person—Brontë’s Jane Eyre, Poe’s “The Tell-Tale Heart,” Gilman’s “The Yellow Wallpaper,” du Maurier’s Rebecca. First person narratives bring immediacy to a story and create a close bond between narrator and reader. Most importantly, this point of view allows for dramatic irony; the reader sees more than the narrator does. I loved playing with that notion with Mary Catherine, my protagonist.

Some readers hate first person novels, and I knew I was taking a risk. Don’t let anyone tell you it’s the easiest perspective to write in. When it’s done right, it’s amazingly challenging. For instance, readers want to know what a character looks like, but real people don’t describe themselves. Finding innovative ways to impart such information’s like a literary game.

Early on, I thought my narrator had little in common with me, but as the book progressed, I realized we suffer from some of the same issues. My local librarian even remarked that the woman on the book cover looks like me.

Q: Unlike typical romances that are formulaic in nature – as well as predictable – you opted to incorporate unexpected twists in character and plot. Why did you decide to go this route?

A:        When I was browsing the in the public library two years ago, I picked up book after book with the same basic plots, the same interchangeable, tiresome characters. When I started writing my own novel, I set out to create a book I’d like to read—one with a funny, complex central character, an atypical love interest, and a plot that pokes into unexpected places.

Q: Would you call yourself a plotter or a pantser and why does this your choice of development style work well for your personality?

A:        I’m a pantser for most of the writing process, at least until I write myself into a dilemma and have to type my way out of it. Even though I like to feel in control of the worlds I create, my characters develop minds of their own, veering off in unanticipated directions. A good writer, like a good director, has to be flexible. In the editing process, however, I’m meticulous.

Q: Have your characters ever surprised you?

A:        They often say things I didn’t expect, and then I have to rethink the plot line. My novel characters turn out to be every bit as complicated and contradictory as real people. Developing their arcs is like watching a child mature.

Q: Tell us about the title of the book and what it means to you.

A:        Seeing Things hints at much: questioning what is real, what is imagined, what is true. People constantly close their eyes to things they cannot face. I remember teaching Oedipus Rex to a class of students who thought that Oedipus should have closed his eyes (pre-poking them out) to the evidence of his guilt, remaining happy in his ignorance. I never understood how anyone could do that.

Q: What’s your favorite novel or movie about someone falling in love with a ghost?

A:        I watched The Ghost and Mrs. Muir (Gene Tierney, Rex Harrison) when I was little, along with the old Dark Shadows TV show. And my husband and I still dance to “Unchained Melody” from the Ghost soundtrack.

Q: If, hypothetically, one day you return as a ghost yourself, where would you most likely be hanging out and why?

A:        I’d be in my office—the tower room of the Victorian house I live in. The current residents would hear the faint tapping of my keyboard late at night, and the cat would refuse to cross the threshold.

The writer might die, but the words live on.

Q: How did you go about finding a publisher for this project?

A:        I had submitted my novel to two or three big publishing houses, and it languished in the slush pile. After reading a NYT article, I aimed instead for a small publishing house and had my work accepted.

Q: “Home” for you is a small town in North Carolina. How has this influenced your life as a writer and the interactions with your non-writer neighbors?

A:        When you ask a question around here, you get a story in response. The South teems with unusual people who speak in colorful metaphors and act unpredictably. Many of my poems and short stories stem from local lore: the lost woman walking the streets twirling a hula hoop, the church organist who suffered a breakdown when faced with a new electronic keyboard, the raging diva displaced from a local singing group.

My close friends are writers and artists. To keep myself grounded, though, I joined my neighborhood book club. Most of the other members are literal people who work with computers. Unsurprisingly, we have different tastes.  I often think their book choices would benefit from the addition of a zombie, especially those dreary stories about the Episcopal priest. They find me quirky. I consider that a compliment.

Q: What would most people be surprised to learn about you?

A:        I like heavy metal.

Q: If you could summon the ghost of any famous person in history to have a chat with, who would it be and what question would you most like to ask?

A:        John Donne. As a young teen, I’d daydream about him while I studied his picture on the cover of the Norton Anthology. Donne was such a fascinating mixture of passion and intellect, and he gave up everything for love. I’d ask him if he thought it was worth it.

Q: What are you working on now?

A:        So many things—the third book in the novel series (the second’s awaiting publication) , another novel featuring a minor character from Austen’s Sense and Sensibility, a scene for a Regency play, and a short story about a pregnant woman going quietly insane.

Q: Where can readers learn more about you?

A:        My bio is published on Amazon and Goodreads, as well as on my publisher’s site http://www.worldcastlepublishing.com/author-nancy-young.html . I also have a Web site, http://nancymyoung.com.

Q: Anything else you’d like to add?

A:        The sequel, Hearing Things, should be out in 2015.

 

 

 

Liliana

Liliana_1

Love is whatever you can still betray. Betrayal can only happen if you love. – John le Carre

In a tragic set of circumstances, one young woman is thrust into a world of grief and much more when she loses her mother unexpectedly on the streets of Chicago. In Neva Squires-Rodriguez’s first novel in her debut series Liliana, readers will travel to a foreign land where a father/daughter relationship isn’t typical, where danger awaits and one boy comes along who appears to be the man of Liliana’s dreams. However, one trusting girl learns in the worst way possible, that things are not at all what they seem.

Interviewer: Christy Campbell

**********

Tell us about your current release in the Liliana series

In my current release, Liliana, I came up with the idea for the story after a series of reoccurring dreams. I developed the story over time and after submitting my story to the publisher, I was asked to extend the story into a three book series, which was extremely exciting for me.

What inspired you to write the story of a girl who quite unexpectedly is thrown into tragedy?

I believe that all of our lives are full of struggle. Sometimes it takes looking at someone else’s life to make us realize that our own life is not so bad. This is exactly what I attempted in Liliana. My goal was to present a character that was very weak and that the audience could witness growth over time. The book has tons of twists that are guaranteed to leave the reader on edge. My reason for doing this is that life often has a series of unexpected events that are bestowed upon us and I wanted my story to be realistic in that respect. My goal was to captivate the reader and I hope that you will agree in saying that my goal was successful.

How did you feel about entering the young adult genre, since the demand is so high right now for voracious teen readers?

I’m very excited about entering the young adult genre, mostly because it is amazing that so many are still reading books and intrigued by them. It’s fascinating to me to hear about voracious teen readers, because that ultimately shows what hard work their parents and guardians- or teachers put into them in raising them and introducing the world of fiction (and non-fiction) to them.

Were there any particular life experiences that helped you create young Liliana?

Yes, sure, I’ve had my own struggles and my own share of relationships that weren’t what they originally seemed to be. What can I say?  We learn from our experiences. In my case many of my own experiences inspired me to write the story of Liliana, although I’d have to say that her experiences are much-much more extreme then my own.

A debut novel is an exciting time for an author. What was the most unexpected thing that happened after your book hit the presses?

It is very exciting and continues to be. Sadly, I was expecting all of my family and friends who read Liliana to go online to rate it. Silly me. I received emails and text messages from friends telling me how great they thought the book was, but when I asked that they left a review on Amazon so that I could get my ratings up, very few of them did. If I didn’t have such a strong personality, I would be devastated. It still kind of hurts and is surprising.

Family and friends are so important in providing both positive feedback and constructive criticism. What family members are closest to you and how have they supported your writing career.

Definitely agreed here, my mother has always been closest to me and helped support my writing career by buying four of my books and passing out fliers in her neighborhood – my old neighborhood letting store owners and friends know all about my book. My new friend Tamara Philip, who I co-authored a holiday novel with, has also been very supportive and it helps to vent with her about all the things that new authors go through, especially in working with an independent publisher.

What was your favorite book or author growing up?

I adored V.C. Andrews books growing up. I can’t remember if it was Ruby that hooked me or one prior to that. I know I started mid-series and had to go back to catch up on everything. I always stayed up late reading Andrews books after purchasing them, hiding out under my covers with a flashlight as I made my way through each chapter. If only we had e-readers back then!  Later in life I was introduced to Jane Austen and became a big fan of her books as well. I would have to say that Persuasion by Jane Austen is a favorite of mine.

Are there any writers out there, past or present who have given you the inspiration to make the dream come true?

Definitely, I am a big fan of Audre Lorde’s Poetry is Not a Luxury and Redondillas by Sor Juana Ines De La Cruz (look up the translated version it is amazing, especially given the time it was written), Adrienne Rich, Shakespeare and, of course, Jane Austen.

When you’re taking time away from that manuscript, what are some hobbies that you enjoy?

My only hobby is writing. I have four children of my own and a step-son that comes to visit us every now and again (he’s 22) so my life is very busy. Besides this I work a full time job and a part time job, so when I’m at home and find some time for myself, I’m either writing or sleeping-not too much of anything else.

Many writers like to listen to music while writing; it can really play into the creative process. Are there any lyrics to a song that stuck in your head while putting together your story?

I often write during my lunch hour, or at a local area play land for kids, so I may hear other people talking in the background or screaming, depending on which of the two I’m located at, however I do have to say that an inspiring lyric that I keep in my head is one from the “Then” Puff Daddy, “Satisfy You” single that said at one point, “I can’t impress you with the cars and the wealth ‘Cause any woman with will and drive can get it herself.”

Let’s switch gears. Right off the bat, tell us the most impulsive thing you’ve done in your life that you just might portray in a character.

Impulsive, let’s see…  While on a trip to Mexico with three of my girlfriends, we swam out to the base of a waterfall. That experience was amazing. While I was scared to death to do it, I think if my character did it, it would come very naturally to him or her. Hmm…  I think you just gave me an idea for a new book. I have so many ideas and not enough time to write them out

Are there any websites you like to spend time on—both for business and pleasure?

Definitely Goodreads and Twitter. I find such good stuff there. Lately I have been really impressed with fellow Tweeters’ pictures that are posted – such miraculous breathtaking photography.

Where can readers learn more about Neva Squires-Rodriguez and Liliana?

On my Blog:

http://nevasquiresrodriguez.com/

On my Amazon Author page:

http://www.amazon.com/Neva-Squires-Rodriguez/e/B00MVB3ZD0/ref=sr_ntt_srch_lnk_1?qid=1417538549&sr=8-1

On Twitter:

https://twitter.com/NevaRodriguez22

On Facebook:

https://www.facebook.com/pages/Neva-Squires-Rodriguez/1497271613835645?ref=hl

And on Goodreads:

https://www.goodreads.com/author/show/8507331.Neva_Squires_Rodriguez

 

Haylee and the Traveler’s Stone

Lisa_and_the_Haylee_Books2

What a pleasure it has been to interview and get to know Lisa Marie Redfern, author of the Haylee etrilogy and Haylee and the Traveler’s Stone (print book soon to be released). Not only is she a wonderful writer, but her talent doesn’t stop there. As an accomplished artist, photographer, and business woman, Lisa stretches the boundaries of her art and her way with words/imagery, enticing followers to dip their toes into the rippling waters of imagination.

Interviewer: Debbie McClure

**********

Q: Books, movies and even television shows these days are delivering a steady stream of plots that involve the undead, the unreal, and the wickedly supernatural. In your opinion, what accounts for society’s longstanding fascination with characters that are not completely human?

A: A cultural theme occurs when lots of people have similar ideas and begin exploring it in depth. We take our collective temperature with questions such as; What are we afraid of? What defines us as human? How far can we stretch our imagination? What does it mean to be ‘different? How would it feel to be powerful and untouchable? I think the dark nefarious vampires, zombies, and wickedly supernatural characters that are popular today are reflections of our attitudes and worries about the cultural and economic conditions that we live in.

Q: Tell us how you came up with your title.

A: Hyale is a daughter of the Greek gods Oceanus and Tethys. The character Haylee, and the book title, is roughly based on this name…with a modern twist.

Q: Alfred Hitchcock was a master at making cameo appearances in all of his movies. Does Lisa Redfern employ any signature tricks or insider jokes that we should know about?

A: Absolutely! Although I won’t reveal them all—I will say that many of the animal names were family pets. The Rattler/Lovey storyline was based on a rescue dog named Bandit. He lived up to his name. Once it was changed to Happy, he was much easier to live with. Lovey was one of our pet cats.

Q: Tell us about your female protagonist, and the passions that drive her thoughts and actions.

A: Haylee has spent most of her childhood living with a wounded parent—she takes on responsibilities beyond most children her age. She attempts to stay out-of-sight and out-of-mind as much as possible, has an affinity for animals, and possesses a quick mind; she aspires to become a veterinarian. But things don’t go according to plan. When it becomes clear that her strange condition poses a threat to her loved ones, she drops everything to figure out how to stop it. Along her adventurous journey, we see a maturing inner resolve, self-direction, and a belief that something good can be born from facing a problem head-on.

Q: In Haylee and the Traveler’s Stone, Haylee is transported to the turbulent backdrop of the San Francisco Gold Rush in 1849. During this time in California history, the population was dominated by young male adventurers who came from all over the world. Why did this specific era personally resonate with you?

A: I feel connected to this time period because it is woven into the historical fabric of where I live—in the heart of Gold Country. I wanted to develop a deeper understanding about what life was really like by bringing alive the sights, sounds, smells, and textures of that time. In my research, I discovered fun and quirky facts that may not have made their way into commonly read history books.

Q: What do you hope this book will accomplish?

A: My goal is to suck the reader into a vortex of altered time where his/her own life fades out for a while as Haylee’s story takes center stage. Isn’t that the ultimate definition of a good book—to entertain? Along with entertainment, I included those quirky facts (mentioned in the question above), because I want the readers to have something memorable to keep. If Haylee readers (who visit San Francisco) are able to see the city in a new way, I will be thrilled!

Q: Have your characters ever done anything that surprised you?

A: I usually arrive at my keyboard with an outline and longish, handwritten essays that fill in sections of the outline. Days of thought and nights of dreams have gone by as I’ve worked out the complexities of what I plan to write. It is a surprise when I’m typing away and a character goes in another direction…or says something unexpected. They are usually right, but we have to argue about it for a little while before I relent. When I describe it that way, it sounds psychotic doesn’t it?

Q: The publishing industry continues to reinvent itself. The combined effects of downsizing at traditional publishers and the desire by authors to have more control over their intellectual property and pricing structure has led to an escalation in self-publishing endeavors. What are your thoughts on this issue, particularly the debate as to whether a self-published title is as “real” as one produced through traditional channels?

A: Every work published is real. It is meaningful to the person who wrote it, so it can’t be anything else. Prior to 2010, when iPads and e-readers hit the market en mass, publishing houses set the quality standards for reading material before it was released to the public. The flood of independent authors who are self-publishing has changed those standards.

As a consumer, I appreciate knowing that the book I am about to read has a reasonable chance of being good—in subject matter, clean page design, and very little grammatical or spelling errors. When you buy something that has been self-published, quality levels can be hit or miss.

As an artist and independent author, I love having the ability to self-publish. For the very first time in my work life I’m unencumbered and free to create my vision from start to finish. The creation process itself is highly satisfying. I place a great value on producing work that is ‘as good as’ anything that a publishing house would turn out. Fortunately, I have developed the skills to do most of it myself, but I also invest in areas where I need help—editing and some design assistance. There is something ironic about putting so much effort into a product that sells for .99¢, $3.00, or even $5.00. Like those adventuring pioneers who braved the treacherous seas and overland treks with the hope of finding gold, we authors are gambling that more than a few readers will push that shiny, rounded-rectangle button marked ‘buy.’

Q: In addition to being an author, you are also an artist and photographer with a busy home life. How do you find time to write?

A: Good organization is a must. I use a Google calendar synced with my smart phone. Sometimes other jobs have to go to the top of the ‘to do’ list. I get as much done as I can when my son is in school. I enter into my most efficient writing zone after everyone has gone to sleep and the phone isn’t ringing. I try very hard to remind myself to go to bed before it gets too late…

Q: Lisa, you are incredibly multi-talented, and your website, book trailer are amazing. What advice would you give to new writers/artists regarding building a social media or networking platform?

A: 1. Realize that platform building and gaining followers is something that takes time. It starts small and slowly increases over time.

  1. Once you start participating in social media, know that you’ve created a ‘living’ thing that needs to be fed on a regular basis.
  2. Start slow. Choose one or two sites that you think that you might enjoy. Stick with them until you are comfortable before moving on to more.

My social media ‘ah ha’ moment came with Pinterest. Because I am visual by nature and I enjoy organizing data, this was a perfect social site to start with.

Q: As an artist and writer, you are clearly an inspiration to others, but who inspires you? Have you benefited from the wisdom and/or counsel of a mentor? If so, who and why?

A: Inspiration comes from everywhere. To quote Christina Hamlett’s book Screenwriting for Teens, “Log into life. No password required.” Also, my artist friends inspire me when we spend time together setting up art shows, getting our hands dirty, or just sharing and talking about our work.

For authors, I follow the big guys—Stephen King, Dean Koontz, Douglas Preston, Lincoln Child, Barbara Kingsolver, and Jean Auel for starters. I also follow some of the rising independent author stars—Hugh Howey, Guy Kawasaki, Rysa Walker, and Chuck Wendig. I like studying how they present themselves online, how they interact with their fans, what kinds of stories they are writing next, and what rights they are selling.

My son has a big imagination; he and I have many humorous, “What if …” conversations. Being out in nature, photographing interesting animals, random conversations, seeing something online that grabs my attention, or even just being alone and quiet, are all areas of inspiration.

Q: You’re obviously drawn to the metaphysical and otherworldly in many aspects of your creativity and writing, sometimes blurring the lines between the real and fantastical. What is it that draws you in, or inspires you?

A: Underlying everything is the hope and faith that we are much more than just our physical existence. I think all life is connected, and should be respected and honoured as the incredible gift it is. The real magic in this world is love and our relationships with the people, animals and living things around us. That is what I always attempt to express in both my art and in my words.

Q: A lot of new writers think all they have to do is write a good story and their job is done, but today’s writers are expected to do so much more, whether self or traditionally published. What advice would you give to new writers just starting out on this very long journey?

A: I think that is an urban myth. How did that one ever get started? When I worked as a book publicist, I dreaded the inevitable moment when the author bubble would burst. Once it popped, fairy dust and glitter never spewed out and sprinkled to the ground.

My advice to authors just starting out is similar to the advice you gave in your interview for In the Spirit of Love. Always conduct yourself professionally online. Stick to it – give writing a permanent place at your table – live your life – do what you need to do…and then go back and write some more. Once you have a few books out there for sale, add to your regular routine time to feed the marketing machine.

Q: Many writers and artists struggle with following their creative path vs making a (normal) living, and being accepted in a world that often can’t understand what drives the creative mind. Have you struggled with this, and if so, how do you attempt to overcome it?

A: Oh yes! More than a few times, I’ve wondered if I was adopted. Most everyone in my family is an engineer, accountant, scientist, lawyer, or a business person. Conventional social norms hold the greatest respect for professions with the highest pay scales. If pay scales were based on job satisfaction, artists and writers would be where the venture capitalists and technology moguls are now. I don’t worry about people accepting me. I am who I am, I do what I do, and I am very happy about that.

Q: Where can readers discover more about you and your books online?

Author reads sample chapter Audible.com Lisa’s art portfolio & online store Art and Words Blog Google+ Goodreads Twitter reddit Redfern Writing Facebook Page Join Lisa’s author e-mail list

Lisa: Thank you for the opportunity to participate in a You Read It Here First interview. I enjoyed responding to your thoughtful questions. Additionally, it was a pleasure to become acquainted with you and Christina and your work.

 

 

 

 

Beacon of Sound

Beacon_of_Sound

A woman who seemingly has it all is about to get her world shaken up by one worldly man, and the results just might be too hot to handle. Take an average counselor living an unsuspecting life and throw in one incredibly delicious prince who thinks he needs to save her, and the result just might be one sensual disaster. In this mildly erotic tale by R. M. Garry, two people learn just how far each is willing to go in order to find a place in each other’s lives, and perhaps something beyond wild desire.

Interviewer: Christy Campbell

*********

Tell us about yourself and how you came to enjoy writing.

I am a day dreamer. I know everyone says that, but it is true in my case. My characters are always role playing in my head. At least now I have a way to share the insanity with the world. Beyond my work, I am a mother of three boys. My husband has had the pleasure of being married to me for the past 12 years. During my nonexistent spare time, I am a full time Master’s of Mental Health student. Every day, I create a new fantasy about quitting my day job and writing until my fingers burn.

What’s the story behind Beacon of Sound?

I have been asked that same questions numerous times. There are numerous stories within Beacon of Sound. The reader has to pay attention because I give them all the answers they will need. Yes, it is a very adult book with many adult scenes. The introduction is specifically blunt to lead the reader in a particular direction. Once you read the story, you realize Beacon of Sound is more than you expected.

Why did you write Beacon of Sound instead of a novella?

It was time for me to really work. A novella would not have told the whole story. The world of the Noir Dera is very complicated. I know a novel the first time out is ambitious, but I had to drink the whole bottle. It was the only way to decide if I would continue to write.

Your novel is an erotic paranormal romance. Your cover does not convey that description. Why did you choose that cover?

I work with a fantastic cover artist. Her work is beyond amazing. We both decided that this cover fit the story. The heroine is a stubborn mental health counselor who happens to play a mean cello. While her profession and life seem perfect, there are secretes hiding right below the surface. The woman on the cover looks angelic yet mysterious. She definitely has something to hide. She fools you into coming into her world and you are completely unprepared for what she has in store.

What are you hoping to receive from your readership when it comes to this genre?

I hope to gain minions. Yes, I said minions. It is imperative I gain worshipers that love everything I write. The only thing I want is to put out great stories that people connect with.

Authors are always busy creating and rolling ideas around in our heads. Is there anything that would interfere with your desire to keep up your writing career?

I would only stop writing for two reasons. If my children needed me and my work caused me to be unavailable, then I would put the work aside. My wolf pack comes first. The second reason is very simple. I love to write and share my work with the world. The moment I no longer enjoy writing is when I will walk away without any regrets.

You like to get that music playlist going once you dive in. What makes your playlist differ from another’s?

While working on Beacon of Sound, I listened to nearly 20 hours of music. Every single song had to be significant. The songs had to fit with the emotions flowing through each scene. I love art in all forms, but I am a music groupie. At some point in my life, I have listened to almost every common and some uncommon musical genre. After spending seven years playing a cello, I know that a story is naked without music. My playlists are as important as the words I write.

After publishing your first book, explain why you chose to follow the Indie route.

If I had sent query letters and received numerous rejections the first time, I would have quit. Being self-published gave me the freedom to learn and grow on my own. For now, it is the best way to get my work to readers.

Did you have any sales expectations for your first novel?

I expected to sell one or two copies. When I sold more, it made me feel as if this was something I could do long term.

How do you find balance when it comes to work, writing, and parenthood?

I gave up expectations. There was a time where I expected to do it all. I was going to be supermom, wife, employee, and student. Then one day I realized the more I expected from myself, the less I did.

What’s next on the goal list for R.M. Garry?

I just completed a contemporary romance and will work on having it published by January of next year. I recently started working on a novella that ties Beacon of Sound to the second full novel in the series. I hope to have Beacon Holiday out by December. There are at least three other series waiting to be written. My brain never stops creating stories.