Coffee’s her vice, historical romances her weakness, and marriage to her boss’s son is but a month away – normal, everyday stuff, for a normal, everyday Texan gal. Except there’s hardly anything ‘normal’ about Emily Garrison. Little does Emily know, she’s the long awaited High Queen of a kingdom in a parallel universe . . . and the soul mate to Hades’ son, Prince Dezenial of the Lumynari. To start the new year, we’re chatting with Karey Brown, author of Shadows of the Keeper.
Interviewer: Christy Campbell
Aside from general plot, our characters are at the head of the class, pulling the reader into the story. What was the biggest challenge of developing your main characters?
Writing two different books until it felt right—until the main characters were in their correct roles. For example, in the first telling, I have Emily and Broc getting married; having them basically picking up where they left off 3,600 years earlier. Prince Dezenial was going to be the ‘bad guy’.
This kept me up for too many nights. When I changed the entire story, THIS time, the too-many-nights-up was because I couldn’t stop writing! It was as if I couldn’t type fast enough, their story flashing in my mind like a movie. The biggest challenge was convincing myself that it was okay to let go of the first story version, and rewrite all of it, no matter how long the blasted thing took!
In deciding on your characters’ backgrounds, how did you come up with your characters’ names?
Emily has been with me for years and years. Her story has always just kind of been there—a woman who is reincarnated over the ages, having lived several lives. I also subscribe to the whole soul mate thing—when we come around a corner, see someone, and have that weird déjà vu moment, is it really that we’ve seen that person before, or is that our soul instantly recognizes their soul as having been meaningful to us in a previous life? What if the love was so profound, no matter how many lifetimes they’re born into, they keep finding each other? Now consider, what if one of them was immortal? How would he/she know that the other existed again? Broc has been with me about as long as Emily, and though I tried to have them be the two ‘connected’ souls, it never felt right. After writing the first version, I realized why: they were together in a previous life, but it was never meant to be, though it will scar Broc for a very long time, and leave Emily with an anger towards him that she doesn’t understand—not at first.
Dezenial’s name, however, was a bloody nightmare to come up with. Nothing fit his persona, so, for a long time, I used XXX as a placeholder. A name generator finally helped, and taking the part of one name and adding it to another, I came up with Dezenial. It was so perfect, and so weird how the two parts connected, I stared at the monitor for a long time, wondering if I was tapping into some otherworldly event, or was I really making this story up?
Reignsfeugh and Inzyr’s names took playing with sounds and spelling. For the rest of the cast—and there are many—I hunted through Celtic/Gaelic names and their meanings. Again, they had to fit the character.
Do you have a favorite character?
I like the complication of Inzyr. The assassin’s story begs to be told, but it isn’t quite the right time yet. I keep trying to set him up with a love interest, but have had to accept there existed only one true love for him—something never suffered by Shadow Masters. They’re not interested in the emotional commitment; never succumb to the weakness.
Amidst the huge birth of a young adult craze, the competition is tough. What made you choose this particular genre?
As much as I LOVED Judy Bloom’s storytelling when I was a kid, I don’t possess the knack for writing YA. Historical romances, mythology, and paranormal grabbed hold of me, and never let go. I create fairytales, mythologies, languages, realms, and beings. Tossed into this mix are everyday normal people finding themselves connected to these otherwise unknown realms/parallel universes, and how their lives change; how they cope with discovering mythology/fantasy is fact.
Was there a particular scene that was the most difficult for you to write?
When Peter assaults Emily. It forced me to relive a personal experience involving violence. There aren’t exactly shelters for battered women in the year 1214 A.D. Also, when we suffer something so overwhelming, some of us are lucky enough to have a ‘hero’ rescue us, put us back on our feet, and send us back into the world of the living. I wanted this for Emily, but I didn’t want the rescue to be her ‘happily-ever-after’. The scene and the outcome needed to be both realistic, and show relationship-complication, regardless how much one person loves another. The answer isn’t always obvious to the two people caught up in a blossoming fondness.
Sometimes, things are running along smoothly and suddenly we might step back and re-think an entire chapter, even an ending. What there an unexpected decision you made about the plot?
There’s a particular plot that left me crying and incredibly sad for so many days, I realized I had to do SOMETHING to free myself of this funk. That’s when I realized said plot needed to end differently—and, WOW, did it change the entire story!! It was also a way to avoid seeking professional help—which would have probably resulted in my having been committed, since this sorrow was for an imaginary character. I can just see it now, sobbing, ‘But, he died…as in, d-e-a-d!’ *sob, sob, sob* Oh yeah, straightjackets would have been my permanent attire. Not a good look.
What atmosphere do you find to be the most productive, yet relaxing to keep those pages going?
A small dining room converted into an office and closed off from the rest of the house with an odd entry off the kitchen creates my ‘secret’ room. In here, I’m surrounded by hundreds of books lining dark wood bookcases. Tapestries depicting medieval scenes hang above my L-shaped desk, and covering the floor are rugs I acquired in Turkey. Low-lit lamps complete the Old World ambiance, while, in the background, BrunuhVille plays on the Bose.
What surprised you the most about the novel writing process along with self-publishing?
How much ‘self-published’ is such a dirty word. It’s like we’re the pariahs of the publishing/writing world. If our work isn’t published by a ‘real’ publisher, somehow, we’re hacks. You won’t find silicone between my pages. No fake ta-tas here. I DID submit my manuscript to several agents. And, bless their hearts, even though they rejected Shadows of the Keeper, they still took the time to write a quick sentence or two, on their form letters, that my writing was very good, I excelled at storytelling, but the overall story just wasn’t for them, or didn’t quite fit what they were looking for—to keep writing/submitting. Some even offered a reference to another agent that they thought might be interested in my type of work. When an agent/editor takes time from their crazy schedule, and the thousands of manuscripts being submitted, to write a personal blurb of encouragement, that’s HUGE! I was not, however, willing for Shadows to sit somewhere and collect dust. I just had this feeling about this particular story—that it had to be told.
Is there an author, past or present, who served as your inspiration?
Laurie McBain, who wrote Moonstruck Madness (1977), was my first historical romance. I began reading historicals with the same appetite I now have for cheesecake—get your eyes off my hips. Just because I don’t LOOK like a starving artist doesn’t mean I’m not hungry. Last Christmas, I discovered a hardcover copy of Moonstruck Madness. It now rests on my ‘treasures’ shelf.
What is the best piece of advice you’ve taken to heart when it comes to being an author?
Study your craft. FINISH what you start. Enjoy the journey. Dedicate yourself to the journey. And then, study it more. Feeeel what you’re writing, don’t just type words.
Lastly, can you provide any links that feature Shadows of the Keeper?
Barnes & Noble—Nook: http://goo.gl/9VPjS5
Kobo books: http://goo.gl/H1F1JM