Ghost Grandma

Ghost Grandma cover

Right before the start of her sophomore year, Brett O’Brien is visited by the ghost of her grandmother. The only issue? No one seems to believe her except for her best friend. In her captivating book Ghost Grandma, author S. Kay Murphy leads us through a young girl’s struggle to find her place in the world after the death of her beloved grandmother.

Interviewer: Sophie Lin

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 Q: What inspired you to write Ghost Grandma?

A: To be honest, the premise came to me as I was walking through the halls of the high school where I was teaching at the time. No doubt I was ruminating on two things: Visitations from those who have passed over plus the way high school students often treat each other. At times, it feels like a war zone, with everyone at odds with everyone else.

Q: Is there anyone in your life that you based Brett off of?

A: Brett is absolutely the girl I was at 14 or 15, only she is the new and improved version, the one who is braver and stronger and has better hair.

Q: Do you have a rigid writing schedule or do you write whenever an idea comes to you?

A: Both. I wrote Ghost Grandma in 30 days. True story. I participated in the NaNoWriMo (National Novel Writing Month) challenge of writing 50,000 words in 30 days, and I did it, much to my surprise. Of course, during that month, I still had to go to work every day, so I wrote 800 words in the morning before I went to work and 800 more at night after dinner, sometimes falling asleep at the keyboard. I knew the premise when I started, but had no idea where the story would take me. It was one of the most fun and most exhausting projects I’ve ever indulged in.

Having said that… I am now retired from teaching, so I have plenty of time to write. But I also have plenty of time to go out and play—go hiking or exploring, ride my bike, have lunch with friends, see a movie—so it has been hard for me to be as disciplined as I should be. But I’m working on that.

 Q: How would you describe your writing process?

A: What works best for me is this: When I’m working on a particular project, I’ll spend some time—30 minutes to an hour—composing. Then I get up, walk around, make more tea, take the dog out or pet the cat. In that time, I generally edit in my head. (I love to write poems this way, and when I do, I’ll write them out in longhand, leaving the notepad on my desk so I can swing by as I’m putting in a load of laundry and change a word or a phrase.) When I go back to what I’ve written, I’ll spend a few minutes making those minor changes, then move on. In the early days of my writing, every paragraph had to be perfect before I moved on. Books don’t get written that way. It’s important to get the narrative down while you’re still excited about the project. Editing is satisfying to me, so I don’t mind doing it. Ghost Grandma went through at least six drafts before I felt it was ready for publication.

 Q: Do you believe in ghosts and/or the supernatural? If so, have you ever had any supernatural encounters?

A: It is possible that I have had supernatural encounters. It is also possible that my experiences can be easily explained away. One of the reasons I wanted to put Ghost Grandma out there was to get young people thinking about what they believe regarding those who have crossed over. In my own spirituality, there is definitely a place for signs and messages from those who have passed. Part of my daily meditation is talking to my deceased loved ones. If that sounds all creepy and séance-y, it’s really just me saying, “Mom, Dad, Aunties, Uncles, good morning. Help me to remember that extending love and kindness to others is the most important thing I can do today.” I definitely feel guided by them at times. One of my best friends is a medium, so we’ve had some pretty fascinating conversations about all of this.

Q: What’s your favorite part about writing?

A: I love having done it. Sometimes, sitting down and beginning a project is absolutely terrifying. When I sat down to begin writing my memoir about my great-grandmother (who has been accused of being a serial killer), I was literally trembling. I wanted that book (The Tainted Legacy of Bertha Gifford) to be perfect because so much was riding on it—I wanted to bring the truth to light and bring closure to my mother (Bertha’s granddaughter). When I finally finished the book, I sat at my desk and sobbed. The same was true for The Dogs Who Saved Me. When we put heart and soul into creating truth and beauty with words, it is a humbling, mystifying, spiritual relief to have the project completed.

Q: What would be your advice for dealing with bullies like Brittany and Jason?

A: In the vast majority of cases, I would say that the best action taken against bullies is to ignore them. It’s also the most difficult. Part of us always wants to fight back, to make a snarky or rude comment, even if it’s behind the person’s back. But we rarely know what other people are going through in their personal lives. Both Brittany and Jason are based on students I actually taught. Brittany started a fight in my classroom in which another girl was badly injured. But in her senior year, she stopped by to thank me for my patience with her. I was never angry with her. I understood that she felt, as I have mentioned previously, that she was in a war zone. She acted accordingly. Sometimes bullies just need to get to the point in life at which they can love themselves. In Jason’s case, he was truly a bad dude, and once I met his angry, abusive father, I understood why. With a bully like that, my advice would be to stay as far away from him as possible.

 Q: What’s different about writing a coming-of-age novel like Ghost Grandma and writing a book like Tainted Legacy?

A: Oh, that is a really great question. In writing Ghost Grandma, I could rely solely on my imagination for the narrative. Fun! Except when I couldn’t for the life of me think of what should happen next. That was grueling—especially since I couldn’t just wait for inspiration, since I had to get my word count in every day. With Tainted Legacy, the fun came in doing the research. There were times when the truth I overturned made me feel absolutely surreal, as if I were living inside a novel. While in Missouri doing research, I kept calling my best friend back home in California to tell her everything, and I would often add, “I swear, I’m not making this up!” Of course, getting down to actually writing the memoir and formulating some sort of chronological coherence was challenging, as I was telling both my story and Bertha’s as well, so the process was completely different, but nonetheless equally satisfying.

Q: Who’s your biggest inspiration to write?

A: Harry Cauley, author of the award-winning novel, Bridie and Finn, said something in a writer’s group 20 years ago that has been my mantra ever since: “Writing is the loneliest work you’ll ever do.” Isn’t that just spot on? One of the reasons writers have a difficult time being disciplined—especially nowadays—is that once we sit down and begin, we know (at least subconsciously) that we are retreating from the world to be absolutely alone for a time, and that is a frightening prospect. It’s much more pleasant to scroll through Twitter to find out what’s happening in the world or Instagram to see yet another adorable dog or cat photo or Facebook to say hi to family members and beloved friends. Doing all those things makes me feel less alone in the world, and I live alone (except for Purrl and Thomas, my cat and dog), so I spend a great deal of my day by myself. I adore social media. But I have to make myself back out of that rabbit hole in order to work—and it is indeed lonely. When I heard Harry Cauley say that, he became my writer-hero for life, and I am blessed for that. I also have a handful of cheerleaders, including a couple of pushy Irish cousins, who keep reminding me that my gift is writing so I should be doing it.

Q: Are you working on any other projects right now?

A: Last spring, I finished a middle-grade urban fantasy novel. I have been looking—with no success so far—for an agent for it. In the meantime, I’m doing short writing projects. I will be starting on another book soon.

Q: Where can people find more information about you and your books?

A: All my books (except the first, which is out of print) are on Amazon. To get a sense of who I am and my worldview, I recommend scrolling through my blog until you find a post that resonates—about dogs or cats or the #MeToo Movement or gay rights or gender equality or whatever. It’s here: www.skaymurphy.blogspot.com. I am on Instagram (posting photos of food, as I am a vegetarian, and I love sharing all the gorgeous, delicious food I eat) and Twitter (where I follow back most folks who follow me—unless they’re a bot or a stalker). Handle for both is @kayzpen.

 Q: Is there anything else you’d like to add?

A: For writers: Write your heart out and never stop! You are not alone in the world, though you may feel lonely while you are ‘away’ in the world you are creating. Never let rejection slow you down; keep putting yourself out there. If you begin to feel like giving up, find a friend or a cousin who believes in you and ask them to set goals with you then check back to see if you’re working toward them. I did this with The Tainted Legacy of Bertha Gifford, and it is the only way that book ever got published. I wanted to give up, but my beloved cousin Danny wouldn’t let me. He’s the reason the book is in print, may he be blessed forever.

For readers: You are everything for those of us who write. You are the friends who listen as we speak—even if we never meet you. I feel so very blessed for every email I’ve ever received that has begun with these words: “Hi, you don’t know me, but I’ve just finished reading your book….” You make all the hard work, all the loneliness, all the nail biting and junk food indulging so very worth it. Thank you!

 

 

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The View From Mars

Larsen 4

Many stories are about protagonists who somehow manage to balance completing schoolwork, falling in love, and saving the world all at the same time. But let’s be honest, that’s not how life usually works. The View From Mars by Seth Larsen and his twins, Dylan and Kai Larsen, presents the wonderfully crafted tale of a young boy named Mars who is trying to juggle living in a new state, protecting his family, and saving his parents’ marriage. Relatable, enthralling, and humorous—this coming-of-age story is one you definitely won’t want to miss!

Interviewer: Sophie Lin

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 Q: Why did you decide to write a book with your children?

 A: The seed was that I wanted to connect and spend more time with my twins Daylen and Kai, who were in fifth grade at the time. I knew they enjoyed creative writing—they sometimes write short stories just for fun, the same way I did when I was their age. I suggested the idea of writing a book together, and they immediately said yes. I cautioned that we’d have to meet regularly, and it would take a long time, but that didn’t temper their enthusiasm at all. We didn’t fully understand what we were getting into, but before any of us knew it, we were off and running.

Q: What inspired you to become a writer?

 A: I’ve loved writing stories ever since I was a kid. When I was eleven or twelve, I would hole up in my room to write ambitious stories, although I rarely finished them. I used to watch sporting events on TV and write articles about what I saw—then compare it to the article in the newspaper the next day, to see “who did it better.” I moved to Los Angeles after college to try and make a go of it as a writer. I was never really able to make a living from it, but I’ve never stopped writing in one form or another. It’s just too much of my DNA—I couldn’t stop if I wanted to.

Q: Who came up with the idea for Mars?

 A: From the outset, we spent quite a bit of time coming up with a catchy title for the book. We wanted it to be kind of a play on the character’s name—something that conveyed a specific point of view. After bouncing around countless character names and title ideas, we arrived at the name and title. It’s unusual to come up with the title first, but we wanted to have an idea and concept to keep returning to—something that would sustain our inspiration. We all agreed that we wanted a “fish out of water” character, because those were the types of characters my twins really enjoyed reading. My kids enjoyed the Diary of a Wimpy Kid book series, and I showed them some episodes of one of my favorite TV shows from childhood, “The Wonder Years.” We definitely wanted a mix of humor and real life. From there, most of the characters came from the minds of Daylen and Kai. I asked a lot of questions, and helped shape the overall story arc (and the grammar!).

Q: What was your process for writing The View From Mars, considering that you had three writers and two illustrators?

 A: My twins and I met up Wednesdays and Sunday nights. Initially, these were whiteboard sessions, and our ideas were all over the place. We focused on characters—developing people that would be fun to write…flawed people that you could take a journey with. Once we felt we had a strong set of characters that would generate conflict with one another, we developed story lines and character arcs for each of the primary characters. Nearly all of the story points were conjured up by Daylen and Kai. We jotted down countless ideas for specific chapters, many of which were based on things that had happened to my twins (or to me when I was their age), and things that we’d observed on the playground. My role was to help us connect these ideas into coherent story lines and themes…making sure the story was building toward something, with an effective set-up and pay-off. My other two kids, Savahn (aka Shiu Shiu) and Seth (aka Sumo), had been expressing an interest in being involved in the creative process somehow. Savahn loves art and drawing, so I suggested she illustrate—and she was really excited about that. Sumo isn’t necessarily wired toward art in the way my daughter is, but he has a great sense of humor and helped integrate that into the drawings. Besides, we couldn’t leave him out! Once we finished the first draft of the book, Daylen and Kai began describing the scenes to Savahn and Sumo so that they could start creating looks for each of the characters. After a series of revisions between the kids that was surprisingly collaborative and mature, they started generating drawings that could be used in the book. Then we all voted on which ones made the most sense to include.

Q: What was your greatest challenge while writing this book?

 A: Without question, the biggest obstacle was time. For the twins, balancing their schoolwork and activities with writing the book. For me, balancing the commitments of being a husband, a father of four, and fitting in my actual day job. That’s why it took a year and a half from our first meeting to having an actual book in hand.

Q: How did writing this book affect your relationship with your kids?

 A: Writing this book was easily one of the most rewarding things I’ve ever done. It benefited our relationship in ways I didn’t anticipate. The twins always really looked forward to our writing sessions, and so did I. I expected that. But the surprise for me was that it helped them see me as more of a “person” with actual feelings than just a robotic “dad.” When Daylen and Kai would toss out story ideas based on things they were dealing with, or things their friends were dealing with, it gave me the space to say, “Oh, yeah—that happened to me when I was your age, too.” I’d proceed to tell them these childhood stories, sometimes things that I hadn’t even thought about in 35 years. It gave them a perspective and an understanding of me that they would have never otherwise had. You could literally see their eyes widen—it blew their minds that I’d gone through many of the same emotions and feelings they’re going through now. And many of these things wove their way into our book, one way or the other. It was a special time that we’ll share for the rest of our lives.

Q: What advice would you give someone around Mars’s age to survive becoming a teenager?

 A: Life is messy. But it can also be full of beautiful moments if you choose to recognize them. Realize that you can work through life’s challenges, and there can be positive outcomes, even if they aren’t always wrapped up nicely in a bow.

Q: How was your publishing experience?

 A: Our publishing experience was very positive. We didn’t want to self-publish because we didn’t have money to spend upfront, and also didn’t want the stress of potentially carrying a lot of inventory that we were desperate to sell. So, we went the publishing-on-demand route. We used CreateSpace for the paperback, where you send them your files, and when people order through Amazon, the book is printed and sent. They, of course, take a healthy percentage of the profits, but we aren’t risking our own money—and it’s relatively easy and stress-free on our side. CreateSpace doesn’t do hard cover versions of books though. We knew we wanted a hardcover version because artistically they’re just cool, and also we found out that libraries prefer hardcover—and we knew we wanted to try and get our book in the LA County library (which we ultimately did!). For our hardcover version, we used Ingram Spark, who works with Amazon, Barnes and Noble, and most distributors. When someone buys the book through any of those channels, Ingram Spark prints the book, and it ultimately gets to where it needs to go.

Q: This book covers some pretty heavy topics, such as bullying and parental separation. Why did you choose to write about these issues?

 A: We wanted the book to include some daunting challenges for the characters because that’s more interesting dramatically, but we also wanted the book to be relatable. We wanted sixth graders and young teens to read the book and immediately identify with the characters and what they’re going through. We wanted to deal with these things honestly, and with humor where possible. In one form or another, my twins and I have wrestled with many of the things described in the book, or been close to similar situations. Real life, after all, informed the book.

Q: If there was one message that a reader could take away from reading your book, what would you want it to be?

 A: We have precious few family rules, but one of them is, “Always protect your family.” Sometimes it’s all you have, and the fabric of your family is only as strong as you make it. My wife and I drill this message into our kids all the time, because we believe it’ll carry them through life’s challenges into adulthood, long after we’re gone. That’s not to say the family isn’t full of its own complexities and conflict, but we have a deep desire for our kids to remain close. Thematically in our book, Mars and his siblings desperately want to get their parents back together, which is a beautiful thing, even if the way they go about it is naïve (and dishonest!). Mars’ brother and sister drive him nuts, too, but you can tell the love they have for each other.

Q: Are you working on any other projects (like a sequel!) that we should keep an eye out for?

 A: Yes, we plan on writing a sequel. Savahn and Sumo also want to work on spin-off books, focusing on the journeys of the siblings. Ideas aren’t fully baked, but we’ll get there.

Q: Anything else you’d like to add?

 A: Fun fact: Mars’ younger brother is named Sumo. The character was heavily influenced by their real-life brother “Sumo.” The character name was a placeholder, and we never found a better name, so it stuck.

 

Free

freecover

It seems that from the time a child starts school, s/he gets asked by parentals, “What are you going to be when you grow up?” By the time s/he has graduated, the question becomes, “Why aren’t you out doing something yet?” For many a disenfranchised youth like the title heroine of Lisa Litberg’s coming of age novel, Free, sometimes you just have to dial down the noise of others’ expectations in order to hear the music of what your own heart and soul are trying to tell you.

Interviewer: Christina Hamlett

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Q: What was the inspiration behind your decision to write this tale of wanderlust?

A:  In my younger years I, like Free, traveled around the country following the Grateful Dead.  Unlike Free, I had a home to go to in between tours, but I met many people who didn’t and who remained nomadic year-round.  Their lifestyle fascinated me, so I decided to create a fictional story of one such person.

Q: What’s the setting and circa of Free’s journey and why was it important to utilize multiple locations for that journey of discovery and self-awareness to take shape?

A:  Each chapter of the book takes place in a different location in the U.S.  I did this to illustrate the journey that Free is taking, both literally and figuratively.  The reader gets a sense of movement, of searching, and begins to question the idea of ‘freedom’.

Q: Do any aspects of Free’s personality mirror your own?

A:  Free and I are actually very different people.  I am very open; Free keeps to herself.  She is guarded and reticent.  Free doesn’t know who she is or where she belongs; I have always been fairly confident and self-assured, and conscious of my place in the world.   We do have some similarities.  We both love to travel, and in doing so, we both have put ourselves in situations in which we are at the mercy of strangers.  We both love music.  We’re both pretty calm and rational.  Actually, Free is probably a bit calmer than I am.

Q: Who will this story appeal to and why?

A:  Definitely Deadheads, especially those who toured in the 1990s, when the story takes place!  But I think it appeals to anyone who remembers how unsure we were in young adulthood, that cusp between teenager and grown-up.  If you like road trips, you’ll probably like this book as well.

Q: What do you hope your target readers will gain from it by the time they reach the last page?

A:  I think my novel raises questions of what it means to be free.  Sometimes what appears to be freedom is actually confinement.  Sometimes those who are confined are really free.  Freedom comes from within.  I’d like to think my readers are confronting these questions within themselves.

Q: What governed your choice to use first person/present tense?

A:  My most common compliment from readers is “I felt like I was right there with Free!”  This is why I used first person/present tense narration.  The story is unfolding, as seen through Free’s eyes, as we read it.  We are watching the events transpire.  I love this style of writing, even though I feel as if I don’t see it a lot.

Q: Were any scenes in the book challenging or unsettling for you to write?

A:  Without giving too much away, it was very hard to write the later scenes about Eric.  His struggles felt very real to me, and reminded me of people I have known.  I also felt uncomfortable developing Free’s relationship with Ed.  I think he’s the most frightening character in the book.  In some ways, I wish I developed their story further, but in many ways I’m glad I didn’t.  He really creeps me out.

Q: Of all the characters Free encounters, which one would you most like to see in a spin-off title of his/her own?

A:  Charlie!  I absolutely love Charlie.  I wish he really existed; I think he’d be my soul mate.

Q: If Hollywood came calling, who would comprise your dream cast?

A:  Ooh I love this question!  I think James Franco would be perfect as Eric.  In fact, Eric kind of looks like Franco in my mind.  Jennifer Lawrence would make a good Free—she can portray quiet strength well.  I love Johnny Depp so I’d like to fit him in there—maybe he could be Joe.  He likes playing sketchy characters.  How about the guy who plays Thor as Charlie?  And Juliette Lewis as Annie?  This is fun!

Q: Like many a young protagonist without strong ties to the concept and security a home represents, would Free best be described as “running away” or “running toward”?

A:  Both.  Free is running away from her old life, and even though she has no true destination in mind, she is definitely running toward her future.  She has no choice.

Q: If you could have one person, living or dead, read your novel, who would it be and why?

A:  My father.  He passed away about a year before it was written.  He would be so proud.

Q: Whether this person was effusive with praise or harshly critical of your storytelling style, how would it affect your passion for the craft?

A:  Well one thing about my dad was that he didn’t really sugarcoat much.  If he didn’t like my book, he would’ve told me what he didn’t like about it.  But I think he would’ve liked it.  Either way, I’d still write, and my father would expect and want me to.

Q: The decision to create your own imprint, Scribomusing Press, is consistent with many of today’s authors that want to have more control of their own intellectual property. What do you know about publishing now that you didn’t know when you started?

A:  I didn’t realize I would like self-publishing.  I was actually published by a company who, unfortunately, closed within a year of my publication.  I loved working with them, and I am so grateful that they provided the formatting, editing, cover art, etc.  But self-publishing has many benefits.  I like being able to track my sales daily.  And being forced to market my own book has taught me much about the industry.  I’m still learning every day as I go!

Q: Among the many things you can be proud of along your career path was empowering urban students to express themselves through the written word. Do you feel that this is a harder or easier objective than it was when you first began teaching?

A:  This has always been one of my favorite parts of teaching English.  I think memoirs should be required in the high school curriculum.  I am always amazed and humbled by what my students produce.  Many of them have weathered difficulties that most of us never even dreamed of in high school.  Telling their story strengthens them.  And reading them enlightens me.

Q: In your view, what impact has the combination of technology and the continued erosion of the nuclear family had on creating insularity and poor communication skills in today’s younger generation?

A:  Well that’s an interesting question!  I do know that students today are constantly on their cell phones.  It’s a constant battle to keep them out.  They expect things immediately—there is very little delay of gratification in their world.  Plus there’s a safety in communicating through social networking—you don’t have to feel like you’re really talking to the person, so you’re more apt to say things you wouldn’t in person.  This can have disastrous effects.  On the other hand, technology has increased communication in many ways.  We can email someone on the other side of the world and have an instant response, or Skype with Grandma in Miami even when we’re somewhere else.  This is definitely a positive.

Q: If time and money were no object, how would you solve that sense of societal disconnection?

A:  I fantasize about creating urban communities in the city.  I want to buy those big multi-unit courtyard buildings and outfit them with community gardens, childcare, job training/recruiting, social clubs….I have lived in buildings like that where I only knew the people directly above and/or below me, but we all shared a common basement and backyard.  That really bothered me.  There’s so much disconnect in the city.

Q: How does your writing practice fit into the rest of your life? What else have you written?

A: I have written countless poems, short stories, essays, speeches, and songs.  I’m always writing something.  I have a notebook with me almost wherever I go.  I’m old school like that.

Q: What’s next on your plate?

A:  I started a science fiction piece influenced by some of the changes happening in public education.  I’m not sure if it’s going to be a short story or something longer.  But at the moment I put that aside because so many readers have been clamoring for a sequel to Free.  Finally I broke down and started one.

Q: Your best advice to new writers?

A:  Read all the time.  Write all the time.  Don’t be afraid to take a chance.  Let people read your work.  Listen to them, but don’t let one person deter you.  Some people will love your work and some won’t.  That’s just how it is.  Believe in yourself and get your words out there.

Q: Where can readers learn more about you  and – even more importantly – buy your books?

A:  My website is www.lisalitberg.com.  You can order the print book directly from my store, or from CreateSpace.  The ebook is available on Amazon, Smashwords, and Barnes and Noble.  Createspace link:  https://www.createspace.com/5340967

Amazon link: http://www.amazon.com/Free-Lisa-Litberg-ebook/dp/B00U6HW212/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=8-1&qid=1432261427

Smashwords:  http://www.smashwords.com/books/view/524211

Barnes & Noble: http://www.barnesandnoble.com/w/free-lisa-litberg/1119899300?ean=2940046610253

A Conversation with Daniel Blanchard

Daniel Blanchard

“The surest way to corrupt a youth,” wrote German scholar Friedrich Nietzsche, “is to instruct him to hold in higher esteem those who think alike than those who think differently.”

As teens of any generation go through the painful process of individuating, it’s not uncommon that they either try to model themselves after the cool kids that belong to the “in” crowd or they fall into a state of despair that there is nothing unique about their own personalities or skill sets which will deliver the attention – and validation – they crave. Compounding the problem are parents who are trying to live vicariously through their offspring by pushing unrealistic expectations or those who lament that celebrities seem to have more influence on a teenager’s behavioral choices than any lessons imparted throughout childhood.

In his recent interview with You Read It Here First, author and educator Daniel Blanchard talks about his new teen leadership series, Granddaddy’s Secrets, and the importance of being a positive role model for the young people in our lives.

Interviewer: Christina Hamlett

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Q: The passion for helping young people find their way in a troubling world often stems from either having been influenced by supportive mentors throughout adolescence or, on the flip side, having no one to turn to and learning to overcome personal hardships through trial and error. What was your own background in this regard that shaped your career decisions as an adult?

A: Believe it or not, some of my earliest role models that shaped my life were sport heroes that I watched on television. I would watch these amazing athletes do something special and then I would want to do something special too. The next mentors that entered my life were my athletic coaches. I learned a lot from these men. They were strong, skilled, and smart. These were the things that I wanted to become too. However, I am quick to acknowledge that I didn’t have enough mentors in my life growing up, and thus I felt that many times it took me twice as long to accomplish things. Even though we do learn from our mistakes, mistakes are painful. Teens should go out of their way to pursue mentors.

Q: What’s the best advice anyone ever gave you when you were growing up?

A: One of my early wrestling coaches told me after one of my losses that life was a marathon, not a sprint. And if I just hung in there, someday I will pass out these other kids that got an earlier start than I did in this sport. I did hang in there, and became very good over time, and eventually passes them all out.

Q: There’s an escalating sense of “entitlement” among today’s tweens and teens – a mindset that has evolved as much from bad parenting as it has from political leadership that believes the have-nots are owed whatever the haves earned through hard work. What’s your response to a young person who has no role models in his/her life from which to learn an appropriate and disciplined work ethic?

A: A young person has to start reading biographies of successful people. Here in these books they will learn how hard and how long these great people had to work for their success. Once they really get to know someone who has done something special, they will see that there are no handouts. Or at least now handouts that create any person of real quality. My first book, Granddaddy’s Secrets: Feeling Lucky? is a good example that explains how there are no handouts that could ever make one a real leader, and what many of our friends and society is doing is wrong. We need to think for ourselves, stand on our own two feet, and create our own luck.

Q: How about the highly visible role that celebrities play in reinforcing bad behaviors (i.e., arrogance, substance abuse, out-of-control spending, out-of-wedlock pregnancy)? I’m guessing you’ve heard no shortage of teens say, “Well if So-and-So can do it and they’re famous, why can’t I?”

A: I’m tired of stars saying that they are not role models. They couldn’t be more wrong. They are role models whether they like it or not, so they better start behaving like role models because our youth is watching. I feel that it is our responsibility as adults to be those role models that our youth is looking for. And if we’re not big enough yet in their eyes, well then, we better get busy getting bigger, while we point them to real role models that really are doing something special and don’t behave badly. Finally, we need to open our mouths and tell our youth about the bad examples that celebrities are reinforcing. Let’s point out their bad behaviors and get it into our youth’s heads that that kind of behavior isn’t okay. If we can get our youth to start viewing celebrities’ bad behaviors as wrong, then maybe celebrities will think twice about what they are doing.

Q: What inspired you to write Feeling Lucky?

A: My students asked me over a ten year period to write the book. I finally broke down and wrote it. I figured they must be seeing something that I’m not if they are continuously telling me to write a book in order to tell other students what I’m telling them. So, I figured, why not have faith in them and do it.

Q: How did you decide on the title for this book?

A: I wanted to change the paradigm of luck being when one lazily sits back and waits for something good to come to them, to working hard and going out and creating good things in one’s life. The new definition of luck is preparation meeting opportunity. We create our own luck through hard work. I was hoping by calling my first book, Feeling Lucky? I can get people to think about what luck really is.

Q: In a nutshell, what’s the book about?

A: Granddaddy’s Secrets: Feeling Lucky? is about a struggling teen who lives in a rough neighborhood and goes to a rough school. On his 16th birthday he meets up with his estranged and mysterious Granddaddy who shares with him what it means to be a leader and a real man.

Q: I understand this is part of a teen leadership series. Tell us more.

A: Yes. My Granddaddy’s Secrets teen leadership book series has three books in it. The first book, Feeling Lucky? is the 10th grade story of a struggling teen who spends his 16th birthday in the park listening to his Granddaddy’s wisdom. The second book, Feeling Good,  is the 11th grade story of the same teen who has grown from his Granddaddy’s wisdom and is now trying to apply some of these secrets of success and leadership to his own life. The third book, Feeling Strong! is the 12th grade story of the same teen as he is getting ready to graduate high school and take that next big step of going out in that great big world.

Q: There can certainly never be enough books on the market to encourage young people to be independent thinkers, to stay positive, to be kind, and to make a difference as they go forth into the world. The question, though, is how do you get them to read these books – including yours – when there’s such a multiplicity of distractions (especially technological) to take their attention elsewhere?

A: It’s always a struggle to get teens to read. However, the best way to get someone to read a book is still word-of-mouth. A teen needs to constantly hear us talking about these books like they are something really special. They need to constantly hear how books made a difference in our lives. If teens hear this kind of stuff enough, they will become curious and just may read these books that we keep telling them about.

Q: Speaking of technology, is too much of a good thing actually a bad thing in a teen’s social development? For instance, is insularity and anonymity breeding a generation of youth that can no longer communicate in person or, worse, feel they shouldn’t be held accountable for anything hurtful they say via an electronic medium?

A: Sadly, I do believe that that is happening to some degree. We adults remember what it was like to actually talk to people. We must go out of our way to talk to teens. They aren’t getting old fashion human conversations from most of their younger friends, so they need to get it from us. During these interactions we can build relationships with them and work on their communication skills, as well as their life skills, and let them know that they can’t hide behind electronics and say hurtful things to each other.

Q: For youth between the ages of 10 and 24, suicide is the third leading cause of death in the U.S. and is prompted by feelings of stress, depression, inferiority, anger, or powerlessness. What do you tell a struggling teen who is overwhelmed by life’s unfairness and believes that the only solution is a fatal exit?

A: Talk to an adult. Adults do care. In return, as I mentioned above, we adults need to go out of our way to constantly talk to our youth and build those relationships. No teen should ever feel that he or she does not have an adult that they can turn to. In addition, I also tell our youth that life drains us all, and all of us need to constantly fill up our emotional bank accounts. We fill up our emotional bank accounts by reading positive, self-improvement books, and by having great conversations and relationships with others. So whenever, life makes an emotional withdraw from our emotional bank accounts, we can handle it because we are always making positive emotional deposits back into our emotional bank accounts. By constantly doing this, we never let life emotionally bankrupt us.

Q: What do you say to the parents of that struggling teen?

A: You are the most important person in your child’s life. Don’t give up. They are listening to you, regardless of how they are acting at the moment. It may take years, but eventually, our youth will show us that they were indeed listening.

Q: What are you working on now?

A: I’m working on my third book of the Granddaddy’s Secrets teen leadership book series, as well as a second edition of my first book.

Q: Where can readers learn more about you?

A: They can check out my website, blog, and vlog at: www.GranddaddysSecrets.com. I also have a Granddaddy’s Secrets Facebook page they can visit and like. In addition, they can find my book on Amazon, as well as other major distributors.

Q: Anything else you’d like to add?

A: Teens, you are special. Life is a marathon, not a sprint. Don’t sweat it if you don’t feel like you’re winning the race at this very exact moment. Stick with it and you’ll do plenty of winning before your time is up. And when you are all grown up, remember the people that helped you get there, and make sure you return their acts of kindness to the next generation.

 

The Promise of Living

grahamcover

Writer and mythologist Joseph Campbell once said, “Opportunities to find deeper powers within ourselves come when life seems most challenging.”

Today’s young adult novels provide readers with a flourish of paranormal characters, dystopian societies, and lots of new romance. What if readers had an opportunity to travel back to a time where there was no social media, obsessions with cell phones or flipping through the electronic pages of a book?

In J. Lee Graham’s young adult novel, The Promise of Living, you won’t run into any vampires, werewolves or wizards, but you will find a young man who perceives danger before it happens, and the impact it has on his life as a small town boy caught up in a world of dark mystery, self-discovery and the sensitive steps into first romance territory.

Interviewer: Christy Campbell

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Tell us about The Promise of Living, one of four novels you’ve published.

The Promise of Living is a young adult coming of age novel set in the small, bucolic town of Wilson’s Ferry, New Hampshire in 1975. Ryan Colton is sixteen, and he and his best friend Dave work on a farm. It begins in late June, their final week of their junior year at school. While milking the cows one late afternoon, Ryan has a vision, a premonition, if you will, of a townsperson hanging herself. Throughout the summer and into their senior year, he continues to have visions that reveal the dark secrets of the people in his hometown. In one of them, he sees a young girl being murdered, but he can’t see her face or stop its occurrence. At the same time, he struggles with an inner, hidden, more prevailing growing pain about his feelings for Dave.

You chose to set the book in the 1970’s. How do you think a young adult reader from 2013 might relate to that? 

I set the novel in the 1970’s to remove the easy distraction of electronic devices. For me, it’s harder to establish conflict when everyone in the novel has access to the Internet or a phone. Besides, a coming out/coming of age story is universal. Ryan’s feelings for Dave happen regardless of the times, and I wanted Ryan not to have, again, easy access to LGBT information; blogs, role models, etc. I wanted to emphasize his struggle, not from a moral or religious perspective, but from a personal, self-esteem perspective. Again, removing the superfluous details and distractions of smart phones and social media highlights Ryan’s journey. Ironically, even with today’s extreme use of electronics, there are still many young people discovering themselves, where the coming out process is just as powerful and transformational as Ryan’s.

The theme of authenticity is strong in The Promise of Living. How does that resonate with you? 

Authenticity is a strong theme in many of my novels and plays: the power that comes from recognizing the ‘clothing’ of honesty and self-worth that one chooses to wear. That’s a major experience for young adults, straight, gay, transgender, etc. Being honest about who you are and allowing that code of integrity to guide you throughout your life. It’s funny, but a lot of adults who’ve read the book, also comment on that theme. It is an aspect that resonates throughout all our lives.

Is this book in any way autobiographical? If so, fill us in.

I think there is an element of autobiography in every novel we read. How about that for a dodge? I think there is a percentage of autobiography that creeps into all our work even if one were writing science fiction. Ryan, I have to say, is definitely not me, I wish he were! Small town characters and small town mores are pretty common, and I did live in Boston for a while, but fiction is fiction.

In The Promise of Living, you juxtapose the beauty of the city of Boston with the ugliness of the small rural town of Wilson’s Ferry. Most writers do the opposite. Why? 

I know, we see that so often! The small town sanctified beyond belief juxtaposed with the brutal dirt and corruption of a large city. Many writers draw from the idea of the ‘journey’ where the hero leaves the small farm, home, family, etc. and ventures out into the world, usually symbolized by a metropolis or at the very least, a war near a metropolis. For me, I wanted to create a Wilson’s Ferry that was filled with dirty secrets and shame. I wanted to symbolize that with the run down appearance of the town, the Commons, the dilapidated homes near the polluted river, etc. (And truth be told, there are, sadly, many small towns that are very economically depressed and it shows.) I wanted Ryan’s perception of Boston to be one of promise and hope and I highlighted the beauty there: its sense of community, the cobblestone streets, the old but beautiful Colonial and Victorian homes, etc. Have you been to Boston? It’s a jewel of a city.

Ryan, the main character, goes on a journey of self-discovery. Do you think that type of journey is common with people his age?

The theme of ‘going on a journey’ is a powerful theme since before the Greek and Roman Myths. Joseph Campbell calls it ‘the hero’s journey’, where one starts out with one view, goes down into the darkness, confronts his shadow self and comes out a renewed person. It’s a reflection and a process that happens over and over in our lives. So, with Ryan, it’s a discovery of his gifts: his gift for visual perspicacity and acumen, his discovery of his own sexuality, his own authenticity in being who he is and not morphing or hiding it, are all elements of self-discovery and yes, that journey is common with people his age. It’s like the Vision Quests of the Native American culture. One leaves the tribe, faces his greatest fears, becomes stronger and realizes his own unique gifts which he then brings back to share with the tribe. That’s the important aspect. The sharing of one’s gifts with the tribe.

What authors have greatly influenced you as a writer? 

Wow, so many. I love the universal wonder and beauty of Thornton Wilder; the cliff-hangers of James Fenimore Cooper; the power of language in Hemingway and Fitzgerald and Toni Morrison, the creative visual genius of Willa Cather; the way Dickens can tug at your heart strings; the pathos of Forster, Maugham, Baldwin, Capote, and even Cheever. I respect them all, and there are many, many others. I feel like I stand on the shoulders of giants.

Your other novels involve a thirteen year old and a much different premise. What was it like switching from that type of genre to the young adult one?

Yes, my other novels are a time travel adventure series for Middle Grade. It wasn’t too hard to move ‘up’ in a chronological sense. The dialogue between Ryan and Dave allowed more maturity in their perspectives on life and I could use the cadence of their speech to reflect their intimate friendship.

When I ‘switched back’ after The Promise of Living to write my third time travel novel, there was a major shift that I could feel, a jarring like when one slams on the brakes of a car. I had to constantly revise my writing remembering to reflect a more adventurous tone and a different flavor with these characters’ dialogue. I actually re-read book number one and two to bring my brain back to that world that I had created. In book number three, the characters are now fourteen years old and I had to really be mindful of how their discourse would reflect their age. Plus, the readership of a middle grade novel is much different than the readership of a young adult novel and I had to remember that as I wrote as well.

Have you always want to be a writer? 

I have. Joseph Campbell said, “Follow your bliss,” and while I did do that in many other parts of my life, sadly, I didn’t do that with writing. I remember being shot down emotionally by my family when I casually announced at 13 that I wanted to be a writer, and I realize now how debilitating even that slight encounter has been.

What’s next on your plate? 

Well, as I’ve mentioned, I write middle grade time travel novels, currently a trilogy. In the Nick of Time, The Time of his Life, and just out this October, All the Time in the World. They are all available on Amazon.

I’m toying with a murder mystery series extracted from my work as a professional astrologer. Not autobiographical at all, just an extract, a seed where the mystery is created and solved with a slight astrological framework. It’s fun to think about, and create. It’ll be written for adults, so, we’ll see.

And of course, we must know. Who’s that on the cover?

That is my cousin! Actually, he did work on a farm.

Where can readers find out more about your work? 

The Promise of Living is available at Amazon.com

http://www.amazon.com/Promise-Living-J-Lee-Graham-ebook/dp/B00992NIT0/ref=sr_1_9?s=books&ie=UTF8&qid=1383928688&sr=1-9&keywords=the+promise+of+living

Readers can follow my blog at www.jleegraham.blogspot.com

 

 

 

 

 

Deadlight

Lasher Lane

Eons ago I dated someone who went into a freakily depressive funk that started every October and lasted until mid-February. Not only was he subject to lethargy, weight gain and extreme despair but he would also become paranoid, quick-tempered and even quicker to accuse everyone around him of being untruthful. While some of this bizarre behavior could be attributed to the fact he was a descendant of the Mary Todd Lincoln gene pool (cue The Twilight Zone music), he was finally diagnosed as having Seasonal Affective Disorder – a condition experienced by approximately six percent of the U.S. population, primarily those who live in northern climates. I hadn’t thought about this for years but was reminded of it when I recently discovered author Lasher Lane’s compelling new book, Deadlight. In this work of literary fiction, the story’s haunted narrator, Henry, struggles with sanity, wondering if his friend’s fatal bet was a stunt for attention or suicide…and if “solar deprivation” might be to blame.

Interviewer: Christina Hamlett

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Q: Little did anyone suspect back at Westchester Square Hospital in the Bronx that your birthdate marked the debut of a future author! When did you first know that being a writer was in your blood?

A: At six years old I was struck by a car, leaving me bedridden for months due to a serious head injury. As I was healing, for some odd reason I had the strong desire to write poetry, but as soon as I was able to return to school and friends, excepting written homework assignments, I put the poetry aside.

Q: Were you a voracious reader growing up?

A: No, not until I married and told my husband of thirty years, a voracious reader himself, that I’d like to write a novel about my childhood town, to which he said, “You don’t read enough authors to write.” So for the past thirty years I’ve been reading a few pages from ten to twelve books a night to get a sense of different styles. Of course, it takes a while that way, but I do eventually finish the books!

Q: Did writing come easily to you in school or was it something you had to work hard at?

A: While I dreaded math tests in school, I looked forward to the weekly lists of spelling words and essay/book report assignments. I’ve loved words for as long as I can remember, but I feel writing will always be a learning process for me.

Q: Who were some of your favorite authors that not only captivated you but also may have had an influence on your own storytelling style?

A: T.C. Boyle for his Tortilla Curtain, Darin Strauss for Chang and Eng and Jan Yoors for The Gypsies. They are my three favorite books that have always stayed with me.

Q: If you could go to lunch with one of these people, who would it be, why would you choose him/her, where would you go, and what question would you most like to ask?

A: Sadly, Mr. Yoors has passed away, but I’d like to have met all three separately! I’d like each author to choose a place for lunch in any California, North Carolina or European setting from their novels. I’d imagine the writing came easiest to Mr. Yoors, living alongside those he wrote about, but I would ask all three authors the same question: how they so deftly breathed life into their beautiful, but less than fortunate characters, especially Mr. Strauss, creating a personality/ego for each adult conjoined twin he’d never met.

Q: “Lasher” is an unusual first name. Is that your given name or a pen name?

A: Three characters from my novel, Russell Winterburn, Adelaide Leary, and Sterling Hilliard are actually combined street names from my town. While writing the story, I thought that Lasher Lane, where my childhood house still stands, sounded like it could be either male or female, so I used it as a pen name, hoping my novel would appeal to both sexes.

Q: Speaking of interesting names, what’s the meaning behind the title you chose for your debut novel?

A: My story takes place in and around a marina, and I chose the nautical term deadlight, which is a window or prism mounted flush in the deck of a ship to provide light below. The compound word seemed to work as a title since my story has a nautical setting, and it involves both death and light, or the lack of it…dead light.

Q: What was your inspiration to write Deadlight?

A: A New York times article that stated my “blue-collar mentality” town with its “sense of clannishness” suffered from “solar deprivation” and “collective psychic depression” from living in the shadow of the 200 ft. Palisades that served as a backdrop. The article has always haunted me and I wanted to incorporate those powerful sentiments into my story.

Q: Did you start with an outline or just listen to your muse as you went along?

A: I don’t usually use outlines, and most of the time, for whatever decade I’m writing about,  listening to the music of that era works as my muse and helps me to get ideas.

Q: What governed your decision to set the story in the 1960’s rather than present day?

A: Besides being my favorite decade, the town featured in my novel had a unique, gritty yet pastoral character in the Sixties. The author Joseph Mitchell even noticed and chose to write about the place in his short “The Rivermen.”

Q: You’ve indicated that this coming-of-age novel is part memoir. Why, then, is the protagonist a male and not a female?

A: Again, I wanted my story to appeal to both sexes, not just women.

Q: Elements of Mother Nature – water, wind, light – often serve in literary fiction as a metaphor for life’s multiplicity of challenges. Was this the case in Deadlight insofar as the inhibitions, trepidations, addictions and emotional growth of your characters over the course of the story?

A: With all of the town’s residents living under the cliffs and being hidden by their enormous shadow, in some ways the lack of light represents our invisibility and insignificance.

Q: How much research was involved, given the tie-in to solar deprivation?

A:  Living in the town for forty years, my research was experiencing the “solar deprivation” firsthand. I recently read about the Norwegian town of Rjukan that lives in darkness and is affected by Seasonal Affective Disorder for five months each year. They’ve installed 538-ft. mountaintop mirrors to reflect sunshine into the town. Although my town’s lack of light wasn’t nearly as severe, losing only two to four hours a day of sun definitely had a behavioral effect on us.

Q: Is your backdrop a real place or a composite of different locales with which you’re familiar?

A: Although the story is fiction, the backdrop is the real town of Edgewater, New Jersey, which once was named Pleasant Valley and is the name I chose to call the town in my novel.

Q: How did you go about finding the right publisher for this project?

A: I am Patteran Press. I decided to start my own press after waiting months to hear from small presses if they’d accepted my novel manuscript. I’m not in my twenties anymore, so I don’t have the luxury of waiting for long periods of time between submissions.

Q: How have you gone about promoting the book? Which of these activities has been the hardest/easiest?

A: I’ve sent letters to libraries asking about their shelf inclusion policy, sent press releases to newspapers, letters to bookstores, all of them regional and close to the town I write about. I also try to promote the novel on social media, hopefully without being too annoying. The mailing part is easy, but with all the other books out there, I wouldn’t say the results of any self-promotion are easy these days.

Q: What skill sets and experience do you feel you brought to the table as a result of your career path prior to penning Deadlight?

A: For thirteen years I worked for Prentice-Hall’s Art Department, laying out and shooting camera copy for authors’ books. I envied them, so I began writing shorts of my own and submitting to online and paper journals, which I still like to do and is great writing practice.

Q: What do you think readers would be the most surprised to learn about you?

A: I believe my desire to write, just like other authors, comes from a past life memory that was viewed in that life as a positive experience. I also believe there’s a reason we come in contact with each and every person during our time on Earth.

Q: So what’s next on your plate?

A: I’m working on a book of short stories.

Q: Where can readers learn more about you?

A:  Through lasherlane.com, readers can find me on Twitter. I’m also on GoodReads.

Q: Anything else you’d like to add?

A: I want to sincerely thank you so much for this opportunity!

 

 

Seasons of Raina

Seasons of Raina Cover_Seasons of Raina

According to the National Education Association, It is estimated that 160,000 children miss school every day due to fear of attack or intimidation by other students. But as Oprah Winfrey once said, “It doesn’t matter who you are, where you come from. The ability to triumph begins with you – always.”

Moving, finding oneself, learning to adjust to a large family . . . these are just a few of the curveballs thrown into one Colorado ninth grader’s life in Seasons of Raina, the debut young adult novel by Milissa Nelson.

A victim of bullying, Raina is sent to live with extended family in a small, rural town in Minnesota, quite the opposite of the metropolis that is Denver, where she hails from. Thrust into the life of a family of ten, Raina faces the crowding of eight cousins, the expectancy of a new school and new friends, yet a chance to discover herself. As it turns out, Raina is much stronger than she ever imagined. Sports, music and the adaptation to sharing rooms and problems with so many family members brings a surprising element of accepting change into Raina’s life. Seasons of Raina takes the reader on a warm, insightful journey into the struggling life of one young girl, who learns to balance the acceptance of herself, and the powerful effects that bullying can leave behind.

Author Milissa Nelson offers You Read It Here First a glimpse into Raina’s world, as well as her own.

Interviewer: Christy Campbell

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Q: In Seasons of Raina, you explore the effects of bullying. Why did you choose this topic?

A: I needed Raina to have a plausible reason for her to re-locate such a long distance from her parents. I wanted her to move in with a family that closely resembled mine, so that I could write about what it was like to grow up in a large family. I needed a convincing reason, and I chose bullying. I’ve lived in both Colorado and Minnesota and love both places. I just needed to get her to Minnesota where I had spent more of my youth growing up. In general, life is better when people treat each other kindly and I wanted to show it was possible.

Q: Do you have a specific age range you are trying to reach with Seasons of Raina, considering it is a young adult novel?

A: I am writing for the upper elementary and middle school audience mostly. The language in “Seasons of Raina” is family friendly. The cousins in my novel have an age range of 3 to 17, so there is someone for most everyone to identify with. I also tried to write it for the entire family to enjoy. It is my attempt at a 1970s era version of a Laura Ingalls Wilder novel.

Q: You chose to write Raina into a large family rather than a small one. What governed your decision to create that particular dynamic for her?

A: Being part of a large family is what I know. I am seventh and I meet very few other seventh children. I wanted to share what it was like to grow up with a larger than average family and the special uniqueness of that. I am extremely grateful for my family.

Q: If you could come up with your own marketing pitch for Seasons of Raina, how would you draw readers in to purchase your book?

A: It is a great chapter book for beginning readers who want to tackle a longer story. The family friendly wording allows for “Seasons of Raina” to be read aloud and enjoyed by all. It is a book about the bonds of family, the advantages of trying new things, and it also has both serious and funny moments.

Q: Interestingly, your book takes place in the 1970’s. Modern trends are mentioned in the story that are quite common nowadays. Did your family participate in those things during your childhood?

A: I set the story in the 70s, because that was the last time that my entire family lived under one roof and I wanted to include all of my siblings. The older ones started to leave to attend college in the late 70s. We did recycle way before it was convenient. We drove our newspapers, glass, food cans, and aluminum 25 miles to a recycling center where we dropped them off and sorted them into collection bins. We were taught that resources are finite and we needed to conserve them. We had several paper bags set up near our wastebasket to save the recyclables in, until we had enough to make a trip to the recycling center.  We also composted food waste, leaves and grass from the lawn and dug it into our garden occasionally. Our garden was organic and we never treated our lawn or used weed killer. My parents did most of the work, but we pulled the weeds and used a tool designed to pull up the roots, and a push behind cultivator.

Q: Give us a few of your favorite authors and why you enjoy their work.

A: My favorite authors are Lucy Maud Montgomery, Laura Ingalls Wilder, Willa Cather, and Carol Ryrie Brink. I love how they could make ordinary everyday lives, interesting. They were great storytellers and I love re-reading their books, even today.

Q: How was your own childhood similar or different to that of your young protagonist?

A: Raina became a combination of many different people. The biggest thing that I share with her is that I moved in high school and experienced a lot of new situations and took part in new and different activities. I am grateful for that move because I grew in many ways and became much more adaptable. I also learned that home can be anywhere there are people that you love.

Q: Did you find Raina easy to write? Describe her personality.

A: Raina is quiet, but when comfortable, has things to say. It was fun to write her part because I could compare and contrast her situations from before, with her new reality. She has a sense of humor and is respectful of others. I also gave her a drive to get better at things. She is someone who will put in the time necessary to see improvement.

Q: Bullying continues to grow into more and more of problem in today’s world. What advice would you give to children and teens about bullying?

A: I would say to try and treat everyone as kindly and respectfully as you can. Practice being nice to others even when they are not kind to you and try to not react to a bully, but sometimes by calmly talking through the criticism they have thrown at you, you can diffuse the bully from escalating the situation. When the bully stops finding any fun in being a bully, they start to feel silly. A caution though, is that this is not always possible when there is a potentially dangerous situation and sometimes adult intervention is needed.

Q: What hobbies do you enjoy in your spare time?

A: I like to participate in sports. Because of the size of the school I attended, they did not cut those who wanted to participate, so I was allowed to play volleyball, basketball, and I ran for the track team. I had a lot of fun. To this day, I would much rather participate than watch. I also have played the trumpet since elementary school and have sung with my family since I was very small. Even as an adult, opportunities to participate in making music are plentiful.

Q: When did you develop the desire to begin writing?

A: I have always enjoyed writing and find it to be very relaxing. I took a creative writing class in college where I majored in music education and I enjoyed it a lot.

Q: If you could jump into any piece of fiction out there today, which character would you like to be?

A: I enjoy reading about Anne’s adventures in “Anne of Green Gables” and “Anne of Avonlea”. She is a very sincere girl, who has great intentions but somehow things don’t always go as hoped for. I love her fanciful use of language too and how she usually sees the good in things.

 

Seasons of Raina is available at North Star Press (http://www.northstarpress.com/products/seasons-of-raina) as well as on Amazon.