A Chat with Rosemary Morris

 

Rosemary Morris

Writing from her lovely home in Hertfordshire, UK, Rosemary Morris writes about the past, with characters full of life, love, and adventures, but her feet are planted solidly in the present. Witty, intelligent, and a prolific writer, she lights up the pages of history and allows her characters to tell their story in a way that draws readers in and holds them close. Welcome, Rosemary.

Interviewer: Debbie A. McClure

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Q: What is it about historical fiction that first attracted you as both a reader and a writer?

A: At primary school, I enjoyed history and English literature more than any other subjects. When I was old enough to choose library books, I selected stories set in the past. Later, I discovered authors who wrote historical fiction for children. One of my favourite novels was The Little White Horse by Elizabeth Goudge, which is J.K. Rowling’s favourite children’s novel. I still enjoy reading historical fiction.

From an early age I had a vivid imagination. I made up stories about children who lived in the past. In my teens, I wanted to write in the same style as my favourite authors. Eventually, my first novels were either rejected or the publishers reneged on the contract. Real life intervened until I wrote another novel, and at long last achieved my dream of becoming a published author.

Q: What can you tell us about your latest book?

A: My latest novel is Yvonne, Lady of Cassio, The Lovages of Cassio, Volume One, (BWL Publishing), and is available from Amazon as a paperback. It is also available as an e-publication from Amazon, Kobo, Barnes and Noble, and other online venues.

When Yvonne and Elizabeth, daughters of ruthless Simon Lovage, Earl of Cassio, are born under the same star to different mothers, no one could have foretold their lives would be irrevocably entangled.

Against the backdrop of Edward II’s turbulent reign in the fourteenth century, Yvonne, Lady of Cassio, contains imaginary and historical characters.

 Q: What surprised you the most about how people actually lived during the period you write about?

A: My novels are set in England during three periods: Edward II, Queen Anne Stuart 1702-1714, and the ever-popular Regency era.

The limited legal rights of women surprised me more than anything else. For example, if a woman married to an abusive husband left him, under the law he could have custody of their children, and not allow her to see them. Moreover, he could refuse to provide for her financially.

Q: How do you decide what historical facts go into a book, and which ones are interesting, but don’t make it to the pages of your novel?

A: I write from my characters’ viewpoints. I only include historical facts which are part of their lives, such as their food, clothes, religious beliefs etc., and events that have a direct bearing on their lives, which they discuss or are involved in.

Q: Those who love to read (and write) historical fiction often lament the fact that some writers create “modern” characters in period setting. How do you overcome that dilemma and ensure your characters are true to their time period, status, etc.?

A: I write fact-based fiction in which my characters act and speak according to the era which I am writing about. My research is extensive. I study relevant literature, economic, political, and social history, and visit museums, stately homes, gardens, and other places of interest.

When writing dialogue, I strike a balance between the way people spoke in the past and the way they speak now.

Q: What have you learned about yourself since beginning the journey of becoming a writer?

A: Before my first novel was published I wrote when I ‘was in the mood’.  Afterward, I learned self-discipline. I usually wake up at 6 a.m., write 2,000 words of my work in progress and deal with ‘writerly’ matters until 10 a.m. Next, I get on with the practicalities of daily life—cleaning, cooking, gardening, shopping, etc. After lunch, I work online for an hour or read non-fiction related to the novel. Between 4 p.m. and 8 p.m. I often answer e-mails, post messages online, visit the online writers’ group I belong to, and critique chapters or apply critiques of my chapters.

Q: What advice would you give to that would-be or new novelist?

A: Imagination can’t be taught, but writing is a craft which can be learned. Read books about how to write, and attend a writers’ group where you will receive constructive criticism. Don’t be discouraged by rejections from literary agents or publishers. Most published novelists have served a long apprenticeship before one of their novels is accepted.

Q: How do you deal with the question of blending fact and fiction to tell your historical fiction stories?

A: Fact must be included to ground a historical novel in the past. I show my characters choosing what to wear, what to eat, etc. I allow them to express their opinions about current events and to discuss important matters.

Q: Is your genre specific or general? Why?

A: I write romantic historical fiction, which is rich in historical detail, drawing room manners, food, fashion, economic, political and social history, and much more.

Q: Did your reading choices have anything to do with your choice genre?

A: So many authors still inspire me, including Georgette Heyer’s historical fiction. I have read her books so often that the pages are almost ragged. I also enjoy Elizabeth Chadwick’s medieval novels, which I have read more than once, and Elizabeth Goudge’s lyrical prose, particularly Little White Horse, Island Magic, and Green Dolphin Country. My favourite classics, such as Jane Eyre, Ivanhoe, and Pride and Prejudice, also deserve a mention. Yet, as much as I admire and have in one way or another been influenced by these writers, I have found my own voice. My novels have themes that modern readers can understand. For example, greed in Tangled Love, a woman previously misused by a cruel husband in The Captain and The Countess, and in False Pretences, a young woman’s determination to trace her birth parents.

Q: Where were you born?

A: In Kent, South East England.

Q: What do you like most about where you live now?

A: My three-bedroom house in Hertfordshire is small and easy to take care of. From upstairs it has a beautiful view of my organic back garden with herbs, fruit trees, and vegetables. Beyond it is a green edged with woodland.

Q: What’s your favorite season?

A: Spring, when I begin sowing seeds and planting out herbs, vegetables, and ornamentals.

Q: Do you have any personal heroes/heroines?

A: I admire A.C. Bhaktivedanta, Swami Prabhupada. Penniless, at an advanced age, he went to America and founded The International Society of Krishna Consciousness, which has spread throughout the world.

Q: What’s next for you, Rosemary?

A: I have nearly finished writing Wednesday’s Child, Heroines Born on Different Days of the Week, Book Four.  After I submit it for publication I shall write Thursday’s Child Book Four, and Grace, Lady of Cassio, The Lovages of Cassio Volume Two.

Website: www.rosemarymorris.co.uk

Facebook: https://www.facebook.com/writerinagarret/

Amazon:https://www.amazon.com/Rosemary-Morris/e/B007MQI9Q2/ref=sr_ntt_srch_lnk_1?qid=1496328000&sr=8-1

 

 

 

Barkerville Beginnings

Astrid Cover

Faced with financial ruin and the loss of her good name, Rose Chadwick decides to make a new start for herself and her young daughter, Hannah, in the rough and tumble gold rush town of Barkerville, British Columbia, in 1867. However, making a new life is not so easy when it’s built on lies. And, long suppressed emotions within her are stirred when she meets a handsome young Englishman. Such is the premise of author A.M. Westerling’s new historical romance, Barkerville Beginnings.

Interviewer: Christina Hamlett

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Q: Growing up in Alberta, both of your parents had an influence on your reading choices and the passion that eventually drove you to start writing books of your own. Tell us about that.

A: Both my parents were readers – books, the daily newspaper, Time and Life magazines. My dad would always buy me a comic book or book if I asked unlike, say, a toy or something else, especially if we were on vacation. All of my siblings read as well so obviously the apple(s) didn’t fall far from the tree. My mom introduced me to romance novels in my early teenage years and I read every single Harlequin romance in our local library. When I was a bit older, my dad started suggesting historical novels, particularly Catherine Cookson. Once I hit university, I started reading Kathleen Woodiwiss, Rosemary Rogers, Bertrice Small and that was it – I was hooked on the historical romance genre.

Q: What titles might we have found on the nightstand of your teenage self and which ones stand out as fond favorites to this day?

A: Hmm, I really can’t remember. I do recall reading The White Mountains and the Tripods Series by John Christopher. I was pretty excited when my boys had to read it for English but they were like, meh. I was crushed, haha. I did read a fair bit of science fiction; i.e., Ray Bradbury and Isaac Asimov.  My dad also introduced me to Alistair MacLean and I read every single one of his books.

As mentioned earlier, my older teenage self discovered historical romance. I think my favorites from that time were The Wolf and the Dove, and The Flame and the Flower by Kathleen Woodiwiss. Plus I really enjoyed Rosemary Rogers` Sweet Savage Love and Wicked Loving Lies. Sigh, such titles, those were the good old days!

Q: I’m always intrigued by the day-jobs our authors have held prior to pursuing writing as a full-time career. What was yours and why did you choose it?

A: I have a degree in Chemical Engineering from the University of Calgary. I chose engineering because I wanted to graduate with a degree that would actually get me a job. I worked for a number of years in Alberta’s oil and gas industry and then my husband – a mechanical engineer – and I started our own engineering company. We specialized in heavy oil facilities and hit the market at the right time. Fifteen years later, we sold the company and now I’m retired. Too busy to work, thank you very much!

Q: What appeals the most to you about the historical romance genre?

A: I love history and I love romance. Win win.

Q: Obviously anything that transpires in a time period other than the present requires diligent research in order to feel “authentic” for one’s readership. Is it your preference to do all of the research first and then start writing or to look up details as you go along? Why does your chosen method work well for you and how does it correlate to working from an outline vs. listening to your muse?

A:  I do the research first because I need to become familiar with the time period before I can feel comfortable writing it. Of course, from time to time I will look up details as I go along. Also, research gives me story ideas so it helps with developing the plot.

Q: Too much research, though, can slot the pacing of the plot. How did you go about deciding what to keep and what to set aside (and possibly for another book)?

A: I always keep in mind that the romance between the main two characters is the focus of the story, and not the history. I only need to provide enough historical detail to make my readers feel as if they’re in that particular time period. Quite often, I’ll include an author’s note at the end of the manuscript to elaborate on the historical aspects of the work.

Q: The backdrop of your story, Barkerville, is a real place that dates back to Canada’s Gold Rush days. What did you learn about it that you didn’t know before you started writing the book?

A: That in the 1860s it was thought to be the largest town west of Chicago – estimates put the population in Barkerville and area as high as 10,000. Which is pretty amazing, considering how remote Barkerville was at the time. It still is, actually, as it’s in the interior of British Columbia and pretty far off the beaten track. Because of Barkerville and the Cariboo Gold Rush, the British Parliament put forward a bill making the area formerly known as New Caledonia into a crown colony, British Columbia.

Q: Surprises, of course, are inherent in the craft of writing. Do/did your characters ever nudge you to take a different route than the original journey you have/had planned for them?

A: Oh yes, all the time. That’s when I know I’m on the right track, when my characters take over the story. Makes my job a lot easier.

Q: What comes first for you—the characters or the plot?

A: Hmm, I suppose the characters. All of my books have started with a scene that pops into my mind and I take it from there. For example, in my Viking romance A Heart Enslaved, the scene I worked around was the scene in the slave market where the hero Thorvald is about to sell the heroine, Gisela. My challenge was to set up the story to get them there in a believable manner.

In Barkerville Beginnings, the scene that popped up was the opening scene, where Edmund, the father of Rose’s daughter Hannah and who up until now has had nothing to do with her, shows up at the rooming house in Victoria where Rose and Hannah live and threatens to take away Hannah. The only solution Rose can see to avoid that is to escape with her.

Q: Was “characters first” the case with Barkerville Beginnings? Please explain what it was that set this particular story in motion for you.

A: Further to my previous answer, Rose decides to make her way to Barkerville. She’s heard a lot about it from miners passing through Victoria and she thinks it’s the perfect place to hide from Edmund plus a big enough town to provide a living for her.

Q: So give us a teaser of what this novel is about and who the main characters are.

A: My heroine is Rose Chadwick, a single mom in a time when unwed mothers were frowned upon. As you already know, she’s on her way to Barkerville to make a new life for herself and her daughter. Her experience with Edmund has left her wary of men which will prove to be a challenge in a town full of lonely miners and very few women.

The hero, Harrison St. John, was expected to marry the daughter of a wealthy industrialist to bolster the family’s sagging finances. However, he is left standing at the altar and instead makes his way to Barkerville in search of the fortune which will save his family from financial ruin. Because of his wedding fiasco, he has no use for women in his life.

They meet on the Cariboo Road after Rose and Hannah have been tossed from the stage coach because of an altercation between Rose and the driver. Unable to afford passage on another coach, Rose grudgingly accepts Harrison’s offer of a ride for Hannah and her into Barkerville. Once there, she and Harrison part ways. Or maybe not…

Q: Are any of them modeled after people you know (including aspects of your own personality) or are they purely works of fiction summoned from the ether?

A: I’m sure my characters include some aspects of my own personality, after all, I created them. But yes, they are purely works of fiction summoned from the ether. I will sometimes include real people. If so, I will add a comment about them in my author’s note.

Q: Do you allow anyone to read your chapters while they are still a work in progress or do

 you make them wait until you have typed the final page?

A: I work with critique partners. That way, they can set me straight if something doesn’t make sense or isn’t true to the characters. If changes are needed, I prefer to do minor revisions as I go rather than one big revision at the end. It’s more manageable and not as intimidating.

Q: What are you doing insofar as marketing to get the word out about your titles? Of these efforts, what do you feel has been the most successful?

A: Gosh, I wish I knew. Of course, I have a presence on Facebook, Twitter  and Goodreads. I have used FB ads with some success and I’ll try running a contest on my FB page. I might also do a promo spot on Book Bub as I know other writers have had success with that. I’m also going to try my first Goodreads giveaway and I’m guesting on more blogs, which I really appreciate.

Finally, more book signings. I’ve done one already here in Calgary for Barkerville Beginnings and will be participating in another one in July, plus I hope to have a signing in Barkerville itself.

My publisher also does a bit of promotion for their authors, and that’s definitely been effective, particularly for Kobo books.

But I’ve heard many times not to focus too much on social media as the best promo is to write the next book.

Q: You have a lovely first name and yet your books are published under initials. What governed that choice?

A: I write under a pseudonym because my real name is distinctive and I wanted to stay as anonymous as I could. Although in this day of the Internet, I’m sure anyone could figure out who I really am. Hmm, I’ve been spelling both my first and last names my whole life so I wanted something a bit easier. A.M. are my initials, and Westerling was my mom’s maiden name. In hindsight, though, I would probably go with Astrid Westerling as it’s a bit odd to receive emails addressed to A.M.

Q: When and where do you feel you are at your most creative?

A: I like writing in my office, I’m comfortable there, my research books are close at hand and the window looks out to the western sky. No particular time although I do prefer having a quiet house so I love writing when my husband is out. I don’t have a day job so I am fortunate to be able to write when the whim strikes me.

Q: What’s the biggest distraction when you’re in your “writing zone”?

A: Email! Facebook! Laundry! Dust bunnies!

Q: What would readers be the most surprised to learn about you?

A: I always buy fresh flowers when I’m grocery shopping for my dining room table.

Q: What do you do for fun and why does it bring you joy and/or recharge your batteries?

A: I really enjoy walking and I try and get out for a walk every day, even if it’s only for 15 or 20 minutes. In the spring and summer, I love working in my garden and better yet, enjoying the fruits of my labor with a cold beer in hand on the patio. I enjoy a good movie or TV series and yes, I will analyze the plot development, much to the annoyance of my husband. I don’t read nearly as much as I should but love it when I find a great book to immerse myself in. A recent read that comes to mind is Juliet Waldron’s Roan Rose.

We do a bit of traveling in March when spring refuses to come to Calgary and although I’ll bring my little laptop, I rarely sit down and use it. Vacations are for replenishing the well. And I totally love camping, especially in northern British Columbia. My idea of heaven on earth.

Q: As an insider tip to aspiring writers, what do you know now about the publishing industry that you wish you had known when this journey began?

A: Hop onto Google and find a local, or online, writing group. Writing is a lonely occupation so it’s nice to connect with others who share the same passion you do. I’ve found nobody is more willing to help a newbie author than other authors – the advice, shared experiences and support are invaluable.

Q: Where do you see the publishing industry going in the next 10-20 years, and do you think it will be harder or easier for authors to get their work in front of an audience?

A: Indie publishing is definitely here to stay and I think you’ll see more authors going that route if for no other reason than getting your work out and available a lot quicker.

Traditional publishing (i.e., finding a publishing house to publish you) will always be around, too, of course, and although in this day of indie publishing they’re crying for new authors, it will still be difficult to break into. For one thing, the big publishers are too afraid to take a risk. They’ll say they want something new and exciting but when push comes to shove, it’s the same old same old. Just take a look at the shelves at your local supermarket – you’ll always see the same names, particularly in the romance genre.

As far as getting your work in front of an audience, no matter if you’re indie or traditionally published, it’s hard enough already. Publishers expect authors to do their own promo work.

Q: Best personal cure for writer’s block?

A:  Go for a walk.

Q: What’s next on your plate?

A: I’m working on another Viking romance, this time set in Vinland aka L’Anse aux Meadows in Newfoundland. I was working on it when I got the opportunity to participate in the Canadian Historical Brides series so I put it aside as I like to work on only one project at a time. Something about my attention span… ha ha.

I have a few ideas percolating for two more Regency set romances. Here’s the scene that’s popped into my head from one of them:

The brig.  His own crew – the mutinous scurvy bastards! – had tossed Captain YY in his own brig.  His ship. Therefore his brig.

He slammed a calloused palm against the rough planked wooden door then pressed his face to the small grated opening that passed for a sorry excuse of a window. The ship rolled and water sloshed around his ankles. The single lantern swung, casting erratic shadows on the wall and a rat swam by, its black eyes shiny in the feeble light.

With a muttered curse, he dropped down on the narrow bench and swung up his legs. He wedged his feet against the wall and leaned his head back.

Then he proceeded to think about how many enjoyable ways he could do away with the interfering Miss XX.

Because after all, it was her fault he was here.

 And from that will grow an entire book!

 

 

 

 

A Chat with Anita Davison

Anita Davison poster

 

When I was in high school, my second favorite subject after English was History. Many a time, I’d imagine what it would have been like to live in a different time period and, accordingly, it was a natural step in my wordsmithing to invite my characters to cross paths, rub shoulders and even exchange in snappy banter with people who actually called those time periods “home.” Discovering fellow authors who share that same passion for the past is always a delight, even more so when it’s not just a stand-alone novel but, in fact, an exciting series. Our feature author this time around is Anita Davison, whose latest release, A Knightsbridge Scandal, is Book 3 of her Flora Maguire Mysteries.

Interviewer: Christina Hamlett

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Q:  Tell us about your journey as a writer and when you first knew that penning stories of history and mystery was what you wanted to do?

A:  Being a published author was not something I ever aspired to. Ordinary people like me didn’t get books published. Those with Master’s degrees in journalism and English literature who have put years of practical work experience into their apprenticeship – those people write books.

In my early 20s I lived and worked in central London, where the National Portrait Gallery was a favourite haunt. In the 17th century room hung a painting of James Scott, Duke of Monmouth, the eldest of 12 illegitimate children of Charles II who tried to seize the throne on his father’s death by raising a rebellion in the West Country. Inspired by his tragic story, and reading Cynthia Harrod Eagles’ The Long Shadow, at the time, I began to create a story about a family caught up on the wrong side of the rebellion. I enjoyed the process, but became aware that I was a novice where novel writing was concerned. However the idea of putting my work ‘out there’ for others to comment on terrified me, but I decided I might as well  find out whether or not I could do something with it, or if I had no discernible talent.

I found an online critique group made up of both published and aspiring writers to whom I submitted my first chapters. I would like to say my submission came back covered in compliments – it didn’t! The group pretty much trashed it!  Nicely though. They didn’t attack the plot or the characters, more my sentence structure and my head-hopping prose. Do I hurl the manuscript into a corner and never touched it again, or hunker down and try again? I did the latter, and that’s when I began to learn rules which aren’t taught in schools – how to use active voice as opposed to passive, putting a scene into one point of view, showing not telling, how to write effective dialogue etc. I also discovered my epic saga of over 200k words would never be accepted as a debut novel, so I split it into two and  it a series; now available as The Woulfes of Loxsbeare. One day I will finish Volume 3.

I was accepted by the Kate Nash Literary Agency, who, after a brief flirtation with Victorian romance, they secured a contract for Royalist Rebel, my biographical novel about Elizabeth Murray who was a teenager during the English Civil War. I now have a five book deal for my Edwardian Cosy Mystery series with Aria Fiction. The agency’s list of authors represented is pretty impressive these days, and I would like to say my career has taken off in the same way– but that hasn’t happened – yet.

Q: Who are some of the authors whose wordsmithing structure, plots and characters have had the most influence on your own style?

A: Cynthia Harrod-Eagles ‘Dynasty’ series about a Yorkshire family inspired me to begin writing.

Q: If we could travel back in time, what are some of the books we might find on the nightstand of your 10-year-old self? How about as a teenager?  And now, as a successfully published author?

A: The book I clearly remember reading at aged 10 was Fahrenheit 451 by Ray Bradbury which fascinated me. In my teens I started reading Jean Plaidy, Dennis Wheatley, Agatha Christie. Forever Amber by Kathleen Winsor cemented my love of the 17th Century. Lately I tend to read for research but for pleasure I enjoyed Tasha Alexander’s historical mysteries, Erin Morganstern’s Night Circus, and C S Sansom’s stories of the Tudor lawyer, Matthew Shardlake.

Q: Speaking of different time periods, what was the attraction for you to Edwardian England as the backdrop for heroine Flora Maguire’s adventures?

A: I was given a subscription to a genealogy site as a gift and became fascinated with my own family history. My family were Prussian immigrants who came to London in 1880, which led me to reading all I could about London during the late Victorian and Edwardian eras. With all the photographs of London at that time, as well as a store of vintage videos on the web, I soon became hooked. Less than a hundred years ago, life and attitudes were vastly different to today. It’s accepted that the Regency period was a male dominated world, but these attitudes were still firmly in place in the early 20th Century. Women did not eat out in public unless they had a male escort, and many restaurants had male only dining rooms. Simpsons restaurant in the Strand didn’t allow women in their downstairs dining room at all until 1984.

Q: A college professor of mine once said that if one is going to write mysteries in which a broad spectrum of skullduggery is afoot (including dead bodies), it’s easier to do it in an earlier century when technology was not a prevalent tool for crime-fighting. Do you find that to be the case with your own work?

A: In some ways that’s true because the clues have to be more prosaic; an overheard conversation, a document, etc., and the villain revealed without the use of forensic science. In the first book, Flora finds blood on a knife, but in 1900 there was no test to tell whose it was as blood grouping had been thought of but not perfected. Also, fingerprints weren’t used for identification until a landmark case in 1902 – but were still not considered conclusive. And poisons were easier to obtain, arsenic being an ingredient in all sorts of products. Cocaine was used in cough linctus until then 1950s.

It was easier to change identities and information was much harder to find, you had to know where to look. The SS Minneapolis was one of the first ships to carry wireless telegraphy, so my character was able send a telegram to an associate on land to find out certain facts about a suspect.

Q: Writing out-of-your-time-zone, of course, requires a lot of research in order for the storyline to feel both plausible and authentic to your readers. There’s always a danger, though, of getting so carried away by these vintage details that they can easily overwhelm—and detract—from the plot. What governed your choices regarding which research should be included and which could/should be left out?

A: Absolutely – and this is a major problem for historical writers. Personally I get so immersed in historical events that I always put too much into my stories, assuming the reader will be as fascinated as I am. Editing tends to illustrate these ‘info dumps’ though and I do follow advice and remove most of it by reminding myself I am not writing a history book. Anything which doesn’t drive the story forward or fit seamlessly into the narrative without jarring – or boring the reader – must go!

Q: When and where did the fictional Flora Maguire first step into your imagination and demand your attention?

A: I was writing a Victorian romance which began with my female character travelling between New York and London on a steamship I had researched extensively right down to the patterns on the stateroom curtains and bed covers. When the book was contracted, my editor said the novel should begin when my character steps off the boat onto English soil – thus all my intricate research and writing was dumped. However, I kept my meticulous research. I had worked too hard to consign it to the bin – and when Flora Maguire needed a crime to solve, I wanted a  ‘closed room’ environment with a limited number of suspects, my steamship was ideal.

Q: Did you always intend to turn that first Flora Maguire story into a series?

A: No I didn’t. As my first try at mystery writing, I wasn’t sure if it would be credible, but the critique group and my agent said mysteries did better as a series as readers like to be familiar with the main character. When the critiquing process ended, the group asked me what was going to happen to Flora when she got off the ship. It was while I was writing Books 2, 3 and 4 that my agent secured a five-book deal for the whole series from Aria Fiction. Thus, I am currently writing Book 5. Books 1 to 3 are available and Book 4 will be released in November 2017 with Book 5 scheduled for next year.

Q: Series fiction is not without its own set of challenges; specifically, if there’s an expectation or hope that readers will read these books chronologically. But what about someone who jumps in and reads the most recent book first? How do you handle that fine line of giving them just enough background teaser to want to go back and see what they missed without giving away too much information on how the prior “episodes” were resolved?

A: I have suggested to readers that they are best read chronologically as Flora’s personal life changes, although the murder mysteries are complete stories.  Flora has a mystery in her own life, which develops a little more with each book.

Q: Flora starts out her career as a governess. Given the circles in which she moves as crimes unfold, wouldn’t she be more effective as a wealthy, titled lady or an actress?

A: Flora’s station in life was a major consideration before I began. I don’t know anything about the thespian world, either now or the Edwardian era, so didn’t feel I could portray it with any conviction. The aristocracy, unless they baulked the system and existed on the fringe of fashionable society, led restrictive lives. Unmarried girls in 1900 had to do what their parents told them, while married ones had to obey their husbands. Unless I made Flora a widow, like Tasha Alexander’s heroine, Lady Emily Ashton, Flora couldn’t gad about town on her own, which is why I introduced Sally Pond, her maid and sometime sidekick. I felt that as a governess, Flora would be intelligent by nature and discreet by necessity. As an upper servant, she moves between the two worlds with ease with an ability to be invisible, so people tend to talk in front of her, forgetting she is there.

The first story is set in 1900, the beginning of a new millennium where great changes in science, medicine and society were taking place in the run up to WWI. She ventures into some unsavoury areas at times which no titled lady would enter, and with more freedom.

Q: You make mention of the Women’s Suffrage Movement in this novel. Is Flora herself a Suffragist?

A: She’s a non-militant Suffragist and an admirer of Millicent Fawcett who worked for years to have women’s rights acknowledged by the government, and succeeded to a point with the Liberal Party. Flora’s status was gained by her marriage, and had she remained a governess, the movement wouldn’t have represented her at all as they were fighting for women who owned property. One aspect people forget about the ‘Votes for Women’ fight was that the majority of working class men didn’t have the vote either. Thus, Flora has mixed feelings about the aims of the Suffragists. Flora also believes that the WSPU- Christabel Pankhurst’s breakaway militant group with their campaign for vandalism and public protest was not representative of most women who wouldn’t dream of destroying works of art or throwing bricks though windows.

Q: What does her husband think of her stance on equal rights for women?

A: He admires her and holds similar views. He’s a solicitor from a wealthy background who has fallen on leaner times and has to make his own living, so he is sympathetic to the struggles of the working man – and woman, but he also has the ability to function in both societies.

Q: Do you have a favorite character in this series?

A: Flora is my favourite as the stories are written from her point of view, so hers is the head I am inside most of the time. I do like her young charge, Eddy, though, who enters the stories as a 13-year-old boy. My editor says he is one of her favourites, so Eddy is making an appearance in Book 5 as an 18-year-old university student. He gets into trouble and runs to Flora and Bunny for help.

Q: So what’s in store for Flora in future novels in this series?

A: No 4 is at first editing stage where a murder leads her into the shady world of child trafficking. This ties in with the International Agreement for the Suppression of the “White Slave Traffic Act” which was ratified that year in the UK.

Q: Do you start with an outline or make up the plot as you go along?

A:  Plotter every time. I research specific historical events which I would like to include, then work out the crime, the villain and the clues and misdirection. Then I sketch out each scene synopsis, its goal, content and conclusion– I need to know exactly where the story is going or I get lost.

Q: Does anyone get to read your work in progress or do you make them wait until the very last page?

A: I am still a member of the Historical Fiction Critique Group to which I submit my draft chapters for feedback. We have been working together for some years and trust each other’s opinion. If they tell me a character is hollow or not credible in the first draft, I do something about it.

Q: Have your characters ever surprised you and gone off the path in dialogue or action that you hadn’t originally fashioned?

A: On occasion, a character I had given a cameo role to has developed into a major one because the group really liked them and wanted more. Bunny’s mother was going to be a shadowy figure who made an occasional appearance, but now she is Flora’s nemesis. Beatrice Harrington is the archetypical Victorian widow with unbending principles and an opinion on everything. Naturally she doesn’t believe any woman is good enough for her only son, especially a governess brought up below stairs by a Scotsman. I thought she could be one character readers could love to hate and I allow Flora to score the odd point against her to assert herself.

Q: Are your previous novels Edwardian-themed as well?

A: I have written two Victorian Romances, but my first love was the 17th Century. The Woulfes of Loxsbeare are about an Exeter family caught up in the political chaos of the late 17th Century. Royalist Rebel is a biographical novel about Elizabeth Murray, who became Duchess of Lauderdale. A friend of Charles II, she was also one of his spies during the Interregnum, and was published by Pen and Sword Books

Q: What would readers be the most surprised to learn about you?

A: That I am happiest at home with my writing and only venture out when absolutely necessary or when bullied by my family. I don’t even like eating outside! I’ve been accused of everything from being an agoraphobic to a vampire, but I just like the indoors!

Q: What do you think is the best thing about being a writer?

A: That I can manage my own time and workload and create my stories from any premise I like, when I like. The autonomy is very important.

Q: And the worst thing?

A: Those times when I sit in front of the computer, a coffee at my side and fingers poised over the screen – and nothing comes. It doesn’t happen too often but when it does it can be soul destroying. Writers are insecure at the best of times [well, maybe not all] and when your mind is as blank as the screen, it’s hard to accept you will feel differently tomorrow, or maybe the next day. You think it’s over – forever!

Q: What’s your best advice to an aspiring author who is just starting out?

A:

  1. Find your author voice and have confidence in it.
  2. If you write, you are an author – don’t let anyone tell you otherwise.
  3. The story is the thing. A steadily moving plot, plenty of conflict and a satisfying ending is more important than flowery descriptions and a ton of woven in research. No one recalls what the heroine was wearing when she finally wins the battle or falls into her hero’s arms.

Q: Where can readers learn more about you?

A: My social media links:

BLOG: http://thedisorganisedauthor.blogspot.com

GOODREADS: http://www.goodreads.com/AnitaDavison

FACEBOOK: https://www.facebook.com/anita.davison

TWITTER: @AnitaSDavison

LINKEDIN: https://www.linkedin.com/in/anita-seymour-davison-9ba57014/

Q: Anything else you’d like to add?

A: Other than promoting my current book? No, I don’t I think so, I have gone on long enough.

 

 

 

Romancing the Klondike

 

CanadianBrides-Yukon

Just as tradesmen took leave of their jobs, doctors took leave of their patients, and the world at large took leave of its senses in 1849 to scramble to California in pursuit of glittering treasure, a similar stampede for riches got underway 47 years later—this time, toward Northwestern Canada’s rugged Yukon. It’s against this rugged backdrop that a young woman named Pearl Owens goes in search of adventure while her cousin, Sam, is equally fervent about staking his own claim for gold. Such is the premise of author Joan Donaldson-Yarmey’s latest novel, Romancing the Klondike.

Interviewer: Christina Hamlett

**********

Q: When did you first realize you had been bitten by the writing bug and wanted to pursue this as a possible career?

A: I had thought about trying to be a writer for a few years while my children were young. I wrote a few stories but just put them away. When my children were teenagers I took a writing course and wrote a short story about the injured hawk my son and I found on the side of the road. We took it home and kept it a couple of days until it was better, then let it go. The story was accepted by a small magazine and I was paid $100.00 for it. When I saw the published story and people told me they had read it and liked it, I was hooked.

Q: Who are some of the writers (living or dead) whose work you especially admire?

A: Since I write mysteries, of course Agatha Christie is one of the writers I admire, especially for her innovated plots. I can say the same for Mary Higgins Clark. Their endings were surprises and I like that. I wasn’t a fan of most of Mordecai Richler’s books. However, I really enjoyed his novel, Barney’s Version, for the unique way it was written and, again, for the surprise ending.

Q: If you could invite three of them to a private dinner at your home, what questions would you most like to ask each one before the evening is over?

A: How do they come up with their ideas? How many rejection slips did they receive before their first book was published? How long did it take for them to get their first novel published? Did the same publisher publish their second book? If they switched publishing houses during their career, why? I would ask each of them these questions because I’m sure their answers would be different.

Q: You’ve held no shortage of diverse jobs throughout your life – printing press operator, bank teller, house renovator, bookkeeper. How did each of these prepare you for both the work ethic discipline and the solitary aspects of spending time in fictional worlds of your own creation?

A: I think I am naturally a disciplined person. When I decide I want to do something, I do it no matter what I have to go through to accomplish it. I like immersing myself in my story and characters. Sometimes, when I am living my normal life, I miss the people and life happening in my book. Having a variety of jobs did provide me with a lot of occupations to give the main characters in my books. Although technology has changed since I worked at some of them, I might be behind the times on how things are done. But I am free to set my books during any decade I want.

Q: You’ve also moved more than 30 times. That’s a lot of packing and unpacking! What would you say accounts for this sense of wanderlust…and are there any upcoming moves on the horizon?

A: I like new places, new experiences, meeting new people. I never really have been attached to a house to the point that I have said, I don’t want to move. Sometimes, once I’ve left a place I look back at the fun I had and the friends I met, but I never really say “Oh, I never should have moved from there.” Instead I think, if I had stayed there, I wouldn’t be here. Right now I live on an acreage with fruit and berry trees. Being raised on the prairies where we had to purchase all our fruit like cherries, peaches, pears, apples, it is nice to go out into my yard and pull them from the tree and eat them fresh. Every once in a while I think it’s time to move on, but so far I haven’t found the next place where I want to live.

Q: When and where do you feel you are able to be your most creative self?

A:  Right now, I have an office with my desktop computer, plus I have a chair in the living room with a table beside it for my laptop. I seem to be able to watch television and follow the show while writing at the same time. I get most of my work done there.

Q: After successfully penning a number of historical articles and travel books, you made the switch to fiction. What was it that influenced this decision?

A: I like reading mysteries and I found that there were so many with inferior plots or predictable endings. I figured I could write a book at least as bad as some of them and tried. It took a couple of years but I found a publishing house that accepted my first mystery, Illegally Dead. Since then I have published three more mystery novels, three historical novels, two sci/fi, one contemporary young adult and one Christmas romance (with my sister).

Q:  As someone who is skilled at writing in different genres, how do you go about deciding which genre will ultimately be the smartest fit for a new story?

A: Most times I set out to write a mystery. The main character of my first three novels, Illegally Dead, The Only Shadow in the House, and Whistler’s Murder, which I call The Travelling Detective Series, is a travel writer. She somehow manages to get involved in a murder while researching places for articles for travel magazines. So the books include information about the places she visits as well as the mystery. In The Only Shadow in the House, she also has a boyfriend, so there is a romance. But since they are mainly mysteries, I put them under the mystery genre. My stand alone novel, Gold Fever, there is a mystery and romance so I call it both. My historical novels and my young adult contemporary young adult were easy to define. It was my novels, The Criminal Streak and Betrayed that I wrote first and then decided that they belonged in the science fiction genre.

Q: What comes first for you – the plot or the characters?

A: Usually it is an idea that I get from reading a news story, overhearing a conversation, or seeing something on television. Then from there I decide on the plot and then bring in the characters.

Q: Do you develop your stories from an outline or develop the actions and interactions as you go along?

A: I have never worked with a solid outline because I find that my characters seldom end up the way I first pictured them and plot never takes the route I thought it would. I do start the story with the main character in his/her everyday life so the reader can get to know them then I put in the trigger that starts the mystery. This puts the main character on his/her quest for a solution.

I do have scenes pictured ahead of time where characters are going to have a certain conversation or be at a certain place but unexpected conversations or character twists surface as I am writing the story. Some of these are surprises or mishaps or problems that get in the way of my character’s quest. I strive not to make these predictable nor so far out that they don’t make sense to the story. I try to leave the reader with the thought that (s)he should have figured that would happen. I find that it is no fun to read a book where you can foresee where the story line is headed and what is going to happen before it does.

Q: For your latest novel, Romancing the Klondike, you chose the backdrop of the Yukon, specifically 1896, the year before the great Klondike Gold Rush began. How did you go about doing the research for this era in order to ensure the storyline’s authenticity?

A: I have been to the Yukon twice. On the second visit, in 1997, I was working on my non-fiction travel book, The Backroads of the Yukon and Alaska. I decided that I wanted to hike the Chilkoot Trail, since it was the 100th anniversary of the beginning of the Klondike Gold Rush. To write Romancing the Klondike I used my knowledge of the territory plus read books about its history to make sure I had that right. I also read books about the late 1800s to describe hair dos and clothing and equipment.

Q:  Romancing the Klondike isn’t your first novel about gold. Your mystery/romance Gold Fever is set in the mountains of southern British Columbia. Do you have a fascination with gold?

A: I guess I do. My father panned for gold with two of his brothers in the Salmo area of southern British Columbia in the late 1930s. When WWII broke out, he and one brother joined the army. At the end of the war, Dad ended up in Vancouver where he met my mother and they married. In 1980, my husband, kids, and I accompanied my parents to the gold claim that Dad once owned. He showed us how to pan and we all ended up with a little bit of flour gold.

In 1992, my husband and I decided to drop out of society for a while. We sold our house, quit our jobs and headed to the Salmo area to get a gold claim. We found a small section of the Salmo River that was not part of any claim and we staked it. When we registered it, we found out that it was part of the claim that my dad had had in the 1930’s.

Q: You have written two other Canadian historical novels, West to the Bay and West to Grande Portage. What do you think makes Canada’s history such compelling fodder for novelists and authors of nonfiction?

A: When I attended school in the 1960s I was told that Canada was too young a country to have much of a history and what it did have was boring. I was taught the history of the United States, France, England, and ancient Greece and Rome. I decided that I was going to prove my teachers wrong and began reading about Canada, and yes, sometimes the books were boring, but when I looked at what the people who lived in that time did to survive and thrive, it was amazing. In 2014 I wrote West to the Bay, the first in my Canadian historical series for teens, young adults, and adults. The story takes place 1750 and is about four boys who join the Hudson’s Bay Company and sail from Scotland to Rupert’s Land to work in an isolated fort. It is also the story on a young native girl and her family who wait expectantly for the yearly visit from her grandfather on the supply ship.

In 2015, my second book in the series, West to Grande Portage, was published. It takes place in Montreal in 1766 and shows the life of two young adults, a boy and his female cousin as they each strive to make a life for themselves, he as a voyageur with his uncle and she as a volunteer at the hospital and prospective bride.

The Hudson’s Bay Company was founded in 1670 and set up a few forts on Hudson’s Bay in Rupert’s Land, as Canada was known at the time. The Company began as a purchaser of beaver pelts but over the centuries also became a retailer, opening stores across the country. It is the oldest continuously operating company in the world.

The birch bark canoe was invented by the natives and used by them and non-natives to navigate the lakes and rivers for centuries.

Q: Since you write in so many different genres, what’s your favorite genre to read?

A:  Mysteries, mysteries, mysteries. I like to be drawn into a detective novel, taken through all the clues and red herrings and then be shocked at the ending.

Q: Do any aspects of your own personality find their way into the characters you’re writing about?

A: Yes. The main character of The Travelling Detective Series is an aspiring travel writer who works as a nursing attendant in a long term care facility. I am a travel writer who has worked in a long term care facility. My family and friends who have read the novels say that they can picture me saying or doing things that she says and does.

Q: Have your characters ever surprised you?

A: Oh, yes. In The Only Shadow in the House, I was waffling between two characters as the killer. Suddenly, a different character stepped up and said they had done it and gave the reason why. The funny thing is that readers have told me that they had thought the killer was one of the two people I had been waffling about.

Q: Which of these characters would you most like to spend a day with and where would you go?

A: Since my main character is most like me, only younger, I would like to spend a day with her. I could give her pointers on travel writing and we could discuss delving into a murder mystery and how to interpret clues while we drink Pepsi and eat chocolate.

Q: What’s next on your plate?

A: I am working on a mystery/romance and also on a saga about four generations of a family.

Q: Anything else you’d like to add?

A: No. These questions cover everything.

 

 

 

 

Dancing at Midnight

 

Dancing at Midnight

On a trip to England years ago, I recall learning that Queen Elizabeth has kept a diary ever since she was a young girl. This poses an interesting question. When it’s understood (or just assumed) that one day these private entries will be read by someone other than herself – or perhaps even made public – how candid might they actually be?

I like my dogs and horses better than my children.

Camilla wore the most ghastly shoes at lunch today.

Philip’s a dear but his snoring is really vexing me.

Perhaps instead, she sticks to safe ground to avoid controversy and the potential ruffling of feathers.

The morning began with light rain but cleared by midday.

I think I’ll buy a new hat.

I tried a different marmalade on my toast. It was amusing.

In Rebecca Yelland’s compelling new book, Dancing at Midnight, a mother’s secret journal takes center-stage after her death and causes her estranged daughter to suddenly start questioning everything that she once believed was true. While catharsis may be good for a troubled soul, it’s not without the risk of collateral damage – a scenario this author thoughtfully explores.

Interviewer: Christina Hamlett

**********

Q: First of all, congratulations on your debut novel! Have you come down from the ceiling yet?

A: I’m not sure. Every time my feet start to touch the ground, a great review or acknowledgment pops up and I’m in the clouds again. Most recently, I was awarded the indie BRAG medallion for literary fiction. It’ll be a few weeks before I land.

Q: Seriously, what did you do to celebrate the book’s release?

A: When I received the first copy of Dancing at Midnight in the mail, I was grinning like an idiot. But other than plastering all over social media to friends and family that my book had been published, nothing particularly special. The real work of promotion had only just begun.

Q: When did you first know that the burning desire to be a writer was in your blood?

A: I come from a family of artists. Literally. My uncle and grandfather were both painters and my grandmother and her family were musicians. I guess you could say it was in my DNA to seek some sort of artistic outlet like writing. I started out composing poems as a child and graduated to songwriting in my teens and adulthood. Eventually that led to writing my first novel. Expressing my thoughts on paper is a natural as breathing.

Q: What’s the earliest thing you can ever remember writing?

A: A poem when I was in 3rd grade. I can’t remember the name. It received an award and was published along with other winners for our school district. Sadly, the publication was lost many years ago during a move. I hope to find another copy someday.

Q: Successful wordsmiths are often voracious readers. Is this the case with you?

A: In my case, not so much. I’ve always had a way with words. My mind absorbs everything around me – including the use of language. I read a lot when I was younger. But with the demands of a full-time job that required hours of computer work, my poor eyes needed a break in the evenings.  However, after publishing my book, I have been able to enjoy a short work sabbatical and have been catching up on my reading.

Q: What’s your favorite genre?

A: I’d have to say memoirs and biographies. I am fascinated with the true life stories of people who have overcome great obstacles and challenges in their lives. I’m encouraged to learn of such individuals who have emerged from the other side and survived.

Q: Let’s say you’re planning a dinner party and can invite six authors (living or dead) that you most admire. Who’s on that auspicious guest list and what question(s) would you like to ask each of them before the evening is over?

A: J.K. Rowling – What sparked your brain to create the elaborate world of Harry Potter?

C.S. Lewis – If you had to give one reason to believe in God, what would you say?

Judy Blume – You are so relatable to young girls. What’s your secret?

Mary Shelley – What was the inspiration for the “monster” in Frankenstein?

Virginia Wolf – Do you believe that depression is a life sentence that cannot be overcome?

Amy Tan – Do you think women of the past were right or wrong to hide their traumatic experiences from their daughters?

Q: You’ve spent a large part of your career as a human resources professional. What aspects of that job have yielded the most insights on what makes people tick, and how have you applied those insights to the development of fictional characters?

A: I’ve worked in several different industries with several different employee populations. In preparing performance reviews, interviewing candidates and handling the delicate nature of terminations, I’ve been exposed to many personality types in the process. As a result, I’ve come to learn that everyone has a story to tell. Observing a large spectrum of human behavior on a daily basis has only helped me in creating believable characters for my story.

Q: What was the inspiration for Dancing at Midnight?

A: I was randomly looking through my family’s genealogy one day and realized there were a lot of missing pieces in the lives of some of my relatives – including my own mother. I knew some about her life, but not enough that would help explain her often erratic behavior. My mother has since passed away and there are so many things I will never know. In writing Dancing at Midnight, I was able to give my character the answers that I had hoped to find.

Q: The plot of your debut novel revolves around the discovery of a mother’s private journals and the secrets she has kept hidden from her family. What is your own theory about the keeping of diaries (i.e., a cathartic way to examine one’s life with no intention of those entries ever being read OR a confessional that is meant to explain past deeds and seek redemption after death)?

A: Diaries can be a very therapeutic way for otherwise introverted individuals to express their deepest thoughts and darkest secrets. Especially when dealing with trauma they would prefer to keep private from the outside world. In the time period of my novel, it makes perfect sense then that June would use her diary to sort out her feelings in a time where many of her experiences were not openly talked about like they are now. I believe keeping the journal was the only thing that helped her to go on living.

Q: Do you keep a diary?

A: I’ve kept a diary at brief points in my life. I usually ended up losing interest after a while and forgot to keep them up. I prefer to talk about my feeling to a live person if possible.

Q: How much of your own personality was put into Dancing at Midnight?

A: I am a combination of both Carolyn and June. But mostly June. Both characters suffer from an anxiety disorder as do I. As a daughter, my mother was very much like June. As a mother, I have suffered trauma that I feel is often misunderstood by family and friends. It’s interesting that how in writing this book, my personality became more evident in the mother.

Q: Have you ever entertained the idea of penning an autobiography?

A: Yes. I’ve had a very eventful life and wish to write about it someday. However, in consideration of others that may be affected by my story, I’m waiting until the right moment to present itself.

Q: Who’s your favorite character in Dancing at Midnight?

A: That would be Jimmy! I don’t know how that character came out of my brain. He is wonderful! I want to marry him myself.

Q: Is there a takeaway message you’d like your readers to have by the final chapter?

A: There are two things actually. First, not everyone is who they appear to be. Carolyn’s frustration with her mother was based on lack of knowledge and understanding. We never know what someone else has endured unless we have lived in their shoes. Judgement should be reserved when you don’t know the whole picture. Second, not everyone heals from trauma the same way. For some the trauma lasts a lifetime. Our society is so quick to shame people into “moving on” and just “getting over” it. Mourning is unique to each individual. The timeline should never be judged or rushed.

Q: Like a lot of authors today, you chose to go the self-publishing route. Was it easier or harder than you expected to wear a multiplicity of hats and get this book in front of a readership?

A: I originally opted to pursue self-publishing as a simpler and faster way to get my book published. It has proven to be anything but that. Although my book has received outstanding reviews and honored by indie BRAG, the promotion has been an extremely frustrating process. Writing a good book means nothing if you can’t get it out to the masses!

Q: What are you doing to promote it and which methods are working the most effectively for you?

A: I’ve done a lot of giveaways on Goodreads, Facebook and Amazon. Goodreads has given me the most exposure, but it’s still limited in the grand scheme of publishing. At this point, word of mouth had brought about the best results so far.

Q: Let’s say Hollywood comes calling to adapt this to a feature-length film. Who comprises your dream cast for it?

A: A film would be my biggest dream! I saw the book as a movie in my head the whole time I was writing it. The cast suggestions below are based strictly on physical resemblance and types.

Jimmy – Alex Pettyfer

June –Aleixis Bleidel

Alice – Jessica Hamby

Tom – Brant Daughtery

Carolyn – Rachel McAdams

Sharon – Reese Witherspoon

Q: What would readers be the most surprised to learn about you?

A: I’m terrified of frogs! My brother lives in a rural area and in the summer it looks like one of the Egyptian plagues outside his house.

Q: Who or what inspires you as an author?

A: My inspiration is based solely on my need to put my thoughts on paper. It is very therapeutic for me to express myself in this type of format. Sometimes even I am surprised but what I write.

Q: When and where do you feel the most creative?

A: Unfortunately, I’m the most creative when I’m trying to get to sleep at night. I wish I could plug my brain into a computer and transfer the data. By the time I get up and go to my computer I don’t always remember what I want to say! So I write mostly at night/early hours of the morning. It’s my best time to concentrate.

Q: What’s next on your plate?

A: I’m currently working on a sequel to Dancing at Midnight. I wasn’t planning on writing one but there has been an overwhelming request to do so. You’ve got to make your readers happy, right?

Q: Anything else you’d like to add?

A: Publishing my first novel has been an incredible personal accomplishment. I have many more stories in my head. I look forward to expanding my collection of titles in the future.

To Live Out Loud

To Live Out Loud FRONT PROMO copy

I’m very happy to re-introduce our global village of readers to Paulette Mahurin, the author of The Persecution of Mildred Dunlap, which made it to Amazon bestseller lists and won awards, including best historical fiction in 2012 in Turning the Pages Magazine. Although semi-retired, Paulette is by no means taking life easy. Her new book, To Live Out Loud, is a fascinating historical fiction about what it means to be a friend when the personal costs of that friendship become increasingly high. In addition to her writing, she works part-time as a Nurse Practitioner in Ventura County, does pro-bono consultation work with women with cancer, works in the Westminster Free Clinic as a volunteer provider, and volunteers as a mediator in the Ventura County Courthouse for small claims cases. As if all this wasn’t enough, she and her husband are actively involved in and support dog rescue. Profits from her books go to help rescue dogs. Welcome Paulette!

Interviewed by Debbie A. McClure

******

Q         When did the Dreyfus Affair first pique your interest?

A         When I was writing and researching my first book, The Persecution of Mildred Dunlap, I looked up events that happened in 1895, the year Oscar Wilde was imprisoned for the criminal act of indecency. The topic of my storyline was intolerance and persecution. I found out that 1895 was a great year for prejudice and intolerance worldwide.

Not only was homophobia raging out of control in England with Oscar Wilde being thrown in prison for two years, but anti-Semitism was alive and well in France with Alfred Dreyfus being falsely accused as a traitor and thrown in Devil’s Island for life.

Over here in the U.S. racism was going wild as Booker T. Washington fought for blacks to be allowed in schools with his famous Atlanta Address. I became fascinated with the Dreyfus Affair at that time.

Q         The research is clearly vast. Which were the best resources?

A         Multiple books, especially one written by the son of one of Zola’s publishers, Ernest Alfred Vizetelly, Émile Zola Novelist and Reformer: An Account of his Life Work. I used multiple websites to gain an understanding of Jewish history in France during that time, which is where I found the one sentence I quoted from Dreyfus, “when will I kiss you again” (paraphrase) in his letter to his wife, Lucie. I found the transcript of the Zola Libel trial and used that. There are too many sources to reference here, but suffice it to say that my eyes were sore from all the reading.

Q         Government Corruption and prejudice can probably be found in any era and in every country. Do you see yourself tackling the topic again?

A         If there’s a historical situation, a person, or an event that moves me, then yes. I’ve started a brief outline and first chapter on a book called, The Seven Year Dress, about a woman I rented a room from while I attended college.

When I first met her I noticed the numbers on her arm. During my time living with her, I heard her story and became intrigued. There are so many incredible historical stories and events to draw from, like Florence Nightingale being lesbian and serving men at war. Right now, I’m just not sure.

Q         Do you have a favorite Historical era?

A         I’m fascinated by ancient Greece, when hubris was a crime and Socrates was put to death for it. I’m also fascinated by the early 18th century, when Thomas Payne wrote The Age of Reason, which challenged institutionalized religion and the legitimacy of The Bible. Not that I’m against any religion, it is just a fascinating time when freedom of speech and liberties is highlighted. Of course there are the paradoxes and dichotomies of every generation who oppose forward thinking. However, when the wave moved high for tolerance, those are the times that interest me, like the Dreyfus Affair, which changed a nation.

Q         Injustice and Bigotry were also the subject of your novel The Persecution of Mildred Dunlap. How did the topic become a passion?

A         I think it’s just my nature; to want to help the little guy, the underdog, the downtrodden, especially when there’s unjust intolerance. If an action isn’t hurting anyone, then let it be. How are gays hurting? Who are Jews hurting? Who are blacks hurting?

Q         Monsieur Charles Mandonette; the fictional narrator in To Live Out Loud feels very authentic for the era. You made him a childless bachelor, so I’m curious; after all the serious research, how did you come up with the character? Was he always the planed original voice for the book?

A         Initially I wanted to write from the prospective of Lucie Dreyfus or a friend of hers, but it was too hard to unleash any information about her. The love letters between Lucie and her husband have been circulating Jewish museums, but I couldn’t view any of them on-line.

There was a paucity of available information about Lucie, and what little I did find I included in the book. Because of this scarcity, I went for a friend and confidant of Zola’s, which was modeled after a real confidant and friend, Henry Vizetelly. Vizetelly kept a long running journal of his time with Zola, including being present at the libel trial. The idea of a confidant of Zola’s was then more plausible as a protagonist and narrator. Once I got into his voice, the rest flowed organically.

Q         We all know that life teaches us many lessons. What has been the hardest personal or writing-related lesson for you to learn, and why?

A         Close to eighteen years ago my husband and I moved to Ojai, California. Two weeks after arriving, I went to the local animal shelter and met a dog. Tazzie was a ten month old Rottweiler with a broken femur. I took her home with me and our love affair began. This was also the start of the most challenging physical debacle my body has incurred in this lifetime. Tazzie came with ticks, and one of them latched onto me. Two days later, my left side developed a huge bull’s-eye rash, clinically diagnosed as Lyme Disease. I was treated with antibiotics, but six months later I woke up with crippling Monoarticular left knee arthritis. The orthopaedic surgeon did blood work, an MRI, etc. The diagnosis: Lyme Disease. It was confirmed. In addition to the arthritis, my body weakened with meningitis, cardiac valve involvement/enlargement, and other odd bodily things. My right arm became paralyzed, as did my left facial muscles, etc. These symptoms went on for years, throwing me into a depression. All this time, Tazzie was by my side, seemingly the only light in the dark crevice my life had become. It was her vigilance over me that started the glimmers of gratitude. What good was left hadn’t been ripped from my life. Slowly I regained ninety percent of my health. As fate would have it, just as I was getting healthier, she lay dying in our home. There has never been a more profound life-changing experience for me with regards to my health, suffering, coming through in a newfound place of gratitude, and having a friend—Tazzie—who taught me more than any other teacher or life lesson before her. 

Q         There is far more to writing a good novel than most people will ever realize. What is the most difficult aspect of writing for you, and why?

A         Sitting down in the chair and doing the work. Showing up. Continuing to show up, and then when it gets so tiresome that I want to stop, to quit, persevering by doing what the Nike commercial says, “Just Do It!” So I continue, despite all temptation not to, despite wanting to burn every piece of paper on the planet when going through the editing phase, despite hating those times of excruciating feedback from editors, publishers, etc. As with any work, there are the good days and the bad, the ups and downs, the joys and crap, but ultimately hanging in there, going through it all, “the process” is rewarding. It’s a good feeling to look back and say, “Yup, I did it. I hung in there and look what happened. A book was born.”

Q         Writing historical fiction requires huge amounts of research that can feel a little like falling down the rabbit’s hole. How do you decide what to include or not include in your story and characters?

A         I think the story decides for you and you ride along on the sense that it’s enough. Then of course there are the editors who scream that reality so loudly that if you don’t obey, don’t cut back, you receive their wrath until you do. I’ve worked with an editor from Simon & Schuster, a minimalist who is a wordsmith cutter. It’s been a downside with some readers who want more, but then you can’t make everyone happy. You just do your best, work with people who are professionals and who you trust to guide you, and put your product out there.

Q        Many writers of historical fiction struggle with blending fact and fiction in a way that tells the intended story, yet stays true to certain elements of time and place. How do you tackle the art of weaving fact and fiction in your historical novels?

A         My first novel was more storyline with the historical facts as background. It centered on the imprisonment of Oscar Wilde, and I added facts into conversations from the characters living the storyline. Historical facts about time-related things went into scenery and the narrative as back story. With my third book, I really stayed with the Dreyfus/Zola history because it is one of the most profound historical stories about intolerance in France’s history. I didn’t want to add much to it. I used the vehicle of a friend of Emile Zola’s (one of his publisher’s in fact) to give a fictionalized voice to the narration, and parts where history was scanty, like Zola’s death. With this book, again the reviews are mixed. Some readers feel it is true to the facts and is accurately portrayed, while others want more dramatization from the characters. I didn’t want to add a lot of false/fiction to Zola, to Dreyfus, to Dreyfus’ wife or brother, to Esterhazy, or other historical figures. With the protagonist, Charles Mandonette, the narrator, I took liberties.

Q         It is often said that writing is not for the faint of heart. What advice would you give to new writers just starting out on this crazy journey?

A         What defines a writer is writing. Sit down in that chair and just do it. Whether it be an hour, a day, once a month, a writer writes. Don’t worry about the editing process or how good it reads, just tell your story and leave the editing up to the professionals. I do suggest working with a really good creative and line editor to give shape and validity to the writing. Readers are turned off by poor grammar or juvenile writing. They don’t want to pay money for it. There’s a big difference between telling a story and making it look professional. We all know how to tell stories. Just sit down in that chair and tell yours. The editor will help shape it to look good and read well.

Q         Who has been your greatest personal or writing mentor, and why?

A         I’m very fortunate to live in a small town that’s a Hollywood bedroom community with lots of talent living among us. I took a class by one such person, a stage and screenwriter whose work has made it to the stage. She encouraged me to write and gave me feedback that was very helpful in developing scenes and continuity of storyline for flow. It was her genteel, positive way that made me feel I could do it. One of the best things I learned from her is to not listen to the critic inside my head. It’s never accurate anyway.

Q         For many people, writing is a personal journey, or a calling. What has writing taught you about yourself, and why?

A         Writing can be fun, a purging, and serve many functions. On a personal level, it’s given me the space between what’s in my head that stimulates all sorts of chemical reactions in my mind and body. In that space, I can see. It’s breathing room. Without that space, it’s just me over here experiencing something that passes, without reflection or understanding. This is not to say I don’t have self-reflection without writing, that wouldn’t be true, but writing puts it out there and gives the vision greater clarity.

Q         So, what’s next for you, Paulette?

A         Thanks for asking. While attending UCLA, I roomed with a woman who was a concentration camp survivor. As time progressed, she opened to me about the atrocities she’d witnessed, including the loss of her family. As you can well imagine, there are stories within stories as she shared this unthinkable time with me. The working title, The Seven Year Dress, is derived from her telling me she wore the same dress for seven years.

You can find and connect with Paulette here:

Goodreads: https://www.goodreads.com/author/show/5895757.Paulette_Mahurin

Amazon: http://www.amazon.com/Paulette-Mahurin/e/B008MMDUGO/

Twitter: https://twitter.com/MahurinPaulette

Blog: https://thepersecutionofmildreddunlap.wordpress.com/2015/08/02/to-live-out-loud-by-paulette-mahurin/

Facebook: https://www.facebook.com/paulette.mahurin?fref=ts&ref=br_tf

Press article on Paulette’s book profits going to help dogs get out of kill shelters: http://www.vcstar.com/news/2012/sep/08/ojai-authors-historical-novel-teaches-tolerance/

She’s A Lot Like You

RS_ShesAlotLikeYou

Secrets, desires and betrayals…the perfect concoction for a fiery romantic novel. In Faye Hall’s soon to be released She’s A Lot Like You, one woman has returned to her roots, seeking revenge and faces an obstacle she hadn’t prepared for: the former love who broke her heart but left her with a passion she’ll always remember. Can old flames be reunited, despite a scandalous past?

Interviewer: Christy Campbell

**********

Tell us about your latest release. 

My latest release is She’s A Lot Like You, and it will be released in April 2014.  Set in 1860, in the town of Ravenswood, Queensland, Australia, it tells the story of young love torn apart by the deceitful lies of their families.  Reunited finally to reveal the truth behind their families’ secrets and to experience a love neither ever dreamed could exist.

How did you get started as a writer?

I started writing poems and short stories at primary school.  While most kids were in the playground, I’d be under a tree somewhere, or in the library writing little things.  Most of what I wrote was influenced by the people I knew, or certain people I saw that just kind of managed to stay in my mind.

When did you decide to branch out into the romance genre?

I would have been about 15 when I wrote my first romance.  It wasn’t really planned, though.  The words were all kind of just there in my head until I just had to write them down.  It was as I wrote the ending, were the two main character got to live happily ever after, that I realized this style of writing was definitely for me.

What kind of research do you do for your book material?

My books are all set in North Queensland, Australia in the late 1800’s so I’ve had to research a bit about the towns there at the time, and what the lifestyle was like.  The main bit of research I’ve had to do though is regarding the few mentions of native remedies used by the Australian Aboriginals.  That was extremely interesting.

Your books contain a fair bit of mystery and drama even though they are romances. Why did you decide to throw those concepts into the mix?

I grew up watching old Agatha Christie movies with my mum and I loved all the twists and turns and scandal they detailed.  But then I loved the old classic romance movies too.  I always thought if I could find a movie that contained all this it would be my perfect one.  As when I write I see each scene playing like a movie in my head, I thought maybe I should give it a go trying to write such a style myself.  And so I did.

You hail from Australia, as does the setting for your books. What’s special to you about this location?

I love my country.  I love the rustic realness of it all.  And I feel it isn’t a setting that’s been done to death.  I thought if I could maybe bring a little bit of Australian history out in my stories that could only be a good thing.

What’s a typical day like for you when you devote yourself to writing?

I have quite a large family so I rarely get a ‘day’ to devote myself to writing.  Most of my writing is done after my kids are in bed or early in the morning before they wake up.  But usually my husband makes me a cup of tea and I just sit in front of my computer and type whatever story is flowing from my mind at the time.  I have rough notes down about what I’d like to happen in the particular story I’m working on, but as I constantly tell my husband ‘it is subject to change’.

When asked to name three, short facts about Faye the person, not Faye the author, what would those be?

I grew up in a very small rural town in North Queensland, Australia.  Between my husband and me we have 9 children. And, here’s an odd one, I’m allergic to artificial blue food coloring.

What are you working on at the moment?

I’m working on something a little more different than my other books.  It’s called ‘Passions in the Dust’.  It’s set on a cattle station in Bowen, Queensland, Australia, and is about a man who send for a mail order bride from England.  The woman who arrives was one of his mistresses back in England.  There’s some cattle rustling and cows being poisoned by native aboriginal ways and…well…the rest you’ll just have to read about when it comes out.

We all dream, of course, about seeing our books in screenplay format. If you could make one of your book into a movie which title would you choose and who would portray your characters? 

It would have to be ‘My Gift to You’. Chris Hemsworth (from the Thor movies & Rush)  to play Bailey and Anna Kendrick (from Pitch Perfect & Twilight saga) to play Rush.

Where can readers learn more about your novels?

My websites  http://www.faye-hall.com/

http://eredsage.com/store/FAYE_HALL.html

My blog http://www.faye-hall.com/?cat=16

My social media https://www.facebook.com/pages/Faye-Hall/174774709247649

https://twitter.com/FayeHall79