Children of the Night (series)

FallenEmbers cover art

Vampires and sex! What could be better for paranormal romance lovers? Author PG Forte certainly pushes the envelope and explores the dynamic, complicated lives of her vampire characters in her Children of the Night series. I wanted to delve into the world and mind of a writer who creates such complex characters and doesn’t shy away from writing outside the proverbial box. With open candour, PG provides answers that give readers insight and a behind-the-scene look into what goes into writing this kind of series, fitting in, and the benefits to not fitting in.

Interviewed by Debbie A. McClure

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Q So what’s a nice Catholic girl like you doing in a sexy vampire fantasy writing world like the ones you pen? What draws you in and holds you to this genre?

A LOL! Would you believe my daughter made me do it? No, seriously, she did. She was reading a lot of vampire fiction at the time, and I’d been complaining about the various vampire traditions I didn’t like—not being able to see themselves in mirrors, being allergic to Holy Water, that sort of stuff. She suggested I write my own, so I did. What keeps me there are the characters I created.

I love them because they’re a family. They care about each other, even though they don’t always show it. They can live forever, which isn’t always the blessing it appears to be on the surface. That’s why the first line of the first book is, “When you live forever, you’re bound to make a few mistakes.” Oh, and they do! lol! But, on the other hand, when you live forever, there’s also time to get a few things right.

Q You are writing your sixth book in a vampire series. What would you say are the challenges writers of serial books face that are different from single titles?

A Oh, where do I start? lol! I guess I should begin by saying that I love writing series. It can be hard sometimes saying good-bye to a set of characters at the end of a book. With a series, you do get a bit of a reprieve. On the other hand, I generally find myself getting frustrated at some point and have to be talked out of killing off the majority of my characters. While I was writing my Oberon series, for example, I kept threatening to have an earthquake destroy the town.

One of the big challenges is consistency. I have to go back and re-read earlier books all the time to make sure my characters aren’t contradicting themselves from book to book. Also, with a big, sprawling series, like most of mine, you end up with a lot of minor characters. Sometimes you don’t remember all their names—which can be a big problem when you reuse a name, or call the same person by two different names. Usually it gets caught in time, but I live in fear. lol!

Another problem is writing yourself into a corner—it happens a lot! Even though I plot everything, my characters have a way of taking detours or going off on tangents. Sometimes those are great, serendipitous moments of glorious inspirations. Other times, you find yourself lost in a world of pain and re-writing, to get yourself back on track.

And then there’s the pacing. You need a few series-long story arcs, but those are often the things that try your readers’ patience. Some loose ends take a while to tie up. For example, there’s a bit of a mystery in the Children of Night series involving Conrad and Damian. The two were lovers for nearly four hundred years. Then, in 1856, they had a terrible falling out. They didn’t speak to each other for the next hundred and thirteen years, and it took them another forty years to finally get back together.

Not surprisingly, readers want to know what happened. No one is thrilled when I tell them I’m not going to explain it until the seventh and last book. And, no, it’s not because I don’t know the answer! I know exactly what happened between them, and why it happened, but as it happens, they’ve both been keeping secrets from each other, so they don’t know. And until they break down and tell each other the truth, there’s no way for the readers to find out either.

So that’s another challenge: keeping your readers so interested in what’s going on, that they forget how frustrated they’re getting with you for not telling them everything up front.

Q What is the greatest lesson you’ve learned about yourself since you began your writing journey?

A Well, I’ve learned I’m a bit of a perfectionist. Trust me; anyone who’s seen my house will be as surprised as I am by that fact. I have patience—who knew? I have determination and the ability to persevere, and a trace of paranoia, which appears to be an occupational hazard for many of us. I’ve also learned I’m a lot more competitive than I ever realized.

Q Would you say you’re a plotter, or a pantster, and why?

A Oh, total plotter. Occasionally I’ll start writing a story before I have the entire plot laid out. Usually this happens when I have a deadline and start panicking about the fact that I don’t have the entire plot laid out. But even then I usually have to stop and work out all the details before I can proceed.

On the plus side, even when I get side-tracked I always have a map to get me back on track. And my finished outlines are so detailed, all I need to do is clean them up again and voila! Instant synopsis—which is a huge advantage!

Q Could you give our readers a brief summary about what your latest book is about?

A I’d love to! Fallen Embers is the fifth book in the series. It’s a seven book series, so this is the point where things are starting to look pretty bleak for some of the characters, while other characters are just starting to come into their own. Exciting times!

The series for the most part is about Conrad Quintano, the patriarch of the Quintano vampire family, and his two youngest children, twins Julie and Marc Fischer. Julie and Marc were born vampire—which is supposed to be impossible. By all the rules governing vampire culture, they should have been killed at birth. But Conrad promised their mother on her deathbed that he would protect them and raise them. He and his partner, Damian, went into hiding together (even though they were no longer lovers) and raised the twins in secret until they were adults and could “pass” for normal vampires.

In each of the books, the twins learn a little bit more about their true heritage and destiny. And, in each of the books, we also explore a little more about Conrad and his relationship with various members of his family. Fallen Embers is largely about Conrad’s relationship with Georgia—his oldest friend and another of his former lovers.

Conrad and Georgia first met in the early twelfth century. On the night they met, Conrad saved Georgia’s life, but he’s always maintained that she saved his as well. It was Georgia who taught him that, just because he was a vampire it didn’t mean he had to be a monster as well. But that was then and this is now and a lot can happen over the course of nine hundred years! They’ve both been keeping dangerous secrets from each other, and now they’re starting to come out.

Q What inspired you to write this series?

A To be honest, I didn’t exactly intend for the series to go this way. In the very beginning I wanted to write a paranormal mystery series. I imagined the twins would be growing quite bored with their lives. Sure, Conrad has amassed a huge amount of wealth over the centuries, and you’d think this would mean they could do whatever they want. But after forty years of not being able to pursue any kind of career (since they don’t age, etc.) and having to keep a low profile, I figured they’d want something to keep their minds occupied. So I thought they should start investigating crimes and mysteries in the paranormal community.

The first book was going to be an introduction to the series and their first case was going to be finding Conrad, who’d gone missing. In the course of writing the book, however, I realized there was a lot more to Conrad’s story than I’d realized. And a whole lot more to Damian’s as well.

Five books later and here we are. Sure there are still mysteries to unravel and the twins are in the thick of things, but it hasn’t unfolded at all the way I thought it would. On the other hand, I love these characters and enjoy spending time with them … now that I’ve been talked out of killing them all off!

Q For you, what is the easiest part of writing a book, the beginning, middle, or end, and why?

A It depends on the book. A lot of beginnings are easy because even when I haven’t worked out all the details of where I’m going or how I’m going to get there, I at least know where I am at the start. But beginnings are also probably where I spend the most of my time, because I am never satisfied with them and, until I have the beginning just right, I can’t move one.

Middles can seem endless, and it’s really easy to get bogged down in them, or to get turned around and lose your way. On the other hand, once you get a little momentum going—and assuming you follow your outline and don’t get off track—you can make a lot of progress in a relatively short period of time.

I’m going to go out on a limb and say that endings are usually the easiest for me. However, there are a couple of exceptions. If you’re ending a series, or a stand alone book and saying goodbye to characters you aren’t ready to say goodbye to, endings can take forever. Also, I love endings; which means I’m a perfectionist. I want them to be just right. I’ve written a couple of books in which the last chapter took an embarrassingly long time to write. In fact, in one book, Waiting For The Big One, the last chapter took as long to write as the entire rest of the book. Of course, it was just a novella, and I wrote the rest of it in record time, but still!

Q Do you have a favorite character in this book, or in the series? If so, what makes this character your favorite?

A I love all my characters … well, almost all of them. Even the minor characters have a way of surprising me from time to time. I have one I just can’t kill. He was supposed to have died a couple of times, but one of the other characters keeps stepping in and saving him at the last minute. But, having said all that, I have to admit to being especially fond of Conrad and Damian. And Damian maybe a little bit more.

After 1200  years, Conrad’s a bit tired and jaded. His early life was, for the most part, very unpleasant. And by early life I mean the first several hundred years of it. This has also left him with more than a bit of a bad temper!

Damian, on the other hand, is more irrepressible—and a lot more flamboyant. Unlike Conrad, he was raised in relative luxury. He came from Spanish royalty and was serving as a courtier when he met Conrad. He fell in love with Conrad and ran away from court (and his patron—a very jealous Archduke) to be with his “demon lover”. He also has a temper, however, and a reckless, impulsive nature that regularly lands him in trouble.

I think it’s fair to say Conrad treats Damian, at times, as he would a trophy wife. He loves to indulge him and shower him with gifts, but he doesn’t always understand Damian’s needs and insecurities. There are also some times when he really wishes Damian would just shut up and do as he’s told. Yeah, that’s never gonna happen.

But the two of them love each other to death and have enormous admiration and respect for each other, so they’ll be okay. At least they will once they get those pesky secrets they’ve been keeping sorted out.

Q What’s the one thing about you that might surprise our readers?

A Uh…you mean beside the fact that I talk about my characters as though they were real people? I don’t know. I’m assuming most of them already know about the tattoos, the piercing, and the unicorn hair. That’s old news anyway. One thing that continues to surprise my husband is the fact that, when I’m on a roll, I can happily spend days in front of my computer writing. Seriously, if I’m the only one at home, and as long as I don’t run out of coffee, wine, or dog treats, I’ll barely even stop for meals.

In fact, now that the kids are out of the house, whenever my husband has to go out of town for business it’s exactly what I do. And I’m perfectly content.

Q What are your thoughts on the future of publishing and the self vs. traditional publishing debate?

A I think the more options the better, at this point. I was not an early adopter of the indie publishing movement, to be honest. DIY is a lot of work, frankly, and I really believed—or wanted to believe—that publishers had, perhaps, a better grasp on the industry than individual authors.

I still think some publishers have a better grasp on some aspects of publishing than some authors—but for the most part, I think the days when ANYONE could lay claim to having a handle on what’s going on in the publishing industry—or how best to appeal to the book buying public—are long gone.

At this point, I think the smartest way to go—for me—is hybrid. I don’t want to do all the work for every title, but some titles, yeah. I like being the one making ALL the decisions.

Right now, however, I think it’s really kind of a free-for-all. I think everyone has to decide for him or herself what kind of career best suits them.

Q You write erotic books featuring both gay and straight characters. Has it been difficult finding your “niche market” readers and/or publishing venues? If so, what has been your greatest publishing challenge?

A Oh, yes! Absolutely. Writing a series which is basically impossible to categorize? Terrible, awful, very bad idea. But it’s worse even than you know. Some of the books in the series are erotic; others have no explicit sex at all. There were several important reasons for why there was no sex—either all the sex took place in the past while my main couple were broken up and sleeping with other people and my editor pointed out that, while it was understandable they had both taken other lovers, readers would get upset if they “saw” them having sex with other people. And rightly so, btw, because readers did mention the fact after the book was published! Then, too, I write really long books, and when you have to cut 40K out of a book before it can be published, sometimes the sex has to go.

I don’t know if I’d do anything differently, because as I said, I love my characters and I’m happy with the way the series is turning out, but yeah … not a good idea. Lol!

Of course, I write in a lot of different subgenres anyway, which has hurt me in some ways too. It’s hard to sell books when you can’t easily elucidate your brand.

Q So, what’s next for you, PG?

A Well, I’m just about finished with the follow up to Fallen Embers, which is called To Curse the Darkness and is due out in December. This one picks up pretty much right where Fallen Embers leaves off. Then, before I tackle the seventh and last book in the series, I’m hoping to release a trilogy of novellas which are the start of a spin-off series from my book Inked Memories. The stories all revolve around a tattoo shop in Oakland, CA where a reality TV show is being shot. These are straight up contemporary romances … well, straight up with a little bit of kink and a lot of tattoos. I’m also hoping to finish up a short story and a novella that, hopefully, will also be released this year as part of two anthologies I’m involved with. So, hopefully, it will be a real busy year.

You can find PG here:

Website: http://www.PGForte.com

Blog: http://www.RhymesWithForeplay.blogspot.com

Facebook Page: https://www.facebook.com/AuthorPGForte

Facebook Group: https://www.facebook.com/groups/TheCronesNest/

Twitter: https://twitter.com/PGForte

Tsu: http://www.tsu.co/pgforte

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A Conversation with Carol McKibben

Carol McKibben

I’m so pleased to introduce my latest interviewee, Carol McKibben, author of Riding Through It, Luke’s Tale, and the newly released, Snow Blood. As an avid advocate for animals, and a special love for dogs, Carol’s latest books are written from the dog’s POV. Weaving tales of unconditional love, commitment, and the bonds that form our closest relationships, Carol reminds us of the valuable lessons we can all learn from the animals who share our lives. With 30+ years of experience in publishing, marketing, public relations, business management, education, and project management, Carol also brings a wealth of knowledge and experience to her writing. Join me in welcoming Carol McKibben!

Interviewer: Debbie McClure

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­­­­­­­­­­­­­­­­­­­­­­Q: Who has been the greatest mentor in your life on a personal or business level and why?

A: It’s impossible for me to just pick one. I’ve had so many. My daddy, brother and husband Mark have all had equal parts of encouraging me to be independent, strong and true to myself. But, three others particularly stick out in my mind. The first was G. Glenn Cliff. He was the editor of the Kentucky Historical Society and one of my early bosses. He encouraged my writing talent and pushed me to go back to college and complete my education. The second was another boss, a dean at Rollins College. He encouraged me to get my Master’s Degree. The third is my publisher, Stephanie at Troll River Publications. She has encouraged and supported my writing for years. The loveliest part of that relationship is that she also happens to be my daughter. And while we’re on that topic – she’s my harshest critic. So, when she finally likes something I write, I know I’m in good shape!

Q: Dogs and humans have enjoyed a symbiotic relationship for eons, which is seldom replicated between other species. What would you say dogs and people give each other, and why has this bond held true for so long?

A: The reason the bond has held true for so long is that dogs give humans unconditional love as only a dog can. No other human will love you, no matter your mood, your circumstances or the amount of attention you pay to them like dogs will. All dogs are descended from wolves. Man gave wolves food and warmth, and they evolved to be our companions and give us what we needed in return – unconditional love.

Q: You obviously have an interest in the paranormal, as evidenced in your last book, Snow Blood, about a vampire dog. Have you ever experienced anything of a paranormal nature in your own life, and if so, what was it?

A: I haven’t personally had a paranormal experience, but I have observed them in my family. Both my mother and my daughter are what I call “sensitives.” They are open to things that others can’t see. When my brother was thrown from a horse, he was unconscious for three weeks. My mother never left his side until my father forced her to go home and refresh herself. As she stretched across the bed, she felt a weight next to her and a hand touching her forehead. She looked up into her father’s blue eyes and his voice telling her that everything would be all right. Her father had passed away one month before my brother was born! At that moment, my father called to tell her that my brother was out of the coma. Years later, when my brother was in a car accident, I was sitting next to my mother who kept rubbing her leg, saying that she was in pain. When the phone rang to tell her that my brother had been in an accident and was in the hospital, she didn’t even say “hello.” The first words out of her mouth were: “I know my son has been in a horrible accident. Where is he?”

My daughter has that same uncanny ability.

Q: As a writer who has vast (30+) years of experience in publishing and editing, what advice would you give to new writers just starting out on this journey?

A: Use your passion to fuel your writing. Write about things that you love. Write every day. Hemingway believed that the only way to become a great writer was to practice, practice, practice every day. The more you write, the better you become. And understand that if you want to get published, that the writing is just a quarter of the effort you’ll need to make. Getting the book published and then marketed will be the majority of your effort.

Q: What has your writing journey taught you about yourself?

A: Most of my career, I wrote non-fiction for business purposes. After finishing my memoir, Riding Through It, I approached writing a novel for the first time with a bit of fear. I knew that I had an active imagination, but I had never written pure fiction. To my amazement, my stories just seemed to pour out of me onto the keyboard. What has amazed me after almost three novels (Snow Blood Season 2 will be out this summer) is how my main character leads the way. William Faulkner said, “It almost always starts with a character. Once he stands up and starts to move, it’s all I can do to run along behind him jotting down everything that he says and does.” And this is so true for me. So, my writing journey has taught me to trust myself.

Q: What would you say are your personal strengths and weaknesses, and why?

A: My strengths that are beneficial to being a writer: I’m organized; I’m persistent and stick to a schedule. I enjoy the time alone to write. I write every day. My weaknesses: I’m a bit selfish with my time – I need to get over that. Bad reviews still bother me, even though I try not to show it. (I’m a writer, so I’m insecure!)

Q: How have you used your strengths and weaknesses to good advantage in your writing?

A: Organization, persistence and enjoying, no loving, what I do allow me the luxury of being creative and getting a lot written. Being selfish with my time means again that I get more done as a writer. Because I am sensitive to what others say about my writing, it makes me strive harder to be better.

Q: What are your thoughts on traditional vs self-publishing in today’s writing landscape?

A: I co-authored a business book back in 1996, and it was traditionally published (by a very well-known publishing house). I didn’t feel that the publisher did much to promote the book. My writing partner and I were the ones that went out and got all the sales. Then, I self-published Riding Through It. Again, I had to market and sell it myself, but I didn’t have to give up so much of the revenue like I did with a traditional publisher. (Minus distribution, printing, etc.) For Luke’s Tale and the Snow Blood Series, I am working with a boutique publishing house that really produces for its authors – marketing plans, actual marketing, covers, editorial support, etc. And, I feel like the commission TRP takes is fair for the work they do. Let’s face it, unless you are John Irving, Stephen King,  or one of the big name authors, you won’t get that type of attention from a big publishing company. And now, there are lots of companies out there that will work with authors to self-publish. I think there’s room for both. Much of it depends upon whether you want to hold your new book in your hands in a short time span (self-publishing) or if you don’t mind going through a longer process (traditional publishing.) Then there’s the boutique publishing option, for which I’ve opted.

Q: Writing and publishing take a great deal of time, more than most people can imagine, and tenacity. How do you structure your day to fit in everything you need to accomplish?

A: I spend 50% of my day working with my clients (other authors and companies that require my writing/editing/marketing skills.)

I spend 25% of my day writing for myself, and another 25% marketing my books.

I use a DayTimer, schedule my work by degree of importance, and work through it until everything gets done. Please keep in mind that I don’t work an 8-hour day! It’s more like 12-14 hours.

Q: What would you say are the three most common mistakes new writers make when starting out?

A:

  1. Lack of Editing. The best writers re-write and re-write. New writers tend to think that editing merely means a brief read through for typos and spelling errors. That’s the very last thing to do. New writers tend to want to submit a first draft if they have an editor. Don’t do it. Put it aside for a week, then go back to it and rewrite. The first draft of a story needs to be sharpened, reworded, and it needs a professional editor when you have given it your all. I usually am up to Draft 6 or 7 before it goes to my editor.
  2. Poor Dialogue Skills. Dialogue in fiction isn’t real but it must sound real. It has to be sharp. No long confessional speeches. Engage your characters with each other. Reveal plot through dialogue and action. Use it to provide essential information and above all to show character. It’s critical to “show” and not “tell” and the proper balance of dialogue and action does that.
  3. No attention to Language. Too many writers are so busy telling a story that they don’t choose their words carefully enough. Writing should always be clear. Use intriguing language in new ways. The wind doesn’t only blow, it whips, rips, roars … really wordsmith … go over your draft for that specific purpose.

Other things newbies do are: include irrelevant detail; they rely on clichés and don’t use imagery; they don’t “set the stage” and leave out the details of the setting. They leave out taste, smell, etc. They also don’t have structure or know how to pace a story – when to give and when to withhold information, how to create tension, speed up or slow things down. This is all done by choosing the right words and the length of syllables. They sometimes shift point of view, without carefully introducing it. Finally, lack of technical knowledge (grammatical errors.) They need to learn the reasons behind the rules. Only when you know the rules can you break them! How do you learn them? By reading published fiction.

Q: What has been your most difficult lesson to learn in life so far, and why?

A: That everything changes. I tend to want to pre-plan and control my environment, my life, my situation. Change is inevitable. It always happens. Being the organizational, slightly OCD person that I am, it takes me a few minutes to warm up to changes!

Q: Rescue dogs are a lot like foster children. They often come with a whole host of emotional and physical scars. What can people who are considering taking in a rescue dog (or any animal for that matter) do to help ensure their home is the best fit for themselves and the dog?

A: I work with a great organization, LA Animal Rescue (LAAR). I suggest approaching a reputable rescue like LAAR and letting them work their magic. They take in to consideration your lifestyle, your living situation, your comfort levels and the needs of the dog. If you are a runner who wants a dog that you can take out on the trails, or a couch potato who wants a cuddle buddy, you need to be paired with the right dog. Organizations like LAAR put emotionally and physically scared dogs with fosters who will work to help them overcome their issues. They won’t pair a dog with issues to someone not willing or capable of working with them, and they never place a dangerous animal.

Q: What’s next on your plate, Carol?

A: I’m working with my editor to complete Snow Blood Season 2. I hope to have it out by this summer. (We’ve been editing since before Christmas, so you can see how important editing is to me!) After that, I plan to do the third installment in the Snow Blood Series. Then, I hope to write a novel based on quirky characters who love each other unconditionally. This is inspired by my author idol, John Irving.

Where to find Carol McKibben:

 

Website: http://www.carolmckibben.com

Facebook: https://www.facebook.com/CarolMckibbenAuthor
https://twitter.com/@carolmckibben

Linkedin: http://www.linkedin.com/in/carolmckibben

Amazon Link to Snow Blood Season 1: http://www.amazon.com/Snow-Blood-Episodes-Carol-McKibben-ebook/dp/B00JOWG05O/ref=sr_1_2?ie=UTF8&qid=1423619241&sr=8-2&keywords=Carol+McKibben

Amazon Link to Luke’sTale: http://www.amazon.com/Lukes-Tale-Story-Unconditional-Love-ebook/dp/B00ASZNBW6/ref=sr_1_4?ie=UTF8&qid=1423619241&sr=8-4&keywords=Carol+McKibben

Amazon Link to Riding Through It: Paperback version: http://www.amazon.com/Riding-Through-Memoir-Carol-McKibben/dp/1598009419/ref=sr_1_13?ie=UTF8&qid=1423619241&sr=8-13&keywords=Carol+McKibben

Amazon Kindle Link: http://www.amazon.com/Riding-Through-Memoir-Carol-McKibben-ebook/dp/B00E2C0OR6/ref=sr_1_5?ie=UTF8&qid=1423619241&sr=8-5&keywords=Carol+McKibben

Goodreads: https://www.goodreads.com/author/show/4046806.Carol_McKibben

 

 

 

Seeing Things

Nancy Young cover

“True love is like ghosts,” wrote Francois de La Rochefoucauld, ” which everyone talks about and few have seen.”

Over the years, film, television and fiction have given us a bounty of stories in which star-crossed soul mates discover themselves up against the greatest divider of all – that pesky line separating the living and the dead. Whether it’s the hero who longs to be reunited with a beloved bride that was snatched from his arms too soon or a wistful heroine who has reconciled herself to the belief that all the best men are married, gay or a possible figment of their imaginations, author Nancy Young delivers a fresh twist in her latest novel, Seeing Things.  When you’re out to debunk the existence of ghosts – as well as deny your own ability to see them– what’s a girl to do when the sexy techie whose attention she has attracted is, quite literally, out of this world?

Interviewer: Christina Hamlett

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 Q: So tell us a little about your journey as a writer and who (or what) was the greatest influence on your quest to become a published author?

A:        I was hooked on writing from the time the teacher posted my lion story outside our first grade classroom. Even my research reports in school tended to morph into narratives. In the college where I worked, a group of us met weekly for critiquing sessions, which helped me grow out of that awkward beginners’ stage, rife with poems about butterflies and roadkill.  Drafting up to 17 stories a week when I was a reporter gave me confidence as a writer. Once I quit teaching, I had the time to publish poems, short stories, and plays. I started the novel because everyone in my writing group was working on one, and I didn’t want to feel left out!

Q: Were you a voracious reader when you were growing up? If so, what book titles might we have found on your nightstand?

A:        I grew up in the local library—literally. My mother was a librarian, and after school I’d hang out, sometimes helping alphabetize cards, but most often working my way through the collection, graduating from the children’s floor to the adult section by the time I was in middle school. (It was a very small library.)

As a girl, I read and reread The Wolves of Willoughby Chase, The Witch of Blackbird Pond, Mrs. Piggle-Wiggle, The Lion, The Witch, and the Wardrobe, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, as well as Mary Stewart novels, Victoria Holt novels, Poe’s and Vonnegut’s short stories, and an assortment of folklore anthologies. My guilty pleasure was those Gothic paperbacks—the ones with a nightgown-clad woman running in terror from a brooding castle. My favorite of that genre still sleeps in my bedside table: Moura by Virginia Coffman. From the list, you can see that I’m drawn to a mix of supernatural/ fantasy elements, strong characters, and dark humor.

Q: You’ve described your newest release, Seeing Things, as a romance with paranormal elements. What’s your attraction to this particular genre?

A:        The two genres are a perfect balance of light and dark. I love the tensions of romance—the friction, the rising stress, and the eventual capitulation. With paranormal elements, I can introduce unpredictability—a plane where intelligence and logic have no impact. Since I prefer strong characters, the complications they face have to be out of their immediate control.

Q: What was the inspiration behind Seeing Things?

A:        This book started out to be anti-genre. The central character is neither innocent nor naïve. She doesn’t want to be rescued.  Her love interest isn’t a taciturn alpha male, either. I took a sly delight in having Mary Catherine reject the typical hero.

Q: Have you ever had any ghostly encounters similar to those experienced by your intrepid heroine?

A:        When I was a T.A. in grad school, I shared an office with a folklore expert. He was often called upon to investigate odd phenomena and invited me along on investigations. At a plumbing supply business in Northeast Philly one bright winter afternoon, I heard bells chime in a wall where there were no bells, saw a clock run backwards when its power source had been cut off, and looked over a strange arrangement of paper plates and a dead bird on a breakroom floor. Since the business owner was anxious to keep the investigation secret lest it hurt business, a hoax seemed unlikely. This scenario found its way, in a different form, into a chapter of Seeing Things.

Another example occurred when I lived in a hundred-year-old farmhouse. In the attic (accessible through a trap door in my bedroom), hats, tools, and an old Royal typewriter had been left behind by the original owners. That typewriter would periodically have a new line of type on the tattered, yellowed sheet rolled into its platen. My kids were under five and couldn’t have accessed the attic without help—nor could they spell, for that matter.

Out of curiosity, I participated in an EVP study at Rhine Research Center, a parapsychology center that was originally part of Duke University.  Though most of what I heard in the controlled study was static, two voices sounded loud and clear. I have no idea if those were “control” sounds or actual examples of paranormal recordings.

Oddly enough, things like this fail to bother me. Put me in heavy traffic on the Beltline, though, and my palms will sweat.

Q: What governed the choice to pen this story in the first person? For instance, do you feel a special kinship with the narrator?

A:        I actually wrote the first few chapters of Seeing Things in third person before recasting it in first. The first-person POV won out with everyone who read both versions. So many of the great Gothic narratives are written in first person—Brontë’s Jane Eyre, Poe’s “The Tell-Tale Heart,” Gilman’s “The Yellow Wallpaper,” du Maurier’s Rebecca. First person narratives bring immediacy to a story and create a close bond between narrator and reader. Most importantly, this point of view allows for dramatic irony; the reader sees more than the narrator does. I loved playing with that notion with Mary Catherine, my protagonist.

Some readers hate first person novels, and I knew I was taking a risk. Don’t let anyone tell you it’s the easiest perspective to write in. When it’s done right, it’s amazingly challenging. For instance, readers want to know what a character looks like, but real people don’t describe themselves. Finding innovative ways to impart such information’s like a literary game.

Early on, I thought my narrator had little in common with me, but as the book progressed, I realized we suffer from some of the same issues. My local librarian even remarked that the woman on the book cover looks like me.

Q: Unlike typical romances that are formulaic in nature – as well as predictable – you opted to incorporate unexpected twists in character and plot. Why did you decide to go this route?

A:        When I was browsing the in the public library two years ago, I picked up book after book with the same basic plots, the same interchangeable, tiresome characters. When I started writing my own novel, I set out to create a book I’d like to read—one with a funny, complex central character, an atypical love interest, and a plot that pokes into unexpected places.

Q: Would you call yourself a plotter or a pantser and why does this your choice of development style work well for your personality?

A:        I’m a pantser for most of the writing process, at least until I write myself into a dilemma and have to type my way out of it. Even though I like to feel in control of the worlds I create, my characters develop minds of their own, veering off in unanticipated directions. A good writer, like a good director, has to be flexible. In the editing process, however, I’m meticulous.

Q: Have your characters ever surprised you?

A:        They often say things I didn’t expect, and then I have to rethink the plot line. My novel characters turn out to be every bit as complicated and contradictory as real people. Developing their arcs is like watching a child mature.

Q: Tell us about the title of the book and what it means to you.

A:        Seeing Things hints at much: questioning what is real, what is imagined, what is true. People constantly close their eyes to things they cannot face. I remember teaching Oedipus Rex to a class of students who thought that Oedipus should have closed his eyes (pre-poking them out) to the evidence of his guilt, remaining happy in his ignorance. I never understood how anyone could do that.

Q: What’s your favorite novel or movie about someone falling in love with a ghost?

A:        I watched The Ghost and Mrs. Muir (Gene Tierney, Rex Harrison) when I was little, along with the old Dark Shadows TV show. And my husband and I still dance to “Unchained Melody” from the Ghost soundtrack.

Q: If, hypothetically, one day you return as a ghost yourself, where would you most likely be hanging out and why?

A:        I’d be in my office—the tower room of the Victorian house I live in. The current residents would hear the faint tapping of my keyboard late at night, and the cat would refuse to cross the threshold.

The writer might die, but the words live on.

Q: How did you go about finding a publisher for this project?

A:        I had submitted my novel to two or three big publishing houses, and it languished in the slush pile. After reading a NYT article, I aimed instead for a small publishing house and had my work accepted.

Q: “Home” for you is a small town in North Carolina. How has this influenced your life as a writer and the interactions with your non-writer neighbors?

A:        When you ask a question around here, you get a story in response. The South teems with unusual people who speak in colorful metaphors and act unpredictably. Many of my poems and short stories stem from local lore: the lost woman walking the streets twirling a hula hoop, the church organist who suffered a breakdown when faced with a new electronic keyboard, the raging diva displaced from a local singing group.

My close friends are writers and artists. To keep myself grounded, though, I joined my neighborhood book club. Most of the other members are literal people who work with computers. Unsurprisingly, we have different tastes.  I often think their book choices would benefit from the addition of a zombie, especially those dreary stories about the Episcopal priest. They find me quirky. I consider that a compliment.

Q: What would most people be surprised to learn about you?

A:        I like heavy metal.

Q: If you could summon the ghost of any famous person in history to have a chat with, who would it be and what question would you most like to ask?

A:        John Donne. As a young teen, I’d daydream about him while I studied his picture on the cover of the Norton Anthology. Donne was such a fascinating mixture of passion and intellect, and he gave up everything for love. I’d ask him if he thought it was worth it.

Q: What are you working on now?

A:        So many things—the third book in the novel series (the second’s awaiting publication) , another novel featuring a minor character from Austen’s Sense and Sensibility, a scene for a Regency play, and a short story about a pregnant woman going quietly insane.

Q: Where can readers learn more about you?

A:        My bio is published on Amazon and Goodreads, as well as on my publisher’s site http://www.worldcastlepublishing.com/author-nancy-young.html . I also have a Web site, http://nancymyoung.com.

Q: Anything else you’d like to add?

A:        The sequel, Hearing Things, should be out in 2015.

 

 

 

Haylee and the Traveler’s Stone

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What a pleasure it has been to interview and get to know Lisa Marie Redfern, author of the Haylee etrilogy and Haylee and the Traveler’s Stone (print book soon to be released). Not only is she a wonderful writer, but her talent doesn’t stop there. As an accomplished artist, photographer, and business woman, Lisa stretches the boundaries of her art and her way with words/imagery, enticing followers to dip their toes into the rippling waters of imagination.

Interviewer: Debbie McClure

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Q: Books, movies and even television shows these days are delivering a steady stream of plots that involve the undead, the unreal, and the wickedly supernatural. In your opinion, what accounts for society’s longstanding fascination with characters that are not completely human?

A: A cultural theme occurs when lots of people have similar ideas and begin exploring it in depth. We take our collective temperature with questions such as; What are we afraid of? What defines us as human? How far can we stretch our imagination? What does it mean to be ‘different? How would it feel to be powerful and untouchable? I think the dark nefarious vampires, zombies, and wickedly supernatural characters that are popular today are reflections of our attitudes and worries about the cultural and economic conditions that we live in.

Q: Tell us how you came up with your title.

A: Hyale is a daughter of the Greek gods Oceanus and Tethys. The character Haylee, and the book title, is roughly based on this name…with a modern twist.

Q: Alfred Hitchcock was a master at making cameo appearances in all of his movies. Does Lisa Redfern employ any signature tricks or insider jokes that we should know about?

A: Absolutely! Although I won’t reveal them all—I will say that many of the animal names were family pets. The Rattler/Lovey storyline was based on a rescue dog named Bandit. He lived up to his name. Once it was changed to Happy, he was much easier to live with. Lovey was one of our pet cats.

Q: Tell us about your female protagonist, and the passions that drive her thoughts and actions.

A: Haylee has spent most of her childhood living with a wounded parent—she takes on responsibilities beyond most children her age. She attempts to stay out-of-sight and out-of-mind as much as possible, has an affinity for animals, and possesses a quick mind; she aspires to become a veterinarian. But things don’t go according to plan. When it becomes clear that her strange condition poses a threat to her loved ones, she drops everything to figure out how to stop it. Along her adventurous journey, we see a maturing inner resolve, self-direction, and a belief that something good can be born from facing a problem head-on.

Q: In Haylee and the Traveler’s Stone, Haylee is transported to the turbulent backdrop of the San Francisco Gold Rush in 1849. During this time in California history, the population was dominated by young male adventurers who came from all over the world. Why did this specific era personally resonate with you?

A: I feel connected to this time period because it is woven into the historical fabric of where I live—in the heart of Gold Country. I wanted to develop a deeper understanding about what life was really like by bringing alive the sights, sounds, smells, and textures of that time. In my research, I discovered fun and quirky facts that may not have made their way into commonly read history books.

Q: What do you hope this book will accomplish?

A: My goal is to suck the reader into a vortex of altered time where his/her own life fades out for a while as Haylee’s story takes center stage. Isn’t that the ultimate definition of a good book—to entertain? Along with entertainment, I included those quirky facts (mentioned in the question above), because I want the readers to have something memorable to keep. If Haylee readers (who visit San Francisco) are able to see the city in a new way, I will be thrilled!

Q: Have your characters ever done anything that surprised you?

A: I usually arrive at my keyboard with an outline and longish, handwritten essays that fill in sections of the outline. Days of thought and nights of dreams have gone by as I’ve worked out the complexities of what I plan to write. It is a surprise when I’m typing away and a character goes in another direction…or says something unexpected. They are usually right, but we have to argue about it for a little while before I relent. When I describe it that way, it sounds psychotic doesn’t it?

Q: The publishing industry continues to reinvent itself. The combined effects of downsizing at traditional publishers and the desire by authors to have more control over their intellectual property and pricing structure has led to an escalation in self-publishing endeavors. What are your thoughts on this issue, particularly the debate as to whether a self-published title is as “real” as one produced through traditional channels?

A: Every work published is real. It is meaningful to the person who wrote it, so it can’t be anything else. Prior to 2010, when iPads and e-readers hit the market en mass, publishing houses set the quality standards for reading material before it was released to the public. The flood of independent authors who are self-publishing has changed those standards.

As a consumer, I appreciate knowing that the book I am about to read has a reasonable chance of being good—in subject matter, clean page design, and very little grammatical or spelling errors. When you buy something that has been self-published, quality levels can be hit or miss.

As an artist and independent author, I love having the ability to self-publish. For the very first time in my work life I’m unencumbered and free to create my vision from start to finish. The creation process itself is highly satisfying. I place a great value on producing work that is ‘as good as’ anything that a publishing house would turn out. Fortunately, I have developed the skills to do most of it myself, but I also invest in areas where I need help—editing and some design assistance. There is something ironic about putting so much effort into a product that sells for .99¢, $3.00, or even $5.00. Like those adventuring pioneers who braved the treacherous seas and overland treks with the hope of finding gold, we authors are gambling that more than a few readers will push that shiny, rounded-rectangle button marked ‘buy.’

Q: In addition to being an author, you are also an artist and photographer with a busy home life. How do you find time to write?

A: Good organization is a must. I use a Google calendar synced with my smart phone. Sometimes other jobs have to go to the top of the ‘to do’ list. I get as much done as I can when my son is in school. I enter into my most efficient writing zone after everyone has gone to sleep and the phone isn’t ringing. I try very hard to remind myself to go to bed before it gets too late…

Q: Lisa, you are incredibly multi-talented, and your website, book trailer are amazing. What advice would you give to new writers/artists regarding building a social media or networking platform?

A: 1. Realize that platform building and gaining followers is something that takes time. It starts small and slowly increases over time.

  1. Once you start participating in social media, know that you’ve created a ‘living’ thing that needs to be fed on a regular basis.
  2. Start slow. Choose one or two sites that you think that you might enjoy. Stick with them until you are comfortable before moving on to more.

My social media ‘ah ha’ moment came with Pinterest. Because I am visual by nature and I enjoy organizing data, this was a perfect social site to start with.

Q: As an artist and writer, you are clearly an inspiration to others, but who inspires you? Have you benefited from the wisdom and/or counsel of a mentor? If so, who and why?

A: Inspiration comes from everywhere. To quote Christina Hamlett’s book Screenwriting for Teens, “Log into life. No password required.” Also, my artist friends inspire me when we spend time together setting up art shows, getting our hands dirty, or just sharing and talking about our work.

For authors, I follow the big guys—Stephen King, Dean Koontz, Douglas Preston, Lincoln Child, Barbara Kingsolver, and Jean Auel for starters. I also follow some of the rising independent author stars—Hugh Howey, Guy Kawasaki, Rysa Walker, and Chuck Wendig. I like studying how they present themselves online, how they interact with their fans, what kinds of stories they are writing next, and what rights they are selling.

My son has a big imagination; he and I have many humorous, “What if …” conversations. Being out in nature, photographing interesting animals, random conversations, seeing something online that grabs my attention, or even just being alone and quiet, are all areas of inspiration.

Q: You’re obviously drawn to the metaphysical and otherworldly in many aspects of your creativity and writing, sometimes blurring the lines between the real and fantastical. What is it that draws you in, or inspires you?

A: Underlying everything is the hope and faith that we are much more than just our physical existence. I think all life is connected, and should be respected and honoured as the incredible gift it is. The real magic in this world is love and our relationships with the people, animals and living things around us. That is what I always attempt to express in both my art and in my words.

Q: A lot of new writers think all they have to do is write a good story and their job is done, but today’s writers are expected to do so much more, whether self or traditionally published. What advice would you give to new writers just starting out on this very long journey?

A: I think that is an urban myth. How did that one ever get started? When I worked as a book publicist, I dreaded the inevitable moment when the author bubble would burst. Once it popped, fairy dust and glitter never spewed out and sprinkled to the ground.

My advice to authors just starting out is similar to the advice you gave in your interview for In the Spirit of Love. Always conduct yourself professionally online. Stick to it – give writing a permanent place at your table – live your life – do what you need to do…and then go back and write some more. Once you have a few books out there for sale, add to your regular routine time to feed the marketing machine.

Q: Many writers and artists struggle with following their creative path vs making a (normal) living, and being accepted in a world that often can’t understand what drives the creative mind. Have you struggled with this, and if so, how do you attempt to overcome it?

A: Oh yes! More than a few times, I’ve wondered if I was adopted. Most everyone in my family is an engineer, accountant, scientist, lawyer, or a business person. Conventional social norms hold the greatest respect for professions with the highest pay scales. If pay scales were based on job satisfaction, artists and writers would be where the venture capitalists and technology moguls are now. I don’t worry about people accepting me. I am who I am, I do what I do, and I am very happy about that.

Q: Where can readers discover more about you and your books online?

Author reads sample chapter Audible.com Lisa’s art portfolio & online store Art and Words Blog Google+ Goodreads Twitter reddit Redfern Writing Facebook Page Join Lisa’s author e-mail list

Lisa: Thank you for the opportunity to participate in a You Read It Here First interview. I enjoyed responding to your thoughtful questions. Additionally, it was a pleasure to become acquainted with you and Christina and your work.

 

 

 

 

Beacon of Sound

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A woman who seemingly has it all is about to get her world shaken up by one worldly man, and the results just might be too hot to handle. Take an average counselor living an unsuspecting life and throw in one incredibly delicious prince who thinks he needs to save her, and the result just might be one sensual disaster. In this mildly erotic tale by R. M. Garry, two people learn just how far each is willing to go in order to find a place in each other’s lives, and perhaps something beyond wild desire.

Interviewer: Christy Campbell

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Tell us about yourself and how you came to enjoy writing.

I am a day dreamer. I know everyone says that, but it is true in my case. My characters are always role playing in my head. At least now I have a way to share the insanity with the world. Beyond my work, I am a mother of three boys. My husband has had the pleasure of being married to me for the past 12 years. During my nonexistent spare time, I am a full time Master’s of Mental Health student. Every day, I create a new fantasy about quitting my day job and writing until my fingers burn.

What’s the story behind Beacon of Sound?

I have been asked that same questions numerous times. There are numerous stories within Beacon of Sound. The reader has to pay attention because I give them all the answers they will need. Yes, it is a very adult book with many adult scenes. The introduction is specifically blunt to lead the reader in a particular direction. Once you read the story, you realize Beacon of Sound is more than you expected.

Why did you write Beacon of Sound instead of a novella?

It was time for me to really work. A novella would not have told the whole story. The world of the Noir Dera is very complicated. I know a novel the first time out is ambitious, but I had to drink the whole bottle. It was the only way to decide if I would continue to write.

Your novel is an erotic paranormal romance. Your cover does not convey that description. Why did you choose that cover?

I work with a fantastic cover artist. Her work is beyond amazing. We both decided that this cover fit the story. The heroine is a stubborn mental health counselor who happens to play a mean cello. While her profession and life seem perfect, there are secretes hiding right below the surface. The woman on the cover looks angelic yet mysterious. She definitely has something to hide. She fools you into coming into her world and you are completely unprepared for what she has in store.

What are you hoping to receive from your readership when it comes to this genre?

I hope to gain minions. Yes, I said minions. It is imperative I gain worshipers that love everything I write. The only thing I want is to put out great stories that people connect with.

Authors are always busy creating and rolling ideas around in our heads. Is there anything that would interfere with your desire to keep up your writing career?

I would only stop writing for two reasons. If my children needed me and my work caused me to be unavailable, then I would put the work aside. My wolf pack comes first. The second reason is very simple. I love to write and share my work with the world. The moment I no longer enjoy writing is when I will walk away without any regrets.

You like to get that music playlist going once you dive in. What makes your playlist differ from another’s?

While working on Beacon of Sound, I listened to nearly 20 hours of music. Every single song had to be significant. The songs had to fit with the emotions flowing through each scene. I love art in all forms, but I am a music groupie. At some point in my life, I have listened to almost every common and some uncommon musical genre. After spending seven years playing a cello, I know that a story is naked without music. My playlists are as important as the words I write.

After publishing your first book, explain why you chose to follow the Indie route.

If I had sent query letters and received numerous rejections the first time, I would have quit. Being self-published gave me the freedom to learn and grow on my own. For now, it is the best way to get my work to readers.

Did you have any sales expectations for your first novel?

I expected to sell one or two copies. When I sold more, it made me feel as if this was something I could do long term.

How do you find balance when it comes to work, writing, and parenthood?

I gave up expectations. There was a time where I expected to do it all. I was going to be supermom, wife, employee, and student. Then one day I realized the more I expected from myself, the less I did.

What’s next on the goal list for R.M. Garry?

I just completed a contemporary romance and will work on having it published by January of next year. I recently started working on a novella that ties Beacon of Sound to the second full novel in the series. I hope to have Beacon Holiday out by December. There are at least three other series waiting to be written. My brain never stops creating stories.

 

The New Mrs. Collins

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Oh, what a tangled web we weave…when first we practice to deceive. ― Sir Walter Scott

A beautiful woman with mysterious powers. One stolen man and two southern gals with different agendas. In Quanie Miller’s second novel, The New Mrs. Collins, set in a small Louisiana town, a broken heart sends Leena Williams digging into a world of buried secrets. Based on her suspicions about the graceful yet ruthless Adira Collins, Leena soon finds the old adage to be true: looks can be deceiving, and deadly as well.

Interviewer: Christy Campbell

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Let’s talk about Quanie Miller, personally and professionally.

I’m a married mother of one. I’m from New Iberia, a small town in Southwest Louisiana that sits right on the Bayou Teche and is rich in history. I spent most of my youth reading so many books that my cousins would look at me like I was crazy. “You aren’t gonna play outside? And you’re gonna read that whole book?” Then, they would shake their heads in amazement. I love writing about strong-willed women who can’t keep themselves out of trouble and setting my stories in fictional, Louisiana towns.

What moved you to write about this plot?

I wanted to explore what would happen when a woman pulls the veil back on the seemingly normal world she lives in. The main character, Leena, has lived her whole life in this small Louisiana town, never once suspecting that there are people in the world with mystic powers, and all of a sudden, not only does one such woman come into her life, but the woman is beautiful, has stolen her fiancé, and is now the stepmother to her son! In an attempt to solve the mystery of who this woman is, Leena ends up going down the proverbial rabbit hole. I was intrigued by how I might get her out of it.

Is there one fact about your book that stands out more than any others?

When I sat down to write the first draft of The New Mrs. Collins, a funny voice took over and it turned into a comedy! I was going to tell the story from the point of view of a nanny who discovers that her boss’ new wife is a sinister woman with mystic powers. This is how the story was going to go: the nanny, because of a flat tire, would get stranded in an affluent neighborhood without a cellphone, end up knocking on a random door, mistaken for an interviewee, and land the nanny job by mistake. But when I put the character on the page, this humorous voice took over, and the nanny-to-be never made it into the house. That character ended up being Jasmine T. Peacock, the protagonist of my first novel, a romantic comedy called It Ain’t Easy Being Jazzy.

What if I asked you to summarize your latest book in one line?  

When Leena Williams suspects that there’s something otherworldly about her son’s new stepmother, she goes digging for answers and discovers a little too late that some secrets are better left buried.

Based on your experience, what has been the best part of the writing process?

I think it’s the feeling you get when the story in your head (finally!) matches what you put on paper.

Is there something you wished you’d learned earlier as a writer?

That you should get as much feedback on your work as possible so that you can learn what you do well and hone that.

We all feel that buzz of confidence when our work is done and that feeling of accomplishment abounds. What have you found your greatest strength as a writer to be?

I’d have to say my ability to infuse humor into pretty much anything that I write. It’s not even something I try to do. It just happens.

Sum up a few interesting tidbits about Quanie Miller that make us go hmmm.

I trip getting inside of my own car. I’m probably the only person in the world who hasn’t taken a selfie. And not because I’m against them but because I’ve tried to do them but somehow, in the images, all I can see is a bright flash of light and the tip of my thumb. Also, while growing up, one of my aspirations was to be a rapping psychologist!

Okay, as an interviewer, that’s the most unique aspiration I’ve heard to date! How about your own feelings as a newly published author-did you have cold feet at some point?

I had doubts about whether or not I could even write a paranormal novel but then I asked myself: what kind of story do you want to see? I knew I wanted to write about a main character I could relate to, from my neck of the woods (Southwest Louisiana!) who discovers that there is a bit of magic in the world. So I re-evaluated the The New Mrs. Collins (whole new plot, page one rewrite), set it in a fictional town in Louisiana called “Carolville,” and it was full speed ahead. It took some time, but I’m so glad I didn’t give up on it because writing it proved to me that if you push through fear and doubt, you can accomplish exactly what you put your mind to.

Do you have any advice for new writers that you’d have given yourself on the journey to self-publishing?

My advice is to hone your craft. Do it any way you can and multiple ways. Take classes on writing. Read books on the craft of writing and study the work of writers that you admire. Study, study, study! And also, believe in yourself, even when nobody else does.

And last but not least. Let’s imagine your book was in the works for a movie. Who do you envision playing your main characters?

Love this question! I could totally see Taraji Henson or Jill Scott playing my main character, Leena. And of course, my BFF in my head, Kerry Washington, playing the villain, Adira.

Find The New Mrs. Collins, and more about author Quanie Miller, at: http://www.amazon.com/New-Mrs-Collins-Quanie-Miller/dp/1502489252/ref=sr_1_1?ie=UTF8&qid=1415717314&sr=8-1&keywords=the+new+mrs+collins

https://www.goodreads.com/author/show/7218800.Quanie_Miller

 

 

A Love Beyond Time

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Time is too slow for those who wait, too swift for those who fear, too long for those who grieve, too short for those who rejoice, but for those who love, time is eternity. – Henry Van Dyke

Everyday fortune is something we all take for granted at times. The last thing anyone expects is dreams to come along and throw life into a tailspin. For one young woman, who has it all, these dreams will prove to send her on a journey she’s never anticipated. A journey through an unknown world that will offer a chance to learn how love has no bounds of time.

Interviewer: Christy Campbell
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Tell us a little bit about Dante Craddock the author.

Dante Craddock, as you may know, is my pen name. I use a pen name instead of my real name for writing romance. I plan to write in multiple genres in the not too distant future and want to keep my work in each genre separate from one another.

A Love Beyond Time is Book One in a series. Give us some background on this first installment?

Ashley Brannock is pretty much your average woman in her mid twenties. She has a good job and is establishing herself in her chosen career as an interior designer. She has a loving boyfriend and two roommates that she is very close to. Everything begins to change the first night she has the dream. The dream slowly drags her down, sucking the life from her. Each and every night it invades her sleep, awakening her with a shock and afterwards she finds that sleep will not come at all. The dream poses many questions to her. Only the answers to those questions can free her from its life sucking grip.

So where did the idea for this series come from when you decided to put pen to paper?

The initial idea came from the song Whiskey Lullaby by Brad Paisley and Alison Krauss. The song – and especially the music video for it – posed a question in my mind. What if they were given a second chance? From that simple question came the idea that became A Love Beyond Time. That idea eventually grew into the Power of Love Quartet

Do you have a careful plan when plotting your stories or do you just go with the flow?

When I started writing I went with the flow, but after several years of going nowhere with the story I decided to change my approach. When I got back into doing serious writing I changed my approach completely. For the second half of A Love Beyond Time I plotted out each individual chapter. Then went back and wrote a first draft from that. I don’t completely lock myself into these chapter plots. They are a guide to what I write in the first draft and are open to change if the story needs to be changed to make it better.

Today’s genres vary so much in the world of reading. Which genre did you feel best suited your book?

A Love Beyond Time is a Contemporary Romance with a paranormal twist to it.

With many publishing routes available today, which felt the most reliable to you when it came to the many choices?

I initial went the self publishing route, but found I lacked the skills to be a really good self promoter. Self promotion is a must if you want to go it alone. I believe if you are good at that part of the process then self publishing is a good route to take. If you aren’t, then you should try and get published through one of the smaller publishing firms. The big five houses are nearly impossible to get into as a first time author. The smaller houses are more willing to take the chance on your success. Once you establish yourself as an author, your options will grow and you can then reevaluate your choices.

When did you know you truly wanted to give writing a shot?

I caught the writing bug years ago, but it never really got into my blood until the last couple of years. I decided I wanted more out of my life and a career as a writer offered me better opportunities. Financial reasons did factor into that decision, but I found myself truly needing to write out the wild ideas that are dancing through my head.

Is there an upcoming release date for the rest of your Quartet?

I’m presently working on writing the first draft to A Memory of Love, the sequel to A Love Beyond Time and I plan to have it ready for publishing sometime in 2015. I want to publish each of the remaining books over the next couple of years.

Are there any social media sites where readers can learn more about you and your work?

Website
http://www.dantecraddockauthor.com/

Facebook Author page.
https://www.facebook.com/DanteCraddockAuthor

Goodreads Author page.
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Where can readers find your book in the market?

A Love Beyond Time can be purchased direct from the publisher as a signed paperback: at http://www.fountainbluepublishing.com/, and also at Barnes & Noble and Amazon in both ebook and paperback.