Fresh Eggs and Dog Beds 2 – Still ‘Living the Dream’ in Rural Ireland

Nick Albert photo

Can complacency with one’s comfort zone and the status quo cause us to miss out on potential adventures that are literally far from “home?” “Yes, I believe so,” says multi-published author Nick Albert. “Certainly it’s easy to get so stuck in the rut of modern life as to miss the opportunity to explore, but it’s important to realize adventure is largely a matter of perspective. Many people would consider taking a flying lesson as a great adventure but, for the instructor, it’s just another day at work.” Nick’s own perspective change helped him as a writer to recognize the adventure that is all around.  “Some people may call it Mindfulness. For me, it’s just a way of looking for the positive story hidden in everyday events. Viewed from the right perspective, life is one big adventure.”

Interviewer: Christina Hamlett

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Q: Many an aspiring author has decided to put pen to paper (or fingers to keyboard) following a life-changing experience which caused him/her to rethink perspectives and priorities. Was this the case for you?

A: I suppose the short answer is yes. However, things are seldom that simple. In retrospect I can recognize the succession of events which contributed to our overall feeling of discontentment with our lifestyle in England. Sometimes we get so focused on the task at hand, making a living, paying the bills and trying to save a little money that we completely forsake the pleasure of living. We were so busy playing the game, we forgot to stop and smell the flowers. Like water pressure building behind a dam, events were conspiring, each causing little cracks to widen until the dam crumbled.

Although our life was outwardly wonderful – I had a great job, a lovely home, a desirable car and so on – my wife and I couldn’t get away from the feeling it was all just window dressing, a meaningless sham. Then, within a few short months, I experienced several upsetting events. My father passed away, a close friend was killed in a car crash, another friend was diagnosed with brain cancer and several thousand of my workmates were made redundant. When I had my own health scare, I found my perspective had changed irrevocably. That change in perspective jump-started a sequence of decisions culminating in my wife and I beginning a new life here in rural Ireland.

Did I decide to put pen to paper because of what happened? No. I’ve always been a writer. My first book, “The Adventures of Sticky, The Stick Insect,” was completed when I was eight. Just five pages long and sprinkled with spelling errors, it was not a big hit with the critics. Undaunted, over the next 35 years I continued to write, gradually developing my skills, but not my spelling. What moving to Ireland gave me was space. At last I had the time I needed to write.

Q: What was the most challenging aspect of relocating to rural Ireland? And the easiest?

A: In fairness, we weren’t trying to land on the moon, but I suppose the logistics of getting all my ‘ducks’ lined up was the most challenging aspect. There were so many things which needed to happen in the correct order. It was frustrating trying to communicate with banks, lawyers and property inspectors remotely, particularly as the vendor was in South America and only contactable via a weekly fax message. Fortunately, I’m passionate about making lists and keeping track, so when things went awry I was able to react quickly. In the end, I moved over and rented a cottage until we flopped gratefully over the finish line.

The easiest part of the move? One word, commitment. Once we had made the choice to relocate to Ireland, there was never a moment when we doubted the decision. That kind of clarity in our lives was very refreshing. Considering the relocation and then the huge project of renovating the property without any previous experience, I believe I’ve realized that, with patience, tenacity, careful research and a lot of planning, you can pretty much achieve anything. I’m pretty sure I wouldn’t want to do it all over again though. Once is definitely enough – at least for now.

Q: Along with your latest release, you’ve written two comedy memoirs, a twisty thriller, a children’s book and a golf instruction book. Shouldn’t you just pick one horse and ride it?

A: Is that a law? I don’t think so. If you’ve got a story to tell, and you know your stuff, don’t let protocol hold you back.

Q: So how do you cope with writing for such diverse audiences?

A: Wear a different hat perhaps? I guess it’s a bit like method acting. I just listen for the internal dialog I hear when I’m telling a story or a joke. As a qualified golf coach, when I write about that subject, it’s very much as if I’m giving someone a lesson. The same principle applies to my other works. The humorous sections in the Fresh Eggs and Dog Beds series sound very similar to how I tell jokes and the thriller has the same tension and misdirects I would use if I were telling that tale. By the way, there is only one copy of the children’s book. I wrote it for my grandson, he seems to like it.

Q: Plotter or pantser?

A: I’m definitely a plotter. Before I start writing any book, I create voluminous lists and flowcharts. It’s a long and arduous process but essential to create the framework for my story. Once the fingers are flying and the words flowing, I can permit my butterfly mind to occasionally flit off-track, secure in the knowledge I will never lose my way. Having a plan isn’t restrictive, quite the opposite, it encourages creativity. When I was writing Wrecking Crew, there were a couple of times when I was astonished by an event that just popped into my head, particularly as it slotted perfectly into the storyline. About halfway through the book, the protagonist Eric Stone opens the trunk of a car and there was… well, I won’t spoil the surprise. I recall sitting back in astonishment as I really had no idea what was about to happen. Of course, it was just my imagination running along ahead, something that could only happen because it had a clear path to follow.

Q: How does writing a thriller like Wrecking Crew differ from the process you would follow for one of your memoirs?

A: Writing memoirs need strict adherence to a good timeline, particularly for me, otherwise it is all too easy to jump about chronologically and that can become very confusing for the reader. My timelines are usually dozens of pages of A4 covered in scribbled notes and yellow post-it’s. It can take months to get all the events in the correct order. Usually my notes are just single-line memory triggers, meaningless to anyone but me.

For a thriller like Wrecking Crew and the follow up, Stone Façade, which is still under construction, I made a storyboard with detailed notes about each scene including links to important events in the overall plot. When you are trying to slip clues into the narrative to help or sometimes misdirect the reader, it’s crucial to have a clear plan. Thriller writing requires a considerable amount of research,  particularly when the storyline touches on areas that are outside of the author’s experience. Google Earth and the internet is now a great resource for geographical research (and a real money-saver) but sometimes there is no substitute for getting hands-on. As part of my research for Wrecking Crew, I took a course in lock-picking as I knew it was a skill my protagonist would need to demonstrate. In the end, much of that scene ended up on the cutting room floor but it wasn’t for a lack of quality research.

Q: Do you allow anyone to read your work while it’s in progress?

A: I share every chapter and here’s why. I’m very consistent, so if I make an error the chances are I’m just going to keep repeating it. To my mind, it’s far better to have a reliable eye watching over me and picking up any problems before it’s too late. I would hate to get off-track and not find out until I’ve wasted 120,000 words. Trust me, it happens.

In Zoe Marr, I’m very fortunate to have access to a wonderful editor. She’s based in New Zealand and I’m on the other side of the world here in Ireland. That time difference works to our mutual advantage. At the end of my working day I can email her a chapter or two, secure in the knowledge her edits and helpful comments will be waiting for my attention just after breakfast. It’s a great way to work.

Q: How did you go about finding the right publisher for your work?

A: I began looking for a publisher at about the time the industry began this seismic shift away from the traditional publishing model, brought about by the success of Lulu and Amazon as publishing platforms. At first I approached several agents along with those few publishers who were still accepting direct submissions. All I got in return was silence or cold boilerplate rejection letters. As someone who accepts refusal about as well as a child in a sweetshop, I found it all very depressing. However, when I saw J.K.Rowling (writing as Robert Galbraith) had experienced the same issue, I began to feel a bit less discouraged. Eventually I ran out of patience and opted for the self-published approach using the Amazon platform.

Over the next few years, I continued to make submissions, but now I had a better offering – a proven track record of sales, hundreds of great reviews and a solid social media presence. Finally, I received an offer to publish. In fact I had four within just six months. Suddenly, I had a dilemma. As a successful self-published author, what had I to gain from signing a contract to publish?

Most of the publishers were essentially offering to do what I was already doing but charge me a fee for the privilege. They were reticent to talk about marketing strategy, budgets or anticipated revenue, but were expecting me to sign over the artistic rights to my work. I chose to sign with Ant Press precisely because they were different. To begin with, they don’t sign books, they sign authors. Secondly, they have considerable experience publishing memoirs, so they really know their stuff. Thirdly, they asked me to make changes to my manuscripts – a lot of changes.

At that time I had two completed manuscripts, totaling almost 200,000 words. Ant Press asked me to make so many changes, it made my head spin. Even so, I was impressed they had such courage in their convictions. For a month we had robust but amicable discussions about what a new series of books would look like. I even rewrote a couple of chapters to see if I was comfortable with the stylistic changes they were proposing. Finally, we were in agreement and I became an Ant Press author. It was a proud day for me. I have no regrets.

Q: Where do you see the publishing industry moving in the next 10-20 years?

A: I see a lot of similarities between publishing and the film business just now. Since the financial crash, it feels like both industries have ceded editorial control to accountants. Whereas before the occasional blockbuster/bestseller supported the less financially successful, but equally important, remainder of their portfolios, now every book or film has to be a huge moneymaker. The financial pressures must be huge. I think this is why we’re seeing so many film remakes and sequels like, “The new blockbuster movie starring (insert famous name here)”. With both industries, this shift in focus has created some terrific opportunities for someone to come in and fill the void. Suddenly, we have Netflix, Sky and Amazon video producing exclusive content. Some of it is world class. The same thing has happened in publishing.

New technologies like Audible, Kindle and print on demand have created almost unrestricted routes to market for authors and modern cloud-based publishers. But, just like the internet, there’s a downside to this new freedom. The lack of editorial control on these platforms is degrading the market, swamping us with so many new books – many of them of questionable quality or subject matter – that it’s becoming difficult for customers to find what they want. I’ve read that 800-1,000 new books a day are published on the Amazon platform alone, with some genres becoming saturated. If the idea of self-publishing was to make it easier for aspiring authors to be seen, it’s close to failure. But there is some hope.

Much like the film and TV business, I think publishing will move further away from the traditional arrangement, work through this messy transitional phase and settle on a stovepipe model of quality exclusive content. Perhaps in the future we’ll see a Netflix sister company called Netbooks, asserting editorial control and producing top quality books and screenplays, written by their stable of authors and delivered exclusively to your device. Whatever happens, I’m confident the future will be exciting.

Q: If we were to take a peek at the bookshelves of your younger self, what might we have found there?

A: Hundreds of books piled chaotically. I was, and still am, a veracious reader, it’s an absolute must for any aspiring author. As a child, I was introduced to the wonderful world of books by my sister, when she gave me her well-thumbed copy of Winnie-the-Pooh. A short while later, I discovered The Story of Doctor Doolittle, by Hugh Lofting. I believe I read all 13 books in the series in a month. Introducing a child to the joys of reading is the greatest gift anyone can ever give.

When I was a student living in Norwich, England, my first flat was next door to the best secondhand bookshop in the city. What heaven! Back then I read a lot of sci-fi books and thrillers, purely for the escapism. Because I was from a forces family, I collected hundreds of military biographies. Other favorites in my collection were Clive James, David Niven and Spike Mulligan. These books were treasured possessions, I still have most of them now.

Q: And what would your current collection of reading material tell us about you as a person?

A: My collection is somewhat eclectic, I’m not sure what that says about me. I have a library and dozens of stacked boxes bulging with hundreds of golf books, biographies featuring authors from all walks of life, loads of thrillers, some sci-fi and the complete works of Sue Grafton, Lee Child, Tom Holt, Terry Pratchett and William Shakespeare. I’m never without a book. One secret I can reveal, if I’m writing comedy, I’ll only read thrillers – and vice versa.

Q: If you could invite three famous authors (living or dead) to enjoy a bottle of wine and watch an Irish sunset with you, who would it be and why?

A: Only three? Tough choice.

  1. Gene Kranz, author of Failure Is Not an Option. Gene Kranz was present at the creation of America’s manned space program and was a key player in it for three decades. As a flight director in NASA’s Mission Control, Kranz witnessed firsthand the making of history. He participated in the space program from the early days of the Mercury program, through the moon landings to the last Apollo mission, and beyond. It would be fantastic to hear his story firsthand.
  2. Beth Haslam, author of the Fat Dogs and French Estates Beth is a fellow Ant Press memoirist and very much an inspiration to me as an author. She was brought up on a country estate in Wales. Her childhood was spent either on horseback, helping the gamekeepers raise pheasants, or out sailing. After a serious car crash, she set up her own consultancy business. As semi-retirement beckoned, Beth and her husband decided to buy a second home in France. This became a life-changing event where computers and mobile phones swapped places with understanding the foibles of the French, and tackling the language. Somehow, she found the time to write a bestselling series of memoirs. In many ways our journeys are similar. We’ve only chatted online, but I think she’d be great company over a glass of wine.
  3. Terry Pratchett. Because he died too soon and I’d like to have him back writing again.

Q: What’s the oldest, weirdest or most nostalgic item in your closet and what is your particular attachment to it?

A: An old Irish coin. It’s called a Punt and I found it in my father’s desk, when I was clearing it out shortly after his death. To the best of my knowledge my dad had never visited Ireland and he had no earthly reason to have or keep a coin that had no value. At that time my wife and I were planning our move to Ireland, so I felt it was a significant discovery, as if he were saying, “Go ahead, it’ll be grand!” which it was.

Q: What have you learned from your own journey as a writer that you would pass along to someone who came to you for advice about how to break into publication?

A: Before you write, read – a lot. Read what you enjoy. Read the kind of books you would like to write but be sure to observe the authors craft as you read. Take note of how they mix dialog with narration, how they paint their pictures and how they guide your mind. Try to look beyond the words to understand how the story was constructed. Do all this and more, before you put pen to paper.

When you begin writing, remember it is a craft, one that needs developing. No matter how talented you are at the beginning, your writing should always improve over time. You should expect your last book to be much better than your first. Never let anyone tell you that you are unworthy.

Understanding the difference between dreams and goals can make your task considerably less stressful. Dreams are the things we would like to achieve, but have very little control over – like winning the lottery. Goals are the steps we take towards achieving our dream – like buying that lottery ticket. Goals you control, dreams you don’t. That distinction is important. As a writer, you must focus your efforts and evaluate your success based only on the things you can control. Trying to do otherwise is a recipe for disaster.

Many excellent writers have given up because they made getting published their goal and failed.  Trying to get published won’t make you a better writer, but being a better writer, and building a large social media following of people who like your work, will definitely help you to get published. Focus on what you can control.

Q: Any new projects in the works?

A: My ‘ideas folder’ is bulging with interesting storylines, but it would be a mistake to take on too much. Just now I’m writing the third book in the six-part Fresh Eggs and Dog Beds series. It is progressing well and due out in early 2019. In the background I’m researching a book about my father’s fascinating life in the RAF. I’m also working on Stone Façade, the second in my Eric Stone thriller series. I am very excited about the twisty plot, which will bring Stone to Ireland in search of a missing journalist, but not all is as it seems…

Q: Where do you see yourself 30 years from now?

A: I hope I’ll still be writing. Perhaps my spelling will improve. If I can average a book a year until I’m 90, that would be something special to look back on.

Q: Anything else you’d like to share?

A: Writing is the loneliest job in the world. I have only my characters and four dogs to keep me company, but becoming a successful author is a team effort. I have to thank my wife, my publisher, my editor, my cover artist and, most of all, the thousands of authors whose books I have read. I humbly stand on the shoulders of these giants, so I can reach a little higher.

 

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Dead Air

 

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Whenever there’s an unsettling stretch of silence on my favorite morning radio station, I always wonder if someone accidentally turned the microphone off or the station lost its power signal. Could it also be that my radio just needs a new battery? Now that Cliff Protzman’s debut mystery novel, Dead Air, is out, I have another possibility to consider: maybe there’s been a murder.

Interviewer: Christina Hamlett

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Q: After a long career in banking and finance, what compelled you to wake up one day and decide to try your hand at crime(writing)?

A: It wasn’t a snap of the fingers moment. Like all writers, I was an avid reader. The first book I recall was Pride of the Yankees: the Lou Gehrig story. I was amazed to be so engrossed by a story. I began writing for my high school newspaper, finding a passion for writing. I originally planned to major in journalism in college, but eventually choose a more practical course. Several times I began to pen a novel, but let distractions put it aside.

My brother had some modest success with playwriting and graphic stories. He passed away several years ago. At the funeral, my daughter, a news reporter and editor commented, “I know how to write, but I have no stories.” My reply was, “I have stories.” That’s the moment I choose to pursue my passion.

Q: Dead Air is all about mystery and dark suspense. What particularly appeals to you about this genre?

A: I contend all stories are mysteries. Will star-crossed lovers live happily ever after? Will the empire survive? Will the hero hit the game winning home run? These mysteries keep readers turning pages because they want the answer.

A murder mystery provides the reader a look into the darker side of human behavior. The investigator is compelled to solve the crime because it is the right thing to do. A murder investigation forces seemingly innocent people to hide their deep, dark secrets. The sleuth must deal with lying witnesses, hidden agendas, deep emotional conflicts, and the murderer.

With all that happening, the protagonist must struggle with their own inner conflicts as he follows the clues. We share the suspense as he solves one challenge, only to face a bigger one ahead. Throughout the story, keep in mind the PI is chasing someone who has already killed once.

Q: Who are some of the authors you admire in this genre?

A: I admire many authors. Two of my favorites are Max Allen Collins and Troy Soos.

Collins, A Grand Master of the Mystery Writers of America, wrote a series featuring PI Nathan Heller. He investigated the “Crimes of the Century” from the Lindberg kidnapping to the assassination of President Kennedy. Heller bills himself as PI to the Stars. His cases lead him to conversations with Al Capone, Governor Huey Lewis, Senator Joe McCarthy, the Rosenbergs, and even Robert Kennedy. Collins creates a thoroughly believable scene. Collins has a unique ability to make these scenes seem so realistic.

Soos, a physics teacher, wrote a series featuring a fictional journeyman baseball player in the early twentieth century. As Mickey Rawlings (no one by that name ever played major league baseball) is traded from town to town, he finds himself drawn into a murder investigation. Rawlings is confronted by the issues of the times; unionization, the Klu Klux Klan, World War I, gambling in baseball. Soos allows the reader to feel what it’s like to ride a trolley through Brooklyn, the smell of the Chicago stockyards, or the sounds of auto manufacturers in Detroit. Rawlings’ investigations find him talking to Babe Ruth, Ty Cobb, Shoeless Joe Jackson, and other greats of the time.

Q: For this—your first novel—did you work from a formal outline or listen to your muse as you went along?

A: Outlines work well for research and opinion pieces. I had no idea how to outline a fiction novel. I started with a victim, a killer and an investigator. My plot was only vaguely formed. I began to write the story. I let the characters move the story. When I reached a road block, I found myself telling the story, not Beck.

This may seem like a disjointed method. However, Beck proved the killer I had in mind was indeed innocent. I let my characters tell the story. I had not planned the scene at the hunting cabin until Beck and Irene took me there. I believe that’s why Dead Air is a compelling thriller.

Q: Did your characters ever do or say anything that surprised you?

A: I think if the characters are going to surprise the reader, the writer was probably surprised as well. Irene constantly surprised me. She had a knack of being witty, intelligent, or vulnerable at just the right time.

If I disclosed the person who surprised me the most, it would be a spoiler. Beck knew better, however.

Q: Unlike the structure of a 9-5 job that involves deadlines and interactions with others, writing is a solitary craft that requires you to spend a lot of time with the voices in your head. What were/are some of the things you did/do to stay motivated and on task?

A: Although writing may not seem be a structured task, time management is critical. Planning effectively requires a person to allow time for dealing with interruptions or delays. For me, the key was to set small goals and allow time to complete them. This kept my motivation high and procrastination at a minimum. I wasn’t necessarily looking to complete the book in one sitting. I simple completed one scene at a time. I rewarded myself and moved willing to the next small task.

Q: Was there anything that slowed down the process for you or created distractions? If so, how did you deal with it?

A: Writing may be a lifestyle. However, I am a husband, father to six, and grandfather to four. My time with them is precious. Therefore, time management is essential. I flexibly schedule my days to include time for writing, marketing, and social.

Of course, creativity has no on/off switch. That is why I attempt to achieve small tasks, and the larger ones are more manageable. If this sounds perfect, it’s not. It does help to have a template.

Q: How did you manage to network within the writing community?

A: I don’t believe writing is a solitary craft. The best writers are social beings, they interact with the world, not just electronically.

My first step was to join a writing group, not one focused solely on mysteries. I experienced not only differing styles, voices, and techniques, but also how they work within different genres. This helped me fashion the techniques into a mystery. It should be noted the group is comprised of accomplished writers.

Writers conferences are an excellent opportunity to meet the writing community. In additions to informative workshops, valuable information about the business is available. Of course, you can learn as much at happy hour as you can in classes. Most conferences have the opportunity to pitch an agent or have manuscript evaluated. I owe authors Julie Hyzy, Matthew Clements, and Jess Loughery for their valuable contributions.

Q: Dead Air features a male protagonist with a strong female collaborator. Where did these characters come from?

A: Beck, as a male, was easy for me to create. Irene, a combination of two women, was more challenging. I desired a woman that was a trusted resource for Beck. He eventually realized how much more she meant to him.

I wanted the sexual tension between the two as a subplot. She had to be strong in order to refocus Beck when his arrogance started to take control. Their interaction helped move the plot and created titillation for the readers. Several reviewers have been very complimentary when mentioning her. I am very proud of Irene, she will continue to have a prominent role in future books.

Q: If Hollywood came calling for a TV series, who would play your two lead characters?

A: Michael Keaton is the only choice for Beck. Dead Air is set in Pittsburgh, the hometown of Keaton. He has shown the ability to display the toughness of Beck, as well as his humor. I believe he could convey the many emotional conflicts Beck faces. In his favor, Keaton was the best Batman.

Tea Leoni is perfect for Irene. She is not only an actor, but also a producer. She projects the beauty and strength the exemplifies Irene. I think she could add a personal touch to the character that audiences will enjoy. Leoni could easily handle the professionalism and humanity of the character.

Q: Like many of today’s writers, you chose to go the self-publishing route. What governed that choice and what have you learned from it?

A: It really wasn’t much of a choice. At my age, I did not want to wait several years to attract an agent or publisher. I believe the book was good and could be marketed. I choose self-publishing as an expedient entry to the market, to see what I could accomplish. I realized that it would require a lot of my time to market, but traditional publishing requires quite a bit of time as well.

I have learned and continue to learn how difficult it is for a debut author to be seen. I am looking at the process as my own form of an advanced degree.

Q: What are you doing to market the book and which strategies have been successful for you?

A: As a debut author, there was no template for me to follow. My plan was to utilize social media to drive brand awareness. The most effective reach has been blog tours. The tours generated reviews and to my delight highly positive reviews.

Q: Now that Dead Air is released, have you achieved what you expected?

A: Yes and no. I had two goals. Naturally sales. The second was critical acceptance.

I wanted simply to break even on my investment. That goal is within sight. I knew that immediate acceptance would be difficult for a debut author. I hired a publicist to reach unknown markets. That has provided some outreach to social media that I may not have had otherwise. I learned a valuable lesson, I started too late. However, sales are starting to improve.

I have been amazed by the reviews and rating from readers. The comments range from well written and plotted, to exciting character development. One reviewer termed it a modern noir, which I find exciting. Dead Air has received one literary award. I am pleased to have created a story that readers enjoy.

Q: What would readers be the most surprised to learn about you?

A: Readers would not be the least bit surprised to discover I love baseball. As a child, very few games were televised, so we listened to the game on radio. I lived in a city neighborhood. In the summer folks sat on the front porch with a radio tuned to the game. We played in the streets and listened to baseball since the sound echoed throughout the neighborhood. When the game was on the West Coast starting at 10:30, Mom let us take a transistor radio to bed with us. We listened until we fell asleep or the batteries died.

I like to write with a game on. The TV is behind me and I write during the game. Unfortunately, today’s announcers are not as eloquent as their radio counterpoints of the past. A past radio announcer would describe a runner was out by a gnat’s eyelash, meaning it was a close play. Today the call would be the runner’s out, we’ll wait for the replay.

Q: If you were hosting a murder mystery dinner and could invite any five mystery authors or fictional sleuths, who would comprise your guest list, what would happen, and who would solve the case by the time dessert was served?

A: The setting would have to be a remote Victorian mansion on a dark and stormy night. Mystery authors create fictional sleuths, so fiction it is. Phillip Marlowe (Raymond Chandler) would be the first to arrive. Someone has to belt down the scotch and offer a wisecrack. Hercules Poirot (Agatha Christie) would provide a continental approach to the crime. Lieutenant (Frank) Columbo (Levinson and Link) would arrive raincoat wrinkled and drenched in rain. After all, when it comes to murder there is always “just one more thing.” Sherlock Holmes (Arthur Conan Doyle) to analyze the pattern of dust particles circling the dead body. Lastly Kinsey Millhone (Sue Grafton) because men never get it right.

With such great minds, the case would have to be a previously unsolved murder. Perhaps a fictional version of Jack the Ripper, the Kennedy assassination, or Nicole Brown Simpson.  What a great dialogue would ensue. Columbo and Holmes discuss a fine point of evidence. Poirot and Marlowe sharing analysis of the motive. Millhone throwing in common sense and intuition. What a great adventure. I have no idea who wins.

Q: What’s your next project?

A: I have written a Christmas short story featuring Beck and his granddaughter. I plan to offer this as an add-on to Dead Air this year. This is leading to release of the second book in the Glenn Beckert Mysteries.

In the second installment, Beck dismisses a missing person case that turns into murder the week before his wedding. The victim, a software engineer, was developing an artificial intelligence application for the military. The deceased had a past gay liaison that ended badly. The clues lead Beck to chase alternating motives. Amidst the confusion, beck learns a secret from Irene’s past that threatens to destroy their relationship. The planned release is early 2019.

Q: Anything else you’d like to add?

A: In the competitive world of selling books, Christina Hamlett is a bright light advocating the craft of writing. Although I was included in her anthology Unfinished Chapters, there was no obligation for her to follow me. Yet she did. I will never forget her support and encouragement. It is what we writers do. Thank you, Christina.

 

 

 

 

A Chat With Jeri Westerson

Jeri Westerson

I met Jeri Westerson at her reading at Vroman’s Pasadena, for her then new release Booke of the Hidden and, having attended several author readings for research, I was stunned at the quality and detail of her event. I had already devoured her novel in seven hours straight, literally unable to put the book down, and had considered myself a fan of hers for life. However, I held her in much higher esteem after meeting her in person, and seeing how much she cared for the fellow authors in the audience and how she had a knack for making everyone feel welcome. It is my honor and pleasure to introduce you to her.

Interviewer: Joanna Celeste
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Q: You have worked with publishers on both sides of the pond and have self-published. What are the advantages of each experience?

A: There’s always an advantage to being traditionally published. Right now I have—and it blows my mind a little—four publishers: St. Martin’s still has the rights to a few of the Crispin books, mostly the first one; Severn House (my UK publisher) picked up the rest of the series of all new books; Diversion publishes my current paranormal series, BOOKE OF THE HIDDEN; and a small LGBT publisher, MLR Press still holds the rights to some of my Skyler Foxe Mysteries. In between all that, I have published a few historical novels, the rest of the Skyler Foxe Mysteries, and one Crispin book on my own. That makes me a hybrid author. The advantages to being published traditionally is the “discovery” aspect. In other words, how will readers find you? And if you are traditionally published, and with a big New York publisher at that, being in their catalogue is a huge push forward. It’s the imprimatur to booksellers, libraries, and reviewers, that your book is worth reading, which in turn puts it in front of the eyes of readers. You still have to do the lion’s share of promotion yourself, but when they take care of sending books to reviewers and setting up other things, with a publicist at your disposal, it helps a lot. The UK publisher is no different from US publishers, except for two release dates; one there and one here. Why they aren’t on the same date, I have yet to determine. Tradition, I guess. With a larger publisher, you can expect an advance. It’s nice to have operating funds. A small to medium publisher won’t offer you an advance.

So, once you’ve been publishing for a while, understanding some of the nuances of publishing, publicity, and marketing, then you might wish to venture into self-publishing. I certainly wouldn’t have done it out of the gate, and I always advise people NOT to do that. But many are impatient. I laugh when I hear they sent queries to two whole agents and got rejected. Good grief, if I had stopped at that I wouldn’t have 24 books out there published right now. Books that are well-written, well-reviewed, with multiple award-nominations. What’s wrong with paying some dues and learning along the way?

Q: In the twenty+ years you have been involved in this industry, you have been front row to a lot of change. What has been the most notable to you?

A: I suppose ebooks and self-publishing. The only way to self-publish in the old days was to go to a “vanity press” and pay them to publish you. You can still find them today, but there’s no reason to go with those who will promise you the moon, and deliver little. There are several platforms today (Amazon being the biggest and easiest to navigate), but there’s so much more to it than pressing the “publish” button. I mean, if you want to be reviewed by Publishers Weekly, Booklist, and Library Journal—and you do—they have a four to six-month lead time. In other words, the book can’t be published for at least four to six months. So what’s your hurry? All that money you’re going to rake in? That’s not going to happen. In that case, take your time. Hire yourself a content editor, then a copy editor. Hire a good cover designer. This is your face to the world. Don’t half-ass it.

And then there are the ebooks. When they really started exploding on the scene in 2010-11, something in there, they saved my skin with St. Martin’s, at least for a while. My series would have been dead if it hadn’t been for the ebook market. The books were cheaper, for one. And convenient, for the other. My overall sales are still higher in ebooks. But that’s changing too.

Q: How do you imagine or anticipate the industry moving forward from here?

A: There’s a real problem with piracy, and with readers who think that artistic content should be free. I don’t know what can be done to change those attitudes. But overall, book sales are down. Book tours aren’t profitable for the mid-lister, like me. Who knows how it will evolve? I know there will always be people who enjoy reading genre fiction, who want a good size 300-400 page book, who will pay for the privilege of buying it or encouraging their library to get it in the stacks. But right now, where are those younger readers? I’m trying to tap into them with my paranormal, but it’s tough.

Q: Your reading was one of the most engaging I had ever attended. What do you consider critical elements to a successful reading?

A: The first thing is, do NOT read more than five minutes. Even if you are the best actor in the world, the attention span these days means you must keep it short. And for those who aren’t used to reading aloud, practice. Practice by yourself and in front of someone. Read more slowly than you think you should. When we read to ourselves we zip through it, but when reading aloud, you need to Say. Each. Word. Be lively! As if you are reading to your child. Do voices. Pick an interesting scene with dialog. Have fun with it.

Q: Would you recommend new authors set up readings, even if they only get a few attendees?

A: Yes, because if you’re a newbie then no one has ever heard of your books. And this is a way to help them hear it. Being in a bookstore setting for this is the best because people just wandering through might be engaged by your reading. In a library, it’s harder because you will likely be in a closed room for your event. But do schedule those, too. Make sure the person setting up your event will advertise to whatever reading group they might have at the library. Have them schedule you accordingly. (Have an “event,” and that means doing more than a reading. Have an interesting presentation that only has to do with your book peripherally. I talk about aspects of medieval history when I do a library event, not just talk about my new book) Your event might be to speak at their book club meeting.

Q: You served two terms as president of the Southern California chapter of Mystery Writers of America (https://mysterywriters.org) served a term as Vice President of the Los Angeles chapter of Sisters in Crime (http://www.sistersincrime.org), and two terms as president of the Orange County chapter of Sisters in Crime. At the reading, you strongly recommended authors network. What were some of the best things you learned from your vantage as president and vice president of those organizations?

A: Being welcoming. You have to welcome the new, the shy. Don’t just hang with your besties. Go out and talk to people you don’t know that might have been coming to the meetings a while. These are the people you want to invite to volunteer to be on the board. And there is nothing like volunteering to learn the ins and outs of organizing, to feel better about networking with others, to learn to be a little less shy. You’re now one of the team.

Q: Booke of the Hidden, your new paranormal book series, is a different direction for you, paranormal and urban fantasy. Are there any resources you can cross over from your medieval mysteries, the Crispin Guest series?

A: I still have to do research, but it isn’t as extensive as the medieval mystery research. It’s a cakewalk! So one does use those skills. Then it’s just telling an interesting and involving tale.

Q: Speaking of, your latest Crispin Guest medieval mystery novel, The Season of Blood, was just launched Christmas Eve last year, with your next, The Deepest Grave, set for a UK release in April, with a US release in August. What do you do to keep track of details and Crispin’s history or character development across the series?

A: I have not only an historical timeline of events with real people and what they’re doing, but I have a parallel timeline for Crispin. This helps me to establish when I want him to cross over the line into what was really happening in London or elsewhere. Chaucer pokes into the story from time to time. He was once Crispin’s best friend when they both worked for the duke of Lancaster. Then Lancaster shows up occasionally. Katherine Swynford, Lancaster’s mistress makes an appearance. Henry Bolingbroke, Lancaster’s son, who becomes Henry IV, is also an important addition to the series. Jack Tucker, Crispin’s apprentice, grows up with the series. In the latest book, SEASON OF BLOOD, he is engaged to be married. And in the upcoming book, THE DEEPEST GRAVE, Jack is going to be a father and Crispin has to cope with Jack’s wife living with them. It helps the series to grow right along with the characters, rather than keeping it static like a Hercule Poirot. Poirot is the same from the first book to the last. These changes that have happened in Crispin’s life have truly seasoned him and allowed him to grow as a person, and I find this a fascinating place to go with these characters.

Q: How does your writing schedule usually go?

A: I write every day, including weekends and holidays, unless I skive off. I used to have a really regimented schedule, but I find that as I’ve gotten older and my attention span has gone all over the place, my best laid plans are all for naught. I start at seven in the morning and mess around on emails and on Facebook. Usually around 9 or 10 I will begin to write, and that means reading over what I wrote the day before, sometimes going farther back in the manuscript to read it all for sense and to get into the rhythm again. But I find I write a few paragraphs, and mess around on social media. I write a page, and then stop to do research. I stop and start a lot. And sometimes I will stop in the middle of the day to watch movies. I’ll get a second wind about three and write for several hours. It all depends. And there is no right or wrong about it. As long as I meet my deadlines. And I try to make sure I get nine months for each book.

Q: What are some things you wish were talked about more in your industry?

A: What writers make. We really make very little for all the work we do. Maybe they wouldn’t pirate books so much if they knew how important each sale is.

Q: You have had quite a host of careers and occupations! What was the moment you decided to become a full-time author? (Though, you are also an expert on the Middle Ages, with talks around the country and acting as a guest lecturer. Where you get to demonstrate medieval weaponry, how awesome is that?)

A: Well, I wasn’t doing all that lecturing and talking until I was published. And that took a decade+. That’s why I had so many silly careers. I was a full-time mom, and writing part time with a part-time paying job. Before all this, I was a graphic designer and art director. That was a great career. With absolutely no intentions of becoming a writer. I wrote for fun in my free time and never let anyone know I wrote. So I fully intended to continue to be an artist. But I semi-retired to have a baby. And when he was about two, I decided to get back into freelancing. But the whole industry had gone to computer graphics and I knew nothing about it. I couldn’t afford the Mac I would have to acquire or the lessons to learn how to use it. So by necessity, I was trying to think of something I could do at home and also raise my son, and it occurred to me that I might try to be an author. How hard could it be? (Insert laughter) Harder than I thought, even with all my researching and getting an agent (I’m currently on my fourth). But eventually—with my husband always standing by me—I prevailed.

Q: You had shared excellent advice for new writers to read a lot, write a lot, and network; to not do this for the money; that this had to be their passion. What was some of the best advice you received when starting out?

A: I didn’t get any. I was on my own, writing historical novels in a vacuum before I started writing mysteries and finally getting to network with other mystery writers. But I soon learned the best advice for me: listen to the experts, the people further along than you. They’ve already been through it. If they make a suggestion—or a critique of your work—listen to what they have to say. Also, my training in graphic design helped me, too. It taught me that I’m creating a product for an audience. It isn’t “art” per se. It fulfills a function but it also has to work artistically. So do works of fiction. Your clients are your editor and the reading public. Yes, you are the creator, using your artistic skills, but it still has to please those readers out there.

Websites: http://www.jeriwesterson.com/ http://bookeofthehidden.com/
Facebook: https://www.facebook.com/crispin.guest
Twitter: @jeriwesterson
Instagram: jeriwestersonauthor
Pinterest: https://www.pinterest.com/jeriwesterson/ https://www.pinterest.com/jeriwesterson/booke-of-the-hidden/
Amazon: https://www.amazon.com/Booke-Hidden-Jeri-Westerson-ebook/dp/B074TS6G7R/ref=sr_1_1?ie=UTF8&qid=1515549307&sr=8-1&keywords=booke+of+the+hidden+by+jeri+westerson

 

The Chandler Affairs

GWRenshaw

Who among us hasn’t enjoyed the challenge of playing armchair detective and vicariously solving crimes? In his paranormal mystery series, The Chandler Affairs, author G.W. Renshaw invites readers to learn from the sleuthing skills of his Canadian private investigator protagonist, Veronica Chandler—an intrepid young woman whose professional cases and personal life are weirder than she could ever have imagined.

Interviewer: Christina Hamlett

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Q: What an eclectic background you have! A gunner in the Canadian forces, medieval skills gleaned from the Society for Creative Anachronisms, a Search and Rescue manager, a spelunker, a Linux druid (and okay I have absolutely no idea what that last one entails). With all of these things in your arsenal of talents, how and why did you make the time for writing?

A: A lot of these are in my past, which helps with time management. As to why I became a writer—I’ve always been an avid reader, but there are stories I’d like to read that nobody has written yet. It’s a case of “if you want something done, do it yourself.”

Q: Which of your skill sets figures the most prominently in The Chandler Affairs?

A: The biggest ones are investigation, counseling, martial arts, and cooking.

I learned investigative techniques from Search and Rescue, where we often found ourselves collecting evidence in the field, securing potential crime scenes, and interviewing witnesses. The Calgary Police Service has a three-month course for civilians that covers the operation of every branch of the service. I have the Canadian Private Investigator’s Handbook, and taken mantracking from Terry Grant (the original TV Mantracker).

My lovely wife and I are both trained critical incident stress counselors, which means we work with victims of traumatic incidents helping them avoid PTSD. Some of the techniques used by Dr. MacMillan in the books come from that background.

As for my PI’s fighting skill, I’d have loved to have her share my black belt in Aikido, but it’s not an easy art to describe and it’s difficult for her to start a fight. I could have gone with karate, in which I have a blue belt, but Krav Maga is more exotic and fits her personality better.

I’ve been cooking ever since I was eleven years old, and I love exploring new cuisines. At the moment a friend in Finland is helping me explore Bulgarian food. Guess where Veronica gets her passion for the kitchen?

Q: What attracted you to the paranormal mystery genre?

A: Oddly enough, it was more or less by accident. Several friends of mine were having a good time writing mysteries, and it sounded like fun. Of course, I wanted to do something different.

I created my investigator and started writing short stories about her adventures. Then things became surreal for her. I realized that her story was too complex for short stories, and started planning the novels instead. Most fictional paranormal investigators are also magical practitioners of some kind. In keeping with being unique, my investigator not only has zero magical talent, but doesn’t believe that the paranormal exists. It’s a lot of fun feeding her red herrings as she tries to put her understanding of reality back together.

Q: Your protagonist in the series is a Canadian private investigator named Veronica Chandler. Why did you choose to write in the voice of a female rather than a male?

A: There’s a conventional wisdom that people only want to read books with protagonists of their own gender. My experience in talking to people over the years is that this is nonsense. It doesn’t matter to most people what characters are as long as the story and the characters are gripping. The traditional fictional private investigator is a 50ish, male, ex-cop, perpetually in debt, and has a bottle of scotch in his desk and/or an ex-wife. The male viewpoint is over-represented. There are several amateur female sleuths (Miss Marple, Jessica Fletcher, Veronica Mars, Nancy Drew, for example) but I wanted to give people a woman who broke with tradition and was a competent professional and normal, well-rounded individual.

I also wanted to explore some of the issues that women face in a male-dominated world. It was enlightening to ask women for their thoughts and feelings on a variety of subjects, and then incorporate that research into the story. I’ve had young female readers tell me that, although they don’t want to be Veronica, some of her struggles in coming to terms with life have inspired them to examine how they handle their own lives. That gives me a lot of joy.

Q: What are some of Veronica’s unique traits that she brings to the table?

A: For one thing, dolls completely freak her out. Her parents encouraged her to read whatever she wanted as a child, which makes her more mature than her years would suggest, at least in a theoretical way. Sometimes reality trips her up. Veronica is really impatient and extremely stubborn. She’s discovering that her sexuality is more complex than she initially thought. Professionally, she’s been investigating since she uncovered the truth about Santa Claus when she was eight. Her mother arranged for her to do an unpaid internship with the Calgary Police, and she took the investigator’s course online while she was in high school. She’s very young for a licensed PI. Eventually she’ll find herself in situations she could never have imagined in her wildest dreams, with no real option but to rise to the occasion. Despite what many believe, courage and leadership are learned traits.

Q: How is The Chandler Affairs different from other private investigator series?

A: Firstly, Veronica earns her PI license at 18, which as far as I know is only possible in Alberta. The real trick was to give her a background that made this not only possible, but plausible. Sometimes her age trips her up, as one might expect. Veronica lives with Canadian law. She can’t carry a gun. She does carry a licensed tactical baton and has considerable Krav Maga skills. Her mother is a homicide detective, but Veronica can’t just call her up to run a license plate for her because of our information privacy laws. Any help she gets from her police contacts has to be oblique at best so nobody loses their job.

I’m a cruel writer. Most of the problems she faces must be solved with intelligence and cunning rather than violence. Each book presents a different problem for her, but they all fit into the overall arc of the series. Her biggest question isn’t who-dunnit, but rather what-the-heck-is-going-on-here.

Q: Do you have recurring characters who assist or thwart Veronica’s efforts?

A: Her mother and father, Janet and Quin, are loving parents who eventually support her decision to become a PI. Janet wants her to become a “real” police officer, and Quin wants her to take over his restaurant when he retires. He’s the one who taught her to be a chef.

Her best friend/adopted sister is Kali, formally known as Liliana Marina Hernandéz Rojas. She transferred to a Calgary school when her family moved from Colombia. She owns an occult shop and tries to help Veronica make sense of the things she encounters.

Beleth and Sitri are demons. So are a lot of their friends. Need I say more?

Q: What governed your decision to write a series rather than a stand-alone title?

A: Originally I planned to write some short stories about Veronica’s cases, but once I started coming up with ideas it became obvious that her overall story is too epic for a collection or a single book. She’s definitely on a complex journey.

Q: What are some of the challenges or benefits you’ve encountered in developing series fiction?

A: The challenge that trips up a lot of people is continuity. Without meticulous notes and pre-planning (yes, I’m a plotter) it’s far too easy to contradict something you said in an earlier volume, or to forget a dangling subplot. Some readers won’t start a series until it is complete. I can understand that, although I don’t do it myself. On the other hand, publishers tend to like a series that is planned because they know that if the first book is a success there is more money to be made. Another benefit is that each story has a natural length. Some can be told in a few thousand words, some in a hundred thousand, and some in not fewer than a million.

Q: How long do you envision this series continuing?

A: At the moment, I’m planning on about ten books in the series. It depends on how long it takes to tell the full story. I’m a plotter, but I’m also open to the characters telling me to pursue side streets that are important to them.

Q: Can the books be read out of order or do they have to be read sequentially?

A: The reader will be happiest reading them in order simply because there is an overall arc. Each book is relatively independent, but there will always be details that were covered earlier that might cause some confusion.

Q: Tell us about the research involved in bringing The Chandler Affairs to life.

A: I over-research everything. The Chandler Affairs takes place in Calgary, which is where I live, so geographical research isn’t too much trouble. If Veronica goes to a specific restaurant, you can be sure it really exists and is good as she says. I did as much research as I could about Colombian culture, politics, geology, and language before writing scenes with Kali and her parents. Then I had a Colombian friend read them to make sure I got the details right. One funny thing happened when I needed Kali to be really angry with Veronica. I handed an outline of the situation to my friend for translation, and he gave it to his wife because, “she’s much better at swearing than I am.”

For The Kalevala Affair I had to do a huge amount of research: Finnish mythology and law enforcement; Swedish history and libraries; Polish history, geography, geology, and universities; volcanoes, Korean airports, Austrian tourist attractions, Slovakian history. The scene where Veronica goes to a random concert was serendipity: a friend I asked about Finnish highway signs turned out to have been in that concert. I’d never heard of Nightwish before and now the band is reading the book and I’m friends with their music teacher. He’s originally from Bulgaria and we talk about food at lot.

Q: Did/do your characters ever surprise you over the course of developing their story?

A: Wow, did they ever. Beleth was initially a one-time character in the first book. As is typical of her, she took over when I wasn’t looking. Constable Holley had some background I wasn’t aware of and Constable Watkins had some interesting extra-curricular activities. Sitri turned out to be pivotal and he has his own story (and sweetheart) that leads to a lot of running around and screaming.

Q: What are some of the tools and techniques you use in your writing?

A: I use Xubuntu Linux as my operating system because it lets me do anything I can imagine. Just so you know, Windows has wizards but Linux has druids. All of my writing is done with LibreOffice with a few extensions (LanguageTool, Alternative Searching, Template Changer, and about a dozen extra language dictionaries). Every time I find a grammatical error that isn’t covered by LanguageTool I write a new rule to fix it, including my bad stylistic habits. I also created a proofreading mode that makes that task easier.

Once the books are designed, templates are built so I can write my drafts exactly as they will appear in print. That way I can work on the content, but also the presentation at the same time. We can then switch templates to format the ebook version. It saves a lot of time and effort as well as looking really cool while I’m writing.

I use other free software for various tasks. Inkscape and The GIMP for graphics; Calibre and Sigil for reading, creating, and fixing ebooks; Celtx for writing screenplays; Marble which is an open-source atlas and gazetteer; and Stellarium which shows me the sky from any planet for any date within the past or future 100,000 years. I’ve also written a few custom programs for creating minor character names and alien languages.

Q: Do you allow anyone to read your works-in-progress or do you make them wait until you have typed THE END?

A: Except for asking specific people to vet certain scenes/facts, I make them wait.

Q: If Hollywood came calling, who would be your dream Veronica?

A: Tatiana Maslany, star of (and half the characters in) Orphan Black. She’s an utterly brilliant actor with the skills for the action scenes and the talent for everything else. I’ve seen her play characters anywhere from 16 to 30s. Tatiana would be awesome. Besides, she’s Canadian.

Q: What do you wish you’d known when you started writing that you know now?

A: I wish I’d known how to write. Most of us have bad habits in our speech, such as starting a statement with “I think” that get in the way when we start writing. Except in special circumstances such as “I think you need to reconsider how much respect you show the boss,” it doesn’t make a character sound humble. Just weak and indecisive. It would also have been nice to understand the publishing industry instead of tripping over things I didn’t know. Of course, that’s the problem with being a beginner—you don’t know what you don’t know.

Q: How did you go about finding a publisher for your work?

A: I tried pitching to a medium-sized publisher, but their list was full for the next two years. Rather than waiting, I pitched to one of the Big Five, and got a lot of interest, but there was some internal reorganization and the people who were interested moved on before things got to the contract stage. Rather than re-pitch to them, I pitched to a small press who were looking for a project and was accepted. Sometimes it’s all in the timing.

Q: You also maintain a website called When Words Collide. What’s it about?

A: When Words Collide is an annual festival for readers and writers in Calgary, Alberta. We’re currently working on our eighth edition. We get about 750 people coming, and we’ve sold out early the past few years. Unlike most literary conventions, we cover the interests of both readers and writers with a huge amount of programming, and we cover everything that has to do with the written word: poetry, screenplays, short stories, literary forms, and novels. We don’t do film, TV, or media guests.

Q: What are you working on now?

A: Books five and six of The Chandler Affairs, tentatively titled The Diplomatic Affair, and The Private Investigator’s Cooking Course. The latter will be the textbook for the cooking course one of Veronica’s friends suggested she teach. It won’t be the typical one-theme cookbook, but rather present all the dishes Veronica has cooked along with explanations of the techniques involved.

I’m also starting work on a stand-alone steampunk-horror novel that’s been stewing for a while.

Q: Where can readers learn more about your work?

A: At my web site: gwrenshaw.ca; or on Facebook at GWRenshaw. If you are at an event that I’m attending (such as When Words Collide) come and say hi. I love to talk to readers.

 

 

 

 

 

A Chat With Freddi Gold

Freddie Gold

One of the great joys of speaking engagements with writers’ groups is not only making new friends but also hearing about their personal journeys to publication. This time around I’m happy to welcome Freddi Gold, the inventive author of a trilogy she defines as, “Soft Sci-Fi in an adventure, thriller, romantic setting or Romantic Suspense in a science-fictional, adventure, thriller setting.” Fasten your seat belts and enjoy the ride!

Interviewer: Christina Hamlett

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Q: Tell us what inspired you to write Dimension Norræna.

A: I had written and published a non-fiction book and except for the leeway I took by inserting scenarios to hold the attention of the reader I found it a lot like writing a thesis. Consequently when I had completed the book I didn’t want to write another in that category. Because the fictional vignettes were a lot of fun to do, I thought I would try fiction. I didn’t prepare much, just started with the idea that I was interested in metaphysics and really enjoyed dystopian novels. I guess you could say that I was inspired by the lure of a new adventure.

Q: Did you always envision this work to be a trilogy or did you reach the end and decide you simply couldn’t let go of your characters?

A: I had just finished reading Hunger Games, followed by Divergent, then Red Rising, 50 Shades of Grey and a host of single dystopian novels so I planned from the beginning to write a trilogy. I didn’t really know how to go about it so I just plunged in. For the first book, I used Al Watt’s, The 90 Day Novel and was motivated to write every day. The characters however, came alive for me and the length of the books gave me ample time to get to know them exceptionally well. At the end, in truth, I hated to leave them. I’d learned so much during the process though, that I looked forward to writing my next book with more discipline, time spent and in a much more studied way.

Q: What are some of the positives and negatives you’ve encountered in penning a series versus a stand-alone title?

A: I’m a very positive, optimistic person, so the negatives mostly seem like learning to me. I tend to turn them around into something beneficial. I realized at the onset that I needed to entice the reader to come back to the story when it ended in the first and second books while I was writing the next one. Because I was so interested in the book, I assumed everyone who liked the first one would be happy to dive right back in—much like how we wait for our favorite series on TV to return for the next season. Waiting a year in between each of them was an extraordinary request. In retrospect, that was asking a lot. If I ever do it again, I’ll release the trilogy once all the books are completed and ready for promotion. Since the romantic suspense aspect was included, I had to find a way to give the reader some satisfaction, without letting them know how things would end. I had to do this again in book two. Some people didn’t want to wait. A positive was that writing each book was exciting because I had to come up with adventures and twists while still heading for the eventual finale. I was able to languish in developing the characters, dreaming and fantasizing about directions to go in. I’m a “pantser” obviously, so I had no idea how the story would end and I found that both alluring and challenging.

Q: You define your book’s genre as “Soft Sci-Fi in an adventure, thriller, romantic setting” or “Romantic Suspense in a science-fictional, adventure, thriller setting.” Why did you have difficulty narrowing down to one genre?

A: Because the story is about a young woman who teleports to another dimension, my critique group and I originally thought the genre would be science-fiction. Once they learned, though, that this happened without the use of a vehicle, it flew in the face of physics. I was using bits and pieces of astrophysical terminology while introducing U.S Intelligence and criminal cartels, a sociopath and a romance or two. Add to the recipe the human-like species on Norræna and another more frightening class of aliens from Møhrkhavn, transhumanism, kidnapping, murder and a dog and soon it was labeled as a fantasy-thriller. Although it’s listed on Amazon under Sci-Fi, for many readers their main enjoyment is the romance and adventure. Verbally I like to say it’s soft sci-fi with a healthy dose of adventurous romance. I do like the term science-fictional which I read in one of the other interviews on this site, though. I think I may use that more.

Q: If your book were to be sold in a traditional bookstore, the obvious question to be posed is what shelf would it go on so that prospective buyers could find it?

A: Good Question! I’ve been looking at reviews and listening to verbal comments from the readers and I was surprised that both men and women really liked the romantic suspense aspect. I was sure most of the women would but surprised by the men. Many of the men sided with one of the males being chosen over the other. Interestingly, many of the women chose the other male. That prompts me to consider including it in the Romance genre. However there isn’t a sub-category for other-dimensional romance and it’s not alien or ghost romance or sci-fi erotica either. Is there a Metaphysical Romance shelf?

Q: Norræna means Nordic and you borrowed most of the Norrænder language from Iceland. How did that play for your readers?

A: I needed a language for the Norrænders. My own efforts looked like gobbledy-gook. I went to Google Translate and looked at translations of some of my lines from the book in a number of foreign languages. I was drawn to Icelandic. It was so unfamiliar to me. I thought it might be to others also. Initially I sought help with the syntax from a wonderful friend in Norway with an Icelandic neighbor to get the syntax right, more so than you could get from Google. I did realize since it was the language of a fictional people, that it did not have to be a hundred percent correct, so I took some liberty to leave out letters or add some or in some cases make up my own words just because they came to me as I was writing. Happily the readers found it both plausible and realistic. I will say it drove some of my critique group-members crazy trying to pronounce some of the terms. I used Dragon Naturally software to convert from audio to type and after a while Dragon learned to spell all the names and words correctly which I found quite humorous.

Q: Do you have a personal connection with Scandinavian countries or ancestry? In other words, what governed your decision to choose that orientation for the storyline?

A: No, I don’t. But I’m drawn there in a kind of mystical way. I’m sure I might have initially lingered in the stereotypical, romantic lure of Viking warriors and it fascinates me archaeologically, but the fact that the novel just poured out of me and leaned to the far north was as much a surprise to me as the next person. The more I wrote, the more natural it felt.

Q: Like many authors, you have gone the self-publishing route. What have you learned from this DIY strategy that you didn’t know when you started?

A: Everything! Being a member of the High Desert California Writers Club and having had the opportunity to listen to a wide selection of authors as invited speakers, I learned that the traditional publishing route was fraught with disappointment, long waits, and rejection. Like the way I wrote the series, I was eager to get the books published. I read The Fine Print of Publishing, by Mark Levine which provided a list of self-publishers in categories from Outstanding to Pretty Good, to Just Okay to Publishers to Avoid. I went right to the “Outstanding” publishers, read their reputations, fees, royalties, printing costs, contracts and other services. I selected Dog Ear Publishing for all of my books.

I found that my out-of-pocket costs could range from roughly $1100 for the least expensive package to $9,000. The packages were very attractive—so many areas to publishing I knew nothing about: interior and cover design, registration with online booksellers and national distributors, Books in Print, ISBN numbers, Library of Congress control number, a webpage for the book. There were add-ons, all for a cost, of course, like, e-book distribution, return policy options, integrated blogs and optimization for Google and others.

Some of my friends were using Create Space, but at the time it not only seemed too technical to me, but as I was teaching college courses every semester and summer classes as well, I just didn’t have the time or the inclination to do all the work it looked like it would be. I spent a lot. While I always had a very attentive author representative and have been more than happy with Dog Ear, I am re-considering the Create Space option to see how much effort might really be involved as the cost is far less, but there are sacrifices to consider as well.

Q: What are you doing to market your work?

A: Looking back there is much I could have done, but didn’t. First I think I should have celebrated the achievement, but I didn’t. I think everyone should reward themselves after writing their first few books, or heck, after any book is published. It’s a Big Deal! I never did a real book launch or did a tour to promote and sell the books. I might still do that. I used some social media, like Facebook and Twitter, but I didn’t keep the latter up. I had a website and I included it on any and all online work I did. I did publicity releases, was in the local paper several times. I did public speaking for a variety of organizations. My non-fiction book was used as a supplementary read for one of my classes and other instructors used it as well. The college bookstore sold it. I do as many book signings as I can work in. I’ve been on panels and been interviewed for blogs. I taught the Artists Way and promoted it there. I have a blog for Dimension Norræna (http://dimensionnorraena.com) and a Facebook page. I have run advertisements in the club state bulletin and locally.

Something new for me is to increase my reviews on Amazon and I plan to try advertising there also. My mind is geared to look for promotional opportunities. It’s a learning process.

Q: It’s rumored that you have an eclectic background. Tell us about it and how this background has influenced your interest in exploring a multiplicity of genres.

A:  When I was twelve I lived in Puerto Rico. TV had not been introduced so I read a lot and one day decided to write a book.  It was very short, about a group of kids who survived a plane crash, completely unscathed on an island in a vast sea, who set up a Robinson Crusoe-like existence and were rescued by page fourteen. I was quite proud of my achievement and wish I had kept it for a good laugh today. As a freshman in high school, I wrote an essay on my desire to become the first female Special Agent for the FBI. My teacher said it would never happen until I learned to spell special. My father wanted me to go to college to find a man who would support me. I majored in Drama my first year in college because my high school drama teacher was very cute. Imagine my surprise when my first instructor was in his eighties. I made my heroine in Dimension a college theatre instructor.

I stayed with my major. It was fun. I hadn’t a clue about how I would support myself or what to do with the degree. I became a flight attendant after my sophomore year, then finished my degree and moved to California. Coming from a long line of teachers, I became one and simultaneously picked up a Masters in the same field. Metaphysics drew me to a Psychic Research Society meeting one night in Los Angeles where I listened to a speaker talk about hypnosis. This led to my taking several years of training in the field of clinical hypnotherapy. I opened up a private practice and soon took an interest in psychology. All of these elements supplemented my character descriptions.

Earning another Masters in Clinical Psychology and a PhD in Human Behavior enabled me to leave high school teaching and become a licensed Marriage and Family Therapist. With these credentials and my experience as a Clinical Hypnotherapist, I spent a lot of time doing public speaking, offering classes training other professionals in the health field and giving seminars related to hypnotherapy. A local radio station invited me as a guest on a talk show. This resulted in my having my own radio talk-show until I segued into having my own television talk show.

During all this time I continued with private practice and teaching college classes. I was published in several journals, and magazines and often cited in newspaper articles.

I travelled a bit to Europe, South America and most states, married, had kids and ultimately decided to write the nonfiction book. Joining the Writers Club encouraged me to pursue becoming a writer. I used all of my experience to color the events used in the series.

Q: Your first book, Adultery is Universal But I’m Getting Married Anyway, was nonfiction. What caused you to segue to fiction?

A: Almost all of what I’ve written is from an academic or professional perspective. I wanted to explore other possibilities, but I didn’t think I was creative enough. I also didn’t think I could generate any ideas for a story. I actually dreamed about an out of body kind of experience, and wrote the feelings and visual imagery down. Later when I began the book it occurred to me that it could be an interesting beginning. I altered it as ideas flowed and used the actual memory for another chapter later.  Honestly, it was much more fun to write fiction. I felt excitement to write every day, to create characters, to let my imagination roam free. I still write academic stuff daily. I teach all my classes online.

Q: Was there a purposeful shock element in giving this book a controversial title and incorporating vignettes to illustrate points made throughout the chapters?

A:  Yes. I took a two year program from a company called Mission Marketing Mentors. Among many wonderful ideas and valuable training in marketing a book related to a field I was in (Marriage Counseling), they provided a formula for creating a title that would attract attention, draw in the target audience and provide something that others in my field were not providing. The complete title of this book that was about the evolution of marriage and women’s roles, couple communication, infidelity and statistics was: Adultery is Universal, But I’m Getting Married Anyway: What to Know Before You Do or Already Have. It’s still selling after six years.

The book contains historical information, biological aspects of human beings, belief systems, gender orientation considerations, digital relations and statistical information. So it wouldn’t read like a straight textbook, the writing is casual and the vignettes help to paint a visual for the areas being discussed. My target audience was actually other therapists, but the general population buys it.

I should mention something that crushed me when the book first came out on Amazon. The day after it appeared, someone on a global website called Reddit, wrote that his girlfriend had cheated on him and wrote a book. Then he listed the name of my book and indicated it was on Amazon. A hoard of people then jumped in on the post promising to bash the book so nobody would buy it and they did—about fifteen of them. I didn’t understand what was happening and was devastated. My first book and it was receiving these horrible reviews. After a day or two, a subscriber to Reddit from England e-mailed me to tell me what had happened. I didn’t know him— he just thought I should know. I called Amazon and told them about the situation, but they would not remove the negative reviews. It was incredibly disappointing and frustrating.

Q: Have you been published in other formats besides books?

A: Yes—a little, in clinical journals, magazines on a variety of topics, business newspapers. I wrote for AOL on alternative medicine, and created a booklet for a Parks and Recreation Department for an Arizona city on Creative Drama. I wrote online communication courses for two different colleges and professional courses for the California Board of Behavioral Science and the Board of Registered Nurses. I’ve been published in three anthologies and recently wrote the prologue to a short book of women’s poems.

Q: As still a “newish” writer, where do you aspire to take your writing in the coming years?

A: I plan to focus only on writing novels. I might write a few speeches.

Q: What are the five most recent books you’ve read and how have they contributed to your knowledge base and skill set as a writer?

A:  The Handmaid’s Tale, Margaret Atwood: Interesting formatting and revealed a different style of writing.

Stephen King/On Writing, Stephen King: I’m in progress-have read the memoir portion so far. Wonderful down to earth, solid advice on improving skills and the crucial importance of reading all the time.

Scotland Forever, Bonnie Watts: a lengthy historical novel set in the highlands of 1600s Scotland. I relished the detailed descriptions of the land, the characters and the story of everyday life in those times. It featured an emerging powerful woman. I learned more about the value and art of story-telling. (I can’t wait for Outlander to return).

The Hunt for Red October, Tom Clancy: My own books include CIA and FBI characters and operations. I wanted to read about earlier events and operations that would give me insight for my scenes. I did learn about roles and chain of command and a lot of technical terminology relative to that story’s situations.

The Kommandant’s Girl, Pam Jenoff: I enjoy historical novels from a wide variety of time periods and countries. Again the art of story-telling, this one about Poland and the Jewish community during the Nazi occupation. I feel that it broadens my intercultural knowledge and understanding.

Q: Besides reading, what else would you suggest to new writers to get them to take the plunge?

A: I believe that if you’ve thought about it, or if people have ever said to you. “You should write a book,” it means you have a story to tell, people like what you are telling them, find you interesting and think you should share it. If you have the itch, the dream, the desire—just do it! Give yourself permission to write badly, too. You can re-write later. A good way to start is to write every day. From more than one source, I learned to write three pages every day. It does not matter what you write about; just write. Write about a dream you had the night before, write about what you have to do and did instead, write about how you feel—about anything. But write every day. Join a writer’s group, a book club. Visit blogs on writing and also the blogs of authors whose books you’ve read and like. Read this blog site! Write a letter to an editor of a paper. Write to a magazine about an article you liked. Write letters or keep a journal. The key thing is to write. Read about or go to meetings to learn about writing and publishing and promoting and if you can, join a critique group. Don’t be afraid—it’s your story or book—other people just make suggestions from their perspective. Use what feels good to you and let the other advice go or keep it for future reference.

Q: What interests or pursuits have you added to your own writing skill?

A:  I like to add a number of different locations in my books and if I can, I use it as an excuse to go there. In addition to using many locations in California and Arizona in my books, I’ve taken the Amtrak Coast Starlight from LA to Canada, gone on a petroglyph tour and another to underground Seattle by Pioneer Square and stayed in the Ecuadorian mountains for a week. I visited an archeological dig there and travelled to different cities. I’ve been to Cabo San Lucas and utilized Google Earth to provide me with imagery for several different descriptions. Not sure if I’ll ever write about the early days of the West, but I subscribed to a couple of magazines (Cowboys & Indians, Wild West) that illustrate a variety of info in case I try that. I plan to get into sculpting again and use it in a scene. I try to stay current on science and new technology and rely on Discover, National Geographic and Archaeology magazines and news stories a good deal. I’m exploring a wide variety of writing aids online, utilize other writing blogs and learn from reading many club member and speakers books.

Q: Tuning out distractions when one is in the midst of wordsmithing is one of the biggest challenges that writers deal with on a regular basis. What’s your own secret for successful coping?

A: Well it’s not music. I tried that, but found myself too involved with the rhythm of the music and the imagery it created—even when I tried different kinds of melodies to help with a scene.

I write when my mind is most active and I am energized which is the first thing in the morning. I feed the dogs and myself, curl up on the couch or sometimes sit on the patio surrounded by trees while the dogs take a second nap. For me—it’s quiet. I don’t look at my cell unless there is a call, which at six am is seldom. I have a loosely constructed map in my mind re how to break up the day to take care of obligations so I’m not worrying about getting other things done while I’m writing. If I need to let the dogs out, or answer the door, I do it and get right back to writing. I try to write at least a chapter at a time. I use the re-write time to edit my work so when I’m writing, I’m just focusing on using my energy to pour out the story, the characters and tone that I want to keep intact.

Q: What are you currently working on?

A:  I’m about 150 pages into a new novel: Name of the Game. It centers around an intuitive-sensitive roughly ten years in the future who assists the CIA with her gifts on a case that includes a covert alien presence among the human population. (I’ve had the good fortune of working with UFO researchers and alien abduction). I’m “pantsing” it, but taking my time to work on the craft in greater depth as well. As soon as summer session classes are over, I’ll start a blog for this book. I’ll likely try writing in other genres as time goes by and I look forward to seeing how I transition to that. I’m also embarking on launching more specific promotion for the Dimension Norræna series. The website is http://freddigold.com. I can be reached at freddigold3@gmail.com.

 

 

 

 

 

The Fountain

The Fountain

We’ve all heard the joke about the guy who wished for “a million bucks” and awakened the next morning to the sight of a squillion deer grazing on his front lawn. As someone who happily wished her own husband into existence at the magic pool in Bath in 1994, I’m a firm believer in the idea the granters of wishes are a pretty literal bunch; if you don’t frame your desire accurately and precisely, any smidge of ambiguity will be seized upon with gusto. It also goes without saying that teenagers—such as those who populate Suzy Vadori’s debut YA novel, The Fountain—aren’t likely to think through all the ramifications of a wish made hastily in the heat of anger, frustration or disappointment.

Interviewer: Christina Hamlett

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Q: Once upon a long ago time, young adults (previously known as teenagers) could be found with their noses stuck in Nancy Drew and Hardy Boys mysteries, The Hobbit, Phyllis A. Whitney and Mary Stewart. Today they’re more likely to be immersed in the darker fare of vampires, zombies and dystopian societies. What’s your personal take on this shift in themes and will the pendulum ever swing back?

A: Well, there’s a huge gap in reading level between books like Nancy Drew and The Hobbit – and I read both as a youth. This gap leaves young readers in the lurch that are looking for reading that challenges their intellect, yet has age-appropriate content.

I think what the Young Adult (YA) books of the past ten years have done is introduced a whole new set of adult-sized challenges to teens in a way that they can relate to more easily than stories of the past. Today’s YA is written from a teen’s point of view, and allows readers to experience a broad range of emotions that they may or may not have already experienced in their short lives.

The YA genre is definitely here to stay, though I don’t think the theme of the novels is important and will change with the tides of teen whims. Vampires, zombies, dystopian, mermaids and trolls… the characters and settings will change to keep it fresh.

Today’s teens expect more sophistication than the formulaic stories that Nancy Drew and The Hardy Boys afford, but they might not be ready for the beauty of The Hobbit’s prose.

Whatever the subject of today’s YA books, there are certain things present that appeal to teens. And what’s really cool is that a YA novel done well appeals to all ages. These are elements that we all find intriguing.

  • Pace: The pace of today’s YA never lets up. While this may say something about today’s teens and their attention spans, I think it’s exciting that the written word has found a way to compete with, and even mimic the other media that teens have available to them now.
  • Challenge: This is something that both Nancy Drew and The Hobbit got right. Teens need to face adult challenges to capture the imagination of youths, and help them explore challenges beyond their years in a safe setting.
  • Emotion: Books are a safe place to explore new emotions and consequences. This is what drives much of my writing. If you come away feeling something, I’ve succeeded.

Q: What attracted you to writing for the YA market and how does it differ from writing for adults?

A: I’ve been starting novels since I was around 10, and I always wanted to finish one. But writing isn’t just about the process for me. I wanted to write something that would get read – something that would affect people.

I wrote many outlines over the years. But everything I came up with that I thought people would want to read was either drawing on something way too personal, or was a little too racy to fit with my persona as an executive (my day job) and more importantly, my role as a mom.

It wasn’t until YA emerged as a genre on its own that I became inspired to finally pursue writing in a serious way. Young Adult books explore raw emotion at the root of how it’s experienced – in ‘firsts’. First love, first loss, first time for taking major risks. These themes will never go out of fashion, regardless of the setting.

Q: When you were the age of your target readership, what did you want to pursue as a career?

A: My dad offered to buy me the car of my choice if I became a doctor. I found out that orthodontists didn’t need to do residency, so I negotiated the same deal for that, to which he agreed. I’ve always needed a lot of sleep – I knew that I wouldn’t survive working night shifts in a hospital residency.

Later, I found out I could enter the business world with only a 4 year university degree, and that’s what I did, hitting the ground running when I graduated at 21. Even when I could afford the fancy car, I never bought it.

I never looked back, but I continued to write as a hobby. When I took maternity leave with my third child, I finally realized I had the time to make my dream a reality. The Fountain Series was born.

Q: Who or what had the most influence on the choices you made as you segued into adulthood?

A: Am I an adult yet? I suppose I am. There have been many influences in my life, so it’s hard to pick just one. I think the fact that I moved a lot as a kid was the biggest influence. I was often the new kid, and had to make my way in new situations. I know that it shaped me into who I am, and made me ready to face any challenge. It was fun to channel some of that experience into Ava in The Fountain. Ava is the new kid at St. Augustus and has to make new friends and new ways… which makes her vulnerable in ways I think all teens can relate to.

Q: Tell us the inspiration behind The Fountain.

A: The setting for The Fountain was defined when I was a tween. I’d always wanted to write a boarding school novel. I just love the parent-less setting, with dorms and kids being able to sneak around at night unsupervised (disclaimer: I never went to boarding school, but this is the magical setting I’ve always imagined)

The story for The Fountain invaded my imagination when I became a mom. I love my children more than I ever thought was possible, but parenting today is interesting, to say the least. We are raising a generation that has been given every privilege that we parents can afford.

Don’t get me wrong, I’d give anything I could to my kids, but I started to wonder whether that was smart. We think we’re doing the right thing, but are we? What kind of lesson is it to get what we want without having to work for it? And The Fountain was born. A well-intentioned school founder leaves behind a legacy of a fountain that grants students the desire that they wish the most. The Fountain has unlimited power, and has the power to alter anything. What would a world that is designed to help the students actually look like, and what are the consequences?

Q: Do you ever make wishes yourself by tossing a coin into a well or a pool? If so, what’s your best tip for “smart” wishing?

A: Of course. General ones, anyway – ones for well-being of those I love. I’d rather work for the harder things in life than have them happen overnight.

Q: What governed your choice to develop this book as a series versus a stand-alone title?

A: The series format is very popular in Young Adult. No sooner had I released The Fountain than readers were asking for the next installment. I can’t wait to give them more in this world with The West Woods.

Q: Congratulations on The Fountain being nominated for an Aurora Award in 2016. How did this come about and what was your reaction when you received the news?

A: I was actually travelling in China on business when it was announced that The Fountain had been short listed for Best Young Adult Novel with the Prix Auroras. I found out in the wee hours of the morning, and raced outside to the foggy streets to take a selfie with a copy of The Fountain to share with the world. I was amazed that The Fountain got such terrific support from the amazing readers and writers who form the Canadian Science Fiction and Fantasy Association – most of whom aren’t in my demographic, but loved it nonetheless. It was an honor to be shortlisted by such a prestigious group. I hope they love The West Woods just as much.

Q: You teach at schools about themes of friendship, rivalry and love. What is the intersection of these timeless topics with the plot of The Fountain?

A:  Oooo, it’s my favorite to talk about these things. Teens can sometimes experience all three in a short period of time with the same person, and that can be… well, confusing.  Part of what I love most about writing is making readers feel something. And I know I’ve done it right when I get feedback from readers.

I love going to classrooms and teaching kids how to apply the feelings that they experience every day to their stories. Teachers are always amazed at what the kids are able to share through their writing during a session.

Rivalry is the most misunderstood of the three themes, and I think the ones that youth struggle with the most. Some in the book industry will dismiss this as “mean girl” stories, but it’s so much more than that. The story is never about what happens to the characters – it’s about how the characters react to their situation and grow as a result. Resilience is an important theme in many young adult books, and mine are no exception. I love teaching about it because every single class I teach is completely different.

Q: Book 2—The West Woods—will be coming out in September (2017). How and where does it take the students of St. Augustus?

A: The number one question I got from readers of The Fountain was, what is with Courtney? (She’s the girl who makes life impossible for Ava and gets wished away.) And she’s truly awful. But… there’s a really good reason that she was the way she appeared – a magical reason – shaped by her own encounter with the fountain at St. Augustus.

So, I was compelled to write The West Woods – which takes place the year before The Fountain, and is Courtney’s story about how she went from being a regular girl to being, well… the terrible friend readers meet in The Fountain.

It was really fun to vindicate Courtney in The West Woods, presenting a side that readers didn’t get to see of her. With Courtney as the protagonist, it’s easy to see how she made the choices she made when she met Ava.

Of course, it’s also full of the mystery and romance that are the hallmarks of The Fountain Series.

Q: Is it imperative that readers read your books chronologically or is there enough in Book 2 for them to understand the characters and dynamics from Book 1?

A: Both books were written so that they could be read as stand-alone books, and because Book 2 is a prequel, they really could be read in either order. However, Book 3 will pick up where Ava and Ethan left off in Book 1, and bring the whole series together, so it will make more sense if it’s read last.

Q: There’s no question that the publishing industry—like any other industry—has changed to accommodate a fluctuating economy. What has it been like for you to work with a small press?

A: Working with Evil Alter Ego Press has been the best decision I’ve made. Because they are small, they’ve treated The Fountain Series as if it were their own. My editor (based in New York), has challenged me and made the series better than I could have ever done on my own. Because the press is small and growing, I get to be involved in adapting and shaping the press to the changing publishing environment. I also get the chance to use my business and marketing knowledge to full advantage. In a world where self-publish and traditional publishing are changing daily, working with a small press has been a really great experience and I am grateful that they believed in my vision for the series.

Q: What are you doing to market/promote your work, and which strategies have been the most effective for you?

A: Being out in my community has gained so much traction for The Fountain Series. It’s fun, too. I’ve had an amazing 18 months meeting new readers at conferences, young writer’s events, schools and signings. I am so thankful for all the readers who love The Fountain and are waiting for The West Woods to come out.

As The Fountain Series grows, we’re focusing more on growing online reach, in addition to continuing to be active in my community. The response from book bloggers to the series has been really positive, and they are excited to help spread the word about the upcoming launch of The West Woods. I am truly grateful for the work that bloggers and reviewers do. Thank you all so much.

Q: There’s suddenly a knock on the door from Hollywood. Would The Fountain lend itself to a movie or a television series?

A: The Fountain Series would make a terrific movie or TV series and I’m actively looking for a home for it.

The layers of St. Augustus’ magic and the generations of students who have used it to change the world around them provides endless material for an ongoing series. I look forward to see where this leads.

Q: Authors often “cast” their characters in their heads while they’re writing so they can picture them moving through the various scenes. Was this the case with you?

A: Each of my characters is such a blend of complex layers, they’d be impossible to cast to just one person. It definitely keeps me on my toes to keep track of everything that makes them up, but that’s part of the fun.

Q: As an executive, mother of three and a writer, how do you make the time for your craft?

A: I couldn’t do it without the support of my incredible husband and wonderful kids who have all made sacrifices to help me find the time I need to make this dream a reality. I mostly write evenings and early weekend mornings. I carry the stories around in my head while I go about my day to day, so that when I do get those moments to write, everything is fully formed and the words come quickly.

Q: Planner or pantser?

A: Quilter! I start with an outline, but then write in sections as they come to me, and depending on my mood – not necessarily together. Then I take the sections and quilt them back together, creating a wonderful mess that eventually sorts itself into a complex mystery. The operations professional in me knows that this isn’t efficient, but I’m always happy with the result.

Q: You also travel a lot for business and for leisure. How does travel impact your writing and your perspective?

A:  Writing fantasy is centered on building believable worlds. Exploring different countries gives me lots of ideas and inspiration that I draw on. I try to take note whenever I visit somewhere new about the kinds of things I notice first. Are the traffic lights different? Are there people around, or are the streets empty? What sounds are different from North America. Those are things I add to a character’s first experiences somewhere new.

Q: Any new trips on the horizon?

A: We’ve been talking about taking our kids to Europe. They all speak French as well as English, so they’ve been bugging us to take them to France.

Q: Dream destination on your “wish list?”

A: Africa.

Q: You’re on the board for When Words Collide—a festival for readers and writers. What do you think the role of conventions and festivals have for authors and aspiring authors?

A: Writing is largely a solitary profession, but the writing community plays a vital role in supporting and growing writers careers. The publishing industry is changing daily, and collectively, writers who share information and work together to stay ahead of the curve are the ones who are going to make it.

I am so grateful to all the writers I’ve met and everything they’ve shared with me about their own experiences and careers have helped me immeasurably with building my readership. Giving back to the author community in any way I can is an absolute pleasure for me. I particularly love helping new writers get started.

Q: What would readers be the most surprised to learn about you?

A: I think readers would be surprised to know that I love math. I’m an Operations professional in my day job, and while that is very different from writing, my love of math and puzzles helps build tricky, layered mystery within my books.

Q: Oldest, weirdest or most nostalgic thing in your closet?

A: Fuzzy onesie pajamas. Great for when it gets down to -40 degrees Celsius here in Canada, but otherwise way too hot.

Q: Where can readers learn more about you?

A: I’m the only Suzy Vadori on the interweb, so Google away to find out everything you’ve ever wanted to know.

Website: https://suzyvadori.wordpress.com/

Instagram: https://www.instagram.com/suzyvadori/

Facebook: https://www.facebook.com/suzyvadoriauthor/

Twitter: @vadoris

Goodreads: https://www.goodreads.com/book/show/27426598-the-fountain?from_search=true

Book Links:

Amazon.com https://www.amazon.com/Fountain-Suzy-Vadori/dp/0994726643/ref=sr_1_1?ie=UTF8&qid=1497887586&sr=8-1&keywords=vadori

B&N https://www.barnesandnoble.com/w/the-fountain-suzy-vadori/1123014750?ean=9780994726643

iBooks https://itun.es/ca/UWor_.l

kobo https://www.kobo.com/ca/en/ebook/the-fountain-13

Smashwords https://www.smashwords.com/books/view/594225

Q: Anything else you’d like to add?

A: I love hearing from readers, so feel free to drop me a line.

 

 

 

 

A Chat with Sandra Hurst

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One of the ironies of childhood is that our first introduction to reading often comes in the form of fairy tales and myths in which magic, mysticism, fantastical creatures and mysterious realms appear with such frequency as to seem entirely plausible to impressionable young minds. Once we cross the threshold of adolescence, though, there’s no shortage of messaging from parentals and teachers that these make-believe worlds need to be summarily shelved in order to make room for the pursuit of fact-based realities.

Unless, of course, you were born with the imagination of a writer like Sandra Hurst and embrace the elements of YA fantasy—and infinite possibility—with full-fledged gusto. We’re delighted to welcome her to share insights on her new release, Y’Keta.

Interviewer: Christina Hamlett

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Q: Given your childhood years in England and then Canada, would you say that you chose the genre of fantasy or that it, in fact, chose you?

A: What a good question, I’ve never really thought about it. I think I’d have to say that the fantasy genre is something I was drawn to, rather than something I chose because of my surroundings, since my brothers, who grew up in the same environment, have extremely logical minds and aren’t at all prone to what they call ‘fantastical fiction.’

Q: What are some of the favorite titles and authors we might have found on the nightstand of a very young Sandra Hurst?

A: Before Junior High, if you caught me reading at night, which my parents often did, I think that you would have found me huddled under the blankets with The Wind in the Willows, The House on Pooh Corner, or The Sword in the Stone.

Q: How about as a young adult (coincidentally, one of your chosen age groups for the Sky Road fantasy series)?

A: As a young adult, I read anything and everything, I still do. Some of the favourites that I remember from back then are The Mahogany Trinrose (Jacqueline Lichtenberg), Lord of the Rings, (J.R.R. Tolkein), and the Darkover series (Marion Zimmer Bradley).

Q: Like a lot of middle school students, you began your classroom writing career with poetry. How would you define that early style and what were some of the topics you liked to write about?

A: My first poems had lots of ‘Moon and June’ type rhyming patterns. The oldest one that I can remember was about snow coming down like a blanket on the town. Birthdays were always a big poem opportunity for me, I wrote poems in every birthday card!

Q: Is your passion for poetry still as vibrant as ever?

A: Poetry will always be important to me, it’s part of finding my creative space as a writer. There is a chapbook of my poetry in the works, although for right now, the prose has centre stage.

Q: What does writing verse teach you about writing books?

A: I think that poetry teaches prose writers to understand the rhythm and flow of language. One thing that I’ve learned from poetry and applied to my writing is to always read through my draft out loud. If I’m reading through a paragraph and consistently trip at the same place, I know that the rhythm there is off and I need to see if more explanation is needed for that thought, or if I’m overcomplicating the sentence.

Q: What was the inspiration behind Y’Keta?

A: The central question in Y’keta is about identity. Is Y’keta willing to give up his identity to please his father? Is he willing to risk being honest about himself, even though he may lose everything he has grown to love.

The inspiration for this came out of two unconnected events about four years ago, the first was a casual comment made by a relative on the reactions she dealt with when she came out as LGBTQ in the early 80s, the other was a long night sitting beside a campfire in Grande Cache, Alberta watching the Northern Lights dance over the horizon.

Q: One of the things that always fascinates me about fantasy novels and stories set in alternative realms/universes is how their authors come up with the unusual names for their characters, objects and settings. Can you let us in on your own approach to the name game?

A: The language I used for the People borrows liberally from several modern native languages which I have ‘aged’ in different directions to suit the Sky Road.  While I wanted to keep the feel of the original tongues, I tried to avoid having words that were too exact and would tie the story down to one tribe over another. So, for example, the Nehewak (Cree) word for Thunderbird (kitowak) becomes my race the Waki’tani and the Tlingit word for pig becomes a rude nickname that Siann calls her greedy little brother.

Q: What sort of myths are incorporated in the Y’Keta storyline?

A: Y’keta is based on several Indigenous myths from the Cree, Haida Gwaii, and Pacific Northwest areas. Each of these groups have legends about a people called by various names but all adding up to the Thunderbirds. It’s interesting to note that even now, the Nehewak don’t have a word for thunder. They say kâh-kitowak, “the Thunderbird’s call”. I’ve also incorporated parts of a several legends from the southern US to create my bad guys, the Utlaak, these legends feature scaly or serpentine bad guys who come from an underground world.

Q: Which scene was the easiest for you to write?

A: I think the easiest scene in Y’keta was the first one. The characters’ voices were so clear and I could visualize the ceremony where they all became a part of the village and started interacting with each other. The first draft, 15-20 pages, was written all in one shot in the course of an evening, while listening to Loon Echo Lake, on my headphones.

Q: And the hardest?

A: I hate killing people! The scene where one of my main characters is murdered in an Utlaak raid shattered me. I wrote it with tears pouring down my face, then re-wrote it, and re-wrote it, until I felt the hurt as much on the paper as it did inside me.

Q: On Amazon, the title is listed as Volume 1. How many volumes do you have in mind?

A: The Sky Road is planned as a trilogy.

In Book One, Y’keta, A young exile, searches for a place to belong, only to find his new home threatened by secrets from his past. If Y’keta reveals what he knows to the villagers, it will tear their history and traditions apart…but sharing his secrets may be their only hope for survival when the Village comes under attack.

Book two is at the necklace stage, that is the point in my writing process when I have ‘pearls’ written, but desperately need the thread of the story to tie them together. It will focus on the continuing war with the Utlaak and Y’keta’s unsettled relationship with his father.

In book three Siann struggles to accept the power that the Lightning Stones have given her. Power is not always a good thing, and she has some hard choices to make about using or abusing it.

Q: What governed your choice to develop a series versus a stand-alone title?

A: I don’t ever remember thinking ‘Hey! I’ll make a trilogy!’ The storyline just grew into one. I think it’s all D’vhan’s fault, he’s one of the lead male characters. He refused to stay in the background, and before I knew it I had an uprising of characters whose stories deserved to be told.

Q: More and more authors are seeking to control their intellectual property by going the self-publishing route. What have you learned about the challenges of this choice that you didn’t know before you started?

A: What didn’t I know? Is everything a fair answer? My decision to self publish was driven more by a need to put a physical copy of the book in my dad’s hands for his 90th birthday. I think that the learning curve for either type of publishing is terribly steep for someone like me, who knew nothing about the industry. Traditional publishing takes time, patience and a degree of luck to hit the right agent at the right time. Independent publishing takes all of that plus a substantial cash investment in editors, cover artists, printers etc. Social media is also crucial to an indie author, as word of mouth is often the only marketing tool we have access to.

Q: When and where do you feel you are at your most creative?

A: I’m most creative at night, when the whirlwind I call a mind has quieted down for the day. I put some music on and let my world go and step into Y’keta’s world. My family learned early that ‘I’ll be there soon’ really meant “I’ll see you in the morning.” At least 75 percent of the book was written between midnight and 5am. Other great creative places for me are restaurants like Denny’s, or Tim Horton’s. I often go to grab a coffee, plug in my tablet, hide behind my earphones and just blend into the crowds.

Q: Conversely, when does it feel the most challenging or frustrating to work at your craft?

A: Handling my own nature is the hardest part of writing for me. I tend to be very distractible and moderately obsessive. There is always that one more piece of research, a new book to read, and, Oh Look! I got a Facebook mention. My mind will bounce to anything new and shiny and sometimes when it lands on a topic I find it hard to let go and get back to the writing. There is a definite benefit to this type of mind though, once I start writing and the scenes are flying, I will keep going until someone pulls me out.

Q: Best personal cure for writer’s block?

A: I like to shake things up when I’m in a slump or struggling for ideas. I will sometimes take a side character and re-write a scene from their point of view. It helps me see with new eyes and often gives me the next question that I need to ask or the next move I need to make. Another good trick is to pick the one thing that my character would really hate to have happen, and make it so.  Are they afraid of water? Then maybe the boat sinks.

Q: Tell us a little about your family and whether they’re allowed sneak peeks at your work or have to wait like the rest of us until it’s all finished?

A: I live in Calgary, Alberta with my husband and son, both of whom I love dearly, and have put up for sale on e-bay when their behaviour demanded it.  My day to day life is a balance between my outside life as a paralegal counsellor and my inner life as an author/poet. I do try out scenarios and words on my family now and again, especially on my son, who is around the target audience for my books.

Q: What do you do when you’re not writing (i.e., day-job, hobbies, travel)?

A: When I’m not writing or doing double duty as a wife/mother, you can find me working as a paralegal in Calgary. On off days, or holidays we spend a lot of time out in the mountains camping, canoeing and just listening to the quiet. I also enjoy time with the other amazing writers in the Calgary and love going to the write-ins and open mic. events.

Q: What’s something quirky/unique/unusual about you that readers would be the most surprised to know?

A: Ooh, you really want to go there? I think that answer would depend on who you talk to. My son would cringe and point to ‘opera nights,’ evenings when I don’t speak and insist on singing my answers to any questions.  My husband might point to my fits of insomnia and my late-night Facebook addiction. But really! You meet the best people online at 3am.

If there is one thing I would say was unique or quirky about me it would be my breadth of interests, I’m a bit of a Hermione, a collector of odd facts and knowledge about anything from the Kaiju culture of manga Japan, to Shakespeare, to Opera, or the band Nightwish. There isnt much that I won’t listen to, read, learn about and find value in.

Q: Who is your hero and why?

A:I think the common thread in all my heroes, whether real or literary, is that they had the opportunity to quit, every reason to say I’m too old, too tired, it’s just easier to let it be someone else’s problem. This kind of hero, unwilling, often flawed, yet willing to step up, gets me every time. These heroes all have one thing in common. They are people very much like I am, broken and damaged people just trying to do their best with the time they are given.

As far as literary heroes, I love the authors who can make words dance and sentences mean things. This has led me to authors like Guy Gavriel Kay, and Don Dellilo. I would give my left ovary (not so dramatic a thing since at 54 those parts are hardly crucial) to sit down with either of these gentlemen, or even better their writing notes, for an afternoon.

Q: Who’s your favorite character in a book (other than your own)?

A: There is no fair way to give one answer to that question, but one of my favourites is Richard Lamb, from M.K. Wrenn’s sci-fi series The Phoenix Legacy. He is a young intellectual working to prevent the oncoming dark age.

Q: Have your own characters ever surprised you?

A: Constantly! No matter how well I think I know the characters, when I put two or three of them together the dynamics always amaze me.

Q: What’s next on your plate?

A: Next up for me is When Words Collide in Calgary in mid August, then finishing up a romance novella which will be coming out in 2018, then back to Book 2 of the Sky Road.

Q: Where can readers learn more about you?

A:  You can find more about me, or follow me on social meda at all of the links here:

Website:         www.delusionsofliteracy.com

Facebook – @SandraHurst.Author

Twitter –  @_SandraHurst Website:

Amazon Link:  https://www.amazon.com/dp/B01N9V4M8C

Q: Anything else you’d like to add?

A: Christina, Thank you so much for letting me talk to your readers and introducing them to the Sky Road. I’m really enjoying Y’keta’s journey through this ancient land and look forward to meeting your readers as they walk the Road with me.