Eye of the Moon

Eye of the Moon front cover

For readers who enjoy strong female characters, supernatural elements, magical realism and the occult, there’s a delicious new Gothic mystery on the market that will satisfy all of these. Author Ivan Obolensky takes time from his busy schedule to talk to us about Eye of the Moon, demons, and who to invite to a literary dinner party.

Interviewer: Christina Hamlett


Q: Tell us a little about the premise of your new book and what inspired you to write it.

A: Eye of the Moon was inspired by a large house my father owned when I was growing up. I always thought it was a perfect setting for a novel. Strange things happened there. I wanted to write an American story but differentiate it from the typical English gothic novel. Business is a unique facet of American life and sets American culture apart from those of other countries. Such relationships often involve promises of performance. I wanted to explore the consequences for having broken an oath, or a contract, not only in everyday life, but what happens when a promise is broken to an entity such as a demon. What are the consequences? What is trust, and how is it formed? What happens when we discover that we have been lied to? How do we set aside our prejudices and assumptions? These are a few of the questions I wanted to answer in the story.

Q: Literal and metaphorical demons abound as the story unfolds. How do you believe they relate to each other?

A: I think we all face demons. Some are metaphorical. Some are real. We no longer call them demons. Science has moved on and wants no part. We call them narcissistic tendencies, or perhaps we say we create images of ourselves that are unsustainable instead. Not all demons are imaginary. We each face issues of economic survival and threats to our existence. We solve them, or we don’t. In this, we are not alone. Others around us also face their own unique difficulties, but never ours exactly. Achieving wisdom is about the struggle to gain that extraordinary perspective that life was never about us to begin with. Our internal demons on the other hand, argue the opposite, that life is really about us. We are what is important, and we can demonstrate that through either outstanding success or extraordinary personal failure. I wonder which is more destructive? In the past, success was defined by achievement. Today, it is about fame. Through notoriety, we can achieve a similar measure of immortality and in the case of a person who ruins all that they touch, the demon in them is as real as any that we can imagine. The metaphorical demon then becomes the literal, and a reality we must face. Demons are still around because they never left. How we deal with them defines in no small measure who we are as individuals. Do we surrender, or not? Our faith in our goodness, our cleverness, and our humanity are our only defenses against such monsters, whether real or imaginary.

Q: Did you work from a structured outline or allow your characters to “speak” to you as you began writing?

A: I set only two constraints for Eye of the Moon. One was the location. The second was that the action takes place over a long five-day weekend. The plot was never worked out. That the story turned out as well as it did was a surprise. I would not recommend such a loose approach as a usual way of writing because it tends to be more stressful than working with an outline. The writer is constantly trying to understand where the story is going and that creates a great deal of angst. It worked out for me, but it was not easy. I think really great stories require the writer to experience a unique pressure from not knowing and having to figure out an outstanding ending. It is a form of mental torture that requires a special courage. Lucky for me, the characters and my muse helped. I followed their leads and suggestions. It is truly distressing to realize one has spent three years painting oneself into a corner with no conceivable way out. Now that is scary.

Q: Did your characters do/say anything that surprised you?

A: That was almost a constant. None of the characters behaved. They tended to do their own thing and say what they wanted. What surprised me the most was the profoundness of their thoughts.

Q: How much research was involved insofar as incorporating authenticity into the events and character interactions/motivations?

A: It is usually what the character says (the drama) that is important rather than whether a character wore a specific brand of jewelry that was available at the time. A writer can often duck the hard conflicts in favor of doing research. I did my share of it. Ancient Egypt required a fair amount, but when the research became overly involved, I scrapped it. I grew up in the environment that I wrote about so there is a sense of authenticity. The characters had strong personalities and certain inclinations. I had met many of them in real life and then added my own touches. The characters were as real as I could make them, and that kept the story authentic and strong.

Q: Who or what has had the deepest influence on your storytelling style?

A: I grew up listening to legends, myths, and magical stories. That many of them involved the mysterious and strange occurrences should come as no surprise or that the stories I like contain such elements. I also loved the idea of a plot twist. O’Henry was a master at this in his short fiction. So was Edith Wharton in Ethan Frome. I think it is a given that most of the stories that I write contain mysterious elements with a twist.

Q: The storyline is replete with strong, independent women. Were any of these females patterned after women in your own life?

A: Absolutely. I think there was a strong matriarchal streak that ran through all sides of the several families I grew up with. The women tended to be strong, wealthy, self-reliant, and didn’t stand for a lot of nonsense. I, on the other hand, liked a great deal of nonsense, the more the better, which tended to put me on the other side of the fence. I had my charm which tended to ease the struggle of wills that ensued. I won sometimes and lost at others, but it was a struggle I enjoyed. I learned a great deal because those women were often much smarter than I was.

Q: Fictional characters are frequently confronted with forks in the road that force them to either take a leap of faith or play it safe. Was there ever a time in your own career that later caused you to revisit decisions you made or didn’t make?

A: I used to constantly second-guess myself. I did so for most of my life. What changed that tendency was having nearly died. After several near-death experiences, the second-guessing fell away. I realized I could have chosen one way or the other and still ended up dead, or made a decision that was obviously flawed in hindsight, but the result was I lived. The logic of my choices did not have a high correlation with the happiness or success of the outcomes. At some point, I understood the futility of revisiting and second-guessing a decision. I look at it this way: if the decision was bad or good is irrelevant when one is standing in a happy place. Had the choices been made differently, that happy outcome may never have occurred. I am happy with everything that has happened. I wouldn’t change a thing, and that is a good place to be. I have no doubts about it.

Q: Physical settings—such as the house and grounds of Rhinebeck—often assume personalities of their own. What inspired your development of this particular backdrop?

A: I visited when I was small. Rooms were gigantic, shadows crept out of their hiding places and lengthened during the late afternoons. Thunder would rumble at the edge of hearing when there were storms, and tense silences would descend. The governesses would get nervous. We were after all cut off from the outside world. The grounds and the house I found thrilling, but adults often felt differently. They were either hypersensitive, or I was much less so. Adults would get jumpy as night fell. They drank more. I wanted to see a ghost, but then I didn’t. I did try, but with no success. I think the adults felt similarly. Many wished they hadn’t after they did. I think the possibility of seeing a ghost and the sporadic rumors that guests had occasionally seen one made invited guests uneasy. It was this tension that was a defining characteristic of the house and growing up in it. It gave the place a creep factor that was delicious.

Q: How much of your personality and personal experience is embroidered into the plot?

A: I think a great deal of me is in each of the characters. Percy and Johnny are two sides of my normal self, the optimist and the pessimist, but that may be overly simplistic. I always wanted a good friend. Johnny came from that idea. The wonderful thing about writing a novel is you can put yourself in the middle of your own play. Whatever you can dream can happen, and there are so many wonderful things to dream about. There can be characters that are realer than life and impossibly wise. There can be people more beautiful and more alive than any reality. The characters of the novel are people that visited me many times in my dreams and in my thoughts. They’re old friends and very dear. I’m happy that others can meet them.

Q: By the time you typed The End, what had you learned about yourself that you didn’t know when you started?

A: Writing is a scary business. The result may be enjoyable, fulfilling, worthwhile, and all that, but there is more to it than simply writing a story and then typing The End on the last page. It’s a whole other world that you have created. What other people think about that world becomes something out of your control, and one’s vulnerability as a result can be unsettling and disturbing. The reader may not like what has been written. The story may not communicate in the way the writer, me, thought it would. The characters were too shallow, or too loud; the dialogues, too unreal. It is hard to relinquish that control to the reader and let them decide and stand in judgement. Placing this power in the hands of another is much harder than I would have thought. Every writer knows that the work has to stand on its own, and either it does or it doesn’t. Reader acceptance is the ultimate test, and there is no avoiding it. I love it when it passes, and dislike it when it doesn’t. In the end, one realizes that one cares about what others think. That’s why it’s scary.

Q: What’s the best book you’ve read this past year?

A: Travels by Michael Crichton

Q: Do you listen to music while you write? If so, what’s on your playlist?

A: I rarely listen to music when I write. I work in an office where there are many different conversations and other activities. I have to focus so everything gets drowned out including any music.

Q: If you could relive a certain age in your life, what would it be and why?

A: I suppose we would all like to be shockingly good looking. I think we all have achieved that at one time or another as well. I really do. It is amazing to look at pictures of what older people looked like in their prime. I would certainly like to revisit that time of my life when life was forever grand, only this time with the wisdom that was singularly absent during that period. One may look great but have the mind of an idiot. That was me. It is rare when both are present in a human being.

Q: If you threw a dinner party and could invite any five people (living or not), who would they be and what question would you most like to ask each one?

A: I would probably throw Oscar Wilde, Richard Feynman, Raymond Chandler, Nancy Mitford, Stephen King, and Jane Austen in the same room just to see what would happen. There would be no particular questions that I would ask, but I would seriously listen to what was said. I would be enchanted. I would also make sure that Stanley had plenty of spirits on hand and that Dagmar had a free rein with the menu.

Q: What’s next on your list of projects?

A: I’m writing another novel. This one is about what happens if you manage to meet a god.

Q: Where can readers learn more about you?

A: My website: Ivanobolensky.com

Q: Anything else you’d like to add?

A: Keep reading. Keep thinking. Keep wondering. Be curious forever.




Death Unmasked


One of the sweet dreams of a reincarnation belief is that we will continue to be reunited with the souls of those we loved. Conversely, a nightmare of that same tableau is a cyclical encounter with our worst enemies and the inherent challenges of dealing with the dark side of any unfinished business.

A Houston homicide detective investigates his, and his wife’s murder … in his next lifetime. Such is the premise of Rick Sulik’s Death Unmasked, a novel of reincarnation, retribution and timeless love.

Interviewer: Christina Hamlett


Q: Tell us about your journey as a writer and who or what had the biggest influence on your personal style?

A:  I have high admiration, and give much credit for my personal style, of knowing who I am, where I came from, and where I am going, to my loving parents during my growing-up, and self-awareness years. My parents taught me to believe in myself, and I learned to develop a can-do, positive, and constructive attitude, so that I would be able to accomplish whatever I set my mind on doing in life. They were my main inspiration.

Q: What were you doing career-wise prior to penning your first novel?

A:  I spent thirty-nine years in law enforcement before retiring in 2013.

Q: How did your real-life career experiences shape your approach to the challenges and discipline of writing fiction?

A:  It was a challenge to switch from ‘descriptive’ police report ‘fact’ writing, to, ‘creative’ and colorful, ‘story-telling’ novel writing. It took true grit, and I completed my story, the way I saw fit, without outside influence or interference.

Q: Where did you find the inspiration to write Death Unmasked?

A:  Music – These three inspiring, and entrancing tunes dramatize the storyline in, Death Unmasked, ‘Greensleeves,’ by Mantovani, ‘Think of Laura,’ sung by, Christopher Cross, and ‘Mary in the Morning,’ sung by, Al Martino.

* Oscar Wilde’s Disquieting Poem – ‘The Ballad of Reading Gaol (Jail).’

* My belief in Reincarnation.

Q: I love the title! Does it hold special meaning for you?

A:  Yes. When it’s quiet, I like to mediate, and within a few minutes, my free, and lighter than a feather, ‘spirit,’ is floating in the center of the cosmos. Now, close your eyes, clear your mind, and meditate. Let your ‘mem’-ory, shine through the darkness, so you can, re-‘mem’-ber. As strange as it may seem, I didn’t choose the title, Death Unmasked, it chose me, and, the reincarnation story was written, ‘in-a-blink-of-an-eye.’

Q: So what is Death Unmasked about?

A:  Death Unmasked, is a suspenseful, mystery police thriller spanning lifetimes, using reincarnation, karma, psychic ability, remote viewing, and out-of-body experience to out-wit an evil incarnated entity stalking women in, Houston, Texas.

Q: You describe its genre as “Romance / Mystery / Suspense / Thriller / Police Procedural / Urban / Fantasy / Paranormal / Supernatural / Poetry.” If it were found on the shelves of a traditional bookstore, though, where would it most likely be located?

A:  A copy of, Death Unmasked, would be found on the shelves, in the following book sections:  Romance / Mystery / Suspense / Thriller / Police Procedural / History / Urban / Fantasy / Paranormal / Supernatural / Past Lives / Poetry.

(Editorial Comment: We are assuming the author is being facetious in this reply. Unlike a virtual platform where novels can be categorized with a long list of tags, a traditional bookstore has a finite amount of shelf-space. It’s unrealistic to suggest—and especially to aspiring writers—that multiple copies of the same title would be found in a dozen different sections of the store. This is also critical to keep in mind for those of you pitching your own projects to agents or publishers. While many books certainly contain aspects of multiple genres, the objective is to define which genre is the predominant one.)

Q: Who is your target readership?

A:  High School – Adult.

Q: Given its reincarnation theme, is reincarnation something you personally believe in? If so, how did this belief come about?

A:  I believe in reincarnation. When I was young, my mom and I would walk a mile in the evenings after dinner around a lake near our home. On our last walk together before she passed away, she looked up at me, and said with a sweet smile, “If I had to do it all over again for you, and your brothers, I would.” Instinctively, without her saying another word, the knowing look in her beautiful hazel eyes communicated her thoughts, and it all came together ‘in-a-blink-of-an-eye,’ and I fully understood what my mom had meant. She had been my mother in other lifetimes.

Q: Do you plan to come back in your next lifetime? If so, as what?

A:  As a, – human being, of course. In the very beginning of time, all ‘spirits’ were created at one time, and baptized at the same time in the ‘spirit’ world by Our Creator. All spirits have their own ‘personality,’ or ‘identity.’ When a spirit uses their ‘free-will’ and incarnates to the ‘physical’ world as a human being to experience a lifetime, or lifetimes, they have their own individual ‘fingerprint,’ what the Chinese call, a ‘chop,’ or mark, which is their signature that identifies their unique spirit  from another spirit. That ‘fingerprint’ belongs to them, and only to them, each and every time their spirit decides to incarnate to ‘physical’ earth. From the very beginning of time, we were all ‘identified,’ and keep only one set of ‘physical’ fingerprints – – – for eternity. We cannot learn, ‘in-a-blink-of-an-eye,’ all about life in one lifetime. It takes many lifetimes for our spirits to evolve, and come around full-circle, in order to become completed spirits with Our Creator.

Q: Tell us about your main characters in the book. Did they spring forth from your imagination or are they modeled after real people (including yourself)?

A:  The protagonist, Sean Jamison, and his police colleagues, Roman Addison, and Captain Virginia Schaeffer, are a combination of police personalities (veterans) of all my Houston Police Department, Field Training Officers (FTO’s), during my training / probationary period in the late 70’s.

Q: What were some of the challenges you encountered in developing the plot, the characters and their interactions?

A:  I wrote from my daily experiences, and on-the-job training, in those thirty-nine years of service.

Q: Did you work from an outline or just wing it from day to day?

A:  My mind started in the middle of, Death Unmasked. At night, I would type chapters until a fog, or, ‘writer’s block,’ kept me from advancing. I would then ‘change tactics,’ and start writing chapters in the beginning, and continued typing towards the middle of the book. You probably heard the military saying – ‘Improvise, adapt, and overcome.’ I wanted to write, Death Unmasked, in a different writing style from the norm, and I tried to keep the story rolling along at a fast clip.

Q: Is there a hidden message in the story that you would like to convey to interested readers?

A:  There are no hidden messages. It’s all laid out in black-and-white. At the conclusion of the story, the reader should be able to decide for themselves in the comfort, and in the silence of their sanctuary, if the story convinced them that reincarnation – is a reality.

Q: When and where are you at your most creative?

A:  When I’m in my element. I can switch it on, or off, as I please – anywhere.

Q: What would readers be the most surprised to learn about you?

A:  I’m a fallible human being, no better, no different than another earthly human being, and my blood is the color red.

Q: How did you go about finding a publisher for your work?

A:  It took many painstaking hours of searching. Tenacity finally prevailed. I finally found the light switch in the very dark and empty room.

Q: What are you doing to market it?

A:  I hope, Christina, your blog will attract many interested readers, and book clubs to read, Death Unmasked, and that everyone will enjoy discussing, and learning something new, and be inspired by my intriguing reincarnation story.

Q: Any new projects in the works?

A:   None. I’m retired and a senior citizen. I’m enjoying life at a much slower pace these days. There are no more schedules for me to keep up with. My motto – Live life to its fullest, and forget your age. I now have more time to stop and smell the roses. I might consider penning another book in my next incarnation – somewhere down the road, and over the next hill, in the not so near future, and only when I decide the time is right, to use my God gifted free-will again.

Q: What’s your best advice to aspiring writers?

A:  I will quote Richard Bach, author of, Jonathan Livingston Seagull, “A professional writer is an amateur who didn’t quit.”

Q: Where can readers find your book?

A:   www.christophermatthewspub.com

Amazon Link:  http://amzn.to/2r2LpFI

Goodreads Link: https://www.goodreads.com/book/show/27510127-death-unmasked?fromsearch=true

Q: Anything else you’d like to add?

A: I thought it interesting, since Army General George S. Patton Jr., (born 11-11-1885) believed in reincarnation, that his Warrior ‘spirit,’ in foresight, would choose to incarnate (Free-Will) back into the ‘physical’ on the date, 11-11. General Patton’s poem, ‘Through a Glass, Darkly’ is evident of his resolute belief in reincarnation. I quote, “So as through a glass and darkly, the age long strife I see, where I fought in many guises, many names, but always me.” To Patton, who strongly believed in God, the date 11-11, might symbolize ‘spirits’ re-entering the ‘physical’ (earth) by way of the top left inside 11, and eventually departing by way of the lower right inside 11, back to the ‘spirit’ world, only to be ‘reborn’ again (a cycle) at some future date by using – The All Merciful Father’s (God) greatest gift to humanity – ‘Free-Will.’ At 11:00 am, of the 11th day of the 11th month in 1918, WWI came to an end, and it was to be the war that would end all wars. Patton lived half of his adult life at this point in history. General Patton’s Warrior ‘Spirit’ might have foreseen, before reincarnating on his latest birthday, 11-11-1885, that years after WWII, his birthday (November 11) would be remembered as a National Holiday, and would honor all veterans, and that Armistice Day, would be eventually changed to – Veterans Day.

Thank you very much, Christina, for taking time out from your busy schedule to do this  interview.





A Chat With David Selby


Selby Collage Framed

Interviewer: Christina Hamlett

Once upon a long ago time—half a century, to be precise—my friends and I used to rush home from school to catch an American Gothic soap opera called Dark Shadows. The imaginative brainchild of creator Dan Curtis, the weekday series was unlike anything on daytime television. While it is often quipped that Jessica Fletcher’s Cabot Cove, Maine (Murder, She Wrote) is the murder center of the world, Curtis’ spooky Collinsport, Maine was the gathering place for witches, vampires, werewolves and ghosts—all of whom conspired to keep the innocent Victoria Winters off-balance in her quest to decipher a murky past.

Miss a single episode and you could literally miss a hundred years, so artfully did the storylines incorporate reincarnation, time travel, parallel time and dead relatives who, bless their hearts, just couldn’t stay dead and entombed in the Collins family crypt. From 1966 to 1971, the series developed what subsequently became a cult following that still exists today. Despite the wonky missteps of a feature length film called House of Dark Shadows in 1970, Night of Dark Shadows in 1971, a prime time series reboot in 1991 called Dark Shadows: The Revival and a Tim Burton horror comedy in 2012 called Dark Shadows, it’s the original that still stirs fond memories. Among my own favorite memories was the introduction of a brooding werewolf named Quentin who had a propensity for flying into a rage and hurling brandy snifters into the fireplace or against a wall. David Selby, the actor who made the role of Quentin so swoon-worthy, not only continues to act in film, television and onstage but is also an accomplished author, a distinction that earned him an interview slot on You Read It Here First.

The 6’3” West Virginia native is unabashed in his praise of why Dark Shadows was a much needed respite during the decade it debuted. “We had the Vietnam War going on, the assassinations of Martin Luther King and Robert Kennedy, and I think people in general were feeling anxious about the state of the world. The show was fantasy escapism that gave viewers something ‘different,’ fun and totally strange to look forward to every day.”

That it attracted notable stage actors such as Jonathan Frid, Joan Bennett and Nancy Barrett was a treat matched only by the tight-knit sense of family the cast enjoyed working together in a small studio in Manhattan. “We’d rehearse upstairs and then we’d run downstairs to shoot our scenes. We’d also get exhausted running to and from scenes if the sets were at opposite ends of the studio but the action was supposed to be continuous. Just like a live theatre performance, everyone simply kept going even if something went wrong.” To his knowledge, he never brained anyone with all those brandy glasses he threw.

The two of us enjoy a reminiscence about lightweight tombstones that wobbled and fell over if a character brushed against one during an entrance, copious amounts of dry ice that inexplicably wafted in through interior doorways, and actors who forgot their lines. “We used a teleprompter—which I personally hated—and if something went astray with it during one of Jonathan’s speeches, he’d just amble on saying whatever happened to be scrolling on the screen.”

When he was a teen growing up in the rural environment of Morgantown, Selby had no clue what it was he wanted to do when he grew up. He did, however, enjoy a passion for movies and liked to imagine himself playing Errol Flynn or—on some occasions—even pretend he was a musician. “College wasn’t something that was pushed on me by my parents. In fact, I became the first person on either side of my family to graduate from a university. I saw college as an opportunity to escape and to go somewhere else, although I didn’t know at the time where or what I’d be escaping to.” Nor did he have support among his peers who liked to joke, “Selby will be the first one to flunk out.” Instead he went on to earn several degrees—including a doctorate—just to prove them wrong. “It’s funny, though, that no one ever asks actors if they have a degree. The only thing they want to know is if the person can act.”

It was an instructor named Charles Neel who suggested he take a theatre class. “Theatre definitely saved my life because it gave me a chance to do for real all of the things I’d been acting out in my own imagination.” Once the acting bug bit him, he could never imagine himself doing anything else … and he hasn’t. While a lot of actors say that they got their start acting in the high school play, such wasn’t the case for him. “I tried out for a play and there was a scene where I was supposed to kiss the girl. And so I gave her a kiss and everybody laughed and I decided I’d never do it again.” Famous last words.

He didn’t really know anything about Dark Shadows in his early years in New York until a casting person named Marion Dougherty of Marion Dougherty Associates put him in a cab and told him he was going to an audition. The rest, as they say, is history. In the episodes where the werewolf character was first introduced, however, he didn’t have any lines; he was just a tall, brooding presence with distinctive muttonchops. “And I thought, ‘Oh great. Is this going to be some kind of silent movie gig where I never get to say anything? Why did I say yes to this?’”

So were those muttonchops real? “At the start, they’d glue them on every day and then pull them off after the shoot. This got to be tiring and so I decided to just grow my own.” This, however, brought a new set of problems. Specifically, if you want to run out to a grocery store on the weekend, you can’t just put on a pair of glasses like Clark Kent and no one will know who you are. “I was also doing a lot of theatre and playing characters who obviously weren’t wearing Victorian frock coats and having that much facial hair. Accordingly, I had to keep shaving them off. We later just went back to applying fake ones.”

As the show grew in popularity, it wasn’t just high school students like myself rushing home to see it. He relates with a grin that at his wife’s office in New York at the time, the staff would go into a boardroom and close the door to watch it. “And they weren’t the only ones who did that, either. All over New York, there were plenty of closed board room doors around four in the afternoon!” That he was so easily recognized by fans also created potentially dangerous mob scenes for him. “I remember being told that there was an event I couldn’t go to because of the number of uncontrollable—and unpredictable—people who would be there. And so they got me a car and put me in it and I had to drive myself home.” Golly, where are those Clark Kent glasses when you need a quick switch to anonymity?

Ten years after the end of Dark Shadows, Selby found himself playing another conflicted character—the rakishly handsome, charismatic and conniving Richard Channing on Falcon Crest. “What’s interesting about both series is that the families were headed up by extremely strong matriarchs played by Joan Bennett and Jane Wyman.” Were there to be a reality show where the House of Collins and the House of Channing were pitted against each other, he predicts that the last two left standing from the respective sides would easily be Joan and Jane.

While he continues to have a host of exciting new projects in the works—including Stephen King’s Castle Rock for Hulu—live theatre is a first love we share. “There’s nothing more energizing and personally rewarding than knowing that you’re really reaching people, that you’re giving them something they’ll long remember.”

Given his height and his physique, he’s no stranger to playing Abraham Lincoln. In fact, he originally wrote his novel, Lincoln’s Better Angel, as a stage production. In 2008 he played the role of Abe in James Still’s The Heavens Are Hung In Black at no less than Ford’s Theatre in Washington, D.C. He proceeds to share stories about how the historic theatre was boarded up for years following Lincoln’s assassination. Not only was the structure believed to be bad luck and haunted but any future production about Lincoln himself was met with fear, disdain and even threats. Not unlike, it would seem, the superstition among theatre people about saying aloud the name of “the Scottish play.”

He remembers being onstage and looking up at the presidential box where the tragedy occurred. “I think our current times call for another Lincoln to emerge and guide us. He was certainly a forward thinker in guiding the country through its most troubled times, and a lot of what he had to say still holds true in the 21st century.” He further relates the tidbit that the 16th president had a higher voice than one might expect from someone of his stature. This, thus, required a smidge of adjustment on Selby’s part since the latter’s rich baritone voice is such a trademark of his acting persona.

Along with Lincoln’s Better Angel, he is also the author of In and Out of the Shadows, Promises of Love, My Mother’s Autumn and A Better Place—all of which are available on Amazon. A new screenplay is currently in the works.

So how does his approach to acting compare/contract to his approach to the craft of writing? That one of them requires an external director and the other is an internal director-in-his-head doesn’t phase him at all. “Just like when I was growing up and imagining myself in different play-acting roles, I tend to talk to myself a lot and do the voices of all my characters.”

I tell him that it is yet again something we have in common. As an only child, I entertained myself with a plethora of imaginary friends—all of them coincidentally named after the original Mouseketeers. I’d run around the backyard doing all of their voices, a scenario that caused the neighbors on more than one occasion to ask my parents, “How many children did you say you had?” To which they would reply, “Just the one.”

That it is something we still do as adults in our respective writing careers was a refreshing revelation and perhaps even early foreshadowing that we’d grow up to be actors and authors. With a wink and a grin, he closes our interview with the observation, “I’d say it turned out pretty well then.”







Ghost Maven


Ghost Maven cover

Author, television producer, award winning documentary film maker, and world traveller, Tony Lee Moral, has just completed work on his second published novel, Ghost Maven, and has generously offered to share a bit of insider scoop on his new book, what drives and motivates him, and what he has planned next. Despite an increasingly busy work life, as with everything Tony takes on, he remains focused and grounded while enjoying the creative journey he rides with each new project and challenge. Welcome Tony!

Interviewer: Debbie A. McClure

Q: Your work spans several genres, including documentary film-making with your own production company, journalistic interviews with celebrities, and author of several books. Is there a common thread or arc in each of these endeavours? If so, what would that be?

A: Story! Story! Story! Whether it’s making a documentary film, writing a novel, or interviewing your subjects for a non-fiction book, each has the common thread of having a good story at the core. If I have something compelling to say, I will write, direct, produce, or find an outlet to tell my story.

Q: Your latest project, Ghost Maven, is a YA novel, which is quite a departure from your previous books on Alfred Hitchcock and murder mysteries. Can you share a little about this story to whet a young reader’s appetite?

A: In Ghost Maven, I blend mystery, with suspense and the supernatural. The central character, Alice Parker, moves to Monterey, California, with her father and little sister after her mother dies. Whilst kayaking in the bay, she paddles towards a mysterious island, but capsizes and is drowning when a young man, Henry Raphael, magically appears, delivering her safely to the beach. Against all rules, they begin seeing each other. It’s a love story with a twist.

Q: Why YA at this point in your career?

A: I’m inspired to write different genres, and as a compulsive communicator, I wanted to reach out to as many different readers of all ages as possible. The Young Adult readership is especially appealing to me, as I read many books in my teens and can identify with the hopes, fears and aspirations of being a teenager. It can be a very uncertain time for many teens, but I hope they identify with the characters in the book and want to share the journey with them.

Q: Have you ever encountered a ghost or spirit form in your personal life or travels? If so, what happened? If not, do you believe in ghosts?

A: I haven’t experienced ghosts or spirit forms, but I have had some intuitive dreams. Like Alice, I have experienced personal loss, and I use those feelings to create an atmosphere of reaching to the after life. I do believe that some things can’t be explained and science is still trying to unlock the answers.

Q: What surprising correlations or similarities have you discovered between film-making and writing?

A: Good storytelling is at the heart of both film-making and writing, whether it be shaping well-developed characters, creating emotional arcs and creating compelling situations. A good film or book takes the viewer or reader on a journey of discovery, enlightenment, or good old-fashioned entertainment.

Q: What dissimilarities have you discovered between film-making and writing?

A: With film-making, one should think in visuals, rather than relying on words or dialogue. You have a rectangle to fill with a succession of images to create an emotional response. Hitchcock said he wasn’t interested in photographs of people talking in his films, so I try to rely on visuals to tell my story when directing. In fact, I often think my novels are more like screenplays as I’m always thinking of the mise-en-scène, where the characters are, how they are dressed or what expressions they have on their faces. The advantage of writing is that you can really get inside your characters’ minds, what they are thinking and feeling, which you can’t quite do in a documentary film.

Q: What would you say fuels your imagination in writing?

A: Definitely travel – I’m lucky to travel with my day job as a film-maker, and I have been to some extraordinary places and have had access to some incredible situations and people. I’m like a sponge, absorbing human behaviour and thinking of how I can translate stories to the page or screen.

Q: How long does it take you to write a novel from first draft to final edit?

A: It depends on the publishing process. I first wrote Ghost Maven in 2010, so six years later it is being published. The last 18 months has been especially productive, as the novel was honed through various drafts, and I had some wonderful input from agents and copy editors.

Q: You are represented by a literary agency, Loiacono Literary Agency, in an age when many writers are choosing to self-publish. What has been your experience in working with an agent?

A: One of support and encouragement, which is invaluable as writing can be a very lonely process. The great screenwriter Jay Presson Allen, who I interviewed, described writing as a “divorcement from life”, which I can totally identify with. But having an agent is having someone to share the rewards and accomplishments with. What’s the point of being successful, if you have no one to share that success with?:

Q: Can you tell us a little about your production company, Sabana Films, and what you are trying to accomplish with your films?

A: I won the Special Jury award last year at the Jackson Hole Wildlife Film Festival, which was an incredible, inspiring moment, and has reignited my love for natural history. I’ve started filming a documentary movie which I’m very passionate about called ‘The Cat that Changed America’. It’s about P22, the mountain lion who is trapped in Griffith Park in LA, and the wonderful conservationists and Angelenos who are trying to help him.

Q: If you could sit down and spend an evening chatting with three people, dead or alive, who would they be, and why?

A: Alfred Hitchcock, because I’ve written three books on the Master of Suspense, and currently writing a fourth on his reputation. His films have inspired me and are text book examples of film making and screenplay writing.

F. Scott Fitzgerald, as he is my favourite author, his prose is elegant, simple and elegiac. I love The Great Gatsby, the world Fitzgerald lived through and created, and the characters who populate that world.

Winston Churchill, because he epitomizes everything great about being British, what I love about England, and the country where I was born. His stoicism and heroism is something to be admired.

Q: What’s next for you, Tony?

A: I’m looking forward to my book tour for Ghost Maven. On Labour Day weekend, Saturday 3rd September 2016, at 2 p.m., I will be in the Old Capitol Books store in Monterey, California, signing copies of the book. It’s very special to me to launch the book in the place where the novel is set and where I lived for two inspirational years.
Q Where can our readers find you online?




Seeing Things

Nancy Young cover

“True love is like ghosts,” wrote Francois de La Rochefoucauld, ” which everyone talks about and few have seen.”

Over the years, film, television and fiction have given us a bounty of stories in which star-crossed soul mates discover themselves up against the greatest divider of all – that pesky line separating the living and the dead. Whether it’s the hero who longs to be reunited with a beloved bride that was snatched from his arms too soon or a wistful heroine who has reconciled herself to the belief that all the best men are married, gay or a possible figment of their imaginations, author Nancy Young delivers a fresh twist in her latest novel, Seeing Things.  When you’re out to debunk the existence of ghosts – as well as deny your own ability to see them– what’s a girl to do when the sexy techie whose attention she has attracted is, quite literally, out of this world?

Interviewer: Christina Hamlett


 Q: So tell us a little about your journey as a writer and who (or what) was the greatest influence on your quest to become a published author?

A:        I was hooked on writing from the time the teacher posted my lion story outside our first grade classroom. Even my research reports in school tended to morph into narratives. In the college where I worked, a group of us met weekly for critiquing sessions, which helped me grow out of that awkward beginners’ stage, rife with poems about butterflies and roadkill.  Drafting up to 17 stories a week when I was a reporter gave me confidence as a writer. Once I quit teaching, I had the time to publish poems, short stories, and plays. I started the novel because everyone in my writing group was working on one, and I didn’t want to feel left out!

Q: Were you a voracious reader when you were growing up? If so, what book titles might we have found on your nightstand?

A:        I grew up in the local library—literally. My mother was a librarian, and after school I’d hang out, sometimes helping alphabetize cards, but most often working my way through the collection, graduating from the children’s floor to the adult section by the time I was in middle school. (It was a very small library.)

As a girl, I read and reread The Wolves of Willoughby Chase, The Witch of Blackbird Pond, Mrs. Piggle-Wiggle, The Lion, The Witch, and the Wardrobe, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, as well as Mary Stewart novels, Victoria Holt novels, Poe’s and Vonnegut’s short stories, and an assortment of folklore anthologies. My guilty pleasure was those Gothic paperbacks—the ones with a nightgown-clad woman running in terror from a brooding castle. My favorite of that genre still sleeps in my bedside table: Moura by Virginia Coffman. From the list, you can see that I’m drawn to a mix of supernatural/ fantasy elements, strong characters, and dark humor.

Q: You’ve described your newest release, Seeing Things, as a romance with paranormal elements. What’s your attraction to this particular genre?

A:        The two genres are a perfect balance of light and dark. I love the tensions of romance—the friction, the rising stress, and the eventual capitulation. With paranormal elements, I can introduce unpredictability—a plane where intelligence and logic have no impact. Since I prefer strong characters, the complications they face have to be out of their immediate control.

Q: What was the inspiration behind Seeing Things?

A:        This book started out to be anti-genre. The central character is neither innocent nor naïve. She doesn’t want to be rescued.  Her love interest isn’t a taciturn alpha male, either. I took a sly delight in having Mary Catherine reject the typical hero.

Q: Have you ever had any ghostly encounters similar to those experienced by your intrepid heroine?

A:        When I was a T.A. in grad school, I shared an office with a folklore expert. He was often called upon to investigate odd phenomena and invited me along on investigations. At a plumbing supply business in Northeast Philly one bright winter afternoon, I heard bells chime in a wall where there were no bells, saw a clock run backwards when its power source had been cut off, and looked over a strange arrangement of paper plates and a dead bird on a breakroom floor. Since the business owner was anxious to keep the investigation secret lest it hurt business, a hoax seemed unlikely. This scenario found its way, in a different form, into a chapter of Seeing Things.

Another example occurred when I lived in a hundred-year-old farmhouse. In the attic (accessible through a trap door in my bedroom), hats, tools, and an old Royal typewriter had been left behind by the original owners. That typewriter would periodically have a new line of type on the tattered, yellowed sheet rolled into its platen. My kids were under five and couldn’t have accessed the attic without help—nor could they spell, for that matter.

Out of curiosity, I participated in an EVP study at Rhine Research Center, a parapsychology center that was originally part of Duke University.  Though most of what I heard in the controlled study was static, two voices sounded loud and clear. I have no idea if those were “control” sounds or actual examples of paranormal recordings.

Oddly enough, things like this fail to bother me. Put me in heavy traffic on the Beltline, though, and my palms will sweat.

Q: What governed the choice to pen this story in the first person? For instance, do you feel a special kinship with the narrator?

A:        I actually wrote the first few chapters of Seeing Things in third person before recasting it in first. The first-person POV won out with everyone who read both versions. So many of the great Gothic narratives are written in first person—Brontë’s Jane Eyre, Poe’s “The Tell-Tale Heart,” Gilman’s “The Yellow Wallpaper,” du Maurier’s Rebecca. First person narratives bring immediacy to a story and create a close bond between narrator and reader. Most importantly, this point of view allows for dramatic irony; the reader sees more than the narrator does. I loved playing with that notion with Mary Catherine, my protagonist.

Some readers hate first person novels, and I knew I was taking a risk. Don’t let anyone tell you it’s the easiest perspective to write in. When it’s done right, it’s amazingly challenging. For instance, readers want to know what a character looks like, but real people don’t describe themselves. Finding innovative ways to impart such information’s like a literary game.

Early on, I thought my narrator had little in common with me, but as the book progressed, I realized we suffer from some of the same issues. My local librarian even remarked that the woman on the book cover looks like me.

Q: Unlike typical romances that are formulaic in nature – as well as predictable – you opted to incorporate unexpected twists in character and plot. Why did you decide to go this route?

A:        When I was browsing the in the public library two years ago, I picked up book after book with the same basic plots, the same interchangeable, tiresome characters. When I started writing my own novel, I set out to create a book I’d like to read—one with a funny, complex central character, an atypical love interest, and a plot that pokes into unexpected places.

Q: Would you call yourself a plotter or a pantser and why does this your choice of development style work well for your personality?

A:        I’m a pantser for most of the writing process, at least until I write myself into a dilemma and have to type my way out of it. Even though I like to feel in control of the worlds I create, my characters develop minds of their own, veering off in unanticipated directions. A good writer, like a good director, has to be flexible. In the editing process, however, I’m meticulous.

Q: Have your characters ever surprised you?

A:        They often say things I didn’t expect, and then I have to rethink the plot line. My novel characters turn out to be every bit as complicated and contradictory as real people. Developing their arcs is like watching a child mature.

Q: Tell us about the title of the book and what it means to you.

A:        Seeing Things hints at much: questioning what is real, what is imagined, what is true. People constantly close their eyes to things they cannot face. I remember teaching Oedipus Rex to a class of students who thought that Oedipus should have closed his eyes (pre-poking them out) to the evidence of his guilt, remaining happy in his ignorance. I never understood how anyone could do that.

Q: What’s your favorite novel or movie about someone falling in love with a ghost?

A:        I watched The Ghost and Mrs. Muir (Gene Tierney, Rex Harrison) when I was little, along with the old Dark Shadows TV show. And my husband and I still dance to “Unchained Melody” from the Ghost soundtrack.

Q: If, hypothetically, one day you return as a ghost yourself, where would you most likely be hanging out and why?

A:        I’d be in my office—the tower room of the Victorian house I live in. The current residents would hear the faint tapping of my keyboard late at night, and the cat would refuse to cross the threshold.

The writer might die, but the words live on.

Q: How did you go about finding a publisher for this project?

A:        I had submitted my novel to two or three big publishing houses, and it languished in the slush pile. After reading a NYT article, I aimed instead for a small publishing house and had my work accepted.

Q: “Home” for you is a small town in North Carolina. How has this influenced your life as a writer and the interactions with your non-writer neighbors?

A:        When you ask a question around here, you get a story in response. The South teems with unusual people who speak in colorful metaphors and act unpredictably. Many of my poems and short stories stem from local lore: the lost woman walking the streets twirling a hula hoop, the church organist who suffered a breakdown when faced with a new electronic keyboard, the raging diva displaced from a local singing group.

My close friends are writers and artists. To keep myself grounded, though, I joined my neighborhood book club. Most of the other members are literal people who work with computers. Unsurprisingly, we have different tastes.  I often think their book choices would benefit from the addition of a zombie, especially those dreary stories about the Episcopal priest. They find me quirky. I consider that a compliment.

Q: What would most people be surprised to learn about you?

A:        I like heavy metal.

Q: If you could summon the ghost of any famous person in history to have a chat with, who would it be and what question would you most like to ask?

A:        John Donne. As a young teen, I’d daydream about him while I studied his picture on the cover of the Norton Anthology. Donne was such a fascinating mixture of passion and intellect, and he gave up everything for love. I’d ask him if he thought it was worth it.

Q: What are you working on now?

A:        So many things—the third book in the novel series (the second’s awaiting publication) , another novel featuring a minor character from Austen’s Sense and Sensibility, a scene for a Regency play, and a short story about a pregnant woman going quietly insane.

Q: Where can readers learn more about you?

A:        My bio is published on Amazon and Goodreads, as well as on my publisher’s site http://www.worldcastlepublishing.com/author-nancy-young.html . I also have a Web site, http://nancymyoung.com.

Q: Anything else you’d like to add?

A:        The sequel, Hearing Things, should be out in 2015.




The New Mrs. Collins


Oh, what a tangled web we weave…when first we practice to deceive. ― Sir Walter Scott

A beautiful woman with mysterious powers. One stolen man and two southern gals with different agendas. In Quanie Miller’s second novel, The New Mrs. Collins, set in a small Louisiana town, a broken heart sends Leena Williams digging into a world of buried secrets. Based on her suspicions about the graceful yet ruthless Adira Collins, Leena soon finds the old adage to be true: looks can be deceiving, and deadly as well.

Interviewer: Christy Campbell


Let’s talk about Quanie Miller, personally and professionally.

I’m a married mother of one. I’m from New Iberia, a small town in Southwest Louisiana that sits right on the Bayou Teche and is rich in history. I spent most of my youth reading so many books that my cousins would look at me like I was crazy. “You aren’t gonna play outside? And you’re gonna read that whole book?” Then, they would shake their heads in amazement. I love writing about strong-willed women who can’t keep themselves out of trouble and setting my stories in fictional, Louisiana towns.

What moved you to write about this plot?

I wanted to explore what would happen when a woman pulls the veil back on the seemingly normal world she lives in. The main character, Leena, has lived her whole life in this small Louisiana town, never once suspecting that there are people in the world with mystic powers, and all of a sudden, not only does one such woman come into her life, but the woman is beautiful, has stolen her fiancé, and is now the stepmother to her son! In an attempt to solve the mystery of who this woman is, Leena ends up going down the proverbial rabbit hole. I was intrigued by how I might get her out of it.

Is there one fact about your book that stands out more than any others?

When I sat down to write the first draft of The New Mrs. Collins, a funny voice took over and it turned into a comedy! I was going to tell the story from the point of view of a nanny who discovers that her boss’ new wife is a sinister woman with mystic powers. This is how the story was going to go: the nanny, because of a flat tire, would get stranded in an affluent neighborhood without a cellphone, end up knocking on a random door, mistaken for an interviewee, and land the nanny job by mistake. But when I put the character on the page, this humorous voice took over, and the nanny-to-be never made it into the house. That character ended up being Jasmine T. Peacock, the protagonist of my first novel, a romantic comedy called It Ain’t Easy Being Jazzy.

What if I asked you to summarize your latest book in one line?  

When Leena Williams suspects that there’s something otherworldly about her son’s new stepmother, she goes digging for answers and discovers a little too late that some secrets are better left buried.

Based on your experience, what has been the best part of the writing process?

I think it’s the feeling you get when the story in your head (finally!) matches what you put on paper.

Is there something you wished you’d learned earlier as a writer?

That you should get as much feedback on your work as possible so that you can learn what you do well and hone that.

We all feel that buzz of confidence when our work is done and that feeling of accomplishment abounds. What have you found your greatest strength as a writer to be?

I’d have to say my ability to infuse humor into pretty much anything that I write. It’s not even something I try to do. It just happens.

Sum up a few interesting tidbits about Quanie Miller that make us go hmmm.

I trip getting inside of my own car. I’m probably the only person in the world who hasn’t taken a selfie. And not because I’m against them but because I’ve tried to do them but somehow, in the images, all I can see is a bright flash of light and the tip of my thumb. Also, while growing up, one of my aspirations was to be a rapping psychologist!

Okay, as an interviewer, that’s the most unique aspiration I’ve heard to date! How about your own feelings as a newly published author-did you have cold feet at some point?

I had doubts about whether or not I could even write a paranormal novel but then I asked myself: what kind of story do you want to see? I knew I wanted to write about a main character I could relate to, from my neck of the woods (Southwest Louisiana!) who discovers that there is a bit of magic in the world. So I re-evaluated the The New Mrs. Collins (whole new plot, page one rewrite), set it in a fictional town in Louisiana called “Carolville,” and it was full speed ahead. It took some time, but I’m so glad I didn’t give up on it because writing it proved to me that if you push through fear and doubt, you can accomplish exactly what you put your mind to.

Do you have any advice for new writers that you’d have given yourself on the journey to self-publishing?

My advice is to hone your craft. Do it any way you can and multiple ways. Take classes on writing. Read books on the craft of writing and study the work of writers that you admire. Study, study, study! And also, believe in yourself, even when nobody else does.

And last but not least. Let’s imagine your book was in the works for a movie. Who do you envision playing your main characters?

Love this question! I could totally see Taraji Henson or Jill Scott playing my main character, Leena. And of course, my BFF in my head, Kerry Washington, playing the villain, Adira.

Find The New Mrs. Collins, and more about author Quanie Miller, at: http://www.amazon.com/New-Mrs-Collins-Quanie-Miller/dp/1502489252/ref=sr_1_1?ie=UTF8&qid=1415717314&sr=8-1&keywords=the+new+mrs+collins




Vampire in the Scrying Glass


Vampires, mortals and forbidden love sound juicy when it comes to R.E. Mullins’ delectable yet thrilling series, Blautsaugers of Amber Heights. With her latest debut, Vampire in the Scrying Glass, just released on Halloween, vampire lovers will eat up the action, romance and secrets that abound in this fantasy tale of the living and the undead.

Interviewer: Christy Campbell


Let’s start by telling readers about how your creative journey as a writer first began.

I’ve lived most of my life inside my head. Even as a young child I was always daydreaming and weaving fantasies to entertain myself. I would tell my mother bizarre stories—always with me as the lead doing something outrageous and heroic—as if they’d really happened. In an effort to make sure I understood the difference between fantasy and reality, she’d always bring me back to earth by asking, “Is this something that really happened or something you’d like to have happen?”

I was faced with this wild imagination in my second child. Once he came home from preschool and told me there’d been a fire but he’d put it out using water from a puddle and saved everyone. It was then I understood how my mother must have felt when listening to me.

When I got a little older, I started making up episodes for my favorite TV shows and characters. I think the very first ones were for The Partridge Family and The Mod Squad.

Where did you get the ideas for your novels?

I worked as a phlebotomist for ten years. Consequently, I’ve been called a vampire, bloodsucker, and, my personal favorite, a tick. I’ve heard about every vampire joke ever written and it got me to thinking… What would happen if a phlebotomist was turned into a vampire? That story turned into the first novel I ever wrote called: It’s a Wonderful Undead Life. It’s the story of Cailey Kantor and how she meets the Blautsauger family and gets turned into a vampire.

My second novel: Vampire In The Scrying Glass which came out on Halloween 2014 can be read as a standalone but also deals with the Blautsauger family. It is the romance between Cailey’s friend, Morgan Maguire and the youngest Blautsauger son, Rafe.

Did you start with an outline or simply wing it as you went along?

Ha! I always try to start with some type of outline but it never lasts long. The characters in my head (which I call my voices) are too demanding and obstinate. They go their own way.

Is there a lot of research involved during the writing process?

Yes, I must say research is one of my favorite things to do. I can get lost in researching names, Wiccan philosophy, magical tools, demonology, and poisons. In Vampire in the Scrying Glass, I tried my hand at doing some scientific research while trying to devise the artificial blood formula Michaela and Morgan are working on. Hopefully, it sounds convincing enough—though I’m sure it’ll make a real scientist cringe.

I also do a lot of research on historical timelines and style. Whenever I refer to the one of my vampire’s past, I want to make sure they dress and act accordingly.

Was anyone in your circle of family and friends allowed to read chapters in progress or did you make them wait until the whole thing was done?

Ah, poor Melanie. She was one of my co-workers and I chose her (okay blindsided her) as my very first reader because I thought she’d give me an honest opinion. I was afraid closer friends or family members might be too worried about hurting my feelings. Let me say, Melanie turned out to be a great choice. She was a real trooper, read it all, constantly encouraged me, and corrected a lot of punctuation.

I heard you like to include names with hidden meanings and other trivia in your books?

Yes, I’m guilty of that. I use the term Nosferatu to refer to vampires of European descent and Toltec for the vampires coming out of Mexico and South America. Of course Nosferatu is a 1922 German Expressionist horror film and the Toltecs were a bloodthirsty and warring ancient tribe from central Mexico.

Blautsauger is the Bavarian word for bloodsucker. I named the vampire siblings: Gabe, Michaela, Metta, and Rafe based on the angels of prayer: Gabriel, Michael, Metatron, and Raphael.

Ixchel is the Mayan Moon Goddess, and Eztli gets her name from the Nahuatl dialect word for blood. At the back of Vampire in the Scrying Glass my editor put in a short glossary of how to pronounce several of the names and their meanings.

Since I always like to learn new things when I’m reading, I also try to include something my readers might not know. For instance, the actual name for a blood pressure cuff is a sphygmomanometer.

In Vampire in the Scrying Glass, I also include an account of one of my more disastrous blind dates.

Swapping to the personal side of things, we live in a world where technology is abundant. Readers have become addicted to electronic means so they can devour their favorite books. What is your preference – an old fashioned hardback, paperback or eBooks?

I love books. I like holding them. As my daughter once put it, it’s nice to physically feel and watch as one side of the book decreases and the other side increases as you progress through the chapters. I like the sturdiness of a hardback and the slickness of a paperback. I held out against eBooks and then my children sent me a Kindle for mother’s day… Now it goes with me everywhere. I love how I can adjust the font size when my eyes are tired and how I can carry hundreds of books in one compact package. It makes it ideal for travel and I appreciate how my suitcase no longer weighs a ton with everything I want to read while on vacation.

As an adolescent and teen reader, what were some of your favorite titles and authors that had the most influence on your personal style as a storyteller?

I have always been a voracious reader. Books opened up a whole new world for me starting with See Spot Run. I graduated from Dick and Jane to Dr. Seuss, Little House on the Prairie series, the Boxcar kids, Robinson Crusoe, Swiss Family Robinson, Moby Dick, The Witch of Blackbird Pond, and My Side of the Mountain. I always had a book in my hands. I still do.

I read most of the classics starting in Junior High: The Scarlet Letter, Stoker’s Dracula, Shelley’s Frankenstein, Gone with the Wind, and Hunchback of Notre Dame to name a few. I went through a period where I read every biography I could get my hands on. I loved the ones on Henry the VIII and each of his wives, Gypsy Rose Lee, and Marilyn Monroe. Then I read Harwood’s So Merciful a Queen So Cruel a Woman about Queen Elizabeth the first. I read it right after reading Good Queen Bess by Diane Stanley and Peter Vennema. This was an eye opener for me. One book portrayed the Monarch as all sweetness and light while the other painted a much darker picture of her motives. It was at this time I began to understand that everyone, even our most revered heroes, are flawed. These differing viewpoints presented an uncomfortable and challenging dichotomy for my young mind.

I know I’m forgetting many wonderful of the wonderful books I read during my adolescent and teen years but I’ll stop here. I will say that as an adult I mainly read romances and want my “happily ever after”. These days I rarely read anything too weighty and want my escapism.

Last but not least, give us the scoop on where readers can find out more about you and your series.

Twitter handle: #REMullins

Facebook page: www.facebook.com/…

Goodreads author page: https://www.goodreads.com/REMullins

Go to Goodreads and enter the drawing for a free copy of VAMPIRE IN THE SCRYING GLASS

Buy links:

Amazon link: amzn.to/ZQ8n5Y

Wild Rose Press: http://www.wildrosepublishing.com/maincatalog_v151/index.php?main_page=product_info&cPath=195&products_id=5867

Blog: http://remullins.blogspot.com/