The Fountain

The Fountain

We’ve all heard the joke about the guy who wished for “a million bucks” and awakened the next morning to the sight of a squillion deer grazing on his front lawn. As someone who happily wished her own husband into existence at the magic pool in Bath in 1994, I’m a firm believer in the idea the granters of wishes are a pretty literal bunch; if you don’t frame your desire accurately and precisely, any smidge of ambiguity will be seized upon with gusto. It also goes without saying that teenagers—such as those who populate Suzy Vadori’s debut YA novel, The Fountain—aren’t likely to think through all the ramifications of a wish made hastily in the heat of anger, frustration or disappointment.

Interviewer: Christina Hamlett

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Q: Once upon a long ago time, young adults (previously known as teenagers) could be found with their noses stuck in Nancy Drew and Hardy Boys mysteries, The Hobbit, Phyllis A. Whitney and Mary Stewart. Today they’re more likely to be immersed in the darker fare of vampires, zombies and dystopian societies. What’s your personal take on this shift in themes and will the pendulum ever swing back?

A: Well, there’s a huge gap in reading level between books like Nancy Drew and The Hobbit – and I read both as a youth. This gap leaves young readers in the lurch that are looking for reading that challenges their intellect, yet has age-appropriate content.

I think what the Young Adult (YA) books of the past ten years have done is introduced a whole new set of adult-sized challenges to teens in a way that they can relate to more easily than stories of the past. Today’s YA is written from a teen’s point of view, and allows readers to experience a broad range of emotions that they may or may not have already experienced in their short lives.

The YA genre is definitely here to stay, though I don’t think the theme of the novels is important and will change with the tides of teen whims. Vampires, zombies, dystopian, mermaids and trolls… the characters and settings will change to keep it fresh.

Today’s teens expect more sophistication than the formulaic stories that Nancy Drew and The Hardy Boys afford, but they might not be ready for the beauty of The Hobbit’s prose.

Whatever the subject of today’s YA books, there are certain things present that appeal to teens. And what’s really cool is that a YA novel done well appeals to all ages. These are elements that we all find intriguing.

  • Pace: The pace of today’s YA never lets up. While this may say something about today’s teens and their attention spans, I think it’s exciting that the written word has found a way to compete with, and even mimic the other media that teens have available to them now.
  • Challenge: This is something that both Nancy Drew and The Hobbit got right. Teens need to face adult challenges to capture the imagination of youths, and help them explore challenges beyond their years in a safe setting.
  • Emotion: Books are a safe place to explore new emotions and consequences. This is what drives much of my writing. If you come away feeling something, I’ve succeeded.

Q: What attracted you to writing for the YA market and how does it differ from writing for adults?

A: I’ve been starting novels since I was around 10, and I always wanted to finish one. But writing isn’t just about the process for me. I wanted to write something that would get read – something that would affect people.

I wrote many outlines over the years. But everything I came up with that I thought people would want to read was either drawing on something way too personal, or was a little too racy to fit with my persona as an executive (my day job) and more importantly, my role as a mom.

It wasn’t until YA emerged as a genre on its own that I became inspired to finally pursue writing in a serious way. Young Adult books explore raw emotion at the root of how it’s experienced – in ‘firsts’. First love, first loss, first time for taking major risks. These themes will never go out of fashion, regardless of the setting.

Q: When you were the age of your target readership, what did you want to pursue as a career?

A: My dad offered to buy me the car of my choice if I became a doctor. I found out that orthodontists didn’t need to do residency, so I negotiated the same deal for that, to which he agreed. I’ve always needed a lot of sleep – I knew that I wouldn’t survive working night shifts in a hospital residency.

Later, I found out I could enter the business world with only a 4 year university degree, and that’s what I did, hitting the ground running when I graduated at 21. Even when I could afford the fancy car, I never bought it.

I never looked back, but I continued to write as a hobby. When I took maternity leave with my third child, I finally realized I had the time to make my dream a reality. The Fountain Series was born.

Q: Who or what had the most influence on the choices you made as you segued into adulthood?

A: Am I an adult yet? I suppose I am. There have been many influences in my life, so it’s hard to pick just one. I think the fact that I moved a lot as a kid was the biggest influence. I was often the new kid, and had to make my way in new situations. I know that it shaped me into who I am, and made me ready to face any challenge. It was fun to channel some of that experience into Ava in The Fountain. Ava is the new kid at St. Augustus and has to make new friends and new ways… which makes her vulnerable in ways I think all teens can relate to.

Q: Tell us the inspiration behind The Fountain.

A: The setting for The Fountain was defined when I was a tween. I’d always wanted to write a boarding school novel. I just love the parent-less setting, with dorms and kids being able to sneak around at night unsupervised (disclaimer: I never went to boarding school, but this is the magical setting I’ve always imagined)

The story for The Fountain invaded my imagination when I became a mom. I love my children more than I ever thought was possible, but parenting today is interesting, to say the least. We are raising a generation that has been given every privilege that we parents can afford.

Don’t get me wrong, I’d give anything I could to my kids, but I started to wonder whether that was smart. We think we’re doing the right thing, but are we? What kind of lesson is it to get what we want without having to work for it? And The Fountain was born. A well-intentioned school founder leaves behind a legacy of a fountain that grants students the desire that they wish the most. The Fountain has unlimited power, and has the power to alter anything. What would a world that is designed to help the students actually look like, and what are the consequences?

Q: Do you ever make wishes yourself by tossing a coin into a well or a pool? If so, what’s your best tip for “smart” wishing?

A: Of course. General ones, anyway – ones for well-being of those I love. I’d rather work for the harder things in life than have them happen overnight.

Q: What governed your choice to develop this book as a series versus a stand-alone title?

A: The series format is very popular in Young Adult. No sooner had I released The Fountain than readers were asking for the next installment. I can’t wait to give them more in this world with The West Woods.

Q: Congratulations on The Fountain being nominated for an Aurora Award in 2016. How did this come about and what was your reaction when you received the news?

A: I was actually travelling in China on business when it was announced that The Fountain had been short listed for Best Young Adult Novel with the Prix Auroras. I found out in the wee hours of the morning, and raced outside to the foggy streets to take a selfie with a copy of The Fountain to share with the world. I was amazed that The Fountain got such terrific support from the amazing readers and writers who form the Canadian Science Fiction and Fantasy Association – most of whom aren’t in my demographic, but loved it nonetheless. It was an honor to be shortlisted by such a prestigious group. I hope they love The West Woods just as much.

Q: You teach at schools about themes of friendship, rivalry and love. What is the intersection of these timeless topics with the plot of The Fountain?

A:  Oooo, it’s my favorite to talk about these things. Teens can sometimes experience all three in a short period of time with the same person, and that can be… well, confusing.  Part of what I love most about writing is making readers feel something. And I know I’ve done it right when I get feedback from readers.

I love going to classrooms and teaching kids how to apply the feelings that they experience every day to their stories. Teachers are always amazed at what the kids are able to share through their writing during a session.

Rivalry is the most misunderstood of the three themes, and I think the ones that youth struggle with the most. Some in the book industry will dismiss this as “mean girl” stories, but it’s so much more than that. The story is never about what happens to the characters – it’s about how the characters react to their situation and grow as a result. Resilience is an important theme in many young adult books, and mine are no exception. I love teaching about it because every single class I teach is completely different.

Q: Book 2—The West Woods—will be coming out in September (2017). How and where does it take the students of St. Augustus?

A: The number one question I got from readers of The Fountain was, what is with Courtney? (She’s the girl who makes life impossible for Ava and gets wished away.) And she’s truly awful. But… there’s a really good reason that she was the way she appeared – a magical reason – shaped by her own encounter with the fountain at St. Augustus.

So, I was compelled to write The West Woods – which takes place the year before The Fountain, and is Courtney’s story about how she went from being a regular girl to being, well… the terrible friend readers meet in The Fountain.

It was really fun to vindicate Courtney in The West Woods, presenting a side that readers didn’t get to see of her. With Courtney as the protagonist, it’s easy to see how she made the choices she made when she met Ava.

Of course, it’s also full of the mystery and romance that are the hallmarks of The Fountain Series.

Q: Is it imperative that readers read your books chronologically or is there enough in Book 2 for them to understand the characters and dynamics from Book 1?

A: Both books were written so that they could be read as stand-alone books, and because Book 2 is a prequel, they really could be read in either order. However, Book 3 will pick up where Ava and Ethan left off in Book 1, and bring the whole series together, so it will make more sense if it’s read last.

Q: There’s no question that the publishing industry—like any other industry—has changed to accommodate a fluctuating economy. What has it been like for you to work with a small press?

A: Working with Evil Alter Ego Press has been the best decision I’ve made. Because they are small, they’ve treated The Fountain Series as if it were their own. My editor (based in New York), has challenged me and made the series better than I could have ever done on my own. Because the press is small and growing, I get to be involved in adapting and shaping the press to the changing publishing environment. I also get the chance to use my business and marketing knowledge to full advantage. In a world where self-publish and traditional publishing are changing daily, working with a small press has been a really great experience and I am grateful that they believed in my vision for the series.

Q: What are you doing to market/promote your work, and which strategies have been the most effective for you?

A: Being out in my community has gained so much traction for The Fountain Series. It’s fun, too. I’ve had an amazing 18 months meeting new readers at conferences, young writer’s events, schools and signings. I am so thankful for all the readers who love The Fountain and are waiting for The West Woods to come out.

As The Fountain Series grows, we’re focusing more on growing online reach, in addition to continuing to be active in my community. The response from book bloggers to the series has been really positive, and they are excited to help spread the word about the upcoming launch of The West Woods. I am truly grateful for the work that bloggers and reviewers do. Thank you all so much.

Q: There’s suddenly a knock on the door from Hollywood. Would The Fountain lend itself to a movie or a television series?

A: The Fountain Series would make a terrific movie or TV series and I’m actively looking for a home for it.

The layers of St. Augustus’ magic and the generations of students who have used it to change the world around them provides endless material for an ongoing series. I look forward to see where this leads.

Q: Authors often “cast” their characters in their heads while they’re writing so they can picture them moving through the various scenes. Was this the case with you?

A: Each of my characters is such a blend of complex layers, they’d be impossible to cast to just one person. It definitely keeps me on my toes to keep track of everything that makes them up, but that’s part of the fun.

Q: As an executive, mother of three and a writer, how do you make the time for your craft?

A: I couldn’t do it without the support of my incredible husband and wonderful kids who have all made sacrifices to help me find the time I need to make this dream a reality. I mostly write evenings and early weekend mornings. I carry the stories around in my head while I go about my day to day, so that when I do get those moments to write, everything is fully formed and the words come quickly.

Q: Planner or pantser?

A: Quilter! I start with an outline, but then write in sections as they come to me, and depending on my mood – not necessarily together. Then I take the sections and quilt them back together, creating a wonderful mess that eventually sorts itself into a complex mystery. The operations professional in me knows that this isn’t efficient, but I’m always happy with the result.

Q: You also travel a lot for business and for leisure. How does travel impact your writing and your perspective?

A:  Writing fantasy is centered on building believable worlds. Exploring different countries gives me lots of ideas and inspiration that I draw on. I try to take note whenever I visit somewhere new about the kinds of things I notice first. Are the traffic lights different? Are there people around, or are the streets empty? What sounds are different from North America. Those are things I add to a character’s first experiences somewhere new.

Q: Any new trips on the horizon?

A: We’ve been talking about taking our kids to Europe. They all speak French as well as English, so they’ve been bugging us to take them to France.

Q: Dream destination on your “wish list?”

A: Africa.

Q: You’re on the board for When Words Collide—a festival for readers and writers. What do you think the role of conventions and festivals have for authors and aspiring authors?

A: Writing is largely a solitary profession, but the writing community plays a vital role in supporting and growing writers careers. The publishing industry is changing daily, and collectively, writers who share information and work together to stay ahead of the curve are the ones who are going to make it.

I am so grateful to all the writers I’ve met and everything they’ve shared with me about their own experiences and careers have helped me immeasurably with building my readership. Giving back to the author community in any way I can is an absolute pleasure for me. I particularly love helping new writers get started.

Q: What would readers be the most surprised to learn about you?

A: I think readers would be surprised to know that I love math. I’m an Operations professional in my day job, and while that is very different from writing, my love of math and puzzles helps build tricky, layered mystery within my books.

Q: Oldest, weirdest or most nostalgic thing in your closet?

A: Fuzzy onesie pajamas. Great for when it gets down to -40 degrees Celsius here in Canada, but otherwise way too hot.

Q: Where can readers learn more about you?

A: I’m the only Suzy Vadori on the interweb, so Google away to find out everything you’ve ever wanted to know.

Website: https://suzyvadori.wordpress.com/

Instagram: https://www.instagram.com/suzyvadori/

Facebook: https://www.facebook.com/suzyvadoriauthor/

Twitter: @vadoris

Goodreads: https://www.goodreads.com/book/show/27426598-the-fountain?from_search=true

Book Links:

Amazon.com https://www.amazon.com/Fountain-Suzy-Vadori/dp/0994726643/ref=sr_1_1?ie=UTF8&qid=1497887586&sr=8-1&keywords=vadori

B&N https://www.barnesandnoble.com/w/the-fountain-suzy-vadori/1123014750?ean=9780994726643

iBooks https://itun.es/ca/UWor_.l

kobo https://www.kobo.com/ca/en/ebook/the-fountain-13

Smashwords https://www.smashwords.com/books/view/594225

Q: Anything else you’d like to add?

A: I love hearing from readers, so feel free to drop me a line.

 

 

 

 

A Chat with Sandra Hurst

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One of the ironies of childhood is that our first introduction to reading often comes in the form of fairy tales and myths in which magic, mysticism, fantastical creatures and mysterious realms appear with such frequency as to seem entirely plausible to impressionable young minds. Once we cross the threshold of adolescence, though, there’s no shortage of messaging from parentals and teachers that these make-believe worlds need to be summarily shelved in order to make room for the pursuit of fact-based realities.

Unless, of course, you were born with the imagination of a writer like Sandra Hurst and embrace the elements of YA fantasy—and infinite possibility—with full-fledged gusto. We’re delighted to welcome her to share insights on her new release, Y’Keta.

Interviewer: Christina Hamlett

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Q: Given your childhood years in England and then Canada, would you say that you chose the genre of fantasy or that it, in fact, chose you?

A: What a good question, I’ve never really thought about it. I think I’d have to say that the fantasy genre is something I was drawn to, rather than something I chose because of my surroundings, since my brothers, who grew up in the same environment, have extremely logical minds and aren’t at all prone to what they call ‘fantastical fiction.’

Q: What are some of the favorite titles and authors we might have found on the nightstand of a very young Sandra Hurst?

A: Before Junior High, if you caught me reading at night, which my parents often did, I think that you would have found me huddled under the blankets with The Wind in the Willows, The House on Pooh Corner, or The Sword in the Stone.

Q: How about as a young adult (coincidentally, one of your chosen age groups for the Sky Road fantasy series)?

A: As a young adult, I read anything and everything, I still do. Some of the favourites that I remember from back then are The Mahogany Trinrose (Jacqueline Lichtenberg), Lord of the Rings, (J.R.R. Tolkein), and the Darkover series (Marion Zimmer Bradley).

Q: Like a lot of middle school students, you began your classroom writing career with poetry. How would you define that early style and what were some of the topics you liked to write about?

A: My first poems had lots of ‘Moon and June’ type rhyming patterns. The oldest one that I can remember was about snow coming down like a blanket on the town. Birthdays were always a big poem opportunity for me, I wrote poems in every birthday card!

Q: Is your passion for poetry still as vibrant as ever?

A: Poetry will always be important to me, it’s part of finding my creative space as a writer. There is a chapbook of my poetry in the works, although for right now, the prose has centre stage.

Q: What does writing verse teach you about writing books?

A: I think that poetry teaches prose writers to understand the rhythm and flow of language. One thing that I’ve learned from poetry and applied to my writing is to always read through my draft out loud. If I’m reading through a paragraph and consistently trip at the same place, I know that the rhythm there is off and I need to see if more explanation is needed for that thought, or if I’m overcomplicating the sentence.

Q: What was the inspiration behind Y’Keta?

A: The central question in Y’keta is about identity. Is Y’keta willing to give up his identity to please his father? Is he willing to risk being honest about himself, even though he may lose everything he has grown to love.

The inspiration for this came out of two unconnected events about four years ago, the first was a casual comment made by a relative on the reactions she dealt with when she came out as LGBTQ in the early 80s, the other was a long night sitting beside a campfire in Grande Cache, Alberta watching the Northern Lights dance over the horizon.

Q: One of the things that always fascinates me about fantasy novels and stories set in alternative realms/universes is how their authors come up with the unusual names for their characters, objects and settings. Can you let us in on your own approach to the name game?

A: The language I used for the People borrows liberally from several modern native languages which I have ‘aged’ in different directions to suit the Sky Road.  While I wanted to keep the feel of the original tongues, I tried to avoid having words that were too exact and would tie the story down to one tribe over another. So, for example, the Nehewak (Cree) word for Thunderbird (kitowak) becomes my race the Waki’tani and the Tlingit word for pig becomes a rude nickname that Siann calls her greedy little brother.

Q: What sort of myths are incorporated in the Y’Keta storyline?

A: Y’keta is based on several Indigenous myths from the Cree, Haida Gwaii, and Pacific Northwest areas. Each of these groups have legends about a people called by various names but all adding up to the Thunderbirds. It’s interesting to note that even now, the Nehewak don’t have a word for thunder. They say kâh-kitowak, “the Thunderbird’s call”. I’ve also incorporated parts of a several legends from the southern US to create my bad guys, the Utlaak, these legends feature scaly or serpentine bad guys who come from an underground world.

Q: Which scene was the easiest for you to write?

A: I think the easiest scene in Y’keta was the first one. The characters’ voices were so clear and I could visualize the ceremony where they all became a part of the village and started interacting with each other. The first draft, 15-20 pages, was written all in one shot in the course of an evening, while listening to Loon Echo Lake, on my headphones.

Q: And the hardest?

A: I hate killing people! The scene where one of my main characters is murdered in an Utlaak raid shattered me. I wrote it with tears pouring down my face, then re-wrote it, and re-wrote it, until I felt the hurt as much on the paper as it did inside me.

Q: On Amazon, the title is listed as Volume 1. How many volumes do you have in mind?

A: The Sky Road is planned as a trilogy.

In Book One, Y’keta, A young exile, searches for a place to belong, only to find his new home threatened by secrets from his past. If Y’keta reveals what he knows to the villagers, it will tear their history and traditions apart…but sharing his secrets may be their only hope for survival when the Village comes under attack.

Book two is at the necklace stage, that is the point in my writing process when I have ‘pearls’ written, but desperately need the thread of the story to tie them together. It will focus on the continuing war with the Utlaak and Y’keta’s unsettled relationship with his father.

In book three Siann struggles to accept the power that the Lightning Stones have given her. Power is not always a good thing, and she has some hard choices to make about using or abusing it.

Q: What governed your choice to develop a series versus a stand-alone title?

A: I don’t ever remember thinking ‘Hey! I’ll make a trilogy!’ The storyline just grew into one. I think it’s all D’vhan’s fault, he’s one of the lead male characters. He refused to stay in the background, and before I knew it I had an uprising of characters whose stories deserved to be told.

Q: More and more authors are seeking to control their intellectual property by going the self-publishing route. What have you learned about the challenges of this choice that you didn’t know before you started?

A: What didn’t I know? Is everything a fair answer? My decision to self publish was driven more by a need to put a physical copy of the book in my dad’s hands for his 90th birthday. I think that the learning curve for either type of publishing is terribly steep for someone like me, who knew nothing about the industry. Traditional publishing takes time, patience and a degree of luck to hit the right agent at the right time. Independent publishing takes all of that plus a substantial cash investment in editors, cover artists, printers etc. Social media is also crucial to an indie author, as word of mouth is often the only marketing tool we have access to.

Q: When and where do you feel you are at your most creative?

A: I’m most creative at night, when the whirlwind I call a mind has quieted down for the day. I put some music on and let my world go and step into Y’keta’s world. My family learned early that ‘I’ll be there soon’ really meant “I’ll see you in the morning.” At least 75 percent of the book was written between midnight and 5am. Other great creative places for me are restaurants like Denny’s, or Tim Horton’s. I often go to grab a coffee, plug in my tablet, hide behind my earphones and just blend into the crowds.

Q: Conversely, when does it feel the most challenging or frustrating to work at your craft?

A: Handling my own nature is the hardest part of writing for me. I tend to be very distractible and moderately obsessive. There is always that one more piece of research, a new book to read, and, Oh Look! I got a Facebook mention. My mind will bounce to anything new and shiny and sometimes when it lands on a topic I find it hard to let go and get back to the writing. There is a definite benefit to this type of mind though, once I start writing and the scenes are flying, I will keep going until someone pulls me out.

Q: Best personal cure for writer’s block?

A: I like to shake things up when I’m in a slump or struggling for ideas. I will sometimes take a side character and re-write a scene from their point of view. It helps me see with new eyes and often gives me the next question that I need to ask or the next move I need to make. Another good trick is to pick the one thing that my character would really hate to have happen, and make it so.  Are they afraid of water? Then maybe the boat sinks.

Q: Tell us a little about your family and whether they’re allowed sneak peeks at your work or have to wait like the rest of us until it’s all finished?

A: I live in Calgary, Alberta with my husband and son, both of whom I love dearly, and have put up for sale on e-bay when their behaviour demanded it.  My day to day life is a balance between my outside life as a paralegal counsellor and my inner life as an author/poet. I do try out scenarios and words on my family now and again, especially on my son, who is around the target audience for my books.

Q: What do you do when you’re not writing (i.e., day-job, hobbies, travel)?

A: When I’m not writing or doing double duty as a wife/mother, you can find me working as a paralegal in Calgary. On off days, or holidays we spend a lot of time out in the mountains camping, canoeing and just listening to the quiet. I also enjoy time with the other amazing writers in the Calgary and love going to the write-ins and open mic. events.

Q: What’s something quirky/unique/unusual about you that readers would be the most surprised to know?

A: Ooh, you really want to go there? I think that answer would depend on who you talk to. My son would cringe and point to ‘opera nights,’ evenings when I don’t speak and insist on singing my answers to any questions.  My husband might point to my fits of insomnia and my late-night Facebook addiction. But really! You meet the best people online at 3am.

If there is one thing I would say was unique or quirky about me it would be my breadth of interests, I’m a bit of a Hermione, a collector of odd facts and knowledge about anything from the Kaiju culture of manga Japan, to Shakespeare, to Opera, or the band Nightwish. There isnt much that I won’t listen to, read, learn about and find value in.

Q: Who is your hero and why?

A:I think the common thread in all my heroes, whether real or literary, is that they had the opportunity to quit, every reason to say I’m too old, too tired, it’s just easier to let it be someone else’s problem. This kind of hero, unwilling, often flawed, yet willing to step up, gets me every time. These heroes all have one thing in common. They are people very much like I am, broken and damaged people just trying to do their best with the time they are given.

As far as literary heroes, I love the authors who can make words dance and sentences mean things. This has led me to authors like Guy Gavriel Kay, and Don Dellilo. I would give my left ovary (not so dramatic a thing since at 54 those parts are hardly crucial) to sit down with either of these gentlemen, or even better their writing notes, for an afternoon.

Q: Who’s your favorite character in a book (other than your own)?

A: There is no fair way to give one answer to that question, but one of my favourites is Richard Lamb, from M.K. Wrenn’s sci-fi series The Phoenix Legacy. He is a young intellectual working to prevent the oncoming dark age.

Q: Have your own characters ever surprised you?

A: Constantly! No matter how well I think I know the characters, when I put two or three of them together the dynamics always amaze me.

Q: What’s next on your plate?

A: Next up for me is When Words Collide in Calgary in mid August, then finishing up a romance novella which will be coming out in 2018, then back to Book 2 of the Sky Road.

Q: Where can readers learn more about you?

A:  You can find more about me, or follow me on social meda at all of the links here:

Website:         www.delusionsofliteracy.com

Facebook – @SandraHurst.Author

Twitter –  @_SandraHurst Website:

Amazon Link:  https://www.amazon.com/dp/B01N9V4M8C

Q: Anything else you’d like to add?

A: Christina, Thank you so much for letting me talk to your readers and introducing them to the Sky Road. I’m really enjoying Y’keta’s journey through this ancient land and look forward to meeting your readers as they walk the Road with me.

 

 

 

 

 

 

A Chat with Konn Lavery

mental-damnation-reality-cover

Dark fantasy is a popular genre in today’s YA market, and Canadian author Konn Lavery taps into that enthusiasm with his second edition of Mental Damnation: Reality. The storyline follows a pair of friends—Krista and Darkwing—as they struggle to survive gang violence, a militarized dictatorship, and a fast-spreading disease that is infecting the population. Like many writers who are passionate about their craft, Lavery frequently burns the midnight oil coming up with page-turning plots. By day, he runs his own graphic design and website development business under the title Reveal Design. These skills have been transcribed into the formatting and artwork found within his publications and supporting his fascination for transmedia storytelling.

Interviewer: Christina Hamlett

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Q: Why did you decide to go the self-publishing route?

A: I initially wanted to go through traditional publishing when I was in high school. This would have been back in 2007. At the time I didn’t know anyone in the industry and had no idea how to begin. I had it in my head that if you land that one publishing contract you were set. The publisher would get you an editor, print the books, market it and tour you around the world. The industry doesn’t work that way. Self-publishing also did not seem like an option since I didn’t have any network or an editor to complete my manuscripts.

After some failed submissions I decided to hang up the writing and focus on my postsecondary education. It wasn’t until 2011 when I was teaching at a graphics college when a colleague and good friend of mine asked to read some of my writing (which at the time was unpublished). She happened to be the first person beyond my immediate family who read my work. I gave her a digital copy of the first manuscript of Mental Damnation. Her feedback was very encouraging and she believed I should seriously consider pursuing my writing.

I didn’t want to go through the process of finding a publisher again. Being in the graphic design industry, I now had the knowledge of design fundamentals, book layout, formatting and technicalities to work with a print shop. Self-publishing seemed like a much more plausible option than when I was in high school.

From there I began asking colleagues, friends and searching online about the pros and cons of self-publishing. I took down as many notes as I could and began the process of finding an editor and ultimately releasing my first novel in 2012.

Q: Your latest release is a second edition. Can you elaborate on why Mental Damnation: Reality has a new edition?

A: The first novel I released was Mental Damnation: Reality back in 2012. I had published three more novels after that, one being unrelated to the Mental Damnation series. In the fall of 2016 I returned to the series to finish the story. To do this, I had to brush up on the first novel and become absorbed in the fantasy world once again.

After reading the first edition of Reality, I identified clichés, narration and a stylistic approach that could be improved upon. It had been about five years since the initial release and you can learn a lot in-between that time. My writing has evolved and it read as if it were written by another author.

It had been two years since the release of the third book in the series and I realized that it was an opportunity to start from ground zero and improve the overall story. I compiled a list of feedback I had received over the years from readers who commented on ways to improve the book and applied it to the second edition of the novel.

Q: Will the rest of the series have second editions as well?

A: Yes, the other two novels currently in the series will have second editions. A lot has been adjusted in the new Mental Damnation: Reality and these changes will be seen in Dream and Fusion. Some of these include the lore, character and creature descriptions. I will also be adding new chapters into these novels much like with the new Reality to further expand on the storyline.

Q: How many books are planned for the series?

A: Now that I have re-visited the story, I have the endgame in mind. While I have been re-writing book one, two and three, I am including additional chapters that will help tie together the whole story together.

There will be a fourth and final book in the series that provides a conclusion to Krista’s storyline and a number of subplots that have been introduced to the readers.

Q: Where did the idea for the Mental Damnation series come from?

A: The original storyline for Mental Damnation was written in high school; the concept has evolved drastically over time. It has adapted creatures and characters from earlier manuscripts.

The premise came to me in 2007 while in math class. I was supposed to be doing my homework but instead, I was drawing. The sketch was of a reptilian girl – Krista – who was clutching her head and split between two worlds. On one side it was a forest and on the other was a hellish landscape with demons and fleshy monsters.

The sketch inspired me to come up with a name for the piece and a backstory. I had played with a number of titles such as “Mind’s Hell” or “Mental Fire” but settled on “Mental Damnation” for the biblical reference.

From there, I drafted the first manuscript which differs greatly from the novel you see today. A lot of it has been altered during the editing phases in 2011 and late 2016. This has been a crucial part of my growing process as a writer and am quite pleased to have gone through it.

Q: Will you be writing more books related to Mental Damnation?

A: In the future yes. I have always had the idea that every book I write is part of the same universe. Very similar to how Stephen King’s novels relate to the Dark Tower. As for spinoff novels or more dark fantasy pieces, I do plan to write more related to Mental Damnation.

Fantasy is a big interest of mine – I used to play a lot of role-playing games as a kid – and I do have story outlines for future novels related very closely to the timeline and characters of Mental Damnation.

Q: You also illustrate all of the artwork found in the book, what made you want to do this?

A: By trade I am a graphic designer and web developer and I have also been drawing for as long as I have been writing. After sketching the initial drawing of Krista split between two worlds, I felt that the visual portion of Mental Damnation played an important role to help set the tone of the story. It also provides extra content for fans to enjoy.

The visuals have also seen an evolution over the years. The drawings I did in high school were more detailed and more illustrative. Now they pull a lot more graphical influences with icons, glyphs and patterns. The abstract approach towards the illustrations helps keep the details in the imagination of the reader.

Surprising to me, the addition of illustrations has led to some fan art over the years. It has been very inspiring to see that my work has encouraged people to draw.

Q: You wrote another novel last year in the strange fiction genre. Tell us about it.

A: Back in 2014 I had released Dream and Fusion, two novels found in the Mental Damnation series. I had been engrossed in the dark fantasy world for a number of years and wanted to take a break from it. This opened the doors to explore a new writing style and genre. I was able to take everything I was familiar with and do the opposite of that and grow as a writer.

In 2015 I participated in the NaNoWriMo (National Novel Writing Month) and wrote the first manuscript for the novel Seed Me. At the time it was called Amensalism but it didn’t fit the mood of the book. Writing Seed Me allowed me to explore a first-person, past-tense narration, something I had never done before.

It was a good experiment and helped broaden my writing ability. I was able to do a lot of research into the history of Alberta, Canada and study what makes a good horror. This research led me to H.P. Lovecraft’s theory of playing off of the unknown which became a major part of the novel.

Q: With Seed Me you introduced a score to accompany the book. Why?

A: I am a huge fan of transmedia storytelling. As seen in the Mental Damnation series, there are a lot of visual bonuses such as a glyph system, illustrations and a map. With Seed Me, I wanted to experiment with new writing and new bonus material.

The score accompanying a book has been done in the past and is a very good idea to create a mood for the readers. While writing Seed Me I listened to a lot of dark ambient, witch house and down tempo music. I also had been writing my own music and knew a number of musicians within these genres.

In the spirit of experimentation that I had for Seed Me, I thought I could take it one step further and include a musical component to the story compiled by various musicians.

Q: What else will you be writing in the near future?

A: I have several story outlines on the go. One being the fourth and final novel in the Mental Damnation series, one being a splatter punk novel and another is a thriller.

In the immediate future, the second edition of Mental Damnation: Dream will be out in the fall of 2017. The second edition of Mental Damnation: Fusion will be out early 2018. The thriller novel I am working on will also be out for 2018.

Q: Any final thoughts you would like to share with our readers?

A: If you are interested in writing or are writing, keep doing it. It is the only way to improve. As mentioned above, I’ve gone forwards and backwards with my writing to really improve on the storytelling and craft.

Don’t be afraid to try new things with your writing and push yourself out of your comfort zone. This is where you’ll really discover what you are capable of.

A Chat With Adam Dreece

Adam steampunked - Forest

Best-selling, multi-published author of some very cutting edge YA, steampunk, and fantasy novels, Adam Dreece is out to do more than just entertain readers. His public speaking engagements span the gamut of everything from how to give a good book signing, to stepping outside your comfort zone, to how to deal with dyslexia—something Adam knows a thing or two about. Read on to learn more about this talented writer and his work.

Interviewer: Debbie A. McClure

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Q: What inspired you to hang up your software career and launch your indie author life, Adam?

A: My first two books were doing well and then my software contract ended as oil prices really started to take a dive. Living in Calgary, the heart of oil country in Canada, my phone didn’t ring with opportunities for the first time since the dot com bubble burst back in 1999. My wife, who was also a software architect but had been at home with our third kid, started looking for a job as well. As soon as she locked in a good contract, she turned to me and said she wanted me to focus on my books because they were achieving good momentum. We both knew that financially things could shift at any moment, requiring me to get a job as well. My author career was our start-up company and I wasn’t going to squander a second I had. Now I’ve got my 8th and 9th books coming out since I started in 2014.

Q: When you put out your first book, Along Came a Wolf, did you know this was going to be a series?

A: I wondered, I hoped, but I didn’t know. I’d never written a book before and I had no idea if anyone would like Along Came a Wolf, other than my daughter. I wondered if maybe the best thing to do would be to write something else completely. Then I started to get some ideas, and passionate feedback started to float in. Before I knew it, I was a third of the way through writing Breadcrumb Trail, the second book of The Yellow Hoods. That was when I knew this was going to be a series.

Q: How did you come up with the idea of fusing steampunk and fairy tales together?

A: When my first son (my middle child) was six months old, he was a really fussy sleeper. I’d walk around with him, as heavy as he was. One day, I started singing The Muffin Man to him. Because he would take a long time to fall asleep, I started adding to it. Every night since, and now with two sons, I sing The Muffin Man to them.

I started writing Along Came a Wolf when my daughter was nine and my elder son was two. I was inspired by the fairytale song Ring-Around-The-Rosie, and how that was a rhyme that spoke to the black plague (ignoring historical accuracy arguments for the keeners). Could I use the opposite idea for fairytales and nursery rhymes? Could I take the simple rhymes and stories we knew and create something substantial out of them, without making the books an official re-telling? Take Rub-a-dub-dub and deconstruct that to being about a secret society named the Tub, led of course by a butcher, baker, and a candlestick maker.

With the fairytale approach set, I really got into the story. Then I arrived at a fight scene where I had Tee, who was twelve, staring down the barrel of a full grown man. I needed her to win the fight, but I had a dilemma; how? Do I use magic? That felt like a cheat, and honestly I wanted to keep my distance from Harry Potter. Do I leave it as realistic? That would definitely be a hard sell. So then I mused about the idea of inventions, and thus steampunk became the vehicle of choice. I already had Nikolas Klaus, Tee’s grandfather, mentioned as a brilliant inventor in his twilight years, so I had an “in” I could use without reworking the story. It came out perfectly.

Q: Did you have the entire five book series planned out, or did that come about after the release of the first book?

A: As Book 2, Breadcrumb Trail, took shape, I saw how Book 3, 4 and possibly 5 would work. There was a story about change, power, and revolutionary times going on, and the main characters would be very much transformed by it. As I wrote book 4, I had an idea for books 6, 7, 8, and possibly up to 10, but it would be a different story arc and I wasn’t as convinced that those were needed. I’ll give a bit more detail on this a little later.

Q: When did you know where The Day the Sky Fell was going?

A: As soon as my editor sent it back to me. He he—no. When Book 2 ended, I knew the heart of what was going to happen at the end of the arc. It was during Book 4 that I saw I would definitely need one more book to finish the current story arc, but I wasn’t sure exactly where it was going to land.

I’d written the first four books of The Yellow Hoods in the span of two years, with a novelette in that world during that time as well (called Snappy and Dashing). I’d pushed myself so far, and carried the responsibility of being a stay-at-home dad for my three kids, resulting in a depression. I knew if I tried to tackle Book 5 (which didn’t have a confirmed title) I was just playing around with The Day the Sky Fell as a possible title. I knew at that point I’d never be happy with the way the story out if I stopped then. Over the next year everything came together and I found my excitement again. I went back through the other four books and found all the hints I’d left for myself as to how I’d thought Book 5 could come together, and wow, did it ever come together. I think it’s hands down, the best of the series.

Q: Last year you branched out and became a multi-genre author, stepping into sci-fi with The Man of Cloud 9 and into science fantasy with The Wizard Killer. Why take that step before finishing The Yellow Hoods, and what were the dangers and benefits of doing so?

A: Getting Book 4 of The Yellow Hoods, Beauties of the Beast, took everything out of me. In all honesty, I fumbled the launch, but it was there and my fans got something to enjoy that was well regarded as a solid addition to the series.

I knew I couldn’t just stop writing until I felt better, because I don’t work that way. I was on a roll, I needed to keep going, I just had to change things up to allow myself to breath. That was when a friend of mine asked if I was interested in writing a short story for her anthology. I walked around with the idea for a couple of days, and connected it with a piece of a story I’d had in mind for years. I sat down and wrote it. It was about two thousand words too long, which would have been okay, but it felt very much like the real story was only beginning. I decided to change things up, abandon the idea of a short story, and really allow this sci-fi story to blossom.

As The Man of Cloud 9 came together, I felt restricted. There were no battle scenes. Instead, there were corporate board rooms. I felt out of balance, and so I started writing The Wizard Killer – Season One. When I was done with both of them, I felt that I had shared with the world the other two key sides of me as an author, and I felt a lot better. I’d also proven to myself that I wasn’t a “steampunk/fairytale only” author, but an author who was able to bring new and exciting worlds to life that were vivid and immersive.

There were several dangers in doing this, however. The first is; what happens to your existing fan base? Having delivered four and a half books in two years, they were giving me some grace. Putting out The Wizard Killer, a high action story with a world that’s been compared to Stephen King’s Gunslinger, and then following it with The Man of Cloud 9, which is a more cerebral, character driven, techno-thriller, was tactically questionable though. Some of my fans loved one and when they read the other, felt their brain broke. I got a lot of complements about having range, but some folks were jumping from my adrenaline junkie post-apocalyptic fantasy world into a totally different side of me.

At first I wasn’t sure this wasn’t the wisest thing to have done, but I came to see that I’d really opened myself up to a wider range of readers, and more importantly, my younger readers who were maturing made it really clear that they loved the new stuff and my range. It was like I was offering them something new and older, with a hint of what they’d discovered in The Yellow Hoods. As for the adults, this allowed me to draw in different audiences who had no real interest in my other works.

Q: Is The Day the Sky Fell the end of your Yellow Hoods world, and if so, why end it now?

A: Book 5 – The Day the Sky Fell is indeed the end of The Yellow Hoods series, however, it isn’t the end of the Yellow Hoods. I realized as I wrote Book 5 that the original story arc had run its course. I had ideas for a story arc to cover Books 6-7, and a few other ideas to bring it up to 10, but it felt forced.

The main characters had been through a lot in a relatively short period of time (about 2 years) from Book 1 to the end of Book 5. In my mind, they deserved a rest. Adding more on top would forfeit some of the realism and intensity that was at the heart of the entire series. I thought pushing it would make it almost comical in a bad way. Another aspect that I considered was that my character gallery had grown significantly, with fans requesting spin-off stories about Bakon and Egelina-Marie, about Christina and Mounira, and others.

The plan I came up with when I was writing Book 2 wasn’t just for a series for 4-5 books, but rather it was to have a sequel series that takes place five to ten years later, allowing us to see where Tee, Elly, Richy, and the others ended up. Actually, I’d love to one day have a third series that would see Tee being a mother, and thus the series would come full circle. We’ll see if I ever get there.

I’ve now given a name to that next series, The Mark of the Yellow Hoods. My hope is to start writing that series in 2019. Between now and then I have a few spin-off novellas and a spin-off series that I’m hoping to bring out. This approach will allow me to shake things up, change the pattern and cast that’s involved, as well as visit other parts of their world.

Q: Why did you opt to go the self-publishing route?

A: About six months before I started writing my first book I turned the radio on and found myself in the middle of an interview with ‘marketing guru’ Seth Godin. He said (paraphrased) “If I had a book ready today, there’s no way I would go with a traditional publisher if I was an entrepreneur and willing to learn from a few mistakes” That thought stuck in my head.

When I started looking into publishing, I was finding people waiting years before getting any reader/fan feedback. That was a purgatory that I didn’t want. Every day I had stabbing pain from my chronic abdominal scar tissue issues, and felt like I was carrying a lead-vest because of my severe asthma. I wasn’t going to wait years. I was willing to work hard enough, run fast enough, to outpace my mistakes.

Coming from the software side, I really did think of myself as a start-up. I had an idea; I was going to take it directly to market. I wasn’t going to ask permission or try to fit within someone else’s portfolio and align to their timing. Instead, I would start things off. If one day I got ‘acquired’, i.e. a big publisher wanted to take over one of my series, or wanted to offer me a deal, I would have experience and a following to bring to the table. Actually, a few weeks ago I started talking with a publisher about bringing out a spin-off series of The Yellow Hoods.

I refer to myself as an indie author, rather than as a self-published author. The reason being that I do everything that a publisher does, from having my works professionally edited and covered, to handling the marketing and getting out there to push it, as well as handling distribution and direct bookstore relationships. I have both an online and in-print strategy that I continue to build in. In every way I can, I’m emulating classic indie bands who went from unknown to hitting it big. Will I hit it big? I have no idea. Will I be “pure” indie the entire time? I doubt it. There are strategic advantages for the additional reach of traditional publishers, and possibly divesting myself of some responsibilities that take away from my writing.

So in brief? I went indie because there is no greater motivator than a stabbing pain in your abdomen. If I was going to fail, then it was going to be entirely on me. But I didn’t.

Q: You’ve said that giving back is important to you. How and why is this a part of your author career?

A: I believe strongly in becoming the mentor you wished you’d found. In my software career I kept hoping to find someone who would see me and go, “Ah, you remind me of me. Come on, I’ll give you a boost.” As time went by, I decided I wouldn’t waste my time always looking for them and instead I would become that type of mentor for others.

I brought that same thinking to my life as an author, except even more so. As I started to have some success, I shared what I knew with others. I’d make time to give feedback on stories, and so on. I carved out a portion of every week to do that. I find doing this keeps me grounded and connected with people, as well as appreciating what I’ve done rather than only focusing on what I haven’t done yet.

This past week, for example, I had coffee with two other authors. In one case, he’d gone down the traditional road, had an agent, and after years, found himself with a lot of compliments about his work but no one willing to take the plunge. He felt like he’d wasted so much time and wanted to know about being an indie. After two hours, he had several pages of notes and a plan of action. The second person I met with was about the same age (late 50s, early 60s) and had a book ready to go. They already had an established audience because of other work that they’d been doing, and wanted to know things from another side. I was happy to share with them.

Some authors I’ve met are very secretive and competitive. They want to know everything about what you are doing, how much you’re paying for your books, etc., but won’t share a single thing of value back. That’s a shame. We’re a community that’s far stronger together, and our real competition are video games and non-books, not each other (not really).

I believe if I’m able to share something that helps someone become the next J.K. Rowling, then fantastic, but do I want to succeed at someone’s expense? No. There are some people who are leeches, and you’ve always got to be careful of them. Those are the ones who will actively try to push you out of whatever limelight you share. I’ve had this happen to me a few times, and though it makes me wary of who I share stuff with, it doesn’t stop me.

Q: What have you learned about yourself since beginning this journey into writing and publishing?

A: More than anything else, I’ve learned to have faith in the storyteller that I am. There are real people out there who love what I write and how I write. There’s something magical about being at my table at a convention and within 15 minutes of the door opening, someone who has driven several hours to get there, runs right up to my booth wanting whatever new book I have available. That excitement, that joy, I had a part in that. It’s unbelievable.

Q: What is the most surprising thing you’ve learned about the business of writing and publishing?

A: On the publishing front, it’s about the amount of lead time you need to give yourself and the capital (money) involved, particularly if you’re carrying inventory. Being prolific comes with a cost.

On the writing front, it’s about how much words that come out of my head can mean to someone else. I’ve had a cancer survivor tell me how it helped get them through chemo, a man tell me how it helped him as his mother passed, and more. Those experiences also bring with them a sense of responsibility to keep going, to add more good into the world.

Q: One of your challenges that you talk about openly is being dyslexic. How has this affected you, because having written nine books in three years, it’s clearly not slowing you down?

A: On the plus side of being dyslexic, my imagination is very visual, 3D. It’s like I’m walking around in a movie scene, able to rewind, replay, alter, and replay. Often I feel like my writing is just the transcribing of the movie I’m privileged to have in my head.

The downside is obvious, in terms of words tripping me up. I accepted that my writing was going to be very far from perfect, but I adapted my process for getting it ready for release. That means when I’m done my draft, I go through it from start to finish at least three times in order to clean it up. Then it goes to my beta readers, some of whom can’t help themselves and do some grammar and word-substitution corrections. After going through those proposed changes and incorporating them, it goes to my editor for the first round. She goes through it, sends it back to me, I incorporate her changes, and then send it back to her for another round. After that’s done, then I have one to three  proofreaders go through it to catch as many of the tiny errors that managed to sneak through as possible. THEN I declare it done.

As a software architect, I learned that my dyslexia was a net-advantage for me. At first, I thought everyone could take a concept and create a machine in their head that mapped to it, and then walk around the machine, identifying problems or weak points, and bring it up.

I used to cringe when I’d hear “You have to read tons to be a writer.” I can’t read quickly at all, and while I read a lot of news, I don’t read many books. I’ve come to believe that this is really the heart of what it means to be a writer; we need to be absorbing new experiences, moments, and thoughts. I get that from conversations, movies, TV, and other sources. Maybe that’s why my characters feel so real, I don’t know.

Q: When talking about being a dyslexic author, what is the message you want to convey?

A: The advantage I, and perhaps other dyslexics have is that my highly visual imagination greatly outweighs tripping on words. Be willing to make a mess, because a mess that’s written is better than perfection locked in the prison of your mind. Also, with that mess, clean it up as best you can, and then have others clean it up more.

Q: What’s next for you, Adam?

A: Less than three weeks after The Day the Sky Fell releases, The Wizard Killer – Season Two releases. I’ve just sent the first draft of a non-fiction book to a friend of mine, which I hope to bring out by August. This will then be followed by my first installment in a new fantasy, space opera series called Tilruna.

As an ambitious madman who believes in making use of every moment that isn’t invested in my family, I’m hoping to bring a Yellow Hoods world story out in April 2018, along with The Wizard Killer – Season Three, and that fall, Tilruna – Season Two. InApril 2019? Well, keep your eyes peeled, because you might see the first book in that Yellow Hoods spin-off series published by someone else, bringing together Dreece versions of tales like The Pied Piper and Little Match Girl.

Ambitious? Absolutely. Crazy? Yeah, especially when you consider there are a few short stories in there and growing the distribution side of my publishing business. Still, at the end of the day, I love what I do, and I’m spending far more time with my family that I ever did when working in software.

The Day The Sky Fell

Mini-blurb: The Day the Sky Fell brings a dramatic conclusion to the steampunk meets fairytale saga, with airship battles and betrayals at every level.

You can find/connect with Adam here:

Blog – AdamDreece.com

Facebook http://facebook.com/AdamDreeceAuthor

Instagram – http://instagram.com/AdamDreece

 

 

Ghost Maven

 

Ghost Maven cover

Author, television producer, award winning documentary film maker, and world traveller, Tony Lee Moral, has just completed work on his second published novel, Ghost Maven, and has generously offered to share a bit of insider scoop on his new book, what drives and motivates him, and what he has planned next. Despite an increasingly busy work life, as with everything Tony takes on, he remains focused and grounded while enjoying the creative journey he rides with each new project and challenge. Welcome Tony!

Interviewer: Debbie A. McClure
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Q: Your work spans several genres, including documentary film-making with your own production company, journalistic interviews with celebrities, and author of several books. Is there a common thread or arc in each of these endeavours? If so, what would that be?

A: Story! Story! Story! Whether it’s making a documentary film, writing a novel, or interviewing your subjects for a non-fiction book, each has the common thread of having a good story at the core. If I have something compelling to say, I will write, direct, produce, or find an outlet to tell my story.

Q: Your latest project, Ghost Maven, is a YA novel, which is quite a departure from your previous books on Alfred Hitchcock and murder mysteries. Can you share a little about this story to whet a young reader’s appetite?

A: In Ghost Maven, I blend mystery, with suspense and the supernatural. The central character, Alice Parker, moves to Monterey, California, with her father and little sister after her mother dies. Whilst kayaking in the bay, she paddles towards a mysterious island, but capsizes and is drowning when a young man, Henry Raphael, magically appears, delivering her safely to the beach. Against all rules, they begin seeing each other. It’s a love story with a twist.

Q: Why YA at this point in your career?

A: I’m inspired to write different genres, and as a compulsive communicator, I wanted to reach out to as many different readers of all ages as possible. The Young Adult readership is especially appealing to me, as I read many books in my teens and can identify with the hopes, fears and aspirations of being a teenager. It can be a very uncertain time for many teens, but I hope they identify with the characters in the book and want to share the journey with them.

Q: Have you ever encountered a ghost or spirit form in your personal life or travels? If so, what happened? If not, do you believe in ghosts?

A: I haven’t experienced ghosts or spirit forms, but I have had some intuitive dreams. Like Alice, I have experienced personal loss, and I use those feelings to create an atmosphere of reaching to the after life. I do believe that some things can’t be explained and science is still trying to unlock the answers.

Q: What surprising correlations or similarities have you discovered between film-making and writing?

A: Good storytelling is at the heart of both film-making and writing, whether it be shaping well-developed characters, creating emotional arcs and creating compelling situations. A good film or book takes the viewer or reader on a journey of discovery, enlightenment, or good old-fashioned entertainment.

Q: What dissimilarities have you discovered between film-making and writing?

A: With film-making, one should think in visuals, rather than relying on words or dialogue. You have a rectangle to fill with a succession of images to create an emotional response. Hitchcock said he wasn’t interested in photographs of people talking in his films, so I try to rely on visuals to tell my story when directing. In fact, I often think my novels are more like screenplays as I’m always thinking of the mise-en-scène, where the characters are, how they are dressed or what expressions they have on their faces. The advantage of writing is that you can really get inside your characters’ minds, what they are thinking and feeling, which you can’t quite do in a documentary film.

Q: What would you say fuels your imagination in writing?

A: Definitely travel – I’m lucky to travel with my day job as a film-maker, and I have been to some extraordinary places and have had access to some incredible situations and people. I’m like a sponge, absorbing human behaviour and thinking of how I can translate stories to the page or screen.

Q: How long does it take you to write a novel from first draft to final edit?

A: It depends on the publishing process. I first wrote Ghost Maven in 2010, so six years later it is being published. The last 18 months has been especially productive, as the novel was honed through various drafts, and I had some wonderful input from agents and copy editors.

Q: You are represented by a literary agency, Loiacono Literary Agency, in an age when many writers are choosing to self-publish. What has been your experience in working with an agent?

A: One of support and encouragement, which is invaluable as writing can be a very lonely process. The great screenwriter Jay Presson Allen, who I interviewed, described writing as a “divorcement from life”, which I can totally identify with. But having an agent is having someone to share the rewards and accomplishments with. What’s the point of being successful, if you have no one to share that success with?:

Q: Can you tell us a little about your production company, Sabana Films, and what you are trying to accomplish with your films?

A: I won the Special Jury award last year at the Jackson Hole Wildlife Film Festival, which was an incredible, inspiring moment, and has reignited my love for natural history. I’ve started filming a documentary movie which I’m very passionate about called ‘The Cat that Changed America’. It’s about P22, the mountain lion who is trapped in Griffith Park in LA, and the wonderful conservationists and Angelenos who are trying to help him.

Q: If you could sit down and spend an evening chatting with three people, dead or alive, who would they be, and why?

A: Alfred Hitchcock, because I’ve written three books on the Master of Suspense, and currently writing a fourth on his reputation. His films have inspired me and are text book examples of film making and screenplay writing.

F. Scott Fitzgerald, as he is my favourite author, his prose is elegant, simple and elegiac. I love The Great Gatsby, the world Fitzgerald lived through and created, and the characters who populate that world.

Winston Churchill, because he epitomizes everything great about being British, what I love about England, and the country where I was born. His stoicism and heroism is something to be admired.

Q: What’s next for you, Tony?

A: I’m looking forward to my book tour for Ghost Maven. On Labour Day weekend, Saturday 3rd September 2016, at 2 p.m., I will be in the Old Capitol Books store in Monterey, California, signing copies of the book. It’s very special to me to launch the book in the place where the novel is set and where I lived for two inspirational years.
Q Where can our readers find you online?

http://www.ghostmaven.com
http://www.tonyleemoral.com
http://www.alfredhitchcockbooks.com
http://www.thecatthatchangedamerica.com
http://www.sabanafilms.com

https://www.facebook.com/tonyleemoralfans/

 

The White Horseman

Graydoncover

Ancient artifacts, mad sorcerers and the prophecy of a human child makes for an intriguing, compelling fantasy tale in J.S. Graydon’s first published novel The White Horseman. Saving the world is no easy feat for one human child amidst a war of destruction when one powerful messenger is summoned by the enemy: The Horseman, who will bring forth a message of apocalyptic warnings: the world of humanity will end. With the right combination of magic, wizardry and action packed adventure, Graydon’s debut will surely be a treat to readers of all ages.

Interviewer: Christy Campbell

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Tell us about J.S. Graydon, fantasy young adult author.

I am originally from England. I was raised in a very little village. The same one that is in the book! I had a wonderful childhood there. In the countryside people really do still believe in magical creatures. I truly believed that there were fairies that lived at the bottom of our garden. We had a true white witch that lived less than a mile from us! When you are brought up with such colorful people, it is hard to contain your imagination! I have since moved to southwest Florida which is a fantastic place to live. When I’m not writing, I love to travel.

Tell us about the premise behind your debut novel, The White Horseman.

Good question! The book is about a young boy that gets a chance of a lifetime to join in an adventure that will ultimately save the world. A sorcerer, determined to obtain his place within the immortal realm has begun a chain of events that if not stopped, will bring about the very End of Days itself! His spell would unleash the first of the horseman of the apocalypse: The White Horseman.

The young boy is drawn into situations of magical manipulations and of enchanted forests that are not rooted in place. He encounters wondrous creatures drawn from the myths and legends of ancient lore such as centaurs, hobgoblins, elves, and celestial beings that intervene to try to stop an ancient evil from rising again.

But while the good try to repair the damage before it’s too late, there are others that plot to sabotage. Not all those that appear to help the boy are truly what they seem. There are creatures that would love nothing but for the plan to fail. Suspicion runs rampant as it becomes clear that there is a traitor amongst them. They can only hope that they can stop the one person that stands between salvation and hell’s gates before it is too late.

How long have you been writing fiction?

I’ve been writing most of my life. I have tons of unfinished manuscripts and plays that got started but never finished! This story came to me in a dream and it was important to finish it.

What makes your book unique from other fantasy adventures on the bookshelves today?

It’s unique because there are many other programs and television shows that are on the same page (no pun intended) as this novel. For example, the television show Constantine portrays a battle with demons and angels. This is also true within my book. There are celestial forces at play in The White Horseman that will keep you guessing until the end of book! Another example would be Sleepy Hollow: This show follows more closely the ideas that The White Horseman creates. The young man, Ben, is thrust into a magical journey to stop the horseman of the apocalypse from returning to earth.

The plots and subplots also make it unique. I just love weaving ideas around each other. There is more than one story being told within the pages of The White Horseman. The characters are complex and each brings to the table a strong personality.

Tell us about the main characters in the book.

Absolutely! Ben is the main character – he is the one that crashes through the protective barrier that hides the guardian world. A prophecy picks Ben to lead a group of local characters in an effort to stop the evil wizard that plans on ruling both worlds. His mentor is Gerhardt – an ancient sorcerer whose knowledge will help guide him on his quest. He is accompanied by some very colorful characters: An elf, a Scotsman, a centaur and a hobgoblin. He also has the unpleasant task of working with a Contrary – a person cursed to live his life backwardly. Not all are as helpful as they could be. Some are not his friends at all but plan to sabotage Ben’s efforts at any cost!

Some of the conflicts in the storyline appear to be ripped from the headlines. Can you elaborate on why you chose to go that route?

Yes that is true. Though this is not a religious book by any stretch of the imagination, it does touch upon problems and issues that the world is having right now. Problems within economies and religion do play into this story as a back drop. The fictional events in the novel play into a version of what people consider being the End of Days. I just took the story a little further and asked myself “what if there was a realm aside from our own that guarded us from this misfortune?”

Did you simply wing it when it came to penning the story or did you work from an outline?

Great question! I had a general idea of what needed to be written but it was mostly written free style. I had started the story years ago, writing on ledger books – I had tons of them. Eventually I had the task of transferring the written word into a computer. That took some time! The second half of the book was written directly on the computer which definitely sped up the thinking process. Now that the characters are fully formed I plan on using an outline for the second book in the series called the Red Horseman.

What was the most challenging aspect of writing your first book?

Probably it was finishing it! I started writing it many years ago but didn’t have the discipline to finish the novel. There was a two year gap between the first half of the book and the second portion. When I picked up the book the second time around I enjoyed the characters so much that I knew that I needed to knuckle down and finish it!

Also, originally I would go back and re-read the chapter in an effort to ‘fine tune’ it. This led to me slowing down and feeling that the chapter was stale. The second time around I just barreled forward and ironed out the small details much later. This allowed me to work quicker and keep the story fresh in my mind.

Which character did you find the most difficult to portray?

The most challenging character was writing in the Contrary. The Contrary is a person born of both the human world and the world of Wode Uplands. It is a highly unusual aberration. Because the Contrary is born of both worlds he is cursed to forever live his life backwards. I must say that trying to clearly write about a man that must live his life in reverse was difficult at best but he is a very important piece in the puzzle between the two worlds. The Contrary in essence becomes like a bridge that can see into both realms. His place in the book is a vital one.

Are you an avid reader of any particular genres/titles?

Yes, yes, yes! I love to read. I will read anything. Cereal boxes, ingredient lists, magazines, books, you name it! I caught the reading bug very early in life and I believe I’ve read hundreds of books. I love young adult and fantasy books, but I relish a good mystery or thriller too! Imagination is such a wonderful tool that the mind has. Mine works on overtime. In all the hundreds of stories I’ve read or written my mind conjures up new environments and colorful scenery each time.

Tell us what’s in store for fans of J.S. Graydon?

I plan to continue writing. The White Horseman is the first in a series of five books. I have already started work on the second book, The Red Horseman. I would love to get everyone’s thoughts and reviews on the book. I’m sure that it will help guide the next books on their way!

Where can readers learn more about you and purchase The White Horseman?

The book is available for purchase immediately. I am currently on Amazon.com: http://www.amazon.com/White-Horseman-J-S-Graydon-ebook/dp/B00OD00U76/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=8-1&qid=1415595865

and Goodreads.com: https://www.goodreads.com/book/show/23324262-the-white-horseman

I also have a new website: http://www.jsgraydon.com/. It has just opened but I plan on using it as tool to connect with my readers. I am thrilled to start this new chapter (pun intended) of my life and to be able to share it with others.

 

Porcelain Keys

Sarah_Beard

Over the course of the last year and a half, I have read more books than I had read in my previous years combined, and among those stories, I have my favorites. Sarah Beard’s debut novel, Porcelain Keys, is one of them.

Sarah put a lot of her own heart into her words, and though it took her five years to get the story to where she wanted it to be, the perseverance seems worth it. I was captured from the first sentence and the rhythm swept me up to the last page. Visit Sarah at http://sarahbeard.com.

Interviewer: Joanna Celeste

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Q: Porcelain Keys centers around Aria, a gifted pianist. As a music aficionado, was the process of writing fiction much like that of composing?

A: Since music is mostly a hobby for me, I generally don’t put too much thought into my piano compositions—I just sort of let my heart lead the way. Whatever I’m feeling or thinking about comes out as music. Once I get a melody down, I’ll usually add some depth to the piece, but for the most part they’re just simple, heartfelt compositions.

I guess the first drafts of my books are that way, too. I just write what I feel without thinking too much about whether or not it’s going to work. Then once I have the story down, I go back and analyze it to death. I tear it apart and rework it over and over until I get everything just right—plot, characterization, pacing, setting, dialog, conflict, tension, etc. Each element has to be considered separately, then together as a whole.

A book could be compared to a symphony or concerto. You have all the different instruments playing different parts, serving different purposes, and when all put together you have something grand and beautiful. I don’t compose musical concertos, just little solo piano pieces, so it’s simple and easy. My books, on the other hand, are literary concertos. If one instrument (pacing, plot, etc.) is out of tune, it sours the entire work. Only when all the instruments work together and complement each other can a literary concerto become a moving masterpiece.

Q: Yes, it’s an intense process with editing being the primary focus. Throughout thefiveyear journey of writing your novel, what are some key moments or pieces of advice that strengthened you to keep moving forward?

A: There were countless times I wanted to give up during the writing of this book. Like when my critique partners would point out plot problems that seemed too big to fix, or when I couldn’t pin down a character’s motivations. I would go home feeling discouraged and would want to scrap the whole thing. But a woman in my writers group, Shauna Dansie, once gave me a great tip. She suggested that when I come across a story problem that seems impossible to fix, that I should write it down on a little piece of paper and set it aside somewhere safe, then continue working on other parts of the story. The theory is that you know in the back of your mind that there is that big problem that needs to be fixed, but you don’t have to worry about it because you have it written down somewhere. So your subconscious does all the work. And one day as you’re folding laundry, the solution just pops into your head. Or you wake up in the middle of the night, and you know why your character did that stupid thing. It worked every time.

Another piece of advice that stuck with me was one I received at a writing conference. I was sitting across the table from a literary agent at dinner (great opportunity—or so you would think) and I told her a little about my book and asked her which genre it would be—YA or women’s fiction—since the story begins when my character is 17 and ends when she is 19. New Adult was not yet an official category, so she basically told me that no publisher would ever pick up my book because there wasn’t a market for it. My shoulders must have visibly slumped because author Stephanie Fowers, who was sitting next to me, leaned over and said something like, “Don’t worry, Sarah. Just write the story you want to tell and don’t try to fit into anyone’s definition of what makes a marketable book.” I took her advice to heart and stopped worrying about trends and categories, and just wrote what I wanted to.

Q: That’s brilliant advice, since we can’t really help but write the story that is there to be told. Without being outwardly religious, there is a certain quiet weave of spirituality in your writing. Life seems to hold its own essential divinity, as you would have experienced in giving birth, surviving cancer, and living in general – but did you seek to share a particular message, or was the writing organic?

A: When I first started writing Porcelain Keys, I didn’t set out to share a specific message or lesson, I just wanted to write a great love story. But I think on an unconscious level some of the lessons I’ve learned in my own life seeped into the story. I’ve learned from experience that it’s possible for people to change and overcome character flaws, and that damaged relationships can be repaired. I also know that grief can cause people to do things they wouldn’t otherwise do. So as I wrote the story and my characters did certain things, I used my own life lessons as a reference to help me decide whether or not their actions were realistic and believable. It wasn’t until after I finished writing the story and had to start describing it in query letters that I really thought about what messages it contained.

Q: That’s awesome. On your blog you shared the inspiration of Porcelain Keys but we didn’t read the particulars of the scene that germinated your book. If you remember, please share it with us.

A: Yes, I remember the exact details of the scene. In fact, I still have it saved in a first draft (it’s horribly written, by the way). I didn’t share it on my blog because my story changed over time and the scene ended up having no relevance to the story. But it was a scene where Aria comes home from college for summer break, and she is going through a box of memorabilia when she discovers a necklace that Thomas gave her before he left town. She is surprised to see it because she thought she had gotten rid of it, and it brings back all the memories of their time together and the painful events surrounding his disappearance. This is the scene that sparked all of the questions that led me to my story. I had to know who these people were, why Thomas had left, and why he hadn’t returned as promised. For me, it was like an intriguing mystery that needed to be solved. And as I discovered the answers to these questions, I fell in love with the characters and knew that I had to tell their story.

Q: Thank you for sharing that. This is perhaps like asking you to name your favorite child, but do you have a favorite scene from your book? One that, no matter how many times you read it, resonates with you?

A: This is a tough one to answer without giving away too much of the story, but one of my favorite scenes is in chapter nineteen when an unexpected visitor walks into the parlor. My heart swells every time I read it, even though I’ve read it five million times. I also love the scene where Thomas gives Aria a painting—it always brings tears to my eyes because I know how much it means to her. The hardest scene to write was in chapter twenty-two where Aria and Thomas have a long talk—I must have rewritten it at least a dozen times—but it turned out to be one of my favorites.

Q: I loved those scenes, too. That seems to be the hardest part of being a writer, or any artist—knowing when to step away from the story and let it out into the world. Porcelain Keys is published by Sweet Water, an imprint of Cedar Fort. You mentioned that they have been wonderful to work with – what have been some of your adventures in publishing?

A: I haven’t had too many adventures in publishing since this is my first novel, but I did spend about seven months querying literary agents before being accepted for publication by Cedar Fort. During that time I sent out a total of 45 query letters, and got a few bites, including a 2000-word email from an agent listing all the things she loved about my manuscript—and all the things she wanted me to change. I was on an airplane when I got her email, ready for takeoff, and I only got the gist of it before I had to turn off my phone. I spent the four-hour flight wanting to die, and then give up writing, and then die again. It’s the worst feeling, spending hundreds or even thousands of hours on a manuscript, only to have someone tear it apart and tell you all the things you should change.

But when I got home and got a good night’s rest, I opened the email and read it more thoroughly. I realized that she actually really liked my book and had a lot of great suggestions—which was a good sign. Literary agents don’t usually give that much feedback unless they’re really interested in your manuscript. So I took most of her suggestions and implemented them. But there was one big change that I didn’t agree with and felt would make my entire story collapse. Because of this, I didn’t feel she was the right agent for me. So I kept sending out query letters to other agents. Around this time, a friend lent me a book that was published by Cedar Fort, and I really loved it, so I decided to send my manuscript to Cedar Fort. And two months later I got an email from their acquisitions editor saying they wanted to publish it—just the way it was.

Q: Congratulations! You also mentioned that you look forward to a long working relationship with Sweet Water. Do you have a second book planned?

A: I’m working on another young adult romance right now. I don’t want to say too much about it, but it’s set on a California beach and involves chocolate, surfing, and supernatural elements. I also have detailed outlines for two more after that, both young adult romances.

Q: That is wonderful! What will you take from this launch, to utilize in your next release?

A: I’ve learned that when it comes to getting the initial word out about a book, bloggers and book reviewers are a writer’s best friends! Also, it’s pointless to stress about things that aren’t in your control, like which bookstores will pick up your book, or whether or not reviewers like your book. Stress kills creativity, so I’m learning to stop hovering and instead get back to what I can control: writing more books!

Q: Good plan! What, if any, is/are your life motto(s)?

A: I don’t really have a life motto, but there are things I try to remember everyday: That life is short and that I should make the most of each moment. That worldly success is enjoyable, but can’t bring lasting happiness. Only my relationship with God and my family can do that. They are the constant in the ups and downs of life. They will be there when fans and literary agents and publishers are not. So God and family always come first, because to lose my relationship with them would be to lose everything.