Shadows of the Keeper

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Coffee’s her vice, historical romances her weakness, and marriage to her boss’s son is but a month away – normal, everyday stuff, for a normal, everyday Texan gal. Except there’s hardly anything ‘normal’ about Emily Garrison. Little does Emily know, she’s the long awaited High Queen of a kingdom in a parallel universe . . . and the soul mate to Hades’ son, Prince Dezenial of the Lumynari. To start the new year, we’re chatting with Karey Brown, author of Shadows of the Keeper.

Interviewer: Christy Campbell

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Aside from general plot, our characters are at the head of the class, pulling the reader into the story. What was the biggest challenge of developing your main characters?

Writing two different books until it felt right—until the main characters were in their correct roles. For example, in the first telling, I have Emily and Broc getting married; having them basically picking up where they left off 3,600 years earlier. Prince Dezenial was going to be the ‘bad guy’.

This kept me up for too many nights. When I changed the entire story, THIS time, the too-many-nights-up was because I couldn’t stop writing! It was as if I couldn’t type fast enough, their story flashing in my mind like a movie. The biggest challenge was convincing myself that it was okay to let go of the first story version, and rewrite all of it, no matter how long the blasted thing took!

In deciding on your characters’ backgrounds, how did you come up with your characters’ names?

Emily has been with me for years and years. Her story has always just kind of been there—a woman who is reincarnated over the ages, having lived several lives. I also subscribe to the whole soul mate thing—when we come around a corner, see someone, and have that weird déjà vu moment, is it really that we’ve seen that person before, or is that our soul instantly recognizes their soul as having been meaningful to us in a previous life? What if the love was so profound, no matter how many lifetimes they’re born into, they keep finding each other? Now consider, what if one of them was immortal? How would he/she know that the other existed again? Broc has been with me about as long as Emily, and though I tried to have them be the two ‘connected’ souls, it never felt right. After writing the first version, I realized why: they were together in a previous life, but it was never meant to be, though it will scar Broc for a very long time, and leave Emily with an anger towards him that she doesn’t understand—not at first.

Dezenial’s name, however, was a bloody nightmare to come up with. Nothing fit his persona, so, for a long time, I used XXX as a placeholder. A name generator finally helped, and taking the part of one name and adding it to another, I came up with Dezenial. It was so perfect, and so weird how the two parts connected, I stared at the monitor for a long time, wondering if I was tapping into some otherworldly event, or was I really making this story up?

Reignsfeugh and Inzyr’s names took playing with sounds and spelling. For the rest of the cast—and there are many—I hunted through Celtic/Gaelic names and their meanings. Again, they had to fit the character.

Do you have a favorite character?

I like the complication of Inzyr. The assassin’s story begs to be told, but it isn’t quite the right time yet. I keep trying to set him up with a love interest, but have had to accept there existed only one true love for him—something never suffered by Shadow Masters. They’re not interested in the emotional commitment; never succumb to the weakness.

Amidst the huge birth of a young adult craze, the competition is tough. What made you choose this particular genre?

As much as I LOVED Judy Bloom’s storytelling when I was a kid, I don’t possess the knack for writing YA. Historical romances, mythology, and paranormal grabbed hold of me, and never let go. I create fairytales, mythologies, languages, realms, and beings. Tossed into this mix are everyday normal people finding themselves connected to these otherwise unknown realms/parallel universes, and how their lives change; how they cope with discovering mythology/fantasy is fact.

Was there a particular scene that was the most difficult for you to write?

When Peter assaults Emily. It forced me to relive a personal experience involving violence. There aren’t exactly shelters for battered women in the year 1214 A.D. Also, when we suffer something so overwhelming, some of us are lucky enough to have a ‘hero’ rescue us, put us back on our feet, and send us back into the world of the living. I wanted this for Emily, but I didn’t want the rescue to be her ‘happily-ever-after’. The scene and the outcome needed to be both realistic, and show relationship-complication, regardless how much one person loves another. The answer isn’t always obvious to the two people caught up in a blossoming fondness.

Sometimes, things are running along smoothly and suddenly we might step back and re-think an entire chapter, even an ending. What there an unexpected decision you made about the plot?

There’s a particular plot that left me crying and incredibly sad for so many days, I realized I had to do SOMETHING to free myself of this funk. That’s when I realized said plot needed to end differently—and, WOW, did it change the entire story!! It was also a way to avoid seeking professional help—which would have probably resulted in my having been committed, since this sorrow was for an imaginary character. I can just see it now, sobbing, ‘But, he died…as in, d-e-a-d!’ *sob, sob, sob* Oh yeah, straightjackets would have been my permanent attire. Not a good look.

What atmosphere do you find to be the most productive, yet relaxing to keep those pages going?

A small dining room converted into an office and closed off from the rest of the house with an odd entry off the kitchen creates my ‘secret’ room. In here, I’m surrounded by hundreds of books lining dark wood bookcases. Tapestries depicting medieval scenes hang above my L-shaped desk, and covering the floor are rugs I acquired in Turkey. Low-lit lamps complete the Old World ambiance, while, in the background, BrunuhVille plays on the Bose.

What surprised you the most about the novel writing process along with self-publishing?

How much ‘self-published’ is such a dirty word. It’s like we’re the pariahs of the publishing/writing world. If our work isn’t published by a ‘real’ publisher, somehow, we’re hacks. You won’t find silicone between my pages. No fake ta-tas here. I DID submit my manuscript to several agents. And, bless their hearts, even though they rejected Shadows of the Keeper, they still took the time to write a quick sentence or two, on their form letters, that my writing was very good, I excelled at storytelling, but the overall story just wasn’t for them, or didn’t quite fit what they were looking for—to keep writing/submitting. Some even offered a reference to another agent that they thought might be interested in my type of work. When an agent/editor takes time from their crazy schedule, and the thousands of manuscripts being submitted, to write a personal blurb of encouragement, that’s HUGE! I was not, however, willing for Shadows to sit somewhere and collect dust. I just had this feeling about this particular story—that it had to be told.

Is there an author, past or present, who served as your inspiration?

Laurie McBain, who wrote Moonstruck Madness (1977), was my first historical romance. I began reading historicals with the same appetite I now have for cheesecake—get your eyes off my hips. Just because I don’t LOOK like a starving artist doesn’t mean I’m not hungry. Last Christmas, I discovered a hardcover copy of Moonstruck Madness. It now rests on my ‘treasures’ shelf.

What is the best piece of advice you’ve taken to heart when it comes to being an author?

Study your craft. FINISH what you start. Enjoy the journey. Dedicate yourself to the journey. And then, study it more. Feeeel what you’re writing, don’t just type words.

Lastly, can you provide any links that feature Shadows of the Keeper?

Amazon: http://goo.gl/R9M70N

iTunes/iBook: http://goo.gl/2mDvgu

Barnes & Noble—Nook: http://goo.gl/9VPjS5

Kobo books: http://goo.gl/H1F1JM

Scribd.com: http://goo.gl/yiETG6

Inktera.com: http://goo.gl/OJsxCe

 

 

Haylee and the Traveler’s Stone

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What a pleasure it has been to interview and get to know Lisa Marie Redfern, author of the Haylee etrilogy and Haylee and the Traveler’s Stone (print book soon to be released). Not only is she a wonderful writer, but her talent doesn’t stop there. As an accomplished artist, photographer, and business woman, Lisa stretches the boundaries of her art and her way with words/imagery, enticing followers to dip their toes into the rippling waters of imagination.

Interviewer: Debbie McClure

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Q: Books, movies and even television shows these days are delivering a steady stream of plots that involve the undead, the unreal, and the wickedly supernatural. In your opinion, what accounts for society’s longstanding fascination with characters that are not completely human?

A: A cultural theme occurs when lots of people have similar ideas and begin exploring it in depth. We take our collective temperature with questions such as; What are we afraid of? What defines us as human? How far can we stretch our imagination? What does it mean to be ‘different? How would it feel to be powerful and untouchable? I think the dark nefarious vampires, zombies, and wickedly supernatural characters that are popular today are reflections of our attitudes and worries about the cultural and economic conditions that we live in.

Q: Tell us how you came up with your title.

A: Hyale is a daughter of the Greek gods Oceanus and Tethys. The character Haylee, and the book title, is roughly based on this name…with a modern twist.

Q: Alfred Hitchcock was a master at making cameo appearances in all of his movies. Does Lisa Redfern employ any signature tricks or insider jokes that we should know about?

A: Absolutely! Although I won’t reveal them all—I will say that many of the animal names were family pets. The Rattler/Lovey storyline was based on a rescue dog named Bandit. He lived up to his name. Once it was changed to Happy, he was much easier to live with. Lovey was one of our pet cats.

Q: Tell us about your female protagonist, and the passions that drive her thoughts and actions.

A: Haylee has spent most of her childhood living with a wounded parent—she takes on responsibilities beyond most children her age. She attempts to stay out-of-sight and out-of-mind as much as possible, has an affinity for animals, and possesses a quick mind; she aspires to become a veterinarian. But things don’t go according to plan. When it becomes clear that her strange condition poses a threat to her loved ones, she drops everything to figure out how to stop it. Along her adventurous journey, we see a maturing inner resolve, self-direction, and a belief that something good can be born from facing a problem head-on.

Q: In Haylee and the Traveler’s Stone, Haylee is transported to the turbulent backdrop of the San Francisco Gold Rush in 1849. During this time in California history, the population was dominated by young male adventurers who came from all over the world. Why did this specific era personally resonate with you?

A: I feel connected to this time period because it is woven into the historical fabric of where I live—in the heart of Gold Country. I wanted to develop a deeper understanding about what life was really like by bringing alive the sights, sounds, smells, and textures of that time. In my research, I discovered fun and quirky facts that may not have made their way into commonly read history books.

Q: What do you hope this book will accomplish?

A: My goal is to suck the reader into a vortex of altered time where his/her own life fades out for a while as Haylee’s story takes center stage. Isn’t that the ultimate definition of a good book—to entertain? Along with entertainment, I included those quirky facts (mentioned in the question above), because I want the readers to have something memorable to keep. If Haylee readers (who visit San Francisco) are able to see the city in a new way, I will be thrilled!

Q: Have your characters ever done anything that surprised you?

A: I usually arrive at my keyboard with an outline and longish, handwritten essays that fill in sections of the outline. Days of thought and nights of dreams have gone by as I’ve worked out the complexities of what I plan to write. It is a surprise when I’m typing away and a character goes in another direction…or says something unexpected. They are usually right, but we have to argue about it for a little while before I relent. When I describe it that way, it sounds psychotic doesn’t it?

Q: The publishing industry continues to reinvent itself. The combined effects of downsizing at traditional publishers and the desire by authors to have more control over their intellectual property and pricing structure has led to an escalation in self-publishing endeavors. What are your thoughts on this issue, particularly the debate as to whether a self-published title is as “real” as one produced through traditional channels?

A: Every work published is real. It is meaningful to the person who wrote it, so it can’t be anything else. Prior to 2010, when iPads and e-readers hit the market en mass, publishing houses set the quality standards for reading material before it was released to the public. The flood of independent authors who are self-publishing has changed those standards.

As a consumer, I appreciate knowing that the book I am about to read has a reasonable chance of being good—in subject matter, clean page design, and very little grammatical or spelling errors. When you buy something that has been self-published, quality levels can be hit or miss.

As an artist and independent author, I love having the ability to self-publish. For the very first time in my work life I’m unencumbered and free to create my vision from start to finish. The creation process itself is highly satisfying. I place a great value on producing work that is ‘as good as’ anything that a publishing house would turn out. Fortunately, I have developed the skills to do most of it myself, but I also invest in areas where I need help—editing and some design assistance. There is something ironic about putting so much effort into a product that sells for .99¢, $3.00, or even $5.00. Like those adventuring pioneers who braved the treacherous seas and overland treks with the hope of finding gold, we authors are gambling that more than a few readers will push that shiny, rounded-rectangle button marked ‘buy.’

Q: In addition to being an author, you are also an artist and photographer with a busy home life. How do you find time to write?

A: Good organization is a must. I use a Google calendar synced with my smart phone. Sometimes other jobs have to go to the top of the ‘to do’ list. I get as much done as I can when my son is in school. I enter into my most efficient writing zone after everyone has gone to sleep and the phone isn’t ringing. I try very hard to remind myself to go to bed before it gets too late…

Q: Lisa, you are incredibly multi-talented, and your website, book trailer are amazing. What advice would you give to new writers/artists regarding building a social media or networking platform?

A: 1. Realize that platform building and gaining followers is something that takes time. It starts small and slowly increases over time.

  1. Once you start participating in social media, know that you’ve created a ‘living’ thing that needs to be fed on a regular basis.
  2. Start slow. Choose one or two sites that you think that you might enjoy. Stick with them until you are comfortable before moving on to more.

My social media ‘ah ha’ moment came with Pinterest. Because I am visual by nature and I enjoy organizing data, this was a perfect social site to start with.

Q: As an artist and writer, you are clearly an inspiration to others, but who inspires you? Have you benefited from the wisdom and/or counsel of a mentor? If so, who and why?

A: Inspiration comes from everywhere. To quote Christina Hamlett’s book Screenwriting for Teens, “Log into life. No password required.” Also, my artist friends inspire me when we spend time together setting up art shows, getting our hands dirty, or just sharing and talking about our work.

For authors, I follow the big guys—Stephen King, Dean Koontz, Douglas Preston, Lincoln Child, Barbara Kingsolver, and Jean Auel for starters. I also follow some of the rising independent author stars—Hugh Howey, Guy Kawasaki, Rysa Walker, and Chuck Wendig. I like studying how they present themselves online, how they interact with their fans, what kinds of stories they are writing next, and what rights they are selling.

My son has a big imagination; he and I have many humorous, “What if …” conversations. Being out in nature, photographing interesting animals, random conversations, seeing something online that grabs my attention, or even just being alone and quiet, are all areas of inspiration.

Q: You’re obviously drawn to the metaphysical and otherworldly in many aspects of your creativity and writing, sometimes blurring the lines between the real and fantastical. What is it that draws you in, or inspires you?

A: Underlying everything is the hope and faith that we are much more than just our physical existence. I think all life is connected, and should be respected and honoured as the incredible gift it is. The real magic in this world is love and our relationships with the people, animals and living things around us. That is what I always attempt to express in both my art and in my words.

Q: A lot of new writers think all they have to do is write a good story and their job is done, but today’s writers are expected to do so much more, whether self or traditionally published. What advice would you give to new writers just starting out on this very long journey?

A: I think that is an urban myth. How did that one ever get started? When I worked as a book publicist, I dreaded the inevitable moment when the author bubble would burst. Once it popped, fairy dust and glitter never spewed out and sprinkled to the ground.

My advice to authors just starting out is similar to the advice you gave in your interview for In the Spirit of Love. Always conduct yourself professionally online. Stick to it – give writing a permanent place at your table – live your life – do what you need to do…and then go back and write some more. Once you have a few books out there for sale, add to your regular routine time to feed the marketing machine.

Q: Many writers and artists struggle with following their creative path vs making a (normal) living, and being accepted in a world that often can’t understand what drives the creative mind. Have you struggled with this, and if so, how do you attempt to overcome it?

A: Oh yes! More than a few times, I’ve wondered if I was adopted. Most everyone in my family is an engineer, accountant, scientist, lawyer, or a business person. Conventional social norms hold the greatest respect for professions with the highest pay scales. If pay scales were based on job satisfaction, artists and writers would be where the venture capitalists and technology moguls are now. I don’t worry about people accepting me. I am who I am, I do what I do, and I am very happy about that.

Q: Where can readers discover more about you and your books online?

Author reads sample chapter Audible.com Lisa’s art portfolio & online store Art and Words Blog Google+ Goodreads Twitter reddit Redfern Writing Facebook Page Join Lisa’s author e-mail list

Lisa: Thank you for the opportunity to participate in a You Read It Here First interview. I enjoyed responding to your thoughtful questions. Additionally, it was a pleasure to become acquainted with you and Christina and your work.

 

 

 

 

The White Horseman

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Ancient artifacts, mad sorcerers and the prophecy of a human child makes for an intriguing, compelling fantasy tale in J.S. Graydon’s first published novel The White Horseman. Saving the world is no easy feat for one human child amidst a war of destruction when one powerful messenger is summoned by the enemy: The Horseman, who will bring forth a message of apocalyptic warnings: the world of humanity will end. With the right combination of magic, wizardry and action packed adventure, Graydon’s debut will surely be a treat to readers of all ages.

Interviewer: Christy Campbell

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Tell us about J.S. Graydon, fantasy young adult author.

I am originally from England. I was raised in a very little village. The same one that is in the book! I had a wonderful childhood there. In the countryside people really do still believe in magical creatures. I truly believed that there were fairies that lived at the bottom of our garden. We had a true white witch that lived less than a mile from us! When you are brought up with such colorful people, it is hard to contain your imagination! I have since moved to southwest Florida which is a fantastic place to live. When I’m not writing, I love to travel.

Tell us about the premise behind your debut novel, The White Horseman.

Good question! The book is about a young boy that gets a chance of a lifetime to join in an adventure that will ultimately save the world. A sorcerer, determined to obtain his place within the immortal realm has begun a chain of events that if not stopped, will bring about the very End of Days itself! His spell would unleash the first of the horseman of the apocalypse: The White Horseman.

The young boy is drawn into situations of magical manipulations and of enchanted forests that are not rooted in place. He encounters wondrous creatures drawn from the myths and legends of ancient lore such as centaurs, hobgoblins, elves, and celestial beings that intervene to try to stop an ancient evil from rising again.

But while the good try to repair the damage before it’s too late, there are others that plot to sabotage. Not all those that appear to help the boy are truly what they seem. There are creatures that would love nothing but for the plan to fail. Suspicion runs rampant as it becomes clear that there is a traitor amongst them. They can only hope that they can stop the one person that stands between salvation and hell’s gates before it is too late.

How long have you been writing fiction?

I’ve been writing most of my life. I have tons of unfinished manuscripts and plays that got started but never finished! This story came to me in a dream and it was important to finish it.

What makes your book unique from other fantasy adventures on the bookshelves today?

It’s unique because there are many other programs and television shows that are on the same page (no pun intended) as this novel. For example, the television show Constantine portrays a battle with demons and angels. This is also true within my book. There are celestial forces at play in The White Horseman that will keep you guessing until the end of book! Another example would be Sleepy Hollow: This show follows more closely the ideas that The White Horseman creates. The young man, Ben, is thrust into a magical journey to stop the horseman of the apocalypse from returning to earth.

The plots and subplots also make it unique. I just love weaving ideas around each other. There is more than one story being told within the pages of The White Horseman. The characters are complex and each brings to the table a strong personality.

Tell us about the main characters in the book.

Absolutely! Ben is the main character – he is the one that crashes through the protective barrier that hides the guardian world. A prophecy picks Ben to lead a group of local characters in an effort to stop the evil wizard that plans on ruling both worlds. His mentor is Gerhardt – an ancient sorcerer whose knowledge will help guide him on his quest. He is accompanied by some very colorful characters: An elf, a Scotsman, a centaur and a hobgoblin. He also has the unpleasant task of working with a Contrary – a person cursed to live his life backwardly. Not all are as helpful as they could be. Some are not his friends at all but plan to sabotage Ben’s efforts at any cost!

Some of the conflicts in the storyline appear to be ripped from the headlines. Can you elaborate on why you chose to go that route?

Yes that is true. Though this is not a religious book by any stretch of the imagination, it does touch upon problems and issues that the world is having right now. Problems within economies and religion do play into this story as a back drop. The fictional events in the novel play into a version of what people consider being the End of Days. I just took the story a little further and asked myself “what if there was a realm aside from our own that guarded us from this misfortune?”

Did you simply wing it when it came to penning the story or did you work from an outline?

Great question! I had a general idea of what needed to be written but it was mostly written free style. I had started the story years ago, writing on ledger books – I had tons of them. Eventually I had the task of transferring the written word into a computer. That took some time! The second half of the book was written directly on the computer which definitely sped up the thinking process. Now that the characters are fully formed I plan on using an outline for the second book in the series called the Red Horseman.

What was the most challenging aspect of writing your first book?

Probably it was finishing it! I started writing it many years ago but didn’t have the discipline to finish the novel. There was a two year gap between the first half of the book and the second portion. When I picked up the book the second time around I enjoyed the characters so much that I knew that I needed to knuckle down and finish it!

Also, originally I would go back and re-read the chapter in an effort to ‘fine tune’ it. This led to me slowing down and feeling that the chapter was stale. The second time around I just barreled forward and ironed out the small details much later. This allowed me to work quicker and keep the story fresh in my mind.

Which character did you find the most difficult to portray?

The most challenging character was writing in the Contrary. The Contrary is a person born of both the human world and the world of Wode Uplands. It is a highly unusual aberration. Because the Contrary is born of both worlds he is cursed to forever live his life backwards. I must say that trying to clearly write about a man that must live his life in reverse was difficult at best but he is a very important piece in the puzzle between the two worlds. The Contrary in essence becomes like a bridge that can see into both realms. His place in the book is a vital one.

Are you an avid reader of any particular genres/titles?

Yes, yes, yes! I love to read. I will read anything. Cereal boxes, ingredient lists, magazines, books, you name it! I caught the reading bug very early in life and I believe I’ve read hundreds of books. I love young adult and fantasy books, but I relish a good mystery or thriller too! Imagination is such a wonderful tool that the mind has. Mine works on overtime. In all the hundreds of stories I’ve read or written my mind conjures up new environments and colorful scenery each time.

Tell us what’s in store for fans of J.S. Graydon?

I plan to continue writing. The White Horseman is the first in a series of five books. I have already started work on the second book, The Red Horseman. I would love to get everyone’s thoughts and reviews on the book. I’m sure that it will help guide the next books on their way!

Where can readers learn more about you and purchase The White Horseman?

The book is available for purchase immediately. I am currently on Amazon.com: http://www.amazon.com/White-Horseman-J-S-Graydon-ebook/dp/B00OD00U76/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=8-1&qid=1415595865

and Goodreads.com: https://www.goodreads.com/book/show/23324262-the-white-horseman

I also have a new website: http://www.jsgraydon.com/. It has just opened but I plan on using it as tool to connect with my readers. I am thrilled to start this new chapter (pun intended) of my life and to be able to share it with others.

 

A Conversation with Anthony St. Clair

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It was Marcel Proust who once said, “The Real voyage of discovery consists not in seeking new landscapes but in having new eyes.” It’s a fact of life that nonwriters could travel to the most exotic corners of the world and still be puzzled about where inspiration comes from. On the flip side, real writers can walk to the neighborhood market on any given day and come home eager to jot down a conversation overheard in the cookie aisle or an amusing exchange witnessed in the parking lot. Author Anthony St. Clair not only has a lot of globetrotting in his background but also possesses the wordsmith-worthy trait of always keeping his eyes open and forever pondering creative possibilities.

Interview: Christy Campbell

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From 1998-­2000 you lived and traveled abroad in Scotland and Ireland, and since then you’ve traveled extensively. How have your world travels influenced your life and writing?

Indie world travel changed my life. When I was 20 I lived abroad in Edinburgh, Scotland, as part of a student exchange during my senior year of college. It was my first time staying in hostels, the dorm-style cheap accommodation favored by backpackers; I’d never even heard of hostels before. It was also my first time seeing people who traveled the world, sometimes after high school or college, sometimes for vacation, sometimes as a lifestyle.

It completely changed the course of my life. I spent the next year between Scotland and Ireland before moving from Edinburgh to Eugene, Oregon. Since then I have also gone to places like India, Thailand, Tibet, and Australia. My wife and I went to Canada for our honeymoon, and in 2013 we took our son, then 15 months old, to Japan. We gave him a passport for his first birthday.

When it came time to figure out the stories I needed to tell, things began taking shape when I knew the stories would revolve around travel. But when I understood that travel was just a means to an end, that’s when my fiction really started coming together.

At heart, my writing is about inspiring people to live the world. If in some small way my stories help anyone find the courage and grit to do what excites them, but that they haven’t done yet, then every word I write is worthwhile.

You’ve released two novellas so far in your Rucksack Universe series. What’s next?

Forever the Road, the first novel-length work in the Rucksack Universe series, comes out later this year. Right now the manuscript is with my copy editor, and my designer is working on the cover.

This book is a tale of travel, destiny, and beer. Three travelers in India battle their hearts and their destinies as an awakened evil prepares to destroy all life. Set in the fictional city of Agamuskara—which means “smiling fire” in Hindi—the book tells us more of the story of Jay the traveler, Faddah Rucksack (the world’s only Himalayan-Irish sage), and the mysterious more-than-a-bartender Jade Agamuskara Bluegold.

Forever the Road takes our world to a pivotal moment of destruction or renewal. Yet at its heart, the story is about connection: our longing to connect with others, and what happens when we don’t.

In one form or another, I’ve been working on this story since 2003. One day on my way to the office, I had an idea that made me pull over and write it down (I couldn’t care less that it made me late to work). I am so excited to share Forever the Road with readers. It sets the tone for many tales to come.

What makes Rucksack Universe different from other fantasy series?

I call the Rucksack Universe “travel fantasy.” Travel fantasy revolves around indie travel—not the book-a-cruise kind, but the kind where you backpack Asia for a year, live in another country, ride the same buses the locals do, or have been so many places you have to get more pages added to your passport. There’s often a large backpack involved, and dorm-style rooms in hostels where you can meet people from all over the world. There’s street food, friends you haven’t met yet, and a world where you treasure everything you experience, if only because you know there is so much more in the world than you can ever, ever know.

These stories are all about people who don’t have roots, gave up their roots, or had to go somewhere else to put down roots. These folks aren’t tethered to where they came from but seek fuller lives elsewhere. They’re vagabonds, globetrotters. The world is home and home is the road.

While the Rucksack Universe has fantastical elements, it is also very much a similar version of our world, changed by a catastrophic event known as The Blast. The world has gods, powerful forces, not-exactly-human figures, and, of course, destiny-slinging bartenders. The fantastical is interwoven with the ordinary, yet the extranormal elements also happen on an unseen level, unknown and unobserved by most people. The characters and the reader get to scratch back the skin shrouding these things, and go on an adventure with the hidden world happening unnoticed all around.

You also write a lot about craft beer and homebrew, and the beers in your stories almost seem like characters in their own right. Why is beer important in your stories?

As the old saying goes, “write what you know”! As a homebrewer and craft beer writer, beer is a passion—all the easier in a state like Oregon, where Eugene alone has 11 breweries. But what really makes beer so important in my stories is that if beer didn’t exist, travelers would have to invent it.

Everywhere I’ve traveled so far, there’s nothing like a cold one (or warm one, depending on the country) to bring people together. Beer is important in my stories because it’s a common beverage in many societies, and especially among backpackers. Pretty much every country has some sort of beer culture. From my own past, many of my favorite times involve a malty beverage or two or, well, it gets a bit blurry after that. I’m a cheap date.

The main beer in the Rucksack Universe is Galway Pradesh Stout, or GPS. It has nothing whatsoever in common with Guinness. (No, really. Ahem.) GPS is the most popular, most widely drunk beer in the world, even in hot countries like India. It’s a common element throughout the stories too. One of my plans—and I recently did a test batch—is to develop a homebrew recipe for GPS that I can make available to fellow homebrewers.

There’s clearly a lot of “long game” in the series. Is there an ultimate goal or conclusion?

Yes. No. Head bob. There’s a common saying that it’s the journey and not the destination that matters, but my stories hold them as equally important. Every story supports far-ranging plot lines, in part because I want people to come back to the early tales and shout, “That son of a ————, he was already working this!”

I see some similarities with the story and character development in Doctor Who, where there’s short-term stuff and lots of big things that get built up to, sometimes over multiple seasons. It’ll be the same with all the Rucksack Universe stories. At the same time, like Terry Pratchett’s Discworld, each book stands on its own enough to where a reader can come to the series from any book and be right at home.

Home Sweet Road in particular sniffs at some of the long game afoot. Forever the Road will tell us more, especially when it comes to Faddah Rucksack, who we first met in The Martini of Destiny. He’s the world’s only Himalayan-Irish sage. Ultimately—for now, at least—his ongoing story is at the heart of everything happening in the Rucksack Universe.

Your stories embrace a sense of both interplay and conflict between decision and destiny. Do you think we make our own choices in life or are we governed by fate?

I believe that decision and destiny are intertwined. There as aspects of us that we have no control over, such as where we are born, who our parents are, etc. There are aspects of our personalities and bodies that are hard-wired. Sometimes things happen to us that we have no control over.

However, we always have the option to do what we can with what we’ve got, and that’s where decision comes in. We can choose what we do and see where that takes us. As we progress on a path, we can make new decisions. Eventually, you can look back and be amazed at the path you’ve taken, and how you never could have foreseen what you’ve done and where you’ve gone. But all that happens only if you take the first step.

Your latest novella, Home Sweet Road, is set in Clifden, Ireland. What about the plot and setting are based on your own travels in Ireland?

I lived in Ireland for a few months back in 2000, and I spent some fine days in Clifden. The hostel where I stayed was located a wee bit away from the city center. My first full day in the city, the proprietor drew me a map about “the eighth wonder of the world, Clifden.”

Years later, when I realized I had a story that needed to be set in Ireland, I drew hard on my time there, from the hostel to the Irish breakfasts to the pubs. I love the speech there too, from the bright patterns and flowing rhythms, to wonderful words like “feck” and “eejit.” Particularly in Aisling, the Awen of Ireland, I hope that love of language comes through.

There are other parts of Ireland that work in too. The Salt & Crane pub name is both a nod to Clifden being close to the sea, and to The Crane Bar in Galway, where I spent many an evening enjoying Guinness, good company, and the Irish music sessions.

Rucksack Universe stories so far have been set in Hong Kong and Ireland, and the first novel in the series is set in India. How do you write convincingly about these different locales?

Some of it is experiential. I’ve been to Hong Kong, Ireland, and India. Walking those streets with the folks who live and work there gives me a lot to draw on. I can write about India in part because I know how the cities smell, how the food tastes, and how you wouldn’t think it possible to pack so many different vibrant colors in one place. Same with Ireland; I know the feel of mist on my face, how a peat fire feels and smells, and what natural companions a pint of stout and a music session make.

Another part is research. I’ll read about places to answer questions or round out holes in my knowledge. I’ll look through Google Earth and study images. Each of my stories has its own board on Pinterest, where I’ll pin images that evoke or expand an aspect of the story.

My cover designer might also add that my writing style is visually rich and evocative. She says it actually makes her job easier—there’s so much imagery and sensory detail in the story, it helps her do different, more original things with the covers.

What drove your decision to be an indie author?

Until 2011, I held a “Real Job” as a web editor with a sales company. It was decent, honest work, but I had nowhere to go, and after 7 years there felt my career had stagnated. My wife and I spent a long time discussing my options, and more and more it was clear I needed to make a go of being a full-time writer. The year 2011 was still a time where the industry was pivoting. I spent about 6 months researching the publishing industry, what was going on, what was changing, how things might look once the future became the present.

Ultimately, I decided to go the indie route. It would let me move to market more quickly. I retained control over my work. Being indie gave me the opportunity—not the guarantee, but the opportunity—to make more money, and I didn’t have to hand over my rights for a pittance. Yet if the right publisher and the right deal came along later, I still had options. Starting out, I much preferred getting work to market than trying to get work to an agent and publisher, and then spend another couple of years getting to market.

Not every author wants to be indie, and that’s okay. I love being an author today, because we have more viable options that ever. For my skills and goals, being an indie author is a good match. I’m running my own business, and it’s in my blood—there are entrepreneurs and businesspeople throughout my family, right down to my wife, so if anything, indie is a natural fit.

How has parenthood impacted your writing and traveling?

This is where cultural cliches would have me talk about how it’s so hard to get anything done because I’m a parent, and how we never go anywhere anymore. But writing is an integral part of my life, and it is the center of my career. Travel is a passion for both me and my wife.

I’m going to defer to my grandma on this one. She was widowed and raised two daughters mostly on her own. I once asked her if that kept her from doing things she wanted to do. “No,” she told me. “My children were a reason to do things I wanted to do.”

That sealed it for me. Grandma never saw the girls as an impediment to life. She saw them as a reason to live all the fuller, and to share her interests with her kids. Both as a person and a parent, she figured out how to do the things she cared about, so her girls could see how important it was to make time for what matters to their lives. And that’s what my wife and I do with our child and our careers.

We talked hard about the impact starting a family would have on our careers, especially since 2011 not only is when we became parents, it’s also when I left my job, after years of planning. We figured out how to balance career and parenting, though in many ways that’s easier for us because we are both self-employed.

Over 2 years in to our parenting journey, we’ve made it work. As I said earlier, in 2013, when our son was 15 months old, we went to Japan for 3 weeks. My wife was going to a convention, and I was taking notes for future Rucksack Universe stories. It was an amazing trip, and it taught us much about how we work together as a family. Our son loved it, and I can’t wait until he’s older to tell him stories of when he was eating octopus in Osaka.

As for writing, Virginia Woolf nailed this years ago when she talked about having a room of one’s own with a lock. It’s true. There is lots of work I can do with my son around, such as some client work, or administrative tasks and such, and I want him to see his mom and dad engaged in work they care about. Heck, half the time I was red-pen editing the Forever the Road manuscript, my son was laughing and hanging on my arm.

With writing my stories, I have a home office that locks. My wife and I take turns with who’s watching our son. I watch him while she’s at her studio teaching violin, and she watches him while I work. Since he was born in 2011, I’ve published two books, have a third on the way, and am planning more.

If your philosophy of life were printed on a tee-shirt, what would it say?

If it’s meant to be, make it be.

Where an we learn more about you and the Rucksack Universe?

My website is http://www.anthonystclair.com. I’ve blogged since 2004, and write regularly there about the Rucksack Universe [http://www.anthonystclair.com/rucksack-universe].

I also write about craft beer [http://www.anthonystclair.com/craft-beer-writing] and provide online copywriting and marketing help for various organizations [http://www.anthonystclair.com/copywriting].

Readers can discover more about my books at https://www.goodreads.com/book/show/20643039-home-sweet-road

https://www.goodreads.com/book/show/19107543-the-martini-of-destiny

https://www.goodreads.com/author/show/7104178.Anthony_St_Clair

I’ll be announcing the release date of Forever the Road soon, and folks can keep tabs on that and other things through my free email list [http://www.anthonystclair.com/blog/subscribe].

 

Waking Dreams

wakingdreams

“Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.”—Edgar Allan Poe

Dreams fascinate us, dreams frighten us. Some dreams may eventually lead to the destruction of any human mind, bringing nightmares into full reality. In J.D. Kaplan’s fast paced sci-fi fantasy Waking Dreams, readers are thrust between two dimensions; the world where we dream and the world where we awaken. With plenty of mystery and edge-of-your-seat moments, one grieving man must fight an evil, otherworldy force who is determined to break down the very wall that separates dreams from a wakeful world.

Interviewer: Christy Campbell

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How long have you been writing and what initially got you interested in it?

As a child I was a voracious reader. An aunt introduced me to the joys of science fiction and fantasy in equal parts. For my 12th birthday she sent me Dune, The Hobbit and Lord Foul’s Bane. I loved the stories, the escape and the magic of it all and before I reached 13 I had written my first novel–the worst 200 pages ever put to paper. That story has long since been lost in the mists of time and that’s a good thing, but I still look back in amazement that I was able to get the words down at all.

Can you give us a quick introduction to your novel? What is it about?

Waking Dreams is a story of a man whose dreams sometimes come true. He dreams that he loses his wife and youngest daughter in a plane crash and when it comes to pass he is plunged into a crippling depression. The story is about how Colin discovers another world, tightly tied to our own, where all dreaming takes place. This world is in grave danger and it is up to Colin along with his surviving daughter, Sidney, and their strange and mysterious neighbor Penny to save this other world from a horrible nightmare.

Your novel is about dreams–a subject I really enjoy, by the way. How did dreams play into your creative process?

Dreams are an important part of my process. Often things I dream about play into what I write. This isn’t always a good thing, but some of my better ideas were born out of dreams or nightmares I had. I am fascinated

Most of the action in Waking Dreams takes place in a place you refer to as the Dreamside. What is that?

The Dreamside is the world we visit when we dream. It is chaotic and often illogical–anything is possible on the Dreamside. It is a reflection of what people dream. Some of the dreams are extremely transient–rippling realities created by a dreamer yet gone as soon as they wake up. Some dreams are stronger and create places persist, making up the larger part of the dreamscape. The Dreamside is separated from the waking world by the Wall of Sleep–the Wall is a concept that manifests itself in many ways. Sometimes a beautiful woman, sometimes a brick wall separating grasses meadows and sometimes just the hint of an idea on the edge of our consciousness. But we all recognize the Wall when we meet her–she is a mother, a friend, a shepherd to each dreamer. She is central to the conflict of the story as she represents a key part of the interlocked worlds. If our dreams and nightmares could cross that line at will, the waking world would be filled with the horrors and wonders we dream. And as humans need sleep and dreams to maintain their sanity, if there were no longer a place to dream, what would become of us as a species?

Who was your favorite character to write in the novel?

That’s a difficult question. Colin and Sidney are people with lots of depth and it was great fun to work with them–they grew in ways I really didn’t expect. But Penny is my favorite. She is such a conundrum–sometimes flighty and innocent and other times wise and powerful. The way she interacts with people was really fun to write.

Tell us where Tayport, Illinois is and the significance of it.

Tayport exists in my mind entirely. I have never lived in a large city like Chicago or New York. While I spend time in Chicago quite often I really don’t know what it feels like to live there–the subtleties and nuances of life. So I decided to create a city nearby that I could own and build as I wished. It’s something I learned by reading Charles de Lint. He created his own city called Newford where most of his books and stories take place. He’s been able to create and grow that place through out his career and it has such depth and imagination–something that would be hard to manage in a city you didn’t actually live in.

When you’ve got the premise nailed down, where do you get your ideas from as the story plays out?

Most of it happens when I’m running or when I’m driving in my car listening to really loud music. I like to imagine a scene, sometimes the ideas come out of how the music behaves lyrically and the shape of the sounds. More often it’s just that the music generates such an emotional reaction that my imagination is nudged and I go into a creative mode that is often hard to just kickstart on demand. Waking Dreams started as I imagined what it might feel like to burn in a fire. I was listening to a song by a band I love and one phrase in the song struck me and I found myself imagining the house fire scene in Waking Dreams. I know that’s dark and negative but it quickly grew into so much more than that. What would it be like if dreams like that came true–what would the consequences be in the real world? Those questions set me on the path that ended up in the Dreamside.

You chose the self-publishing route. What are the advantages of doing such in this tough market?

One of the advantages is that it’s all on me to get it done. I retain complete control of the work and my creative schedule and process. It’s a lot of work but has been really rewarding. The Internet has exploded the world of publishing. I find myself wondering what traditional publishing houses think about the whole situation. I was able to put my book out not only in the various electronic formats but Amazon provides a publish on demand service called Createspace that allowed me to get it into trade paperback format, readily available not only on Amazon but through Ingram’s distributors. This means that you can go into any bookstore and special order it. The hard part is all the marketing and selling I’ve had to do. I’m a writer and a reader and sales, marketing and self promotion are skills that are so far from what I do well that it’s a constant struggle. But interested people are out there and they are reachable and figuring out ways to find those people has been a wonderful experience.

What is the hardest part of writing a novel, once that first chapter is in place?

Maintaining the habit and tying all the details together so that the story as a whole gets finished and when it’s done it holds up as a whole. Fighting writer’s block is inevitable and like any other discipline you have to really focus on making sure you write everyday. When I first started writing Waking Dreams I had been away from writing for several years, focused on a band I was in and my budding career as a software developer. I had a lot of trepidation about the length of a novel vs the short fiction and poetry I had been doing. At first it was work. But as things began to flow along it became pleasurable. You have to have process you use to face any situation you find yourself in; writer’s block, unsure of the progression of the plot, etc. And you have to have the openness to throw those tools aside when needed.

Who are some of your influences when it comes to writing?

Well, of course there’s Herbert, Tolkien and Donaldson but they were only the beginning. The two biggest influences have been Charles de Lint and Neil Gaiman. They were the authors that really reminded me of what I love to read and enabled me to write in that genre and cast off the yoke of “literary fiction.”

What genres do you enjoy reading?

I love contemporary fantasy, urban fantasy–that’s a guilty pleasure. But I also love epic fantasy, hard science fiction and my other guilty pleasure is space operas. I don’t mind a dose of romance and a little explicitness in a book but prefer to avoid erotica if I can help it. I am really in love with strong female main characters. There’s something really engaging about these characters. I also enjoy stories where the main character is not all powerful, or at least grows into some kind of power.

Do you have anything in the works?

Currently I am finishing up the rough draft of a first person contemporary fantasy story about a musician that sees his music as colors and is able to manipulate the emotions and feelings of the people around him with those colors and sounds. He is a person who has always been something of an outsider. Some of the book is set in the Dreamside, and the action takes place in Tayport, of course. I don’t want to give much more away because I really value the art of the “reveal.”

Will there be more stories about Colin and the Dreamside?

Yes, definitely. He makes a brief appearance in my next book and I already have begun storyboarding a novel that features all of the characters from Waking Dreams.

Please tell readers where they can learn more about you and your work:

I’ve got the obligatory Facebook page and I also spend a lot of time on Goodreads. I’ve got my own website that is kind of an afterthought but I might be focusing on more as I get more readers. And of course you can find the book online on Amazon, Barnes & Noble, Smashwords, Nook, iBooks and a host of other places. Here are a few links:

https://www.facebook.com/jd.kaplan.author

https://www.goodreads.com/author/show/7363644.J_D_Kaplan

http://www.amazon.com/Waking-Dreams-Torment-Colin-Pierce-ebook/dp/B00FPO638O/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=&qid=

http://www.thedreamside.com/

 

The Grove of the Sun

The Grove of the Sun

A fantasy tale about redemption combined with beautiful artistry and complex characters draws readers into the novel The Grove of the Sun by author Parvathi Ramkumar. A magical journey that revolves around one character’s desire to save his land and his personal struggles while doing so. Fantasy lovers will enjoy stretching their imaginations in this intriguing tale.

Interviewer: Christy Campbell

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Tell us a little bit about Parvathi Ramkumar, and how long you’ve been writing.

I’m an author and freelance journalist, as well as a professional book reviewer for a major newspaper in India. I’ve been writing for over twenty years, I began when I was seven. It’s always been a passion.

How would you describe the synopsis of The Grove of the Sun?

The Grove of the Sun is a poetic tale of magic, Order and Chaos, and one man’s discovery that the life he was taught to believe was true might be an illusion.

What kind of books do you like to read?

I like a variety of genres, and my tastes in reading are pretty eclectic. I do have a particular liking for fantasy and science fiction, though.

Is The Grove of the Sun your first book?

It’s the first book I’ve published, yes.

What was the inspiration for the subject matter?

It was inspired by a strange and vivid dream I had many years ago. Some of the setting for the book and part of the plot came from that dream.

How long did it take you to research and write The Grove of the Sun?

A little over seven years. It was a little longer than I’d initially anticipated, and there was so much I needed to know and work on.

Whereabouts did you research for the novel?

A lot of the subject matter came from Indian myths, and I also did some research on esoteric themes for the presentation of Order and Chaos in the book.

How would you describe your protagonist?

Ildanis? He’s lighthearted and warm, with a streak of ingenuity that often leads him to situations he’d love to avoid.

What’s your prime motivation when you write a novel?

To tell a story. I love creating worlds and characters, and I love putting them all together to weave a tale.

Do you have any writer’s habits that are a must when you sit down to write?

Well, I do prefer silence. Also, my desk has to be neat, just so. Anything out of place is terribly disturbing, even that pencil right there in the corner where it shouldn’t be.

Do you like to dabble in other genres?

Yes, I find literature and poetry fascinating. As well as children’s fiction and magic realism.

What next on your plate?       

I’m working on a couple more books, including a children’s book.

Where can readers find out more about you and your novels?

My website, www.parvathiramkumar.com, has more about me and my work, and I’ve created a Facebook page for my book, www.facebook.com/thegroveofthesun. I’m also active on Goodreads.

 

 

Bloodstone

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Heroes, swords, and an unexpected journey into a cursed warrior’s heart describe the suspenseful, fantastical novel Bloodstone, by author Helen Johannes. With a modern day fairy tale vibe, this romantic adventure combines the intrigue of Beauty and the Beast with the stuff swashbuckling legends are made of.

Interviewer: Christy Campbell

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Tell us, Helen, what first inspired you to start writing?

I’ve wanted to be a writer since I was in grade school. I ‘decided’ to take up the craft seriously when my children were small and I needed an outlet for my creative energy.

Where did the idea come about for your latest release BLOODSTONE?

This story grew out of the Cupid and Psyche myth. In the myth, Psyche is forced to wed what she thinks is a monster so horrible he refuses to let her see him. They can meet only in the dark. It’s a story about trust, and I wanted to build on that concept with a cursed hero who’s taken on a heavy load of guilt. He needs to be redeemed by a woman courageous enough to do ‘anything’ to save him.

What attracted you to writing fantasy romance?

I love fairy tales and Arthurian legend.  There’s something fascinating about a hero with a sword on horseback. Plus, my earliest favorite book was a collection of fairy tales. Besides the well-known tales of Cinderella and Sleeping Beauty, this one had stories like The Donkey Prince, Snow White and Rose Red, The Tin Soldier, and The Dancing Princesses, to name a few.

I’ve always been drawn to the stories about heroes in disguise, about people who are misjudged or discounted by others because of appearances. The Donkey Prince, for instance, is about a prince born with a donkey’s body due to a curse on his parents. They give him the best of everything, and he becomes a skilled lute player, but he’s still a donkey. Tired of being looked upon as a freak in his home town, he decides to take to the road, playing his lute, until one young woman falls in love with the sensitive man inside the ugly skin. That transformation from beast to beloved is a theme that I’ve always enjoyed reading, and it’s probably what drew me to the romance genre in the most elemental sense.

You’ve become published! What was the journey to success like for you?

To anyone who has any aspirations to be published someday—or to achieve any other creative dreams—I’d like to affirm that turtles do win.

That’s right—turtles, the slow and steady plodders. I am a turtle. It’s taken me years to realize my dream of becoming a published author. Lots of rejection letters, contest finals, conferences and workshops later, I have two books available from The Wild Rose Press. I’m not likely to become a household name, but I can hold my dreams in my hand today. So can you. Just keep plodding along.

Any steadfast work rituals in your writing process?

I write in the kitchen on a laptop at the table where I’ve installed my cushy office chair. I like the sunlight from my southerly window and the easy access to the microwave for hot tea. Sometimes I listen to music while I write, usually a soundtrack or something Celtic-inspired. I need something where I don’t understand the lyrics so I won’t try to listen to them. The music for me is about creating a ‘zone.’

What’s the best perk of being an author?

Realizing a dream has to be the foremost. Another great perk is connecting with authors and readers around the world. Writing is a solitary business, so making connections to other creative people who listen to the ‘voices in their heads’ is a definite plus.

What are your ultimate ambitions as a writer?

I’d like to establish a reputation for writing well-crafted books that have something to say about the power of love to heal and inspire. And I’d like to have fun doing it.

What’s the most unusual or challenging character you’ve ever written?

In BLOODSTONE I took on two challenging characters. The first is a blind boy, and I had to imagine the world as he would encounter it without using the familiar sense of sight. Everything for him became about the sounds and scents and sensations. The other challenging character was a Wehrland she-lion. I used my knowledge of growing up with pet cats to describe her behavior. As it turned out, she was the most fun to write.

Okay, who’s your author ‘crush’ and what makes him or her so great?

I’d love to pick Rick Riordan’s brain. In his Percy Jackson series he manages to juggle multiple storylines with vivid and unique characters while keeping the plot running at full gallop—and he sustains it over a series of books.

What were your favorite books growing up?

Fairy tales and books about horses, definitely—what little girl doesn’t love horses (or unicorns)? The stories of a boy and his horse, or a girl and her horse, feeds right into my historical bent. I do so love a hero on horseback with a sword. From fairy tales to medieval knights isn’t a big leap, especially when fairy tales led me to THE LORD OF THE RINGS trilogy and Middle Earth. It’s no wonder that my two published novels are fantasy romances featuring heroes on horseback with swords.

Any words for aspiring writers?

Read. Write. Finish something. Join a writers’ group. Share your work and get feedback. Enter contests. Learn from your mistakes. Cycle through all steps repeatedly.

Where can we learn more about the published works of Helen Johannes?

Books:

THE PRINCE OF VAL-FEYRIDGE (debut book)

 BLOODSTONE (new release)

 

Websites and Links:

Blog: http://helencjohannes.blogspot.com/

Goodreads: http://www.goodreads.com/author/show/4031965.Helen_C_Johannes

Amazon author page: http://www.amazon.com/Helen-C.-Johannes/e/B003JJDQWS/ref=ntt_athr_dp_pel_pop_1

The Wild Rose Press author page: http://www.wildrosepublishing.com/maincatalog_v151/index.php?main_page=index&manufacturers_id=742

 

Buy link to Amazon:

THE PRINCE OF VAL-FEYRIDGE: http://amzn.com/B003JH8CO2

 

BLOODSTONE: http://amzn.com/B00G8GTHRC

 

Buy link to Barnes and Noble:

http://www.barnesandnoble.com/w/the-prince-of-val-feyridge-helen-c-johannes/1021446067