A Chat With Adam Dreece

Adam steampunked - Forest

Best-selling, multi-published author of some very cutting edge YA, steampunk, and fantasy novels, Adam Dreece is out to do more than just entertain readers. His public speaking engagements span the gamut of everything from how to give a good book signing, to stepping outside your comfort zone, to how to deal with dyslexia—something Adam knows a thing or two about. Read on to learn more about this talented writer and his work.

Interviewer: Debbie A. McClure

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Q: What inspired you to hang up your software career and launch your indie author life, Adam?

A: My first two books were doing well and then my software contract ended as oil prices really started to take a dive. Living in Calgary, the heart of oil country in Canada, my phone didn’t ring with opportunities for the first time since the dot com bubble burst back in 1999. My wife, who was also a software architect but had been at home with our third kid, started looking for a job as well. As soon as she locked in a good contract, she turned to me and said she wanted me to focus on my books because they were achieving good momentum. We both knew that financially things could shift at any moment, requiring me to get a job as well. My author career was our start-up company and I wasn’t going to squander a second I had. Now I’ve got my 8th and 9th books coming out since I started in 2014.

Q: When you put out your first book, Along Came a Wolf, did you know this was going to be a series?

A: I wondered, I hoped, but I didn’t know. I’d never written a book before and I had no idea if anyone would like Along Came a Wolf, other than my daughter. I wondered if maybe the best thing to do would be to write something else completely. Then I started to get some ideas, and passionate feedback started to float in. Before I knew it, I was a third of the way through writing Breadcrumb Trail, the second book of The Yellow Hoods. That was when I knew this was going to be a series.

Q: How did you come up with the idea of fusing steampunk and fairy tales together?

A: When my first son (my middle child) was six months old, he was a really fussy sleeper. I’d walk around with him, as heavy as he was. One day, I started singing The Muffin Man to him. Because he would take a long time to fall asleep, I started adding to it. Every night since, and now with two sons, I sing The Muffin Man to them.

I started writing Along Came a Wolf when my daughter was nine and my elder son was two. I was inspired by the fairytale song Ring-Around-The-Rosie, and how that was a rhyme that spoke to the black plague (ignoring historical accuracy arguments for the keeners). Could I use the opposite idea for fairytales and nursery rhymes? Could I take the simple rhymes and stories we knew and create something substantial out of them, without making the books an official re-telling? Take Rub-a-dub-dub and deconstruct that to being about a secret society named the Tub, led of course by a butcher, baker, and a candlestick maker.

With the fairytale approach set, I really got into the story. Then I arrived at a fight scene where I had Tee, who was twelve, staring down the barrel of a full grown man. I needed her to win the fight, but I had a dilemma; how? Do I use magic? That felt like a cheat, and honestly I wanted to keep my distance from Harry Potter. Do I leave it as realistic? That would definitely be a hard sell. So then I mused about the idea of inventions, and thus steampunk became the vehicle of choice. I already had Nikolas Klaus, Tee’s grandfather, mentioned as a brilliant inventor in his twilight years, so I had an “in” I could use without reworking the story. It came out perfectly.

Q: Did you have the entire five book series planned out, or did that come about after the release of the first book?

A: As Book 2, Breadcrumb Trail, took shape, I saw how Book 3, 4 and possibly 5 would work. There was a story about change, power, and revolutionary times going on, and the main characters would be very much transformed by it. As I wrote book 4, I had an idea for books 6, 7, 8, and possibly up to 10, but it would be a different story arc and I wasn’t as convinced that those were needed. I’ll give a bit more detail on this a little later.

Q: When did you know where The Day the Sky Fell was going?

A: As soon as my editor sent it back to me. He he—no. When Book 2 ended, I knew the heart of what was going to happen at the end of the arc. It was during Book 4 that I saw I would definitely need one more book to finish the current story arc, but I wasn’t sure exactly where it was going to land.

I’d written the first four books of The Yellow Hoods in the span of two years, with a novelette in that world during that time as well (called Snappy and Dashing). I’d pushed myself so far, and carried the responsibility of being a stay-at-home dad for my three kids, resulting in a depression. I knew if I tried to tackle Book 5 (which didn’t have a confirmed title) I was just playing around with The Day the Sky Fell as a possible title. I knew at that point I’d never be happy with the way the story out if I stopped then. Over the next year everything came together and I found my excitement again. I went back through the other four books and found all the hints I’d left for myself as to how I’d thought Book 5 could come together, and wow, did it ever come together. I think it’s hands down, the best of the series.

Q: Last year you branched out and became a multi-genre author, stepping into sci-fi with The Man of Cloud 9 and into science fantasy with The Wizard Killer. Why take that step before finishing The Yellow Hoods, and what were the dangers and benefits of doing so?

A: Getting Book 4 of The Yellow Hoods, Beauties of the Beast, took everything out of me. In all honesty, I fumbled the launch, but it was there and my fans got something to enjoy that was well regarded as a solid addition to the series.

I knew I couldn’t just stop writing until I felt better, because I don’t work that way. I was on a roll, I needed to keep going, I just had to change things up to allow myself to breath. That was when a friend of mine asked if I was interested in writing a short story for her anthology. I walked around with the idea for a couple of days, and connected it with a piece of a story I’d had in mind for years. I sat down and wrote it. It was about two thousand words too long, which would have been okay, but it felt very much like the real story was only beginning. I decided to change things up, abandon the idea of a short story, and really allow this sci-fi story to blossom.

As The Man of Cloud 9 came together, I felt restricted. There were no battle scenes. Instead, there were corporate board rooms. I felt out of balance, and so I started writing The Wizard Killer – Season One. When I was done with both of them, I felt that I had shared with the world the other two key sides of me as an author, and I felt a lot better. I’d also proven to myself that I wasn’t a “steampunk/fairytale only” author, but an author who was able to bring new and exciting worlds to life that were vivid and immersive.

There were several dangers in doing this, however. The first is; what happens to your existing fan base? Having delivered four and a half books in two years, they were giving me some grace. Putting out The Wizard Killer, a high action story with a world that’s been compared to Stephen King’s Gunslinger, and then following it with The Man of Cloud 9, which is a more cerebral, character driven, techno-thriller, was tactically questionable though. Some of my fans loved one and when they read the other, felt their brain broke. I got a lot of complements about having range, but some folks were jumping from my adrenaline junkie post-apocalyptic fantasy world into a totally different side of me.

At first I wasn’t sure this wasn’t the wisest thing to have done, but I came to see that I’d really opened myself up to a wider range of readers, and more importantly, my younger readers who were maturing made it really clear that they loved the new stuff and my range. It was like I was offering them something new and older, with a hint of what they’d discovered in The Yellow Hoods. As for the adults, this allowed me to draw in different audiences who had no real interest in my other works.

Q: Is The Day the Sky Fell the end of your Yellow Hoods world, and if so, why end it now?

A: Book 5 – The Day the Sky Fell is indeed the end of The Yellow Hoods series, however, it isn’t the end of the Yellow Hoods. I realized as I wrote Book 5 that the original story arc had run its course. I had ideas for a story arc to cover Books 6-7, and a few other ideas to bring it up to 10, but it felt forced.

The main characters had been through a lot in a relatively short period of time (about 2 years) from Book 1 to the end of Book 5. In my mind, they deserved a rest. Adding more on top would forfeit some of the realism and intensity that was at the heart of the entire series. I thought pushing it would make it almost comical in a bad way. Another aspect that I considered was that my character gallery had grown significantly, with fans requesting spin-off stories about Bakon and Egelina-Marie, about Christina and Mounira, and others.

The plan I came up with when I was writing Book 2 wasn’t just for a series for 4-5 books, but rather it was to have a sequel series that takes place five to ten years later, allowing us to see where Tee, Elly, Richy, and the others ended up. Actually, I’d love to one day have a third series that would see Tee being a mother, and thus the series would come full circle. We’ll see if I ever get there.

I’ve now given a name to that next series, The Mark of the Yellow Hoods. My hope is to start writing that series in 2019. Between now and then I have a few spin-off novellas and a spin-off series that I’m hoping to bring out. This approach will allow me to shake things up, change the pattern and cast that’s involved, as well as visit other parts of their world.

Q: Why did you opt to go the self-publishing route?

A: About six months before I started writing my first book I turned the radio on and found myself in the middle of an interview with ‘marketing guru’ Seth Godin. He said (paraphrased) “If I had a book ready today, there’s no way I would go with a traditional publisher if I was an entrepreneur and willing to learn from a few mistakes” That thought stuck in my head.

When I started looking into publishing, I was finding people waiting years before getting any reader/fan feedback. That was a purgatory that I didn’t want. Every day I had stabbing pain from my chronic abdominal scar tissue issues, and felt like I was carrying a lead-vest because of my severe asthma. I wasn’t going to wait years. I was willing to work hard enough, run fast enough, to outpace my mistakes.

Coming from the software side, I really did think of myself as a start-up. I had an idea; I was going to take it directly to market. I wasn’t going to ask permission or try to fit within someone else’s portfolio and align to their timing. Instead, I would start things off. If one day I got ‘acquired’, i.e. a big publisher wanted to take over one of my series, or wanted to offer me a deal, I would have experience and a following to bring to the table. Actually, a few weeks ago I started talking with a publisher about bringing out a spin-off series of The Yellow Hoods.

I refer to myself as an indie author, rather than as a self-published author. The reason being that I do everything that a publisher does, from having my works professionally edited and covered, to handling the marketing and getting out there to push it, as well as handling distribution and direct bookstore relationships. I have both an online and in-print strategy that I continue to build in. In every way I can, I’m emulating classic indie bands who went from unknown to hitting it big. Will I hit it big? I have no idea. Will I be “pure” indie the entire time? I doubt it. There are strategic advantages for the additional reach of traditional publishers, and possibly divesting myself of some responsibilities that take away from my writing.

So in brief? I went indie because there is no greater motivator than a stabbing pain in your abdomen. If I was going to fail, then it was going to be entirely on me. But I didn’t.

Q: You’ve said that giving back is important to you. How and why is this a part of your author career?

A: I believe strongly in becoming the mentor you wished you’d found. In my software career I kept hoping to find someone who would see me and go, “Ah, you remind me of me. Come on, I’ll give you a boost.” As time went by, I decided I wouldn’t waste my time always looking for them and instead I would become that type of mentor for others.

I brought that same thinking to my life as an author, except even more so. As I started to have some success, I shared what I knew with others. I’d make time to give feedback on stories, and so on. I carved out a portion of every week to do that. I find doing this keeps me grounded and connected with people, as well as appreciating what I’ve done rather than only focusing on what I haven’t done yet.

This past week, for example, I had coffee with two other authors. In one case, he’d gone down the traditional road, had an agent, and after years, found himself with a lot of compliments about his work but no one willing to take the plunge. He felt like he’d wasted so much time and wanted to know about being an indie. After two hours, he had several pages of notes and a plan of action. The second person I met with was about the same age (late 50s, early 60s) and had a book ready to go. They already had an established audience because of other work that they’d been doing, and wanted to know things from another side. I was happy to share with them.

Some authors I’ve met are very secretive and competitive. They want to know everything about what you are doing, how much you’re paying for your books, etc., but won’t share a single thing of value back. That’s a shame. We’re a community that’s far stronger together, and our real competition are video games and non-books, not each other (not really).

I believe if I’m able to share something that helps someone become the next J.K. Rowling, then fantastic, but do I want to succeed at someone’s expense? No. There are some people who are leeches, and you’ve always got to be careful of them. Those are the ones who will actively try to push you out of whatever limelight you share. I’ve had this happen to me a few times, and though it makes me wary of who I share stuff with, it doesn’t stop me.

Q: What have you learned about yourself since beginning this journey into writing and publishing?

A: More than anything else, I’ve learned to have faith in the storyteller that I am. There are real people out there who love what I write and how I write. There’s something magical about being at my table at a convention and within 15 minutes of the door opening, someone who has driven several hours to get there, runs right up to my booth wanting whatever new book I have available. That excitement, that joy, I had a part in that. It’s unbelievable.

Q: What is the most surprising thing you’ve learned about the business of writing and publishing?

A: On the publishing front, it’s about the amount of lead time you need to give yourself and the capital (money) involved, particularly if you’re carrying inventory. Being prolific comes with a cost.

On the writing front, it’s about how much words that come out of my head can mean to someone else. I’ve had a cancer survivor tell me how it helped get them through chemo, a man tell me how it helped him as his mother passed, and more. Those experiences also bring with them a sense of responsibility to keep going, to add more good into the world.

Q: One of your challenges that you talk about openly is being dyslexic. How has this affected you, because having written nine books in three years, it’s clearly not slowing you down?

A: On the plus side of being dyslexic, my imagination is very visual, 3D. It’s like I’m walking around in a movie scene, able to rewind, replay, alter, and replay. Often I feel like my writing is just the transcribing of the movie I’m privileged to have in my head.

The downside is obvious, in terms of words tripping me up. I accepted that my writing was going to be very far from perfect, but I adapted my process for getting it ready for release. That means when I’m done my draft, I go through it from start to finish at least three times in order to clean it up. Then it goes to my beta readers, some of whom can’t help themselves and do some grammar and word-substitution corrections. After going through those proposed changes and incorporating them, it goes to my editor for the first round. She goes through it, sends it back to me, I incorporate her changes, and then send it back to her for another round. After that’s done, then I have one to three  proofreaders go through it to catch as many of the tiny errors that managed to sneak through as possible. THEN I declare it done.

As a software architect, I learned that my dyslexia was a net-advantage for me. At first, I thought everyone could take a concept and create a machine in their head that mapped to it, and then walk around the machine, identifying problems or weak points, and bring it up.

I used to cringe when I’d hear “You have to read tons to be a writer.” I can’t read quickly at all, and while I read a lot of news, I don’t read many books. I’ve come to believe that this is really the heart of what it means to be a writer; we need to be absorbing new experiences, moments, and thoughts. I get that from conversations, movies, TV, and other sources. Maybe that’s why my characters feel so real, I don’t know.

Q: When talking about being a dyslexic author, what is the message you want to convey?

A: The advantage I, and perhaps other dyslexics have is that my highly visual imagination greatly outweighs tripping on words. Be willing to make a mess, because a mess that’s written is better than perfection locked in the prison of your mind. Also, with that mess, clean it up as best you can, and then have others clean it up more.

Q: What’s next for you, Adam?

A: Less than three weeks after The Day the Sky Fell releases, The Wizard Killer – Season Two releases. I’ve just sent the first draft of a non-fiction book to a friend of mine, which I hope to bring out by August. This will then be followed by my first installment in a new fantasy, space opera series called Tilruna.

As an ambitious madman who believes in making use of every moment that isn’t invested in my family, I’m hoping to bring a Yellow Hoods world story out in April 2018, along with The Wizard Killer – Season Three, and that fall, Tilruna – Season Two. InApril 2019? Well, keep your eyes peeled, because you might see the first book in that Yellow Hoods spin-off series published by someone else, bringing together Dreece versions of tales like The Pied Piper and Little Match Girl.

Ambitious? Absolutely. Crazy? Yeah, especially when you consider there are a few short stories in there and growing the distribution side of my publishing business. Still, at the end of the day, I love what I do, and I’m spending far more time with my family that I ever did when working in software.

The Day The Sky Fell

Mini-blurb: The Day the Sky Fell brings a dramatic conclusion to the steampunk meets fairytale saga, with airship battles and betrayals at every level.

You can find/connect with Adam here:

Blog – AdamDreece.com

Facebook http://facebook.com/AdamDreeceAuthor

Instagram – http://instagram.com/AdamDreece

 

 

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Ghost Maven

 

Ghost Maven cover

Author, television producer, award winning documentary film maker, and world traveller, Tony Lee Moral, has just completed work on his second published novel, Ghost Maven, and has generously offered to share a bit of insider scoop on his new book, what drives and motivates him, and what he has planned next. Despite an increasingly busy work life, as with everything Tony takes on, he remains focused and grounded while enjoying the creative journey he rides with each new project and challenge. Welcome Tony!

Interviewer: Debbie A. McClure
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Q: Your work spans several genres, including documentary film-making with your own production company, journalistic interviews with celebrities, and author of several books. Is there a common thread or arc in each of these endeavours? If so, what would that be?

A: Story! Story! Story! Whether it’s making a documentary film, writing a novel, or interviewing your subjects for a non-fiction book, each has the common thread of having a good story at the core. If I have something compelling to say, I will write, direct, produce, or find an outlet to tell my story.

Q: Your latest project, Ghost Maven, is a YA novel, which is quite a departure from your previous books on Alfred Hitchcock and murder mysteries. Can you share a little about this story to whet a young reader’s appetite?

A: In Ghost Maven, I blend mystery, with suspense and the supernatural. The central character, Alice Parker, moves to Monterey, California, with her father and little sister after her mother dies. Whilst kayaking in the bay, she paddles towards a mysterious island, but capsizes and is drowning when a young man, Henry Raphael, magically appears, delivering her safely to the beach. Against all rules, they begin seeing each other. It’s a love story with a twist.

Q: Why YA at this point in your career?

A: I’m inspired to write different genres, and as a compulsive communicator, I wanted to reach out to as many different readers of all ages as possible. The Young Adult readership is especially appealing to me, as I read many books in my teens and can identify with the hopes, fears and aspirations of being a teenager. It can be a very uncertain time for many teens, but I hope they identify with the characters in the book and want to share the journey with them.

Q: Have you ever encountered a ghost or spirit form in your personal life or travels? If so, what happened? If not, do you believe in ghosts?

A: I haven’t experienced ghosts or spirit forms, but I have had some intuitive dreams. Like Alice, I have experienced personal loss, and I use those feelings to create an atmosphere of reaching to the after life. I do believe that some things can’t be explained and science is still trying to unlock the answers.

Q: What surprising correlations or similarities have you discovered between film-making and writing?

A: Good storytelling is at the heart of both film-making and writing, whether it be shaping well-developed characters, creating emotional arcs and creating compelling situations. A good film or book takes the viewer or reader on a journey of discovery, enlightenment, or good old-fashioned entertainment.

Q: What dissimilarities have you discovered between film-making and writing?

A: With film-making, one should think in visuals, rather than relying on words or dialogue. You have a rectangle to fill with a succession of images to create an emotional response. Hitchcock said he wasn’t interested in photographs of people talking in his films, so I try to rely on visuals to tell my story when directing. In fact, I often think my novels are more like screenplays as I’m always thinking of the mise-en-scène, where the characters are, how they are dressed or what expressions they have on their faces. The advantage of writing is that you can really get inside your characters’ minds, what they are thinking and feeling, which you can’t quite do in a documentary film.

Q: What would you say fuels your imagination in writing?

A: Definitely travel – I’m lucky to travel with my day job as a film-maker, and I have been to some extraordinary places and have had access to some incredible situations and people. I’m like a sponge, absorbing human behaviour and thinking of how I can translate stories to the page or screen.

Q: How long does it take you to write a novel from first draft to final edit?

A: It depends on the publishing process. I first wrote Ghost Maven in 2010, so six years later it is being published. The last 18 months has been especially productive, as the novel was honed through various drafts, and I had some wonderful input from agents and copy editors.

Q: You are represented by a literary agency, Loiacono Literary Agency, in an age when many writers are choosing to self-publish. What has been your experience in working with an agent?

A: One of support and encouragement, which is invaluable as writing can be a very lonely process. The great screenwriter Jay Presson Allen, who I interviewed, described writing as a “divorcement from life”, which I can totally identify with. But having an agent is having someone to share the rewards and accomplishments with. What’s the point of being successful, if you have no one to share that success with?:

Q: Can you tell us a little about your production company, Sabana Films, and what you are trying to accomplish with your films?

A: I won the Special Jury award last year at the Jackson Hole Wildlife Film Festival, which was an incredible, inspiring moment, and has reignited my love for natural history. I’ve started filming a documentary movie which I’m very passionate about called ‘The Cat that Changed America’. It’s about P22, the mountain lion who is trapped in Griffith Park in LA, and the wonderful conservationists and Angelenos who are trying to help him.

Q: If you could sit down and spend an evening chatting with three people, dead or alive, who would they be, and why?

A: Alfred Hitchcock, because I’ve written three books on the Master of Suspense, and currently writing a fourth on his reputation. His films have inspired me and are text book examples of film making and screenplay writing.

F. Scott Fitzgerald, as he is my favourite author, his prose is elegant, simple and elegiac. I love The Great Gatsby, the world Fitzgerald lived through and created, and the characters who populate that world.

Winston Churchill, because he epitomizes everything great about being British, what I love about England, and the country where I was born. His stoicism and heroism is something to be admired.

Q: What’s next for you, Tony?

A: I’m looking forward to my book tour for Ghost Maven. On Labour Day weekend, Saturday 3rd September 2016, at 2 p.m., I will be in the Old Capitol Books store in Monterey, California, signing copies of the book. It’s very special to me to launch the book in the place where the novel is set and where I lived for two inspirational years.
Q Where can our readers find you online?

http://www.ghostmaven.com
http://www.tonyleemoral.com
http://www.alfredhitchcockbooks.com
http://www.thecatthatchangedamerica.com
http://www.sabanafilms.com

https://www.facebook.com/tonyleemoralfans/

 

Liliana

Liliana_1

Love is whatever you can still betray. Betrayal can only happen if you love. – John le Carre

In a tragic set of circumstances, one young woman is thrust into a world of grief and much more when she loses her mother unexpectedly on the streets of Chicago. In Neva Squires-Rodriguez’s first novel in her debut series Liliana, readers will travel to a foreign land where a father/daughter relationship isn’t typical, where danger awaits and one boy comes along who appears to be the man of Liliana’s dreams. However, one trusting girl learns in the worst way possible, that things are not at all what they seem.

Interviewer: Christy Campbell

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Tell us about your current release in the Liliana series

In my current release, Liliana, I came up with the idea for the story after a series of reoccurring dreams. I developed the story over time and after submitting my story to the publisher, I was asked to extend the story into a three book series, which was extremely exciting for me.

What inspired you to write the story of a girl who quite unexpectedly is thrown into tragedy?

I believe that all of our lives are full of struggle. Sometimes it takes looking at someone else’s life to make us realize that our own life is not so bad. This is exactly what I attempted in Liliana. My goal was to present a character that was very weak and that the audience could witness growth over time. The book has tons of twists that are guaranteed to leave the reader on edge. My reason for doing this is that life often has a series of unexpected events that are bestowed upon us and I wanted my story to be realistic in that respect. My goal was to captivate the reader and I hope that you will agree in saying that my goal was successful.

How did you feel about entering the young adult genre, since the demand is so high right now for voracious teen readers?

I’m very excited about entering the young adult genre, mostly because it is amazing that so many are still reading books and intrigued by them. It’s fascinating to me to hear about voracious teen readers, because that ultimately shows what hard work their parents and guardians- or teachers put into them in raising them and introducing the world of fiction (and non-fiction) to them.

Were there any particular life experiences that helped you create young Liliana?

Yes, sure, I’ve had my own struggles and my own share of relationships that weren’t what they originally seemed to be. What can I say?  We learn from our experiences. In my case many of my own experiences inspired me to write the story of Liliana, although I’d have to say that her experiences are much-much more extreme then my own.

A debut novel is an exciting time for an author. What was the most unexpected thing that happened after your book hit the presses?

It is very exciting and continues to be. Sadly, I was expecting all of my family and friends who read Liliana to go online to rate it. Silly me. I received emails and text messages from friends telling me how great they thought the book was, but when I asked that they left a review on Amazon so that I could get my ratings up, very few of them did. If I didn’t have such a strong personality, I would be devastated. It still kind of hurts and is surprising.

Family and friends are so important in providing both positive feedback and constructive criticism. What family members are closest to you and how have they supported your writing career.

Definitely agreed here, my mother has always been closest to me and helped support my writing career by buying four of my books and passing out fliers in her neighborhood – my old neighborhood letting store owners and friends know all about my book. My new friend Tamara Philip, who I co-authored a holiday novel with, has also been very supportive and it helps to vent with her about all the things that new authors go through, especially in working with an independent publisher.

What was your favorite book or author growing up?

I adored V.C. Andrews books growing up. I can’t remember if it was Ruby that hooked me or one prior to that. I know I started mid-series and had to go back to catch up on everything. I always stayed up late reading Andrews books after purchasing them, hiding out under my covers with a flashlight as I made my way through each chapter. If only we had e-readers back then!  Later in life I was introduced to Jane Austen and became a big fan of her books as well. I would have to say that Persuasion by Jane Austen is a favorite of mine.

Are there any writers out there, past or present who have given you the inspiration to make the dream come true?

Definitely, I am a big fan of Audre Lorde’s Poetry is Not a Luxury and Redondillas by Sor Juana Ines De La Cruz (look up the translated version it is amazing, especially given the time it was written), Adrienne Rich, Shakespeare and, of course, Jane Austen.

When you’re taking time away from that manuscript, what are some hobbies that you enjoy?

My only hobby is writing. I have four children of my own and a step-son that comes to visit us every now and again (he’s 22) so my life is very busy. Besides this I work a full time job and a part time job, so when I’m at home and find some time for myself, I’m either writing or sleeping-not too much of anything else.

Many writers like to listen to music while writing; it can really play into the creative process. Are there any lyrics to a song that stuck in your head while putting together your story?

I often write during my lunch hour, or at a local area play land for kids, so I may hear other people talking in the background or screaming, depending on which of the two I’m located at, however I do have to say that an inspiring lyric that I keep in my head is one from the “Then” Puff Daddy, “Satisfy You” single that said at one point, “I can’t impress you with the cars and the wealth ‘Cause any woman with will and drive can get it herself.”

Let’s switch gears. Right off the bat, tell us the most impulsive thing you’ve done in your life that you just might portray in a character.

Impulsive, let’s see…  While on a trip to Mexico with three of my girlfriends, we swam out to the base of a waterfall. That experience was amazing. While I was scared to death to do it, I think if my character did it, it would come very naturally to him or her. Hmm…  I think you just gave me an idea for a new book. I have so many ideas and not enough time to write them out

Are there any websites you like to spend time on—both for business and pleasure?

Definitely Goodreads and Twitter. I find such good stuff there. Lately I have been really impressed with fellow Tweeters’ pictures that are posted – such miraculous breathtaking photography.

Where can readers learn more about Neva Squires-Rodriguez and Liliana?

On my Blog:

http://nevasquiresrodriguez.com/

On my Amazon Author page:

http://www.amazon.com/Neva-Squires-Rodriguez/e/B00MVB3ZD0/ref=sr_ntt_srch_lnk_1?qid=1417538549&sr=8-1

On Twitter:

https://twitter.com/NevaRodriguez22

On Facebook:

https://www.facebook.com/pages/Neva-Squires-Rodriguez/1497271613835645?ref=hl

And on Goodreads:

https://www.goodreads.com/author/show/8507331.Neva_Squires_Rodriguez

 

The White Horseman

Graydoncover

Ancient artifacts, mad sorcerers and the prophecy of a human child makes for an intriguing, compelling fantasy tale in J.S. Graydon’s first published novel The White Horseman. Saving the world is no easy feat for one human child amidst a war of destruction when one powerful messenger is summoned by the enemy: The Horseman, who will bring forth a message of apocalyptic warnings: the world of humanity will end. With the right combination of magic, wizardry and action packed adventure, Graydon’s debut will surely be a treat to readers of all ages.

Interviewer: Christy Campbell

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Tell us about J.S. Graydon, fantasy young adult author.

I am originally from England. I was raised in a very little village. The same one that is in the book! I had a wonderful childhood there. In the countryside people really do still believe in magical creatures. I truly believed that there were fairies that lived at the bottom of our garden. We had a true white witch that lived less than a mile from us! When you are brought up with such colorful people, it is hard to contain your imagination! I have since moved to southwest Florida which is a fantastic place to live. When I’m not writing, I love to travel.

Tell us about the premise behind your debut novel, The White Horseman.

Good question! The book is about a young boy that gets a chance of a lifetime to join in an adventure that will ultimately save the world. A sorcerer, determined to obtain his place within the immortal realm has begun a chain of events that if not stopped, will bring about the very End of Days itself! His spell would unleash the first of the horseman of the apocalypse: The White Horseman.

The young boy is drawn into situations of magical manipulations and of enchanted forests that are not rooted in place. He encounters wondrous creatures drawn from the myths and legends of ancient lore such as centaurs, hobgoblins, elves, and celestial beings that intervene to try to stop an ancient evil from rising again.

But while the good try to repair the damage before it’s too late, there are others that plot to sabotage. Not all those that appear to help the boy are truly what they seem. There are creatures that would love nothing but for the plan to fail. Suspicion runs rampant as it becomes clear that there is a traitor amongst them. They can only hope that they can stop the one person that stands between salvation and hell’s gates before it is too late.

How long have you been writing fiction?

I’ve been writing most of my life. I have tons of unfinished manuscripts and plays that got started but never finished! This story came to me in a dream and it was important to finish it.

What makes your book unique from other fantasy adventures on the bookshelves today?

It’s unique because there are many other programs and television shows that are on the same page (no pun intended) as this novel. For example, the television show Constantine portrays a battle with demons and angels. This is also true within my book. There are celestial forces at play in The White Horseman that will keep you guessing until the end of book! Another example would be Sleepy Hollow: This show follows more closely the ideas that The White Horseman creates. The young man, Ben, is thrust into a magical journey to stop the horseman of the apocalypse from returning to earth.

The plots and subplots also make it unique. I just love weaving ideas around each other. There is more than one story being told within the pages of The White Horseman. The characters are complex and each brings to the table a strong personality.

Tell us about the main characters in the book.

Absolutely! Ben is the main character – he is the one that crashes through the protective barrier that hides the guardian world. A prophecy picks Ben to lead a group of local characters in an effort to stop the evil wizard that plans on ruling both worlds. His mentor is Gerhardt – an ancient sorcerer whose knowledge will help guide him on his quest. He is accompanied by some very colorful characters: An elf, a Scotsman, a centaur and a hobgoblin. He also has the unpleasant task of working with a Contrary – a person cursed to live his life backwardly. Not all are as helpful as they could be. Some are not his friends at all but plan to sabotage Ben’s efforts at any cost!

Some of the conflicts in the storyline appear to be ripped from the headlines. Can you elaborate on why you chose to go that route?

Yes that is true. Though this is not a religious book by any stretch of the imagination, it does touch upon problems and issues that the world is having right now. Problems within economies and religion do play into this story as a back drop. The fictional events in the novel play into a version of what people consider being the End of Days. I just took the story a little further and asked myself “what if there was a realm aside from our own that guarded us from this misfortune?”

Did you simply wing it when it came to penning the story or did you work from an outline?

Great question! I had a general idea of what needed to be written but it was mostly written free style. I had started the story years ago, writing on ledger books – I had tons of them. Eventually I had the task of transferring the written word into a computer. That took some time! The second half of the book was written directly on the computer which definitely sped up the thinking process. Now that the characters are fully formed I plan on using an outline for the second book in the series called the Red Horseman.

What was the most challenging aspect of writing your first book?

Probably it was finishing it! I started writing it many years ago but didn’t have the discipline to finish the novel. There was a two year gap between the first half of the book and the second portion. When I picked up the book the second time around I enjoyed the characters so much that I knew that I needed to knuckle down and finish it!

Also, originally I would go back and re-read the chapter in an effort to ‘fine tune’ it. This led to me slowing down and feeling that the chapter was stale. The second time around I just barreled forward and ironed out the small details much later. This allowed me to work quicker and keep the story fresh in my mind.

Which character did you find the most difficult to portray?

The most challenging character was writing in the Contrary. The Contrary is a person born of both the human world and the world of Wode Uplands. It is a highly unusual aberration. Because the Contrary is born of both worlds he is cursed to forever live his life backwards. I must say that trying to clearly write about a man that must live his life in reverse was difficult at best but he is a very important piece in the puzzle between the two worlds. The Contrary in essence becomes like a bridge that can see into both realms. His place in the book is a vital one.

Are you an avid reader of any particular genres/titles?

Yes, yes, yes! I love to read. I will read anything. Cereal boxes, ingredient lists, magazines, books, you name it! I caught the reading bug very early in life and I believe I’ve read hundreds of books. I love young adult and fantasy books, but I relish a good mystery or thriller too! Imagination is such a wonderful tool that the mind has. Mine works on overtime. In all the hundreds of stories I’ve read or written my mind conjures up new environments and colorful scenery each time.

Tell us what’s in store for fans of J.S. Graydon?

I plan to continue writing. The White Horseman is the first in a series of five books. I have already started work on the second book, The Red Horseman. I would love to get everyone’s thoughts and reviews on the book. I’m sure that it will help guide the next books on their way!

Where can readers learn more about you and purchase The White Horseman?

The book is available for purchase immediately. I am currently on Amazon.com: http://www.amazon.com/White-Horseman-J-S-Graydon-ebook/dp/B00OD00U76/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=8-1&qid=1415595865

and Goodreads.com: https://www.goodreads.com/book/show/23324262-the-white-horseman

I also have a new website: http://www.jsgraydon.com/. It has just opened but I plan on using it as tool to connect with my readers. I am thrilled to start this new chapter (pun intended) of my life and to be able to share it with others.

 

A Conversation with Daniel Blanchard

Daniel Blanchard

“The surest way to corrupt a youth,” wrote German scholar Friedrich Nietzsche, “is to instruct him to hold in higher esteem those who think alike than those who think differently.”

As teens of any generation go through the painful process of individuating, it’s not uncommon that they either try to model themselves after the cool kids that belong to the “in” crowd or they fall into a state of despair that there is nothing unique about their own personalities or skill sets which will deliver the attention – and validation – they crave. Compounding the problem are parents who are trying to live vicariously through their offspring by pushing unrealistic expectations or those who lament that celebrities seem to have more influence on a teenager’s behavioral choices than any lessons imparted throughout childhood.

In his recent interview with You Read It Here First, author and educator Daniel Blanchard talks about his new teen leadership series, Granddaddy’s Secrets, and the importance of being a positive role model for the young people in our lives.

Interviewer: Christina Hamlett

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Q: The passion for helping young people find their way in a troubling world often stems from either having been influenced by supportive mentors throughout adolescence or, on the flip side, having no one to turn to and learning to overcome personal hardships through trial and error. What was your own background in this regard that shaped your career decisions as an adult?

A: Believe it or not, some of my earliest role models that shaped my life were sport heroes that I watched on television. I would watch these amazing athletes do something special and then I would want to do something special too. The next mentors that entered my life were my athletic coaches. I learned a lot from these men. They were strong, skilled, and smart. These were the things that I wanted to become too. However, I am quick to acknowledge that I didn’t have enough mentors in my life growing up, and thus I felt that many times it took me twice as long to accomplish things. Even though we do learn from our mistakes, mistakes are painful. Teens should go out of their way to pursue mentors.

Q: What’s the best advice anyone ever gave you when you were growing up?

A: One of my early wrestling coaches told me after one of my losses that life was a marathon, not a sprint. And if I just hung in there, someday I will pass out these other kids that got an earlier start than I did in this sport. I did hang in there, and became very good over time, and eventually passes them all out.

Q: There’s an escalating sense of “entitlement” among today’s tweens and teens – a mindset that has evolved as much from bad parenting as it has from political leadership that believes the have-nots are owed whatever the haves earned through hard work. What’s your response to a young person who has no role models in his/her life from which to learn an appropriate and disciplined work ethic?

A: A young person has to start reading biographies of successful people. Here in these books they will learn how hard and how long these great people had to work for their success. Once they really get to know someone who has done something special, they will see that there are no handouts. Or at least now handouts that create any person of real quality. My first book, Granddaddy’s Secrets: Feeling Lucky? is a good example that explains how there are no handouts that could ever make one a real leader, and what many of our friends and society is doing is wrong. We need to think for ourselves, stand on our own two feet, and create our own luck.

Q: How about the highly visible role that celebrities play in reinforcing bad behaviors (i.e., arrogance, substance abuse, out-of-control spending, out-of-wedlock pregnancy)? I’m guessing you’ve heard no shortage of teens say, “Well if So-and-So can do it and they’re famous, why can’t I?”

A: I’m tired of stars saying that they are not role models. They couldn’t be more wrong. They are role models whether they like it or not, so they better start behaving like role models because our youth is watching. I feel that it is our responsibility as adults to be those role models that our youth is looking for. And if we’re not big enough yet in their eyes, well then, we better get busy getting bigger, while we point them to real role models that really are doing something special and don’t behave badly. Finally, we need to open our mouths and tell our youth about the bad examples that celebrities are reinforcing. Let’s point out their bad behaviors and get it into our youth’s heads that that kind of behavior isn’t okay. If we can get our youth to start viewing celebrities’ bad behaviors as wrong, then maybe celebrities will think twice about what they are doing.

Q: What inspired you to write Feeling Lucky?

A: My students asked me over a ten year period to write the book. I finally broke down and wrote it. I figured they must be seeing something that I’m not if they are continuously telling me to write a book in order to tell other students what I’m telling them. So, I figured, why not have faith in them and do it.

Q: How did you decide on the title for this book?

A: I wanted to change the paradigm of luck being when one lazily sits back and waits for something good to come to them, to working hard and going out and creating good things in one’s life. The new definition of luck is preparation meeting opportunity. We create our own luck through hard work. I was hoping by calling my first book, Feeling Lucky? I can get people to think about what luck really is.

Q: In a nutshell, what’s the book about?

A: Granddaddy’s Secrets: Feeling Lucky? is about a struggling teen who lives in a rough neighborhood and goes to a rough school. On his 16th birthday he meets up with his estranged and mysterious Granddaddy who shares with him what it means to be a leader and a real man.

Q: I understand this is part of a teen leadership series. Tell us more.

A: Yes. My Granddaddy’s Secrets teen leadership book series has three books in it. The first book, Feeling Lucky? is the 10th grade story of a struggling teen who spends his 16th birthday in the park listening to his Granddaddy’s wisdom. The second book, Feeling Good,  is the 11th grade story of the same teen who has grown from his Granddaddy’s wisdom and is now trying to apply some of these secrets of success and leadership to his own life. The third book, Feeling Strong! is the 12th grade story of the same teen as he is getting ready to graduate high school and take that next big step of going out in that great big world.

Q: There can certainly never be enough books on the market to encourage young people to be independent thinkers, to stay positive, to be kind, and to make a difference as they go forth into the world. The question, though, is how do you get them to read these books – including yours – when there’s such a multiplicity of distractions (especially technological) to take their attention elsewhere?

A: It’s always a struggle to get teens to read. However, the best way to get someone to read a book is still word-of-mouth. A teen needs to constantly hear us talking about these books like they are something really special. They need to constantly hear how books made a difference in our lives. If teens hear this kind of stuff enough, they will become curious and just may read these books that we keep telling them about.

Q: Speaking of technology, is too much of a good thing actually a bad thing in a teen’s social development? For instance, is insularity and anonymity breeding a generation of youth that can no longer communicate in person or, worse, feel they shouldn’t be held accountable for anything hurtful they say via an electronic medium?

A: Sadly, I do believe that that is happening to some degree. We adults remember what it was like to actually talk to people. We must go out of our way to talk to teens. They aren’t getting old fashion human conversations from most of their younger friends, so they need to get it from us. During these interactions we can build relationships with them and work on their communication skills, as well as their life skills, and let them know that they can’t hide behind electronics and say hurtful things to each other.

Q: For youth between the ages of 10 and 24, suicide is the third leading cause of death in the U.S. and is prompted by feelings of stress, depression, inferiority, anger, or powerlessness. What do you tell a struggling teen who is overwhelmed by life’s unfairness and believes that the only solution is a fatal exit?

A: Talk to an adult. Adults do care. In return, as I mentioned above, we adults need to go out of our way to constantly talk to our youth and build those relationships. No teen should ever feel that he or she does not have an adult that they can turn to. In addition, I also tell our youth that life drains us all, and all of us need to constantly fill up our emotional bank accounts. We fill up our emotional bank accounts by reading positive, self-improvement books, and by having great conversations and relationships with others. So whenever, life makes an emotional withdraw from our emotional bank accounts, we can handle it because we are always making positive emotional deposits back into our emotional bank accounts. By constantly doing this, we never let life emotionally bankrupt us.

Q: What do you say to the parents of that struggling teen?

A: You are the most important person in your child’s life. Don’t give up. They are listening to you, regardless of how they are acting at the moment. It may take years, but eventually, our youth will show us that they were indeed listening.

Q: What are you working on now?

A: I’m working on my third book of the Granddaddy’s Secrets teen leadership book series, as well as a second edition of my first book.

Q: Where can readers learn more about you?

A: They can check out my website, blog, and vlog at: www.GranddaddysSecrets.com. I also have a Granddaddy’s Secrets Facebook page they can visit and like. In addition, they can find my book on Amazon, as well as other major distributors.

Q: Anything else you’d like to add?

A: Teens, you are special. Life is a marathon, not a sprint. Don’t sweat it if you don’t feel like you’re winning the race at this very exact moment. Stick with it and you’ll do plenty of winning before your time is up. And when you are all grown up, remember the people that helped you get there, and make sure you return their acts of kindness to the next generation.

 

Porcelain Keys

Sarah_Beard

Over the course of the last year and a half, I have read more books than I had read in my previous years combined, and among those stories, I have my favorites. Sarah Beard’s debut novel, Porcelain Keys, is one of them.

Sarah put a lot of her own heart into her words, and though it took her five years to get the story to where she wanted it to be, the perseverance seems worth it. I was captured from the first sentence and the rhythm swept me up to the last page. Visit Sarah at http://sarahbeard.com.

Interviewer: Joanna Celeste

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Q: Porcelain Keys centers around Aria, a gifted pianist. As a music aficionado, was the process of writing fiction much like that of composing?

A: Since music is mostly a hobby for me, I generally don’t put too much thought into my piano compositions—I just sort of let my heart lead the way. Whatever I’m feeling or thinking about comes out as music. Once I get a melody down, I’ll usually add some depth to the piece, but for the most part they’re just simple, heartfelt compositions.

I guess the first drafts of my books are that way, too. I just write what I feel without thinking too much about whether or not it’s going to work. Then once I have the story down, I go back and analyze it to death. I tear it apart and rework it over and over until I get everything just right—plot, characterization, pacing, setting, dialog, conflict, tension, etc. Each element has to be considered separately, then together as a whole.

A book could be compared to a symphony or concerto. You have all the different instruments playing different parts, serving different purposes, and when all put together you have something grand and beautiful. I don’t compose musical concertos, just little solo piano pieces, so it’s simple and easy. My books, on the other hand, are literary concertos. If one instrument (pacing, plot, etc.) is out of tune, it sours the entire work. Only when all the instruments work together and complement each other can a literary concerto become a moving masterpiece.

Q: Yes, it’s an intense process with editing being the primary focus. Throughout thefiveyear journey of writing your novel, what are some key moments or pieces of advice that strengthened you to keep moving forward?

A: There were countless times I wanted to give up during the writing of this book. Like when my critique partners would point out plot problems that seemed too big to fix, or when I couldn’t pin down a character’s motivations. I would go home feeling discouraged and would want to scrap the whole thing. But a woman in my writers group, Shauna Dansie, once gave me a great tip. She suggested that when I come across a story problem that seems impossible to fix, that I should write it down on a little piece of paper and set it aside somewhere safe, then continue working on other parts of the story. The theory is that you know in the back of your mind that there is that big problem that needs to be fixed, but you don’t have to worry about it because you have it written down somewhere. So your subconscious does all the work. And one day as you’re folding laundry, the solution just pops into your head. Or you wake up in the middle of the night, and you know why your character did that stupid thing. It worked every time.

Another piece of advice that stuck with me was one I received at a writing conference. I was sitting across the table from a literary agent at dinner (great opportunity—or so you would think) and I told her a little about my book and asked her which genre it would be—YA or women’s fiction—since the story begins when my character is 17 and ends when she is 19. New Adult was not yet an official category, so she basically told me that no publisher would ever pick up my book because there wasn’t a market for it. My shoulders must have visibly slumped because author Stephanie Fowers, who was sitting next to me, leaned over and said something like, “Don’t worry, Sarah. Just write the story you want to tell and don’t try to fit into anyone’s definition of what makes a marketable book.” I took her advice to heart and stopped worrying about trends and categories, and just wrote what I wanted to.

Q: That’s brilliant advice, since we can’t really help but write the story that is there to be told. Without being outwardly religious, there is a certain quiet weave of spirituality in your writing. Life seems to hold its own essential divinity, as you would have experienced in giving birth, surviving cancer, and living in general – but did you seek to share a particular message, or was the writing organic?

A: When I first started writing Porcelain Keys, I didn’t set out to share a specific message or lesson, I just wanted to write a great love story. But I think on an unconscious level some of the lessons I’ve learned in my own life seeped into the story. I’ve learned from experience that it’s possible for people to change and overcome character flaws, and that damaged relationships can be repaired. I also know that grief can cause people to do things they wouldn’t otherwise do. So as I wrote the story and my characters did certain things, I used my own life lessons as a reference to help me decide whether or not their actions were realistic and believable. It wasn’t until after I finished writing the story and had to start describing it in query letters that I really thought about what messages it contained.

Q: That’s awesome. On your blog you shared the inspiration of Porcelain Keys but we didn’t read the particulars of the scene that germinated your book. If you remember, please share it with us.

A: Yes, I remember the exact details of the scene. In fact, I still have it saved in a first draft (it’s horribly written, by the way). I didn’t share it on my blog because my story changed over time and the scene ended up having no relevance to the story. But it was a scene where Aria comes home from college for summer break, and she is going through a box of memorabilia when she discovers a necklace that Thomas gave her before he left town. She is surprised to see it because she thought she had gotten rid of it, and it brings back all the memories of their time together and the painful events surrounding his disappearance. This is the scene that sparked all of the questions that led me to my story. I had to know who these people were, why Thomas had left, and why he hadn’t returned as promised. For me, it was like an intriguing mystery that needed to be solved. And as I discovered the answers to these questions, I fell in love with the characters and knew that I had to tell their story.

Q: Thank you for sharing that. This is perhaps like asking you to name your favorite child, but do you have a favorite scene from your book? One that, no matter how many times you read it, resonates with you?

A: This is a tough one to answer without giving away too much of the story, but one of my favorite scenes is in chapter nineteen when an unexpected visitor walks into the parlor. My heart swells every time I read it, even though I’ve read it five million times. I also love the scene where Thomas gives Aria a painting—it always brings tears to my eyes because I know how much it means to her. The hardest scene to write was in chapter twenty-two where Aria and Thomas have a long talk—I must have rewritten it at least a dozen times—but it turned out to be one of my favorites.

Q: I loved those scenes, too. That seems to be the hardest part of being a writer, or any artist—knowing when to step away from the story and let it out into the world. Porcelain Keys is published by Sweet Water, an imprint of Cedar Fort. You mentioned that they have been wonderful to work with – what have been some of your adventures in publishing?

A: I haven’t had too many adventures in publishing since this is my first novel, but I did spend about seven months querying literary agents before being accepted for publication by Cedar Fort. During that time I sent out a total of 45 query letters, and got a few bites, including a 2000-word email from an agent listing all the things she loved about my manuscript—and all the things she wanted me to change. I was on an airplane when I got her email, ready for takeoff, and I only got the gist of it before I had to turn off my phone. I spent the four-hour flight wanting to die, and then give up writing, and then die again. It’s the worst feeling, spending hundreds or even thousands of hours on a manuscript, only to have someone tear it apart and tell you all the things you should change.

But when I got home and got a good night’s rest, I opened the email and read it more thoroughly. I realized that she actually really liked my book and had a lot of great suggestions—which was a good sign. Literary agents don’t usually give that much feedback unless they’re really interested in your manuscript. So I took most of her suggestions and implemented them. But there was one big change that I didn’t agree with and felt would make my entire story collapse. Because of this, I didn’t feel she was the right agent for me. So I kept sending out query letters to other agents. Around this time, a friend lent me a book that was published by Cedar Fort, and I really loved it, so I decided to send my manuscript to Cedar Fort. And two months later I got an email from their acquisitions editor saying they wanted to publish it—just the way it was.

Q: Congratulations! You also mentioned that you look forward to a long working relationship with Sweet Water. Do you have a second book planned?

A: I’m working on another young adult romance right now. I don’t want to say too much about it, but it’s set on a California beach and involves chocolate, surfing, and supernatural elements. I also have detailed outlines for two more after that, both young adult romances.

Q: That is wonderful! What will you take from this launch, to utilize in your next release?

A: I’ve learned that when it comes to getting the initial word out about a book, bloggers and book reviewers are a writer’s best friends! Also, it’s pointless to stress about things that aren’t in your control, like which bookstores will pick up your book, or whether or not reviewers like your book. Stress kills creativity, so I’m learning to stop hovering and instead get back to what I can control: writing more books!

Q: Good plan! What, if any, is/are your life motto(s)?

A: I don’t really have a life motto, but there are things I try to remember everyday: That life is short and that I should make the most of each moment. That worldly success is enjoyable, but can’t bring lasting happiness. Only my relationship with God and my family can do that. They are the constant in the ups and downs of life. They will be there when fans and literary agents and publishers are not. So God and family always come first, because to lose my relationship with them would be to lose everything.

 

Angels Dawn

Angels_Dawn_final_ebook-1

Friends, cute boys and lots of fun are the usual expectations of a teenage girl’s birthday affair. Unless you are the key to a past crime that you can’t remember. In Komali da Silva’s debut novel Angels Dawn, one typical teen girl finds herself thrown into a world of intrigue and danger on her sixteenth birthday, with a dose of mysterious romance on the side.

Interviewer: Christy Campbell

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When did you first decide you wanted to be a writer?

Actually, it was never my plan. I always wanted to study sports medicine but that plan was destroyed because I was diagnosed with Rheumatoid Arthritis. I had to stop doing sports for a while and I found time to read. I found my life and dreams in those books.!I was always good in writing but never invested time willingly. One day, I was on my way to work. I was sitting in the train and this idea came rushing into my mind. First thing I did was take a piece of paper and write it down, so the journey began.

Tell us about Angels Dawn. How did you come up with the concept of this novel?

I just saw these three characters in my imagination waiting to come out. Then I started writing with the description of Dawn and the story began to write itself. It’s mainly written in Dawn’s point of view because I felt very close to her. She is a 15 year old girl, living in a small town in Florida. On her 16th birthday everything changes in her life. It’s a teenage love story with a bit of a dark twist in it.

How many books are there in your debut series? 

I’m planning for three but it could also be four J

When you sit down and get to work, what habits or routines to do you have?

I always read the last chapter I wrote, that way I can start at the same place where my thoughts left me. Sometimes I even read a chapter or two of a book I really like, so that I’m inspired to write.

What is it about the young adult market that nabbed your desire to write for that genre?

It’s strange, I’m a 30 some year old woman, but I love reading young adult books. It keeps me young in heart and mind. Toni Morrison once said, if there’s a book that you want to read, but it hasn’t been written yet, then you must write it. So that’s what I did.

Who were some of the authors and titles that may have influenced your writing journey?

Becca Fitzpatrick: Hush Hush series, Carlos Ruiz Zafon: Shadow of the Wind, The Angel’s Game and the Prisoner of Heaven. J.K. Rowling: Harry Potter, all of them books And of course Lauren Kate: Fallen Series, Teardrop and not to forget Charles Dickens: Oliver Twist – It was the very first book I ever read.

Do you know where the story is going when you sit down to write it, or do you prefer to have an outline?

With Angels Dawn, I had a different ending planned but when I was almost there, my fingers typed something very different. I like that ending way more than the planned one so I polished it up and let it flow. I’m not an outline person. I like my imagination to play with my ideas. I think good books always need to have its freedom. I’m not the storyteller it’s the story, which tells the author what comes next. 

That’s how I feel with my books.

When it comes to leisure reading, what are some titles you might recommend for teens?

That’s a tough question. I love all the books written by Lauren Kate. I’m a crazy fan girl when it comes to my favorite authors. Lauren Kate visited Milano, Italy on her book tour and I traveled by train to Milano only to meet her. May be I should mention that I live in Bern Switzerland. So that’s like four hours by train to Milano. We got a lot of amazing authors out there; some of my absolute favorite authors include Cassandra Clare, Carlos Ruiz Zafon, Cecelia Ahern, J.K. Rowling, Becca Fitzpatrick, Kami Garcia , Margaret Stohl, P.C. Cast and Richelle Mead.

What are the biggest challenges for authors attempting to break into the young adult market?

There are many good and talented YA authors in the market, so it’s very difficult to get the readers to see your work. There is so much of promotion behind the process and one got to have a lot of luck on her side as well. And of course, readers love to compare. That doesn’t help much but don’t we do that too? 😀

What’s up next for your adventures in writing? 

At the moment I’m writing Fight for Dawn, book two of the series. Then I hope on finishing the series. Then I also have an idea for another novel. But it’s going to be a stand-alone and not YA related.

 

Angels Dawn is available on Amazon in paperback and Kindle.