A Chat With Jeffrey G. Roberts

The Healer - Cover Art

What happens when a 22nd century doctor working on Mars is suddenly stranded 168 years in the past on a violent and primitive world – ours! Such is the premise of author Jeffrey G. Roberts’ SciFi novel, The Healer. With an inventive muse that regularly zips around at the speed of light and an imagination that constantly asks “What if…,” the fun of landing Jeffrey for a feature interview this week is a treat for anyone who has ever wanted to (1) understand how time-travel works and (2) appreciate the therapeutic value of chocolate cream pie.

Interviewer: Christina Hamlett

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Q: When you were growing up back in Fort Lauderdale, Florida, what is the weirdest, oldest or most sentimental item we might have found in the bedroom of your younger self?

A: I guess the oldest would have been two particular books I bought – Stoddard’s Practical Arithmetic, copyright 1853, and Appletons School Reader, copyright 1886. And the most sentimental: my aircraft books! I’m an airplane freak!

Q: What did you dream of growing up to be?

A: My Mom liked to recall a story about how my Dad once went on a business trip. I was about five and he told me I was now man of the house until he got back. And I burst into tears. When asked why, I told him I didn’t want to be man of the house – I wanted to be a horse! Luckily, I have no recollection of this bizarre incident. This is a good thing. But as I got older, and had given up the dream of changing species, I believe I wanted to be a test pilot. Never happened, but I did solo in 1968, and my Mom, Dad, my dog, and I had many happy times flying all over the country in my Dad’s plane. He was a great influence on me, as he was a decorated Spitfire fighter pilot in the R.A.F. during the Battle of Britain.

Q: Were you a good student in school?

A: I was a fair student in High School – because I hated it. I was an excellent student at Northern Arizona University – because I loved it. No brainer.

Q: Your current repertoire includes SciFi, Horror, Fantasy and Comedy. Among the authors who pen works in these popular genres, who do you most admire and what influence have they had on your own style of storytelling?

A: Probably Ray Bradbury, H.P. Lovecraft, Douglas Adams, and Kenneth Grahame have inspired me most. And, of course, my Dad, who wrote radio drama after WW II.

Q: With a degree in American History from Northern Arizona University, you’ve no doubt spent a lot of time pondering how even the slightest nudge of Fate (including “outside” intervention) could have rewritten the outcome of major events. Were it left up to you, what single historical event would you like to have seen come out differently so as to impact future generations in a profound way?

A: I would have hoped General Douglas MacArthur could have gotten the green light from President Truman, to rid the world of the scourge of Russian and Chinese Communism, when the “infection” was small and weak, thus saving tens of millions of lives.

Q: In 1978 you decided to get serious about your writing career. Was there something significant about that year which fueled your enthusiasm to put your stories in front of an audience?

A: The work I had put into my undergraduate degree in writing, the fact that I wasn’t getting any younger, and my Dad telling me to get a job!

Q: What genre is the most fun for you to write?

A: Probably fantasy/comedy.

Q: Do you typically work from an outline or let the thoughts come naturally as your fingers fly around the keyboard?

A: I work from an outline, hand writing my stories in a black and white composition book, like our parents used. Then, after I’ve “bled” all over it, I put it into the computer.

Q: Does anyone get to read your chapters in progress or do you make them wait until you’ve typed “The End”?

A: Only my two closest friends.

Q: Favorite SciFi movie or TV series?

A: Sleepy Hollow, and the original Star Trek movie. Sleepy Hollow, because even though its premise diverged widely from the original story, I love Washington Irving. And Star Trek because its original premise was based on hard theoretical scientific principles. And many of its devices are actually in use today, not 200 years from now! It also showed a world where global problems have been solved.

Q: In both The Healer and Cherries in Winter, your respective protagonists find themselves thrust into another time period. Speaking for yourself and as an accomplished man of the 21st century, would you rather time-travel to the distant past or the distant future? Why? And what do you feel would be the greatest challenge to deal with?

A: I would prefer to visit the distant future; say, 2100; because I want to experience interstellar travel. I suppose my greatest challenge would be assimilation and understanding of the world of the 22nd century.

Q: If you had to live permanently in whatever time period you suddenly found yourself transported to, when and where would it be?

A: I suppose, as above, the 22nd century. I cannot know if the world will have changed for the better or worse, but that’s the chance you take in the world of time travel!

Q: Time-travel plots often emphasize the dire risks of changing the future through even the most minor acts. (In Back to the Future, for instance, Marty rushing to push his father out of the path of a car delayed his parents’ meeting and required the rest of the movie to get them together by the night of the prom.) What’s your own theory on this; specifically, how can one not change the future by going to the past?

A: It has been postulated that the universe has a governing mechanism to prevent such horror: what I call the Reality Tree, where an infinite number of branches represent all possible realities. If you tamper with one, it vanishes, to be replaced with an alternate, thus preventing reality from exploding!

Q: Speaking of theories, who is your favorite or most annoying “ancient astronaut theorist” on Ancient Aliens?

A: My most annoying – even though he is a Facebook friend – is Giorgio Tsoukalos.  And my favorite is John Greenwald – but not because he published my article on “The Face on Mars Controversy”. No, of course not.

Q: Who or what inspires you to come up with your storylines?

A: Basically what you’re asking me is – what is the nature of creativity? And I haven’t the slightest idea, to tell you the truth!

Q: When and where do you get your best writing done?

A: At my desk, right here. And when? When an idea, or the muse hits me.

Q: Like many authors, you’ve gone the self-publishing route. What is the most challenging aspect of wearing so many hats in order to get your work into circulation?

A: Marketing and promotion, without a doubt. It’s brutal. In comparison, the art of writing itself is a piece of cake, easy as pie. Now I’m hungry!

Q: What are you doing to promote your books?

A: I’m on Facebook, and have a Facebook fan page – A Talespinner – and I’m on Goodreads, Twitter, Linkedin, Pinterest, about 300 Facebook book promotion group pages; I have a website (http://Atalespinner.weebly.com),  and I also promote my books on dozens of book promotion websites, such as Story Cartel, Reader’s Favorite.com, Promocave, Reader’s Gazette, and many others.

Q: In a perfect world, there’d be no such thing as bad reviews. Alas, but they’re a fact of life, even for writers that are seasoned. When someone leaves a snarky critique about your own work, how do you react to it?

A: Thus far, aside from story rejections, which every writer gets, I’ve gotten good reviews, for the most part. What do I do when I get a bad one? I go in my bathroom, put my face in a pillow, and scream obscenities in three different languages. Then I find the biggest piece of chocolate cream pie, and a glass of cold milk. Works for me!

Q: Best advice to aspiring authors?

A: Never accept the opinions of naysayers or dream breakers. There are always going to be people, who for whatever reason, take perverse delight in skewering your most sacred hopes and dreams. Ignore them, and press on! Individuals like that are attempting to blow out your candle, to make theirs appear to burn brighter. Carpe diem!

Q: What do you know now that you wish you had known much earlier?

A: If I’d known I was going to live this long, I would have taken better care of myself!

Q: What’s next on your plate?

A: A horror novel, The Horror on the H.M.S. Cottingly.

Q: Where can readers find your books and learn more about you?

A: For Cherries in Winter:

Barnes & Noble – http://bit.ly/1LEdUSh

Amazon – http://amzn.to/1NpBvU8

Kellan Publishing – http://bit.ly/1nPHRp1

For The Healer:

Barnes & Noble – http://bit.ly/1uw2YbA

Amazon – http://amzn.to/ZDv24p

Booklocker – http://Booklocker.com/books/7244.html

Also i-tunes and Kobo. And to find out more about me, you can read my bio at http://Kellan-publishing.selz.com or

http://Booklocker.com/books/7244.html.

Q: Anything else you’d like to add?

A: Nothing, other than this has been a very enjoyable exercise.

 

 

Into the Unknown

Into the Unknown

What happens when a girl enters a city with no name, and a plan to change the future for all of its citizens? Dystopian fans who love mystery, action and a heroine who manages her own army will enjoy a journey Into the Unknown, the debut novel from German author Alice Reeds. The first in a series to come, Into the Unknown takes readers into the life of Bexx Kajan, a seemingly ordinary young woman who, as it turns out, isn’t so ordinary after all as she sets out on a dangerous mission to avenge the death of her sister and defeat enemies along the way.

Interviewer: Christy Campbell

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Tell us about yourself and how you decided to become an author.

My name is Alice Reeds, I’m from Europe and I started to write and read around the age of eight or nine. I started off with little, quite naïve stories, which mostly never got finished, but I somehow always knew that I wanted to do something with writing. Three years ago I wrote a twenty five page long novella as a Christmas gift for a friend of mine – more as a joke and not as serious novella – but now I think it was my first step into really getting into writing. I also wrote a story that has around one hundred seventeen pages in length but I never finished it as I came to the conclusion that it is too simple and too naïve. But as I started to write Into the Unknown, the dream of one day becoming a known author seemed real and so I decided that I really want to go down this road and prove myself in the writers’ world and show that my novels are worth reading.

Into the Unknown is your first novel. When did you come up with the idea to write it?

According to my first Word document that I created in order to write Into the Unknown, I started writing on the December 29th 2012. I remember that it was a gray day and I was walking down a street while listening to an electronic song by David Guetta and then it suddenly hit me. I had this whole picture in my head which in the end turned out to be the first scene in Chapter One. From that day on, the whole story started to come to life in my head and later also on paper.

Why did you decide to write a novel set in a dystopian world?

After I read Awaken by Katie Kacvinsky in 2011, I think, I started to really fall in love with the genre and this way of seeing the future, which just fascinated me from the beginning. I enjoy seeing how different authors see our future and how it all looks in their novels. This led me to think of my own vision of the future and as my ideas for Into the Unknown started to grow, a vision of a dystopian future in which my characters would live, started to form and develop.

In Into the Unknown you also talk about genetic engineering. How did you come up with the idea for that component of the story? 

I would say people in general always had this idea of manipulating animals in order to clone them. During the Olympic Games there were all those news stories saying that athlete XY is much too good he/she has to be on steroids or be somehow genetically different. Besides that, people also always had this thing for superheroes, like Superman who’s incredibly strong and so on.

I came up with the idea to actually make gene manipulations a thing in my novel. Of course, as I came up with the idea I had totally no idea of genes and all that, as I actually don’t take biology in school, so I had to do some amount of research on the Internet to find what I could more or less understand.

Your blog was first written only in German and later on also in English. Why did you decide to write a novel in English?

That’s a good question. For years I’ve been writing in German, as I feel I can express myself better in German, but then I started to be around people who only spoke English. Slowly but steadily my preference changed and now I feel like English is my writing language. I knew that if I wrote my novel in English, I could reach a bigger audience as there are more people who speak English then German.

In one of your chapters you talk about a song by Queen and its meaning. Is there a particular reason why you chose Queen and not another band or singer?

For me it was important to choose a band that would really stand out, as they are the band that represents the culture of the past in my novel. So I was thinking about it and one day “I Want It All” was playing on the radio and that’s when I knew it had to be this song and this band. Queen comes from a time when music was made due to passion and not predominantly because labels wanted to make music and singers really had to be able to sing as they didn’t have auto tune back then (so lucky). Besides that, Freddy Mercury was a wonderful, one of a kind singer with a voice that no one will ever be able to imitate or “out sing” and so I felt that it was the right choice, instead of musicians that people listen to today, who mostly just sing about how they want to party or have sex with someone.

What was the most challenging aspect of writing a novel?

As a student I always had the problem of finding time for writing between school and homework, but another thing that was quite challenging was finding the determination to really sit down and simply write. The first 20,000 words took me around seven or eight months because I had very long periods where I couldn’t get myself to write. I just didn’t quite know where I wanted my story to go. Yet the last 25,000 words, more or less took me between three to five days, which I still cannot believe. Somehow inspiration just hit me together with the determination to really write this novel and have it done. So I just sat down and wrote it all.

As a new self-published author, what are the things you know now that you wish you would have known before? 

For one, I wished I would have known just how expensive it is in terms of getting a professional editor/proofreader to go over your work. Another thing that I wished I would have known before is that if you want to get published the old fashioned way and you want to get published by the big ones like Katherine Tegen Books or Penguin, you need to have an agent. At first I thought okay that surely isn’t that hard, right? Wrong. The process is extremely long and nerve-racking and so it led me to self-publish because I decided that I just don’t want to go down that road. I wish I would have known that before in order to just save myself from all the sleepless nights and anxiety waiting for an answer.

Tell us about some German authors whose work you admire and why.

To be honest, I don’t read many German authors but the one I really love, and who is my favorite author of all, is Sebastian Fitzek. He’s a psycho-thriller author whose books always managed to surprise and fascinate me. I still remember the nights I read his book called Seelenbrecher (Soul Breaker would be the most accurate translation in English) and I was torn between I have to know what happens next and No, no, no! Put that book away, this is way too scary so you won’t be able to sleep. I was around fourteen years old when I read it and it’s quite a scary and gory book.

What genres do you enjoy reading?

Quite obviously I enjoy dystopian and post-apocalyptic books, but I also like to read books like The Fault in Our Stars by John Green or The Sea of Tranquility by Katja Millay, which are the type of books that will make you happy and cry and just give you this constant roller-coaster of emotions. I really love that.

When I was younger, I loved vampire books. I have a ton of those, but right now I cannot even look at them anymore as I’m just so fed up with vampire stories. They seem to be all the same, in a way.

You’re only nineteen years old! What are your plans for the future when it comes to writing?

Well, after high school I want to take a year off and just relax and give myself the time to write and do fun stuff. After that I’m planning to go to University in order to study journalism. My dream job would be to work as a journalist for one of the bigger music magazines, like Kerrang! I’ve always had a passion for music, and it’s also related to writing, so I could really picture myself in such a job. Besides that, I want to continue writing and maybe one day be able to call myself somewhat of a successful author. Right now, during NNWM (National Novel Writing Month) I’m trying to reach the goal of writing 50,000 words in less than thirty days, which I want to use in my second book for my Hunting Freedom-Trilogy, so we’ll see how that’ll go. Of course, I know that going down this road of being an author and publishing books will be a very long process, but I’m willing to take my chances and just see what will happen!

Into the Unknown is available for Kindle at Amazon.com

Visit Alice Reeds’ blog at http://www.alicereedsbettgeschichten.blogspot.de/

Earth Girl Trilogy

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Ms. Janet Edwards is an English author whose debut novel (Earth Girl) made waves across the world; she has managed to combine her love of make-believe with her knowledge of science to craft a marvelous style of writing that stays with the reader in many more ways than one.

In my book review for Earth Star (http://blogcritics.org/book-review-earth-star-by-janet-edwards/), I wrote this about Ms. Edwards’ work: “It reminds me a little bit of why I love Doctor Who, because while it is full of things that are brilliant and fun, it has an undertone of what makes humanity human, and gives us both sides of the coin. It manages to convey socially important messages in marvelous wrapping, and I am very glad that it is one of the pieces of literature to be welcomed both sides of the pond.”

Ms. Edwards is as warm and generous in person as her writing is witty and deep, and it was a treat to connect with her for this interview. You may find out more about her and her “Earth Girl Trilogy” on her website (www.janetedwards.com). You may also contact her via her Twitter (@JanetEdwardsSF) and Facebook (http://www.facebook.com/JanetEdwardsSF).

Interview by Joanna Celeste

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Q: Your debut novel, Earth Girl, was the first in the “Earth Girl Trilogy” and it garnered much acclaim, including being named as among the best Young Adult books of 2012 by both Amazon.co.uk and Kobobooks.com; did you know, starting out, that this would be a trilogy? (If so, how did you pitch something that you had not yet completed?)

A: I wrote Earth Girl to be a book that would stand alone, but by the time I finished it I had ideas about how it would fit into a trilogy, what would happen in book two, and what the end of the third book would be. I pitched Earth Girl as a single book without mentioning sequels. When my agent suggested trying to sell it as a trilogy, I spent a couple of days trying to turn my rough ideas for the next two books into something more detailed and coherent.

Q: Smart! How did you deal with the double-edged sword of so much acclaim?

A: I don’t think it’s exactly acclaim but I was certainly lucky that Earth Girl got some attention and some praise. The biggest problem for an unknown debut author is that people have no idea that you or your book exist, and it’s wonderful when people help by spreading the word.

Q: That’s a great way to look at it. What were you most concerned with, when dealing with the trilogy as your debut?

A: I’d actually written two more unrelated books in the nine months between finishing Earth Girl and getting publication offers. That meant I was fairly confident I could write more books. The big difference was that I’d written Earth Girl without any real expectation that anyone would read it.  Now I knew I’d be writing books that people would read which was a bit of a scary thought.

Q: Yes, writing something that you actually know will be read changes things. Will you publish the other books?

A: I haven’t any immediate plans for publishing those two books, but I may do if the opportunity arises.

Q: Do you have any plans for other series or genres?

A: I’m working on some ideas for series which would be science fiction like the Earth Girl trilogy, set in future worlds and walking the grey area between Young Adult and Adult. I’ve also some ideas which are a bit nearer to fantasy.

Q: That sounds wonderful! You mention in your guest post on world building [http://shusky20.blogspot.co.uk/2013/08/guest-post-on-world-building.html] that you created an alternate timeline for the “Earth Girl trilogy”, imagining each of the steps as Earth fell from grace—how did you organize this? (Did you storyboard, or keep a notebook, or have a huge chart on a wall?)

A: It’s actually just a timeline in a word document, a list of dates and what happened on them. I did it that way because if I wrote on a chart or in a notebook it would get incredibly messy when I kept adding things. There are also individual timelines for each book with the date and time of each scene.

Q: I love that about Word; it cuts down on so much of the mess from when we had to do everything by hand or typewriter or index cards. What was your process for writing the trilogy?

A: It was different for each book. In Earth Girl I just journeyed along with Jarra discovering the story as I went along. I have to be careful how I say this not to give any spoilers, but there’s a point nearly three quarters of the way through the book when she walked towards a portal and I had absolutely no idea what was going to happen. For me, a lot of the writing process happens on a subconscious level, and it was only when Jarra walked towards that portal that I found out what my subconscious had planned to happen, and exactly why I’d written several earlier scenes.

Earth Star was rather more consciously planned in advance, but there were still several points where Jarra did things that surprised me. The final book, Earth Flight, has taken some serious planning of plotlines to bring everything in the trilogy together for the conclusion.

Q: I think I stopped breathing when Jarra walked towards the portal. Do you have any books you would recommend to new writers that helped you through the different processes?

A: The book I’d recommend to other writers is Stephen King’s On Writing.

Q: Your second novel, Earth Star, was published this month in the UK and around the world (Those in the US, sadly, have to wait until April of 2014). What resources do you find you have now, that you didn’t have with Earth Girl?

A: With Earth Girl I was a complete unknown. This time round there are some bloggers and reviewers who have already read and enjoyed Earth Girl and are interested in Earth Star. That’s a big help.

Q: With writing like yours, it’s a pleasure, and you’re a lovely person to work with as well. Could you please share with us your experiences working with traditional publishers: was it what you expected, why or why not?

A: I knew very little about the publication process beforehand. As the author, I was mostly involved with the text of the book, working with my editor to improve it as much as possible. I’d expected that, but I hadn’t realized how many other things had to be done when a book is published and how long in advance they have to happen. Long before the release date for the first book, various people were quietly doing their jobs and making things happen. I was constantly surprised by things like my book appearing on online bookshops for various countries.

Q: That’s a neat way of putting it—like it takes a village to raise an author. In your experiences working with UK publishers and having your work also sold across the pond, what has been the most challenging?

A: Earth Girl was published in the UK in August 2012, and in the USA in March 2013. That meant most of work on the text had been done for the UK launch and I really only had to check the proofs for the USA. I had interviews and blog pieces to do for the UK launch, and then there was a sense of déjà vu doing more interviews and blog pieces to launch the same book in the USA.

Q: It’s almost too bad you can’t keep up a Word document with all the questions and blog posts so you can just tweak and recycle them. You mark Earth Star (and indeed the trilogy) as for Young Adult and Adult. What do you consider the strong points of a YA novel, as opposed to an adult novel?

A: I think the distinguishing thing about YA novels is their theme. Their stories involve first experiences, and characters discovering not just their world but the person they are themselves. That theme can appear in a huge range of stories, and many YA novels tackle very challenging subjects. There’s no strict boundary wall between Young Adult and Adult books, and many adults of all ages find a lot of the books they enjoy are labeled YA.

Q: Yes! Some of my favorite books are YA, but I have never seen it phrased quite so elegantly. In your guest post about becoming a writer [http://authorallsorts.wordpress.com/2013/05/13/the-journey-from-fan-to-author/], you shared with us your love for reading as a child. Since your first publication, have you had anyone contact you to thank you for being their inspiration to write?

A: It would be delightful to have that happen, but my debut Earth Girl hasn’t really been out long enough to have been the inspiration for someone else to take up writing. I have had a few deeply moving messages from people with disabilities, including invisible disabilities, who’d really identified with the book because they’ve been the target of insults in the same way as Jarra.

Q: Please elaborate on what you mean by “invisible” disabilities.

A: Invisible disabilities are ones where someone couldn’t tell you have a problem just by looking at you. Disabling illness, deafness, agoraphobia, epilepsy, there are a huge range of these that can have a damaging impact on someone’s daily life. A person with an invisible disability can find themselves in something very like Jarra’s situation, because they have to decide whether or not to tell people they meet about their problem. If they’ve told someone about it in the past and met with a bad response, disbelief, insults or jeering (sadly this really does happen with some disabilities) they may be wary of risking that again. However, not telling someone about their problem may be a risk too, because they can get into embarrassing or even dangerous situations when they can’t do something or need help. I’m sure there are more detailed and expert explanations online.

Q: Ah, Jarra faces a couple of those in Earth Star. I liked your portrayal of both sides of those “handicaps”—the socially labeled and the invisible—and the realistic limitations and potentials for overcoming them, even if by compromise. I also enjoyed your futuristic military, which are featured much more in Earth Star. How did you build up that aspect of your world?

A: My ideas for the military in the Earth Girl trilogy came from their history and the work they did. In the year of 2789, humanity lives on 1200 colony worlds spread across six sectors of space. There hasn’t been a full scale war since before the exodus from Earth started in 2310, though humanity came close to one during Beta sector’s split from the rest of the sectors during its Second Roman Empire period. There are, however, occasionally small scale conflicts limited to one planet. The separate army, navy and air forces of the past have merged into one military that’s cross-sector, recruited from every planet. These military aren’t fighting wars, they’re peacekeeping, they’re running solar arrays, but their biggest job is opening up new colony worlds.

So when I was thinking of this future military, my ideas were coming from peacekeeping forces and emergency services. I felt the future military would probably take more ideas from the air forces of the past than other forces, though I’ve deliberately used a mix of ranks from a variety of forces. I threw in a couple of other factors from the military of today. Many career soldiers in the armed forces come from families with a tradition of military service, and people leaving the armed forces can sometimes have problems adjusting to civilian life or because of the aftereffects of traumatic events. I gave my future military a strong family tradition, with most of them born into military families, and made joining the military a lifetime commitment. This is a military with its own culture, operating as both a professional force and a family, so conversations can be formal including ranks, or informal casually using first names.

Q: Awesome! It can be so fun, imagining futures and playing with current realities. What brings you the most joy as a writer?

A: Hearing that someone, somewhere, has read something I’ve written and enjoyed it. All my life I’ve had great joy in reading books and it’s wonderful when someone says that I’ve given that same feeling to them. If you ever read a book and love it then consider letting the writer know by sending them a message or writing a review. Positive feedback helps inspire authors to keep writing. Reviews spread the word to new readers, which helps authors get more books published.

Q: That’s very true; I have experienced that as a writer and as a reviewer. Your writing was quite inspiring to me, and I’m glad that we will have the chance to read more of your work. Is there anything else you would like to say?

A: I’d like to thank you for doing this interview, and to thank everyone who takes the time to write reviews. It wouldn’t be appropriate for me to comment on individual reviews to say thank you, so I like to say the occasional general thank you when I get the chance.